Beauty in the Grain: How a Colorado Mountain Home Was Brought to Life With Redwood Cladding
A home’s materials tell a story of how we live. Nestled in the picturesque mountains of Colorado stands a remarkable testament to sustainable material sourcing. Brought to fruition by Colorado Springs-based architect-engineer Scott Harvey, this mountain home was made to connect with the natural surroundings as an expansive and open retreat. In turn, the project’s redwood cladding reflects a family’s values as they built a home of their own.
A Family Home in the Mountains
Located in the mountains north of Colorado Springs in the town of Monument, this home was made for an active family with five children. The family was hoping for a home that embraced natural light and views out onto the landscape. Working together with builder Palmer Ridge Construction, the team brought the new, 10,538 square-foot home to life with seven bedrooms and expansive glazing. Outside, the home features an unadorned stucco finish and a continuous, seamless band of wood cladding. This warm, redwood band runs non-stop from the exterior through the interior.
The Colorado Mountain Home features an extensive use of redwood from Humboldt Sawmill. Humboldt Sawmill manufactures a full line of redwood and Douglas-fir wood products. Logs are sourced from nearly 450,000 acres of company-owned timberlands, where harvest levels are consistently below the forests’ annual growth rate and harvested trees are replanted. Logs are then processed into lumber.
For this home, the builder had Humboldt Sawmill transport the raw lumber to a dealer in Colorado where it was milled locally to the desired shiplap pattern. Local availability kept the cost within budget. In addition, it was easier to install than tropical hardwoods and no stain was required; only two coats of clear sealer. Redwood, known for its durability, beauty and sustainability, adds warmth to the design and creates a seamless transition from the interior to the exterior of the home.
Sustainable Sourcing
 
Photo by Kelly Edmondson
What sets this mountain home apart is not just its design but also its commitment to sustainability. The redwood from Humboldt Sawmill was sourced from company-owned Forest Stewardship Council® (FSC® C013133) certified timberlands in Northern California, where it is grown and harvested to the highest environmental standards in the world. FSC certification ensures that products come from forests that provide environmental, social and economic benefits. The FSC Principles and Criteria provide a foundation for all forest management standards globally, including the FSC® US National Standard (v1.0) that guides forest management certification in the U.S.
This commitment to sustainability not only reduces the home’s carbon footprint but also supports the conservation of forests for future generations.
Key Properties of Redwood
 
Photo by Kelly Edmondson
Redwood is renowned for its natural beauty and resilience, making it an ideal choice for this mountain home. Redwood is also native to the U.S., not imported. There are several key properties of redwood that make it a preferred building material:
Durability: Redwood heartwood from the center of the tree is naturally resistant to decay and insects, making it an excellent choice for outdoor applications such as siding, decking and fencing. As the team for the Colorado Mountain Home explain, “natural durability through tannins in the redwood heartwood render the wood resistant to termites and decay, an important factor in the home’s mountain environment.”
Aesthetic Appeal: Redwood’s rich color and grain patterns add a touch of elegance and warmth to homes and commercial projects alike. Its natural beauty only enhances over time, developing a patina that adds to the charm of a building.
Sustainability: Redwood is a renewable resource, with the ability to regrow from the stump after harvesting. When sourced from responsibly managed forests, redwood is a sustainable building material that helps reduce the environmental impact of construction.
Workability: Redwood is easy to work with, making it a favorite among architects and builders. It can be easily cut, shaped and installed, allowing for intricate designs and detailing that enhance the overall aesthetics of the home.
Built to Last: A Home for Future Generations
 
Photo by Kelly Edmondson
At the heart of this Colorado home is the contrast between materials: the natural white Brauer veneer stone and stark white stucco stand out against the warmth of the redwood. Expansive windows open up to views of ponderosa pines and scrub oaks, while inside, the home features white oak flooring and custom cabinets. From these rooms, multiple patios and decks flow together to bring the family outside and create connections to their surroundings.
 
Photo by Kelly Edmondson
The Colorado mountain home stands as a testament to the harmonious relationship between nature and design. Through the use of Humboldt Sawmill’s redwood sourced from responsibly managed forests, this home not only showcases the beauty and durability of this remarkable material but also highlights the importance of working with the right manufacturers and builders. Today, the home tells a story of family, warmth and connectedness through its details and construction.
To learn more about how you can harness the unique qualities of redwood for your next project, reach out to the experts at Humboldt Sawmill.
 
                                     
                 
                



 
                
 This iconic Science Pyramid was inspired by nature. The team wanted the façade of the building to mimic the hexagonal structure of a honeycomb. The pyramid’s two peaks and 16 facets twist and turn towards the sky as if it was a result of the earth’s colliding tectonic plates. Located in the center of the gardens, the pyramid’s proportions are a inverse of the adjacent amphitheater, made to create harmony between the building and the surrounding landscape.
 This iconic Science Pyramid was inspired by nature. The team wanted the façade of the building to mimic the hexagonal structure of a honeycomb. The pyramid’s two peaks and 16 facets twist and turn towards the sky as if it was a result of the earth’s colliding tectonic plates. Located in the center of the gardens, the pyramid’s proportions are a inverse of the adjacent amphitheater, made to create harmony between the building and the surrounding landscape.

 Snow Kreilich designed the Warroad Land Port of Entry to support the mission-driven demands of US Customs and Border Protection (CBP). The 40,108 square foot facility was conceived as a specific response to the vast open landscape along the Minnesota-Canadian border. In turn, its form reiterates the dominant horizon of the landscape while making reference to the East-West border.  Inflected building forms facilitate intuitive use by visitors, the officer’s ability to survey the entire site, and vehicle access to secondary inspections.
Snow Kreilich designed the Warroad Land Port of Entry to support the mission-driven demands of US Customs and Border Protection (CBP). The 40,108 square foot facility was conceived as a specific response to the vast open landscape along the Minnesota-Canadian border. In turn, its form reiterates the dominant horizon of the landscape while making reference to the East-West border.  Inflected building forms facilitate intuitive use by visitors, the officer’s ability to survey the entire site, and vehicle access to secondary inspections.

 Dake Wells designed the Davis-Harrington Welcome Center as a new “front door” welcoming visitors to Missouri State University’s campus. The 13,000 square foot facility includes a two-story lobby and 100 seat presentation room to provide a multi-purpose venue for special events. Tasked by the University with providing a “signature piece of architecture”, the design solution was made to be both economical and monumental. The building program is arranged in a two-story scheme, placing administrative functions on an upper level in order to increase the building’s visual presence as it reinforces the campus edge.
Dake Wells designed the Davis-Harrington Welcome Center as a new “front door” welcoming visitors to Missouri State University’s campus. The 13,000 square foot facility includes a two-story lobby and 100 seat presentation room to provide a multi-purpose venue for special events. Tasked by the University with providing a “signature piece of architecture”, the design solution was made to be both economical and monumental. The building program is arranged in a two-story scheme, placing administrative functions on an upper level in order to increase the building’s visual presence as it reinforces the campus edge. 
  The design team wanted to transform Oklahoma City’s Myriad Botanical Gardens from an underused park to a vibrant center of activity for residents and visitors. By adding a new restaurant, open-air pavilion, bandshell and addition to the existing conservatory as well as redesigning the landscape, the design team set out to give the park new appeal. The buildings are linked through consistent geometry derived from the pure Euclidian form of the original botanical conservatory. The compositional elements that form the architectural language include single-story geometric forms, white cementitious panels, water-clear glass and extended overhangs.
The design team wanted to transform Oklahoma City’s Myriad Botanical Gardens from an underused park to a vibrant center of activity for residents and visitors. By adding a new restaurant, open-air pavilion, bandshell and addition to the existing conservatory as well as redesigning the landscape, the design team set out to give the park new appeal. The buildings are linked through consistent geometry derived from the pure Euclidian form of the original botanical conservatory. The compositional elements that form the architectural language include single-story geometric forms, white cementitious panels, water-clear glass and extended overhangs. 
  
  Desigend as a kindergarten is in the village of Cerkvenjak, this project is located in the center of the Slovenske Gorice region of Slovenia. The kindergarten was designed to be inseparably connected with the natural surroundings of the trees and playground equipment. The concept of the kindergarten is similar to its local surroundings with the rhythmic string of volumes and roofs. Because of this concept, the kindergarten does not surpass the scale of an individual house and gives the user — a child — a sense of home.
 Desigend as a kindergarten is in the village of Cerkvenjak, this project is located in the center of the Slovenske Gorice region of Slovenia. The kindergarten was designed to be inseparably connected with the natural surroundings of the trees and playground equipment. The concept of the kindergarten is similar to its local surroundings with the rhythmic string of volumes and roofs. Because of this concept, the kindergarten does not surpass the scale of an individual house and gives the user — a child — a sense of home.

 SPF:architects took on the revitalization of the dormant Beverly Hills post office site to create a new performing arts center. Built on the historic site, the new project includes a 500-seat theater building connected via promenade and outdoor sculpture garden. The historic WPA building built in 1934 is repurposed to house a 120-seat studio theater, a café, gift shop, box offices, administration facilities and a 3-classroom theater school for children. Outside, a garden and courtyard connect the historic with the new building with direct visual connection to the shops and restaurants of downtown Beverly Hills.
SPF:architects took on the revitalization of the dormant Beverly Hills post office site to create a new performing arts center. Built on the historic site, the new project includes a 500-seat theater building connected via promenade and outdoor sculpture garden. The historic WPA building built in 1934 is repurposed to house a 120-seat studio theater, a café, gift shop, box offices, administration facilities and a 3-classroom theater school for children. Outside, a garden and courtyard connect the historic with the new building with direct visual connection to the shops and restaurants of downtown Beverly Hills. 
                
 
                
 
                






 
                
 Sited in one of the most important pilgrimage sites in Croatia, this Great Hall was designed alongside the Pope’s visit to Rijeka. Housing cultural activities of the monastery, the project also creates a new major entrance for the pilgrims and a large public walk. A pixel-ized terracotta volume was designed to filter light inside the structure while a columned portico forms a new public square outside.
Sited in one of the most important pilgrimage sites in Croatia, this Great Hall was designed alongside the Pope’s visit to Rijeka. Housing cultural activities of the monastery, the project also creates a new major entrance for the pilgrims and a large public walk. A pixel-ized terracotta volume was designed to filter light inside the structure while a columned portico forms a new public square outside.
 Located on the Hamilton College campus, the Wellin Museum of art was designed as part of a new arts quad. The building includes admin offices, seminar rooms, galleries, and a monumental two-story glass archive hall. Dark terracotta cladding was used along the central volume to reinforce its role programmatically and organizationally.
Located on the Hamilton College campus, the Wellin Museum of art was designed as part of a new arts quad. The building includes admin offices, seminar rooms, galleries, and a monumental two-story glass archive hall. Dark terracotta cladding was used along the central volume to reinforce its role programmatically and organizationally.
 Located at Barnard College, the Diana Center includes a gallery space, a library, classrooms, dining, and a black box theater. A slipped atria links spaces vertically and becomes connected through ascending stairs. Luminous terracotta glass panels were used throughout the building envelope. Surrounded by a campus defined by brick and terracotta, the Diana translates the static opacity of masonry into a luminous curtain wall.
Located at Barnard College, the Diana Center includes a gallery space, a library, classrooms, dining, and a black box theater. A slipped atria links spaces vertically and becomes connected through ascending stairs. Luminous terracotta glass panels were used throughout the building envelope. Surrounded by a campus defined by brick and terracotta, the Diana translates the static opacity of masonry into a luminous curtain wall.
 The Mercy Corps building was built to exemplify a sustainable, community-focused approach while encouraging visitors to engage with contemporary issues. Doubling the size of the historic Portland Packer-Scott Building, the landmark project combined a green roof, with resource-friendly landscaping and a glass and terracotta envelope.
The Mercy Corps building was built to exemplify a sustainable, community-focused approach while encouraging visitors to engage with contemporary issues. Doubling the size of the historic Portland Packer-Scott Building, the landmark project combined a green roof, with resource-friendly landscaping and a glass and terracotta envelope.
 The terracotta tube façade for this ceramics pavilion screens both rain and solar heat, while its staggered pattern was inspired by pottery racks. The Art Pavilion was created as a “ceramic vessel” holding both light and art. The design was inspired by the region’s history of manufacturing ceramics, and incorporates the unglazed, hollow tubes with an off-white pigment.
The terracotta tube façade for this ceramics pavilion screens both rain and solar heat, while its staggered pattern was inspired by pottery racks. The Art Pavilion was created as a “ceramic vessel” holding both light and art. The design was inspired by the region’s history of manufacturing ceramics, and incorporates the unglazed, hollow tubes with an off-white pigment.
