Bruno Mars and Yabu Pushelberg design cocktail lounge in Las Vegas
CategoriesInterior Design

Bruno Mars and Yabu Pushelberg design cocktail lounge in Las Vegas

Musician Bruno Mars and design studio Yabu Pushelberg have teamed up to create the interiors of a cocktail lounge and live music venue at the Bellagio casino in Las Vegas.

Named The Pinky Ring, the 5,000-square-foot (465-square-metre) lounge is accessible directly from the casino floor, but designed as an entirely separate experience away from the bright lights, bustle and noise.

Bar at The Pinky Ring surrounded by golden drapesBar at The Pinky Ring surrounded by golden drapes
The stone bar at The Pinky Ring is surrounded by golden drapes that are reflected in the mirrored ceiling

Grammy Award-winning artist Mars collaborated with Canadian studio Yabu Pushelberg to craft an elevated and luxurious space within the Bellagio Resort and Casino.

The bar serves a curated collection of cocktails and hosts live entertainment by top musicians and DJs – though no phones are allowed inside.

View from VIP area at The Pinky RingView from VIP area at The Pinky Ring
A huge crystal chandelier hangs in the centre of the lounge and is visible from all corners

The entry sequence begins with a dimly lit mirrored passageway, where Mars’ collection of Grammy trophies is displayed.

“Inspired by contemporary museum design, the corridor was designed as a soothing and discreet exhibition space where guests can cleanse their visual palette from the outside world and begin to submerge into The Pinky Ring,” said the design team.

VIP area lined with faceted mirrored panelsVIP area lined with faceted mirrored panels
A VIP area is lined with faceted mirrored panels that create infinite reflections

Guests arrive at the main bar and lounge in front of a sunken conversation pit, wrapped with a wavy banquette and furnished with soft armchairs gathered around a series of small tables.

The carpet, the leather and the velvet chair upholstery are shades of green – colours also found in the richly veined stone tabletops.

Seating area in a niche featuring dark wood-veneer panelsSeating area in a niche featuring dark wood-veneer panels
Other niches with additional seating feature dark wood-veneer panels

A giant halo-like chandelier with tiers of glowing crystal hangs from the ceiling above, providing a central focal point that can be seen from every corner.

At the rear of the space is a gently curved, dramatically patterned stone bar, topped with a row of metallic Flowerpot lamps by Verner Panton.

Conversation pit with carpet, chairs and banquettes in various shades of greenConversation pit with carpet, chairs and banquettes in various shades of green
In the central conversation pit, various shades of green were chosen for the carpet, chairs and banquettes

The back bar is housed within an elongated pill-shaped, mirrored recess, which displays a wide range of liquor bottles and is ringed with stepped cove lights.

Golden drapes run floor to ceiling across the back wall and are reflected in more mirrors on the ceiling.

Seats and banquette surrounding a table with a richly veined stone topSeats and banquette surrounding a table with a richly veined stone top
The green hues of the seating are echoed in the richly veined stone tabletops

Off the main lounge are various niches and VIP areas that offer additional seating, some lined with dark wood-veneer panels.

“See or be seen, each area is composed of its own suave and purpose that echoes into the next,” said the team.

One organically shaped space is lined with faceted, smokey mirrored panels that create infinite reflections, and features a banquette that wraps around a large table fitted with a giant ice bucket for chilling drinks.

An important factor in the design was the lighting, which comprises under-seat and ceiling coves, along with wall lights with five globe-shaped diffusers attached to vertical brass rods.

Patterned crushed velvet and leather banquettePatterned crushed velvet and leather banquette
Patterned crushed velvet covers the curved banquette back, while the seat is wrapped in leather

“In the pursuit of perpetual allure, where lighting not only transforms spaces, but perceptions, The Pinky Ring unveils a strategic lighting innovation, schemed to make people look and feel their best,” the team said.

“Through a strategic interplay of low-level, contrast, and accent lighting, The Pinky Ring lighting design unveils the unseen.”

Mars joins a long line of famous musicians to open entertainment venues. Among others is singer Justin Timberlake, who put his name behind an AvroKO-designed Nashville dining and drinking destination in 2021.

Bathroom with a large circular mirror and walls lined in pink-red stone tilesBathroom with a large circular mirror and walls lined in pink-red stone tiles
Pink-red stone tiles across the bathroom walls nod to the lounge’s name

Yabu Pushelberg was founded by George Yabu and Glenn Pushelberg in 1980, and the studio has designed some of the most recognisable hospitality interiors over the past four decades.

Shortlisted for Dezeen Awards 2021 design studio of the year and judges for the program in 2023, Yabu Pushelberg’s recent projects include the Moxy and AC Hotel in Downtown Los Angeles – of several they’ve completed for the Moxy brand – and The Londoner hotel on Leicester Square in the UK capital.

The photography is by Sean Davidson.

Reference

Ramy Fischler creates Moët Hennessy’s first cocktail bar
CategoriesInterior Design

Ramy Fischler creates Moët Hennessy’s first cocktail bar

Belgian designer Ramy Fischler has collaborated with Moët Hennessy and cocktail creator Franck Audoux to create the Cravan cocktail bar in the heart of Paris’ Saint-Germain-des-Prés.

Named Cravan, the bar for luxury drinks group Moët Hennessy was a collaboration between architect Fischler and restaurateur, author, historian and cocktail aficionado Audoux.

Ramy Fischler designed the Cravan bar for Moët Hennessy
Ramy Fischler designed the Cravan bar for Moët Hennessy

“The objective of the design was to amplify a story by Franck Audoux originating from his small bar in the 16th arrondissement of Paris and transforming it into a cocktail house over five levels in the centre of the capital – to imagine the creation of a new house of the Moët Hennessy group,” Fischler told Dezeen.

“This is not a one-shot but the beginning of a long adventure. It was therefore necessary to define a harmony, a coherence, between all the ingredients of the project, whether it is the decoration, the service, the music or the lighting.”

Cravan cocktail bar for Moët Hennessy
The building features three separate bars

The space takes its name from the avant-garde poet-boxer and sometime art critic, Arthur Cravan, a free-spirited figure greatly admired by Audoux, with whom Fischler worked closely on this project.

“We share a common vision, based essentially on cultural references from literature and cinema, and above all a taste for scenic impact, framing a context, point of view, or narrative,” said Fischler.

“We started with the desire to freely assemble codes, eras, and styles to craft a new repertoire which made sense to us and expressed the essence of Cravan.”

Set in a 17th-century building in the heart of this historic and literary district, the space was arranged over five floors, with a small invitation-only space on the roof.

The building has separate bars, each with its own distinct character on the ground, first and third floors, while the second floor hosts the Rizzoli bookstore-cum-library, where guests can come with their drinks to leaf through and buy books. On the fourth floor, there’s another invitation-only atelier-style space.

Cocktail bar in Paris
Each of the spaces was designed to combine modern elements with the building’s historic fabric

According to Fischler, the whole project took its cues from the concept of the cocktail.

“I would never have imagined this project in its current state if it were not a question of drinking cocktails” he said.

“There are a number of ingredients that we blend together to create a unique whole, that seems offbeat but is actually very controlled,” he continued.

“I thought of the spaces as cinematic scenes, hence the individual atmospheres on each floor which form different sets. You can sit in front of the stage, on the stage, or behind the stage, depending on the experience and viewing angle you prefer.”

Moët Hennessy bar in Paris
The bar is Moët Hennessy’s first

To create these different scenes, the project makes use of a wide range of materials, often reclaimed salvaged pieces including parquet floors, stone floors and wood wall coverings, painstakingly installed by a large team of craftspeople.

In Ramy Fischler’s projects, the textiles always play an important role and the practice features its own in-house textile designer.

“For Cravan, we tried to use as much re-used material as possible, and in particular textiles from Nona Source, a start-up that makes available leftover, unused fabrics from the fashion houses of the LVMH group.”

Cravan cocktail bar
Historic elements were retained throughout the space

The practice strived to create a contrast between the warm and natural colours of the historic fittings, and the colder and metallic colours of the contemporary furniture and fittings, “which cohabit one alongside the other”.

“Depending on the level, the colour palette is totally different, and since no room is alike, and each colour has been chosen according to the universe we have sought to compose,” said Fischler.

Glasses designed by Fischler
Fischler also designed glasses for the bar

All of Cravan’s furniture was custom designed and Fischler’s holistic approach extends to the cocktail glasses, which the practice designed for Cravan and which are displayed in the library.

“Rather than creating new shapes, we preferred to select, from the history of glassware over the past 300 years, the models that we liked and that we wanted customers to rediscover,” explained Fischler.

Other recent bars featured on Dezeen include an eclectic cocktail in Los Angeles designed by Kelly Wearstler to feel “like it has been there for ages” and the Ca’ Select bar and distillery in Venice.

The photography is by Vincent Leroux and Alice Fenwick

Reference