Beauty in the Grain: How a Colorado Mountain Home Was Brought to Life With Redwood Cladding
CategoriesArchitecture

Beauty in the Grain: How a Colorado Mountain Home Was Brought to Life With Redwood Cladding

A home’s materials tell a story of how we live. Nestled in the picturesque mountains of Colorado stands a remarkable testament to sustainable material sourcing. Brought to fruition by Colorado Springs-based architect-engineer Scott Harvey, this mountain home was made to connect with the natural surroundings as an expansive and open retreat. In turn, the project’s redwood cladding reflects a family’s values as they built a home of their own.

A Family Home in the Mountains

Located in the mountains north of Colorado Springs in the town of Monument, this home was made for an active family with five children. The family was hoping for a home that embraced natural light and views out onto the landscape. Working together with builder Palmer Ridge Construction, the team brought the new, 10,538 square-foot home to life with seven bedrooms and expansive glazing. Outside, the home features an unadorned stucco finish and a continuous, seamless band of wood cladding. This warm, redwood band runs non-stop from the exterior through the interior.

The Colorado Mountain Home features an extensive use of redwood from Humboldt Sawmill. Humboldt Sawmill manufactures a full line of redwood and Douglas-fir wood products. Logs are sourced from nearly 450,000 acres of company-owned timberlands, where harvest levels are consistently below the forests’ annual growth rate and harvested trees are replanted. Logs are then processed into lumber.

For this home, the builder had Humboldt Sawmill transport the raw lumber to a dealer in Colorado where it was milled locally to the desired shiplap pattern. Local availability kept the cost within budget. In addition, it was easier to install than tropical hardwoods and no stain was required; only two coats of clear sealer. Redwood, known for its durability, beauty and sustainability, adds warmth to the design and creates a seamless transition from the interior to the exterior of the home.


Sustainable Sourcing

Photo by Kelly Edmondson

What sets this mountain home apart is not just its design but also its commitment to sustainability. The redwood from Humboldt Sawmill was sourced from company-owned Forest Stewardship Council® (FSC® C013133) certified timberlands in Northern California, where it is grown and harvested to the highest environmental standards in the world. FSC certification ensures that products come from forests that provide environmental, social and economic benefits. The FSC Principles and Criteria provide a foundation for all forest management standards globally, including the FSC® US National Standard (v1.0) that guides forest management certification in the U.S.

This commitment to sustainability not only reduces the home’s carbon footprint but also supports the conservation of forests for future generations.


Key Properties of Redwood

Photo by Kelly Edmondson

Redwood is renowned for its natural beauty and resilience, making it an ideal choice for this mountain home. Redwood is also native to the U.S., not imported. There are several key properties of redwood that make it a preferred building material:

Durability: Redwood heartwood from the center of the tree is naturally resistant to decay and insects, making it an excellent choice for outdoor applications such as siding, decking and fencing. As the team for the Colorado Mountain Home explain, “natural durability through tannins in the redwood heartwood render the wood resistant to termites and decay, an important factor in the home’s mountain environment.”

Aesthetic Appeal: Redwood’s rich color and grain patterns add a touch of elegance and warmth to homes and commercial projects alike. Its natural beauty only enhances over time, developing a patina that adds to the charm of a building.

Sustainability: Redwood is a renewable resource, with the ability to regrow from the stump after harvesting. When sourced from responsibly managed forests, redwood is a sustainable building material that helps reduce the environmental impact of construction.

Workability: Redwood is easy to work with, making it a favorite among architects and builders. It can be easily cut, shaped and installed, allowing for intricate designs and detailing that enhance the overall aesthetics of the home.


Built to Last: A Home for Future Generations

Photo by Kelly Edmondson

At the heart of this Colorado home is the contrast between materials: the natural white Brauer veneer stone and stark white stucco stand out against the warmth of the redwood. Expansive windows open up to views of ponderosa pines and scrub oaks, while inside, the home features white oak flooring and custom cabinets. From these rooms, multiple patios and decks flow together to bring the family outside and create connections to their surroundings.

Photo by Kelly Edmondson

The Colorado mountain home stands as a testament to the harmonious relationship between nature and design. Through the use of Humboldt Sawmill’s redwood sourced from responsibly managed forests, this home not only showcases the beauty and durability of this remarkable material but also highlights the importance of working with the right manufacturers and builders. Today, the home tells a story of family, warmth and connectedness through its details and construction.

To learn more about how you can harness the unique qualities of redwood for your next project, reach out to the experts at Humboldt Sawmill.

Reference

white cladding envelops la musette gabled village hut in canada
CategoriesArchitecture

white cladding envelops la musette gabled village hut in canada

Nicolas Côté and Kevlar Habitation set up La Musette in Quebec

 

La Musette, a collaborative project between Nicolas Côté and Kevlar Habitation, rises as a response to the increasing interest in outdoor living in Canada, especially with the rise of telecommuting. Departing from conventional territorial expansion, their approach advocates for reinvesting in villages instead of encroaching on natural landscapes. The project, initially conceived by Nicolas and his partner Sophie, aligns with sustainability and environmental responsibility, integrating seamlessly with the aesthetic of Notre-Dame-de-Ham village. Situated in the Appalachian hills, the residential project respects the village’s identity while showcasing innovation and sustainability in land development, reflecting Quebec’s capabilities.

white cladding envelops la musette gabled village hut in canadian hillside
all images courtesy of Nicolas Côté

 

 

La Musette Bridges Tradition and Innovation in Compact Design

 

The house, while contemporary, maintains a connection to traditional architecture with simple forms, pitched roofs, and white cladding. La Musette prioritizes compact, intelligent design to optimize space without sacrificing functionality or comfort. Versatile in its use, the house accommodates telecommuting, family gatherings, and daily living. The design incorporates cost-effective materials like plywood, ensuring warmth and authenticity within an accessible budget framework. Nicolas Côté, along with Kevlar Habitation, proposes La Musette as an invitation to enhance villages, emphasizing harmony with nature. Beyond being a residence, La Musette embodies a philosophy promoting sustainable development and encouraging reflection on spatial inhabitation for the future of small communities.

white cladding envelops la musette gabled village hut in canadian hillside
La Musette responds to the growing interest in outdoor living and telecommuting in Canada

white cladding envelops la musette gabled village hut in canadian hillside
the project advocates for reinvesting in villages instead of encroaching on natural landscapes

white cladding envelops la musette gabled village hut in canadian hillside
La Musette seamlessly integrates with the aesthetic of Notre-Dame-de-Ham village in the Appalachian hills

Reference

Designing with Light: 6 Ways Architects Are Using Swisspearl’s Progressive Cladding Panels
CategoriesArchitecture

Designing with Light: 6 Ways Architects Are Using Swisspearl’s Progressive Cladding Panels

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

We first understand architecture through it’s façade, the face that it presents to us. This first impression is deeply tied to the materials and building systems a structure is made of. As designers and architects collaborate with manufacturers and fabricators, they continuously reimagine what this “first impression” can be and how buildings perform. A global provider based in Switzerland, Swisspearl is a manufacturer known for rethinking cladding and façades. The company’s guiding principle is to develop and produce forward-looking, functional and aesthetically convincing designs with architects, craftspeople and building material suppliers.

The headquarters of today’s Swisspearl Group is located in Niederurnen, where one of the first production facilities for fiber cement was founded in 1903. For many years, Swisspearl has been developing products made of natural materials for use in building envelopes, interior design and landscapes. The company’s products from their workshops in Niederurnen and Payerne have shaped Swiss building culture and, over time, have been used in projects worldwide. Swisspearl became well-known for cement composite panels (formerly called fiber cement panels or fiber-reinforced cementitious panels) offered in a wide color range. The following projects highlight their panels and product innovations used in architecture worldwide.


Denver Botanic Gardens Science Pyramid

By EUA, Denver, CO, United States

This iconic Science Pyramid was inspired by nature. The team wanted the façade of the building to mimic the hexagonal structure of a honeycomb. The pyramid’s two peaks and 16 facets twist and turn towards the sky as if it was a result of the earth’s colliding tectonic plates. Located in the center of the gardens, the pyramid’s proportions are a inverse of the adjacent amphitheater, made to create harmony between the building and the surrounding landscape.

Faced with the task of designing a transparent pyramid, as specified in the competition brief, the architects of the winning competition entry drew their inspiration from the geological processes causing the ragged rock formations of the nearby mountain ridges. The envelope of the structure informed by a biological metaphor and features almost 500 dark gray, hexagonal Swisspearl panels interspersed with thirty photo-voltaic collectors and multiple windows and skylights.


US Land Port of Entry, Warroad MN

By Snow Kreilich Architects, Warroad, MN, United States

Snow Kreilich designed the Warroad Land Port of Entry to support the mission-driven demands of US Customs and Border Protection (CBP). The 40,108 square foot facility was conceived as a specific response to the vast open landscape along the Minnesota-Canadian border. In turn, its form reiterates the dominant horizon of the landscape while making reference to the East-West border.  Inflected building forms facilitate intuitive use by visitors, the officer’s ability to survey the entire site, and vehicle access to secondary inspections.

Swisspearl was used along the building façade, along with cedar planks stained black. Surfaces that face inward, in contrast, are an auburn-colored cedar. The Warroad Land Port of Entry sets a new standard for remote, small ports in achieving the highest design standard for public buildings. While embracing CBP’s operational procedures and inevitably changing technologies, the design advances the dual mission to protect national security while facilitating trade and travel in a comfortable, efficient facility.


Davis-Harrington Welcome Center

By Dake Wells Architecture, Springfield, MO, United States

Dake Wells designed the Davis-Harrington Welcome Center as a new “front door” welcoming visitors to Missouri State University’s campus. The 13,000 square foot facility includes a two-story lobby and 100 seat presentation room to provide a multi-purpose venue for special events. Tasked by the University with providing a “signature piece of architecture”, the design solution was made to be both economical and monumental. The building program is arranged in a two-story scheme, placing administrative functions on an upper level in order to increase the building’s visual presence as it reinforces the campus edge.

The building enclosure combines a variety of materials in response to the surrounding campus context. The architects used a seemingly paper-thin layer of white Swisspearl panels to sheathe the fully glazed upper sections of the east and west façades. As the team explains, the latter extends slightly beyond the pointed corner of the building where the lower part folds slightly away to extend a welcoming gesture to visitors. Inspired by the pattern of a composition booklet, a seemingly random arrangement of circular perforations feeds dappled light into the atrium and allows views from the second-floor walkway.


Myriad Botanical Gardens

By Gensler, Oklahoma City, OK, United States

The design team wanted to transform Oklahoma City’s Myriad Botanical Gardens from an underused park to a vibrant center of activity for residents and visitors. By adding a new restaurant, open-air pavilion, bandshell and addition to the existing conservatory as well as redesigning the landscape, the design team set out to give the park new appeal. The buildings are linked through consistent geometry derived from the pure Euclidian form of the original botanical conservatory. The compositional elements that form the architectural language include single-story geometric forms, white cementitious panels, water-clear glass and extended overhangs.

Each structure has its own unique character informed by its distinct program. Swisspearl was used as siding for the project throughout. The restaurant is a perfect square, where cantilevered overhangs extend 18 feet on the west side to provide shade from the harsh summer sun. Twelve foot curved glass panels form the circular dining area. While the bandshell is a complex 3D sculptural and monumental form. Since the park’s grand re-opening, the new Myriad Botanical Gardens has added vitality to downtown Oklahoma City attracting visitors each year.


Kindergarten Cerkvenjak

By Superform, Municipality of Cerkvenjak, Slovenia

Desigend as a kindergarten is in the village of Cerkvenjak, this project is located in the center of the Slovenske Gorice region of Slovenia. The kindergarten was designed to be inseparably connected with the natural surroundings of the trees and playground equipment. The concept of the kindergarten is similar to its local surroundings with the rhythmic string of volumes and roofs. Because of this concept, the kindergarten does not surpass the scale of an individual house and gives the user — a child — a sense of home.

The architects drew the inspiration for this kindergarten from a nearby learning path running through the Slovenian village of Cerkvenjak. Intended to enrich the children‘s spatial experience, the hallway inside varies in width and each playroom unit boasts a unique, irregular and contorted shape. The design of the Swisspearl envelope support this idea. The kindergarten is a new program and function that upgrades the existing learning path. The result of using the principle of a learning path is a unique division and rhythm of the playrooms, where the kindergarten is closer to the scale of a child.


The Wallis Annenberg Center for the Performing Arts

By SPF:architects, Denver, CO, United States

SPF:architects took on the revitalization of the dormant Beverly Hills post office site to create a new performing arts center. Built on the historic site, the new project includes a 500-seat theater building connected via promenade and outdoor sculpture garden. The historic WPA building built in 1934 is repurposed to house a 120-seat studio theater, a café, gift shop, box offices, administration facilities and a 3-classroom theater school for children. Outside, a garden and courtyard connect the historic with the new building with direct visual connection to the shops and restaurants of downtown Beverly Hills.

Celebrating the history of the site, the skin is formed in copper-colored concrete panels. A 4 foot by 9 foot envelope-shaped panel is repeated across the façade. The result is an abstract textural pattern, engraved into the building skin. Made out of Swis­s­pearl cement boards, the team redesigned the façade to alter the size and mod­u­la­tion of the ​gaps between pan­els, result­ing in 30% sav­ings in mate­r­i­al. The plan preserves and celebrates the historic architecture, as well as affords the Center the opportunity to create a new, state-of-the-art, flexible performing arts facility with ample back-of-house amenities.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

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Fire-proof cladding made from mycelium
CategoriesSustainable News

Fire-proof cladding made from mycelium

Spotted: Cladding is an outer layer of material that is used to improve the appearance, thermal insulation, and weather resistance of a building. The cladding used in Grenfell Tower in the UK was Aluminium Composite Material (ACM) – a highly flammable product that consistently failed fire tests. The ACM has been blamed for helping the flames spread when the infamous fire at the tower block broke out in 2017. 

To help prevent tragedies like this, scientists from RMIT have found a way to grow fungi using renewable organic materials as feedstock to form thin sheets that could be used to produce fire-retardant cladding. The final material is lightweight, thin, and versatile, making it suitable for multiple automotive, maritime, and possibly aerospace applications – as well as in construction. When mycelium is exposed to flames, it forms a protective layer of char that resists fire and heat transfer, and protects any flammable materials underneath. 

The RMIT team scientists aim to replace composite cladding panels that usually contain plastics, which produce toxic fumes and thick smoke when exposed to fire. Co-author of the research, Associate Professor Everson Kandare, highlights: “Bromide, iodide, phosphorus, and nitrogen-containing fire retardants are effective, but have adverse health and environmental effects. They pose health and environmental concerns, as carcinogens and neurotoxins that can escape and persist in the environment and cause harm to plant and animal life.” The mycelium-based material, by contrast, burns cleanly, only releasing naturally occurring water and CO2. 

RMIT scientists aim to develop an environmentally friendly fire-proofing mat that could then be used for building cladding. And to make the potential cladding sustainable and scalable, the researchers are also exploring collaborations with the mushroom industry to use fungal waste products in production. 

Mycelium has been used by many companies looking to create sustainable alternatives to everyday things. In the archive, Springwise has spotted interior design products and clothing made using mycelium.

Written By: Anam Alam

Reference

Sustainable building cladding made of recycled glass 
CategoriesSustainable News

Sustainable building cladding made of recycled glass 

Spotted: Right now, people are undergoing massive efforts to make sure humanity slashes its greenhouse gases. From individuals making eco-conscious choices to researchers trying to uproot the wasteful systems we use, our global response strengthens day by day. Australia’s Royal Melbourne Institute of Technology (RMIT) researchers are a player in this effort, with their new fire-safe building claddings made from recycled glass. 

Alongside materials technology company Livefield, the RMIT team worked to make the composite cladding, which the team claims is cheap, structurally robust, and fire-resistant. The sustainable innovators use 83 per cent recycled glass to make their claddings, along with relatively low amounts of plastic binders and fire-retardant additives.  

According to lead researcher Associate Professor Dilan Robert, we make a lot of glass waste. In fact, about 130 million tonnes of glass are produced yearly, with only 21 per cent of this being recycled. “By using high amounts of recycled glass in building claddings while ensuring they meet fire safety and other standards, we are helping to find a solution to the very real waste challenge,” explains Robert. 

After passing the central compliance requirement of claddings set by Standards Australia, panels were installed at RMIT’s Bundoora campus to prove the technology’s feasibility.  

Springwise has previously spotted other innovations that strive to make building materials more sustainable, including a rubber made from recycled rubber and construction waste and a technical wood designed around the sustainable use of wood.

Written By: Georgia King

Reference

Thermory wood cladding forms backdrop to Grand Emily Hotel in Ukraine
CategoriesInterior Design

Thermory wood cladding forms backdrop to Grand Emily Hotel in Ukraine

Promotion: design agency YOD Group has designed the interior for the Grand Emily Hotel Lobby and Terra restaurant near Lviv, opting for Thermory’s rustic wood cladding throughout.

The hotel, which was completed this year despite Russia’s invasion of Ukraine, is located in the Ukrainian town of Vynnyky near Lviv. The hotel and restaurant form a part of the Emily Resort that YOD Group has designed with a natural, tactile aesthetic.

Hotel lobby of Emily Resort in Ukraine
YOD Group used Thermory products at the Emily Resort in Ukraine

Its aesthetic was achieved using a mix of natural and natural-looking materials, including material manufacturer Thermory‘s range of Drift cladding.

This saw YOD Group awarded the best interior project in the Thermory Design Awards Grand Prix competition, which was held by Thermory for its 25th anniversary.

Thermory wood cladding above welcome desk
The agency created the interior for the Grand Emily Hotel Lobby

In the Grand Emily Hotel Lobby, the Thermory thermally modified Drift cladding is used across the walls.

It was selected for its worn, rustic appearance, which is intended to evoke reclaimed wood without sacrificing quality or durability.

Tree suspended in Thermory wood-clad atrium
Thermory’s Drift cladding was used throughout

Selected in shades of Black Pearl and Smoked Brandy, the cladding provides the lobby with “touchable surfaces” that form a natural backdrop to the space.

“We aimed to get the visual lightness and tell the story about the morning breeze that passes on the lake surface and combs the reeds,” said YOD Group designer Volodymyr Nepiyvoda.

Interior of the Grand Emily Hotel Lobby in Ukraine
The wood gives the interiors a natural aesthetic

“We created this emotion by the structure of the boards that we used for the wall covering of the hall,” added Nepiyvoda.

The cladding also forms a suitable yet contrasting backdrop to a large sycamore tree that is suspended through the Grand Emily Hotel Lobby, forming its centrepiece.

Hammock in wood-lined Grand Emily Hotel Lobby
YOD Group’s aim was to give the hotel “touchable surfaces”

“We rejected the idea of a massive chandelier in the atrium in favour of a strongly meaningful installation,” explained Nepiyvoda.

“A tree means connection with roots and family values, growth, and development, strong bar, and flexible branches. It connects the earth and space.”

Terra restaurant interior by YOD Group
YOD Group also designed the resort’s Terra restaurant

Over in the Grand Emily Hotel’s Terra restaurant, Thermory Drift Cladding has also been used.

YOD Group used the material to help blur the boundary between the restaurant interior and a terrace outside that is lined with American sweet gum trees.

Terra restaurant terrace by YOD Group
The Thermory wood is also used in the adjoining terrace

According to Nepiyvoda, it is designed to encapsulate the landscape of western Ukraine.

“We reflect all of that in the interior of Terra restaurant,” they said. “Vast expanses, rich colours, textures and flavours, generous nature, lust for life, and existential joy.”

To find out more about Thermory products and how they are used, visit the brand’s website.

Partnership content

This article was written by Dezeen for Thermory as part of a partnership. Find out more about Dezeen partnership content here.

Reference

The Future of Materials: Terracotta Rain Screens and Cladding
CategoriesArchitecture

The Future of Materials: Terracotta Rain Screens and Cladding

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Terracotta is a material that spans millennia. Durable as it is beautiful, terracotta has a range of inherent building properties that makes it an ideal choice for construction. In contemporary architecture and design, terracotta is specified as a way to redefine building envelopes with both rain screens and cladding. With a range of colors, textures, and forms, this ceramic is a material used throughout history. Now we’re inviting experts in materials, architecture, and interiors to discuss the Future of Materials for an entire week this September. The virtual event, Future Fest, will be 100% free to attend.

Register for Future Fest

Dating back to the Babylonians, terracotta continues to be a material selected for diverse building types around the world. It’s also redefining the future of how we design. By definition, architectural terracotta refers to a fired mixture of clay and water that can be used in non-structural and structural capacities on the exterior or interior of a building. Each of the following projects reinterprets terracotta and its application in diverse building types.


Pope John Paul II Hall

By Randić and Associates, Rijeka, Croati

Sited in one of the most important pilgrimage sites in Croatia, this Great Hall was designed alongside the Pope’s visit to Rijeka. Housing cultural activities of the monastery, the project also creates a new major entrance for the pilgrims and a large public walk. A pixel-ized terracotta volume was designed to filter light inside the structure while a columned portico forms a new public square outside.

The building features a single terracotta-brick surface. By varying the gaps between the terracotta bricks, the pixelated structure brings light into the hall. Architectural terracotta is slightly different from normal bricks, they are plain or ornamental with a glazed coating and larger in size than brick. The color goes compliments existing construction at the monastery and imitates a simple hip-roofed barn.


The Wellin Museum of Art

By Machado Silvetti, Clinton, NY, United States

TerraClad façade by Boston Valley Terra Cotta

Located on the Hamilton College campus, the Wellin Museum of art was designed as part of a new arts quad. The building includes admin offices, seminar rooms, galleries, and a monumental two-story glass archive hall. Dark terracotta cladding was used along the central volume to reinforce its role programmatically and organizationally.

The TerraClad façade product made by Boston Valley was forming using an extrusion method. The enclosure combines both terracotta and precast cladding with curtain wall fenestration. The system was chosen to ensure that the thermal performance of the exterior enclosure would contribute to the building’s success and meet the College’s sustainability goals.


The Diana Center at Barnard College

By WEISS / MANFREDI, New York, NY, United States

Terracotta Frit Panel by Goldray Industries

Located at Barnard College, the Diana Center includes a gallery space, a library, classrooms, dining, and a black box theater. A slipped atria links spaces vertically and becomes connected through ascending stairs. Luminous terracotta glass panels were used throughout the building envelope. Surrounded by a campus defined by brick and terracotta, the Diana translates the static opacity of masonry into a luminous curtain wall.

The building’s color is created by a pale terracotta-colored frit on the #2 surface and the bright red painted back panel beneath. The glass panel, provided by Goldray Industries, is acid-etched on its exterior surface to give a matte texture, and the terracotta frit is on the interior surface.


Mercy Corps Global Headquarters

By Hacker, Portland, OR, United States

LONGOTON Terracotta Rainscreen Panels by Shildan

The Mercy Corps building was built to exemplify a sustainable, community-focused approach while encouraging visitors to engage with contemporary issues. Doubling the size of the historic Portland Packer-Scott Building, the landmark project combined a green roof, with resource-friendly landscaping and a glass and terracotta envelope.

Certified LEED Platinum, the project uses Shildan/Moeding LONGOTON® terracotta with extruded, double leaf, 40mm panels. The panel has increased strength from a chain of internal I-beam supports. The panels were chosen because of their flexibility in being able to be incorporated in both horizontal and vertical support systems, as well as a flexible orientation in layout.


School of Art & Design at New York State College of Ceramics

By Ikon.5 Architects, Alfred, NY, United States

Terracotta panels by Boston Valley Terra Cotta

The terracotta tube façade for this ceramics pavilion screens both rain and solar heat, while its staggered pattern was inspired by pottery racks. The Art Pavilion was created as a “ceramic vessel” holding both light and art. The design was inspired by the region’s history of manufacturing ceramics, and incorporates the unglazed, hollow tubes with an off-white pigment.

Boston Valley’s terracotta façade system recalls the interior program while defining a material and haptic boundary. South-facing galleries are protected from direct sunlight, while the pavilion dramatically engages campus on-lookers as a piece of ceramic art. It allows passerby to see inside the exhibition gallery and places student work on public display.


The Center for Asian Art at the Ringling Museum of Art

By Machado Silvetti, Sarasota, FL, United States

Terracotta panels by Boston Valley Terra Cotta

The John and Mable Ringling Museum of Art features both a permanent collection and temporary exhibition galleries on a historic sixty-six acre estate. Believed to be originally envisioned as one of the most comprehensive art museums in the world, the Museum was ahead of its time in assembling a significant collection of Asian Art. Now governed by Florida State University, the Museum establishes the Ringling Estate as one of the largest museum-university complexes in the United States.

The Asian Art Study Center is an addition and ‘gut renovation’ and to the West Wing galleries on the southwest corner of the Museum complex. The addition’s façade is composed of deep-green, glazed terra cotta tiles that address the client’s requirement of a new monumental entrance. Machado Silvetti collaborated closely with Boston Valley Terra Cotta to develop the color, form and installation technique for the panels.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

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