Top 10 Architecture Projects on Architizer in October 2022
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10. KINTEX 3rd Exhibition Center
By HAEAHN Architecture, Gyeonggi-do, South Korea

With two preexisting exhibition halls on the site, the architects were tasked with creating a harmonious third that would expand the existing buildings’ functions while adding an integrated path to connect all three. An urban concourse is an open concourse in Goyang City while weaving the entire exhibition hall, and it is connected to an outside walking square to become a communication space between the city and citizens. While the architectural precedents exuded a somewhat soft image (the existing buildings were inspired by a flower and a butterfly), overall the complex needed to project its identity as a global business platform.
9. Tiny Home
By Ev.design.office, Deylaman, Iran

Architects everywhere are tasked with building high quality spaces at the lowest possible costs. This is no different for architects in Iran, where micro living spaces aren’t just space-saving solutions in dense cities; they’re increasingly seen as cost-saving measures on large lots. This particular tiny home falls into the latter category. Sited in a forested and mountainous area, the metal-framed villa is raised above the ground so that it stands amongst the surrounding trees. with their trunks and create a sense of suspension in it. So, one column, like the trunks of trees, separate the building from the ground and lift it up.
8. House BPB
By David Bulckaen, Brasschaat, Belgium

Inspired by the movie “A Single Man”, which features a Californian home built by the one and only Lautner, this residential project involved the renovation and extension of an existing house. The resulting design was based on the principle of the viewfinder of a camera — a reference to the professional activity of one of the residents — and in this vain, each room has just one window to look out, as if you were looking through the lens of your camera.
8. Minneapolis Public Service Building
By Henning Larsen, Minneapolis, MN

Minneapolis’s Government District makes a stately architectural statement of civic duty. Yet, the dominant materiality of the historical area is granite: a material that may be associated with strength, but does not exactly emit democratic values openness and unity. This new contemporary alternative asks: “How can our public spaces better reflect the communities they serve?” In response, the design’s soaring glass and aluminum façades and double height pockets break up its massing, announcing themes of transparency and connection that continue inside. In recent year as, public trust in government has slipped; civic buildings can stand as monuments of the ideals that democracies should strive towards: a collective, reflective and pluralistic future.
6. Kujdane
By Shomali Design Studio (Yaser Rashid Shomali & Yasin Rashid Shomali), Gilan Province, Iran


Old becomes new in this distinctive update on this traditional A-frame cabin, located in the woods of northern Iran. One key aspect of this is the split that forms down the center of the the conventional sloping roof, which is filled with luminous glass window instead. Then, the usual sharp-angled corners of the A-frame are softened with curving lines, imbuing the structure with a sense of warmth and playfulness.
5. Top Of The Lake
By Zarysy, Sroda Wielkopolska, Poland

Earth colours, deep greens, deep reds with oak and stone, terrazzo finishes make up the warm and welcoming color palette for this three-person home which boldly blends forest cabin with luxury mid-century vibes. Embracing the family’s passion for pushing the design envelope, the interior is shaped by a composition of intersecting blocks, structures, textiles and colors. This compositional move at once separates the spaces while, at the same time uniting them under the umbrella of a consistent design. Unique spaces abound; one particularly delightful standout is a private tree house inside a child’s room.
4. New Beginnings Inaugural Urban Art Installation
By Alebel Desta Consulting Architects and Engineers, Addis Ababa, Ethiopia

This bright, yellow temporary urban installation represented Ethiopian history and culture while reflecting the existing reality morphing into a joyous “New beginning’. Two grand colossal vertical tower components form both a portal and a performance stage on Meskel square. These towers are flanked by numerous diagonal satin strips, varying inclinations, sizes, locations, and linkages that depict diversity. In the face of myriad challenges — climatic, social and economic — Ethiopians’ resilience in tolerating pressure and moving spiritedly forward is reflected in the fabric’s flexibility. More than 300 individuals Architects, engineers, fabric experts, visual artists, carpenters, technicians, metal workers, laborers, and more all formed the 300 person team that made the concept a reality. After three weeks of design and prefabrication of fabric elements, on-site construction was executed in just one week. Recycling, reusing, and upscaling materials after the event was planned from the onset; meanwhile the design was implemented as cost-effective as possible.
3. Bijlmer Bajes
By Barcode Architects, Amsterdam, Netherlands


Bijlmer Bajes was once an Amsterdam prison; now, it is a pleasant, safe and social urban neighbourhood. With a total program of 135.000m², the mixed-use masterplan was sprawling, but the former correctional facilities that stood on part of the site served a disproportionately large role in the overall design. Visually, three key elements — the canal, the main building and the wall — became motifs that guided the architects in designing a cohesive community space with a distinct urban feel.
2. GOOD FOOD, GOOD LIFE
By WY-TO Group, Singapore


Following the C40’s design priorities for the 10 climate challenges, this adaptive reuse project exemplifies a new architectural model of building for circularity and inclusivity. The master plan layers various programmes with the aim of inspiring habit changes in inhabitants, ultimately encouraging a carbon-neutral lifestyle. From urban farming to vertical timber greenery facades, the eco-conscious design provides practical functions, while harnessing construction techniques that won’t add unnecessary environmental stress.
1. Ventana House
By HK Associates Inc, Tucson, AZ

The expressive, geological form of this two-story private home couldn’t be more apt for its setting. Sitting proudly at the foot of the Catalina mountains, the Ventana House straddles a line between the sprawling desert and a protected mountain peak. Yet, the rock metaphor can be extended. As the architects explain, the building is “like a geode,” with a surprisingly elegant, inviting and light-filled interior, the spaces of which are sequenced to move visitors through space cinematically by reorienting them while simultaneously revealing both interior and exterior spaces through the gaping windows.
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Lightly perched above the floor of the La Quinta Valley, this home adopts a classic desert modernist aesthetic. The home’s exterior cladding of earth-toned plaster and textured concrete masonry puts it in harmony with the similarly brownish desert, but the structure’s simple and elegant rectangular compositions offer a balanced contrast with the valley’s rugged, uneven and hostile character. In similar fashion, the small outdoor pool, sheltered in one of the home’s two courtyards, pairs well in tone with the constant clear-blue sky, but provides instead a refreshing alternative to the arid climate.
This private home in the coastal town of Puerto Escondido uses vernacular materials to create a peaceful resort in line with the local architecture. But the concrete-cast pool which extends beyond the main room is undeniably modernist. It serves as its own micro-climate comfortably shielded by several canopies, both natural and man-made.
This rural home in Tepoztlán, Mexico is a tranquil abode flanked by the imposing rock mountains of El Tepozteco. The house brings together monolithic white volumes with vernacular rough stone sections, allowing nature to project itself onto the structure. Meanwhile, a lap pool nearby acts like the house’s miniature desert oasis; it crawls under trees’ dense foliage like an emerald-tinted river breaking through an arid landscape. The pool offers a peaceful place to enjoy the nature that surrounds and blankets over it.


Resting near the top of a hill in France, this new house takes advantage of the lot’s sloping angle to experiment with layering; from the house’s overlapping volumes to the stone walls guiding visitors down to it. As such, the house’s top floor acts like a belvedere overlooking the landscape further out. But right underneath it is the true surprise: a large tile-clad pool partly shaded by the diverse flora and from which visitors can continue enjoying the view in their bathing suits.
For this new pavilion in Geneva, GMAA – GM Architectes Associés had envisioned a wooden volume gently hovering above a water surface. Their final project achieves this vision with a subtly integrated pool — more closely akin to a pond — that turns into a perfect mirror on windless days. As opposed to the natural ponds on the pavilions’ grounds, this artificial one is kept spotless; a pure and perfect counterpart to the surrounding nature, reflecting and emphasizing the beauty around.



In a former armaments factory on the Brooklyn waterfront, Montreal-based stone supplier Ciot has a new home designed by Bando x Seidel Meersseman. The beautiful slab gallery is unrecognizable from its past life, with a bright and meticulous showroom and gallery gaining an air of drama and sophistication under its mono-chromatic refurbishment.



South 2nd is a surprising addition to an existing single-story American ranch house. The new 900-square-foot building is connected to the current house through an adjacent link and contains home offices on the ground floor and a further bedroom and bathroom suite above.




Built on the site of Honest Ed’s, an eclectic discount store that was once a landmark to the people of Toronto, the newly imagined Mirvish Village will be a comprehensive purpose-built community for rental apartments and innovative retail. Mirvish Village will comprise 32 micro buildings and eventually be home to over 2,000 Torontonians. All 800 suites will be rented, with some apartments available below-market rates and almost half designed for families.
Situated on the outskirts of Bangkok, The Forestias is a residential-led masterplan with a substantial forest at its heart. The pioneering development aims to become an example and a template for future urban living in Thailand and globally. Lush greenery dissects the urban development that hosts a variety of housing types. The development creates shared facilities that encourage community interaction by visually reducing boundary walls and hedges.
A challenge was set for the design of the much-anticipated Library of the 26th President of the United States: “Build an awe-inspiring, architecturally significant destination that works with, not against, nature.” Of all the competitors, JLG was chosen to work hand-in-hand with Snøhetta to develop a destination that strives to continue the legacy of Roosevelt and his pursuit and creation of conservation ideas that have shaped the country.
The New Hospital in North Zealand, Hillerød, has been planned to be the central hospital resource for more than 310,000 citizens in the northern part of the Capital Region of Denmark. The hospital merges three existing hospitals: Hillerød Hospital, Elsinore Hospital and Frederikssund Hospital. Focusing on questioning how we facilitate healthcare, Herzog & de Meuron and Vilhelm Lauritzen Architects’ design ambition is to redefine how we perceive a hospital and how we design and construct them.
Located on the southern edge of the Dutch village of Sint-Michielsgestel, the four-story Green Villa by MVRDV and Van Boven Architecten is a unique and exciting proposal that explores the potential of ‘façade-less’ buildings and ‘radical greening.’ The inner and outer skin is made up of a “rack” of shelves, varying in depth, that hosts an abundance of potted plants, bushes, and trees such as forsythias, jasmine, pine, and birch, all labeled and cataloged. The forward-thinking approach stems from MVRDV’s belief that sustainability implies a technological challenge and a positive change in lifestyle, where urban areas should be considered a part of the natural landscape. The flexible mixed-use development will be home to adaptable residential and commercial spaces.


This private Hamptons residence was designed as an immersive retreat. Situated along a natural ravine and protected wetlands, the residence consists of three simple gable-shaped volumes, creating a dialogue between the natural grasslands and the built environment. A contemporary interpretation of a common New England building form, each volume is shrouded in horizontal wood slats which seamlessly wrap all wall and roof surfaces. A public great room is centrally located, acting as a social hub for family and guest interaction. Within the great room, special attention was taken to the design of the architectural concrete fireplace, countertops and black steel sash windows.

This retreat was conceived as a place for gathering family and friends as well as solitude. Located along the crest of a narrow ridge overlooking a broad valley, the drive that connects to the home turns to reveal a long, linear core of sawn stone that parallels the ridge, sliding under a single-slope roof through a steel-framed glass volume. The stone core, marked by two large fireplace masses, organizes the spaces, with primary circulation along its south face, while gaps in the stone provide access to each of the living spaces. In turn, clear and translucent glass along the south wall creates a play of light and shadow at the circulation spine.

Designed as a beach house within the forest, this home creates a connection between the drama of the nearby ocean and the sense of sanctuary provided by the trees. Composed primarily of one large room, the house is light-filled on the south side facing the ocean, while remaining insular and protected on the other side. Glass walls open the living area to panoramic views of forest and ocean with two fireplaces on either end anchor that the space and provide a feeling of refuge. Artworks were incorporated into the design of the home, with the fireplace walls specially designed to fit paintings by Sam Francis and Diego Singh.

This suburban pavilion is located adjacent to woodlands. A contemporary house surrounded by mature trees and manicured gardens anchors the site. A new swimming pool, stone walls and terraces located behind the existing house organize the rear yard and establishes a dialogue between the existing house and a new pavilion. New paths, trees and structured plantings reinforce the geometry. The new pavilion, intended for year round use, is strategically located to provide a threshold between the structured landscape and adjacent woodland. The doors pivot to open the space much of the year while a large Rumford fireplace and heated floors provide a cozy counterpoint in winter months.

This small residence is sited on the banks of the White River five miles from Mt. Rainier. The project was designed to quietly blend into the surrounding forest. An entry courtyard serves as a transition space from outdoors to indoors and keeps the ubiquitous elk herds at bay. A steel-clad fireplace mass separates the living room from a covered outdoor patio. By working diligently with the client (who also served as General Contractor for the project), the building footprint was kept as compact as possible to minimize site disturbance. The residence was made to epitomize the small home living movement.

The heart of a dilapidated brick corner house from 1929 was completely renovated and extended, incorporating an inviting sitting pit. The clients asked for more space, an open kitchen and a more direct relationship to the garden. The sitting pit forms a playful space around the fireplace, where the owners are able to stay together with each other, friends and family. Seen at eye level from the seating pit, there is a vertically sliding window on the street side. By sliding this open as well as the large sliding doors at the rear, visitors find themselves outside in a sitting pit, at a fireplace and under a roof. The fireplace sits in a solid block that, together with a thick wall on the other side and a wall parallel to the seating pit, supports the roof.

This residential cabin project is located in Krokskogen forests, outside the town of Hønefoss. The site is very exposed to the wind and the cabin is shaped to create several outdoors spaces that provide shelter from the wind and sun at different times of day. The interior is a continuous space finished in a thin layer of curved birch plywood. The fireplace is located at the center of the cabin. The fireplace mantel is hanging from the ceiling, while the fire is down at the floor of the access level. This provides the feeling of a campfire in the landscape that can be seen from different places.

The bakery Mi Pan celebrates bakers’ hard work in making delicious bread. Metal trays reoccur on the shelves, wall cladding and ceiling decorations. These are the same type of tray used for bread production, reminding people of the heart of Mi Pan – the kitchen.
The design team refurbished the floor of the wedding Kimono in the traditional Japanese clothing shop Haregino Marusho and themed it with wood. Many spatial components, including display shelves, partitions and the ceiling, are in warm-color wood of similarly soft patterns. The space becomes an elegant wooden display box that does not take any spotlight from the kimono fabrics.
In the coffee bar Blackhill, smooth wooden surfaces are put in conjunction with rough concrete surfaces. They together create a zen space for enjoying a moment away from the busy central Bangkok. In contrast to the colorful urban environment outside, the materials used in the coffee shop are limited to only wood and concrete. The simplicity of the design makes it almost a meditative space.
This small house has a footprint of only 280 square feet, yet it accommodates a biscuit shop and the shop owner’s family. Tsubomi House has seven different levels with no solid partitions between them. Each level is half a story higher/lower than the next one. Without walls separating each functional area, residents can move quickly from one space to another.
Instead of presenting the garments all at once, Sandra Weil Store’s design gradually reveals the collections as customers walk around. Floor-to-ceiling slats made of local tropical wood stand in line with equal intervals between them. They form rhythmic partitions that are visually permeable only from certain angles. This allows a comfortable level of privacy in the shop without cutting the small store space into tiny fragments.
This community bakery uses large areas of warm-color timber to create a relaxing atmosphere. Like Blackhills Café, RE x SUGAR also has a transparent shop front that embraces the sunlight. A large folding window connects indoors and outdoors while the window sills become seats.

For the Bjergsted Financial Park in Stavanger, Sparebank 1 SR-Bank wanted a place where the company could realize its visions and offer the best for the surroundings. This seven-floor high building is an example of a future workplace and is one of Europe’s largest office buildings in timber. The volume varies in height to accommodate the varied scales and character of the surrounding buildings. There is a central atrium which brings in light, air and green qualities into the building. Social areas and meeting rooms are organized around this space and act as a buffer towards the quieter workplaces along the façades of the building. The galleries are connected by a spectacular open stair. There is a strong contrast between the sharp, triangulated exterior of glass and metal, against the interior organic design in timber.
The New Aspen Art Museum is located in the center of the high mountain town of Aspen Colorado on a prominent downtown corner site. The three story kunsthalle provides galleries on the first two floors above ground level and on one floor below. The third floor is a multi-function space and café. Half of the third area is given over to an outdoor terrace with views up to the mountains. Design features include an innovative long-span timber space-frame roof structure, woven panel façade, structural glass floors for gallery day-lighting, outdoor gallery stair which connects the site plaza to the third floor roof level and glass elevator.
This mixed-use scheme was designed to encompass the over-ground elements of a new station for the Crossrail project at Canary Wharf. At the heart of the project was a new enclosure unifying the station and other elements including new retail units and a park. The park and the rest of the building is enclosed by a distinctive roof, which wraps around the building like a protective shell. This 300 meter-long (328 yard) timber lattice roof opens in the centre to draw in light and rain for natural irrigation. Timber was an appropriate material to enclose the park: it is organic in nature and appearance, strong, adaptable and is sustainably sourced. Despite the smooth curve of the enclosure, there are only four curved timber beams in the whole structure.
Looking to introduce warmth and light into this unique site, this home was built on the location of the former Housing Expo from ninety years ago. Orientation and shape of the surrounding residential area influenced the silhouette of the structure’s west elevation. A gable roof blends into the neighborhood and draws an arc towards the west side, showing a hint of modernism. To give a warm impression to the exterior facade, natural wood materials were used, where walls stand as a white canvas that complements cherry blossoms in season. The timber structure is enhanced by the transparency of glass, which draws attention from the eye-level pedestrian on the first floor.
Created to be a modular classroom, this timber design includes the construction of a prototype module for environmental education, a learning and discovery space to be installed in different locations of the Metropolitan Area of Barcelona park’s network. It is proposed that it becomes also the habitat for some species of animals such as insects, invertebrates, birds, bats… As the team explained, it must be a space open to the outside; it is necessary that one could see the trees from the classroom, to perceive the light and feel the climate. The building was planned as a prefabricated module, flexible and as economical as possible, capable of responding to the different requirements of each municipality for environmental education.
As the design team explored in Timber Rhyme, wood-art has been an integral part of Indian history. Sutradhar community, according to legend, are the carpenters (also known as ‘badhaee’) descended from Maya, the son of Vishwakarma (the divine engineer). This design explored conventional limitations of the material sold by the client, veneers and plywood, and its protagonist role in a conversation that has existed in the ancient past. ‘Timber Rhyme’ occupies the first story of a retail shop in a market complex, Chandigarh. The challenge was to invite a walk through the existing 71′ by 18′ linear block. A timber ribbon invites passerby into the space and to engage with the materials.
When considering the design expression for a new archery hall and boxing club, FT Architects created a pair of buildings a few hundred meters apart on the grounds of Kogakuin University in west Tokyo. The University’s brief was for low-cost structures made of locally sourced timber to provide accessible and inspiring spaces for the students. By chance, both facilities called for a column-free space scaled to a size comparable to a sacred hall in a traditional Japanese temple.


Steno Diabetes Center Copenhagen is a hospital for preventing and treating diabetes. The hospital occupies a rectangular site with two entrances open on two opposite sides. There are four inner gardens on the first floor and two of them greet the visitors immediately upon their entry. Common areas such as circulation spaces and reception sit in the middle of the floor plan, while most individual rooms are lined on the outer ring.
Maggie’s centers provide free cancer support and information to patients and their friends and families. The centers are located across the UK, each in a unique style while all of them embrace nature as a way of healing. Maggie’s Leeds stands on the last patch of greenery at St James’s University Hospital. The sloping site is bounded by roads and a multi-story car park. Instead of flattening the landscape, the spaces descend along the landscape, creating views that vary from open to secluded.
This new hospital wing of the orthopedic center Waldkliniken Eisenberg enjoys an immersive view of the Thuringian Forest. The six-story building has 128 patient rooms, all located on the outer ring of the circular floor plans. Floor-to-ceiling windows invite unblocked views of the natural landscape into the rooms while providing natural light and fresh air to the rooms.
The expansion of Santa Fe de Bogotá Foundation is sited in the compact urban context of the city of Bogotá. It comprises an eleven-story block and a single-story base. The roof of the base becomes a plaza opening to the roads, with staircases inviting people onto it. Red bricks cover the expansion as a response to the existing buildings around. Strips of pavement on the plaza are replaced by plants. Different types of plants vary in height, breaking the flatness and solidity of the brick plaza.
Maggie’s Gartnavel sits humbly on the land of the Gartnavel hospital in Glasgow, close to the Beatson West of Scotland Cancer Centre. The single-level volume comprises a series of interlocking rooms, with an inner garden in the middle of the ring of rooms. With a flat roof and floor levels that respond to the natural topography, the rooms vary in height. Common areas including the dining room, kitchen, library and a large activity room are on the side with taller ceilings and the counseling rooms are more intimate.
Neighboring a nursery, elementary school and junior high school, this dental clinic is designed as an enjoyable place for both children and parents. This two-story timber building accommodates not only a clinic but also a bookstore and daycare center. By combining programs, the design team wishes to encourage people to come not just for their appointment.


At the University of Kansas School of Architecture, graduate students have the option to enroll in Studio 804, which recently received a donation of a dozen shipping containers. The students worked to convert this gift into tiny homes for families who needed isolate during the pandemic. (The alternative was congregate housing.) Three solar collectors were placed on top of each unit to provide some electricity for inhabitants on the four beds inside.

This project joins a growing movement towards architecture that blends in rather than standing out by acting as an extension of the existing landscape. Following the natural movement of the site, this design responds to crowds moving by through and around the building by raising up the green space of the original landscape and incising it with terrazzo paths.
Perched on the most remote edge of the Las Vegas Valley, this scheme aims to immerse the client in the isolated landscape while maximizing unobstructed views of the surrounding desert and canyons. Like a stronghold in the desert, the site also inspired the design and materiality, which pays homage to the historic forts, hand forged from site-sourced materials, that dotted the fringes of the Southwest frontier.

Reworking and remodeling this 1960’s house also involved integrating a new and unconventional workshop for the owner, a university professor. Yet, as the architects explain, “inherent in [the] work was a questioning of the suburban vernacular,” which manifested as a raw and tough space that is ready for anything. While an angled industrial frame, wrapped in wood and glass, offers a clever reply to local pitched-roof mandates, the connecting breezeway emphasizes a parti about flow, both creative and spatial.

On one aspect the house seeks to express the laid-back nature of the seaside town; yet, because the surroundings are quite cramped, the architect had to carefully study the massing placement. This resulted in a sort of inside-out house, with an arrival courtyard penetrating to the central living deck that creates an in-between area that is convertible to be either indoor or outdoor living area.

This house is home to family members across generations, meaning that it requires spaces that accomodate differences in family members’ lifestyles, ages and personal needs. While the grandparents are used to the traditional Vietnamese lifestyle, the married couple and their children are familiar with the modern way of living in foreign countries. Faced with designing a massive structure, the architects needed to find a way to ensure that it blended in well with its surroundings.

Set on the second floor of a building in a mixed-use office park designed by Renzo Piano Building Workshop in 2020, this store is inspired by its immediate surroundings. The space with floor to ceiling high curtain wall windows and an enclosed center core is the perfect platform to explore a place closely related to our day-to-day environment, the office. Representing a 70’s romanticized image of what an office life looks like, consumers experience this illusion of time wandering between the past and present. Working with bright color tones, soft carpets, and different textures creates a mood of future positivism.

The cinema is located in the area of a former Jewish quarter destroyed by the Nazis during the WWII. In the aftermath, the area was rebuilt using rubble from the former buildings. The designer of the cinema, the excellent pre-war architect Bohdan Lachert, faced a choice: either to design in the socialist realist style or not to design at all. It was only decades later that his ideas were appreciated. Seventy years later, these stories from the past had a strong influence on Piotr Hardecki Architekt’s refurbishment project.
A Primary Care Center (CAP) is an ideal public facility to consider the health of people from the construction itself, minimizing the generation of CO2 in the life cycle of materials and ensuring a healthy environment in the interior. This project introduces the surrounding landscape inside the building through a linear courtyard related to the waiting rooms. The use of the structure with microlaminated wood (CLT) for the first time in a CAP in Catalonia, generates a conceptual dialogue with the forests of Montseny (biosphere reserve) visible from the building, reduces the execution deadlines and waste and allows to achieve the highest energy rating A.
The complete redesign of the corporate image of the 15-year-old offices of a real estate company in Barcelona. The interior has been designed in a Nordic style, expressed through the use of wood that brings warmth, along with the minimalism of white. The structures made with wooden slats also function as spatial divides that simultaneously imbue the space with character and personality.


This modernist construction in Ho Chi Minh combats the perception that shophouse-style buildings suffer from a lack of natural light because of the inherent narrowness of their lot. The designers do so with a textured combination of cement breeze blocks and brick patterned walls, letting sunlight gently diffuse inside. Bamboo trees, meanwhile, create their own natural screen to filter the direct sunlight coming through the street-facing windows.

The family commissioning this rural home near Melbourne wanted to ensure plenty of natural light within the living space, but without the harsh direct northern and western sun. To resolve this issue, Robson Rak Architects designed large eaves to shade thin long high-level windows around the house, creating an evenly glowing living room and dining room. In similar fashion, the architects added two wall-like beams underneath the kitchen’s skylight, parsing out the strong sunlight into milder segments.


Rejecting the idea of the theatrical space as a necessarily dark and solemn place, this new estate espouses a more open (and bright) setting for its cultural projects thanks to a series of large skylights. From the outside, the playfully random assortment of skylights and windows healthily counterbalances the more serious dark-grey exterior.