Common Expansion Joint Field Problems and How to Avoid Them
CategoriesArchitecture

Common Expansion Joint Field Problems and How to Avoid Them

Are you struggling with the aesthetic and functional challenges of expansion joint covers in architecture? These essential components require careful integration and understanding to ensure they meet project needs effectively. This can be quite challenging, which is why many architects don’t like them. However, with the proper guidance, you can transform this challenge into an opportunity for innovative design and effective functionality.

In our recent webinar, we delved into the complexities of expansion joint systems, offering insights and practical solutions for architects and builders. If you missed the live session, don’t worry — the recording is available for you to watch at your convenience.

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Exterior waterproofing options via Inpro Corp

Once again, we had the pleasure of hosting Matthew Fisher, the Senior Product Manager for the Expansion Joint Systems division at Inpro. Fisher, with his extensive 25-year experience spanning architecture, construction management and building materials management, brings a wealth of knowledge and practical insights. His expertise is particularly invaluable considering his background as a practicing architect and his deep understanding of both the design process and the on-site construction dynamics.During the webinar, Fisher covered a range of critical topics, helping participants to:

  • Examine common floor joint oversights regarding blockouts, concentrated loads and coverplate specification;
  • Discover the types of interior wall expansion joint systems and how to accommodate obstructions, changes in directionand functional requirements;
  • Examine and compare building envelope joints and recognize the importance of proper detailing for transitions;
  • Identify the types of expansion joint fire barriers and the dangers to life safety when seams and intersections installations are not assembled to specifications.

Exterior joint cover types via Inpro Corp

These topics were not just theoretical discussions but were backed by real-world scenarios and practical solutions, making the webinar an insightful learning opportunity for anyone in the field.

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Don’t miss this chance to broaden your understanding of expansion joint systems and their critical role in architecture. Access the webinar now and equip yourself with the knowledge to tackle one of the most nuanced aspects of building design.


Kalina Prelikj

Author: Kalina Prelikj

A jack of all trades and a soon-to-be Master of Architecture, Kalina enjoys embracing her creative side and has dabbled in everything from marketing to design to communications. However, her main interest lies in architecture, as she loves to explore how it shapes our communities and transforms our daily experiences. With a deep appreciation for the art of puns, Kalina is constantly on the lookout for opportunities to craft clever wordplay.

Reference

What do Plastic and Paint have in Common? Everything.
CategoriesArchitecture

What do Plastic and Paint have in Common? Everything.

This article was written by Burgess Brown. Healthy Materials Lab is a design research lab at Parsons School of Design with a mission to place health at the center of every design decision. HML is changing the future of the built environment by creating resources for designers, architects, teachers, and students to make healthier places for all people to live. Check out their podcast, Trace Material.

We’ve got good news and bad news. Let’s start with the bad. We are dealing with a well-documented plastics problem that is choking our planet and infecting our bodies. This is not news. But, there is new evidence of an under-reported key player in our plastics crisis: paint.

Thanks to tireless advocacy work over the last decade, many of us are familiar with the concept of volatile organic compounds (VOCs) in paints and the threat they pose to our bodies and the planet. We are now spoilt for choice when it comes to low and no-VOC paint options, even at big box stores. This is progress, no doubt, but VOCs are only one of the dangers of paint, and it’s vital that we once again reconsider how we make and use paint.

Environmentalists filter the microplastic waste contaminated with the seaside sand.

The vast majority of paints currently used in our homes, offices, and schools across the country (where we spend 90% of our time) are acrylic based —sometimes called “acrylic latex.” These paints are popular for a good reason. They are affordable, they dry quickly, and once dry, are water resistant. These characteristics are achieved because, at its core, acrylic latex paint is pigment suspended in liquid plastic. The plastic binders and additives found in acrylic latex paint are often toxic to humans and our environment. Some concerning additives are alkylphenol ethoxylates (APEs)— a group of chemicals combined in acrylic paint for viscosity that are suspected endocrine disruptors, leading to hormonal dysfunction in humans and animals, and the disruption of marine life. Our widespread use of acrylic latex paint has created interior environments wrapped in toxic plastic bubbles.

Remember, good news is coming (spoiler: there are alternatives to plastic paint)… but first a bit more of the bad. Beyond the immediate threats to the health of building occupants, plastic paints, which never biodegrade, pose a host of dangers to humans, animals, sealife and the environment once their useful life is over. A recent study released by Environmental Action, a Swiss-based scientific research firm of world-renowned experts on plastic pollution, has revealed that our understanding of paint’s role in plastic pollution was dramatically underestimated.

The study finds that paint is the leading source of microplastics in our oceans and waterways.

12th Century Lime Paint Detail, Church in Store Heddinge, Denmark, 2018. Photo by J.Ruth

According to Environmental Action, an astounding 58% of microplastics in oceans and waterways began their life as paint. While some of this paint comes from sectors like the automotive industry or road markings, the largest single contribution comes from the architecture sector, which makes up 48% of pollution. Plastic particles have contaminated the entire planet and are wreaking havoc on ecosystems. New research has revealed a plastic-induced illness in seabirds dubbed ‘plasticosis,’ and microplastics were detected in the blood of 80% of participants in a recent study. The issue is acute, the need to replace petroleum-based paints is urgent, and the architecture industry must take action.

We promised some good news and here it is: healthier paint alternatives exist, and have for centuries! Mineral, clay, and plant-based paints are now readily available. Although transitioning to these paints sometimes requires slightly different installation and practices, it’s an easy learning curve. These paints can be used in interior and exterior applications and can be a superior option to minimize mold, without the addition of problematic additives. Unlike acrylic paints that lightly coat a wall surface, mineral paints penetrate into porous surfaces, which means they will be significantly more durable. Mineral paints, like lime paints for example, have a long history that weave through diverse cultures. Minerals are abundant — limestone makes up 10% of the earth’s crust — and modern technology has made mineral paints more durable than ever.

Lime Paint Color Swatches at KALK in Denmark, 2018. Photo by J.Ruth

In our research at Healthy Materials Lab, we have rigorously investigated and installed some of these plastic paint alternatives that are part of our meticulously vetted materials collection. These products not only avoid VOCs and other hazardous additives, they help to make healthier interiors by absorbing impurities from the air, actively improving indoor air quality.

Romabio employs an ancient recipe based on lime and offers both interior and exterior paints. The exterior paint is known for its superior coverage on brick, stucco and other porous surfaces. Some water is added to the lime pigment in the bucket before painting, reducing the weight of the paint during transportation. We painted our offices over five years ago and even after scrubbing scuff marks, it still looks fantastic.

Keim Paints, made from potassium silicate minerals, another abundant mineral class, offer a low-embodied carbon option that is free of plasticizers or preservatives. Just one coat of primer and one coat of paint provides enough coverage and is high-performing on a range of surfaces. Reducing the number of paint coats reduces the upfront costs, making it an affordable option. Beyond their health benefits, mineral paints are beautiful! They interact with light in a totally different way than synthetics, refracting it across spaces and creating warmth and brightness.

Lime-Painted Ceiling by Salty Labs, Pedagogy ike Shop NYC, 2022. Photo by Annie Schlecter

Real Milk Paint Co. offers a paint made from, you guessed it, milk (protein) along with lime, clay and earth pigments. It comes as a powder to be mixed with water in desired quantity. Less water creates an opaque coating and more water creates a transparent coating.

It’s important to note that, when it comes to healthier materials, labels can be deceiving. Some acrylic paints may contain trace amounts of minerals and be marketed as “mineral paints.” By the same token, some “mineral paints” can contain trace amounts of plastic polymers. Full ingredient transparency is a cornerstone of material health, as is practical patience when it comes to the transition away from petroleum based products. It may not always be possible to avoid acrylic paint altogether, but we have the option to dramatically reduce our consumption. In our materials collection, you’ll find some ‘less harmful’ plastic paint—although we strongly recommend avoiding them. Acrylic latex paint is often the first choice in many projects and low or zero VOC options are available. We acknowledge that this is a good first step to take.

Whenever possible, we encourage a consideration of the entire lifecycle of paint. According to the Environmental Action study, 33% of the total paint used in the Architectural sector will eventually end up in the environment. If that paint is made of plastic, it will end up clogging our waterways, infecting animals, and appearing in our bodies. If we opt for healthier alternatives, the paint will return to the earth as it came. That is better for all of us.


Judging for the 11th A+Awards is now underway! While awaiting the Winners, learn more about Architizer’s Vision Awards. The Early Entry Deadline on May 5th is fast approaching. Start your entry today >

Reference

Common Knowledge launches hemp-clad Tigín Tiny Homes
CategoriesSustainable News

Common Knowledge launches hemp-clad Tigín Tiny Homes

Irish social enterprise Common Knowledge has teamed up with hemp producer Margent Farm to design a low-carbon micro home that it claims can support people affected by the housing crisis.

Designed in-house by Common Knowledge, the Tigín Tiny Homes take the form of oversized caravans built from natural materials that include Margent Farm‘s corrugated hemp cladding panels, cork insulation and natural rubber linoleum floor tiles.

They are intended for people struggling to buy their own home. Purchasers can either buy one of the 20-square-metre micro homes ready made, or learn the skills to build their own.

Exterior of Hemp-clad Tigín Tiny Home by Common Knowledge
The homes are clad with corrugated hemp panels

With property prices in Ireland increasing by as much as 11 per cent a year, Common Knowledge believes these homes offer an affordable solution for those looking to “escape the rent trap”.

“The Tiny Home is filling that gap between moving out of the rental market and owning your own home,” said Harrison Gardner, who co-founded the organisation along with Erin McClure, Fionn Kidney and Spider Hickman and is also a passive building designer.

“The reality for a lot of people is that they can’t afford a home that’s actually ready to move into. They can only afford a home that needs a lot of work, and they can’t afford to do that work and pay rent,” Gardner told Dezeen.

“The Tiny Home is filling this gap; people can use it for a year or two or three, while they work on their forever home.”

Living space of Tigín Tiny Home by Common Knowledge
The interior is designed to feel as bright and spacious as possible

Common Knowledge is primarily an education provider. By hosting workshops that teach everyday construction skills – like bricklaying, carpentry and welding – it aims to empower people to self-build.

The Tigín Tiny Homes – named after the Gaelic word for a small house or cottage – are the result of these workshops.

They are also available to buy ready-made at prices starting from €55,000 for people unable or unwilling to build themselves.

“We have now taught over 200 people how to build their own Tiny Homes,” said Kidney. “Of course, the byproduct of this is that we have produced four Tiny Homes that we can offer for sale.”

Kitchen and ladder in Tigín Tiny Home by Common Knowledge
A ladder leads up to a large mezzanine sleeping space

The target audience for these prefabricated homes includes parents supporting their grown-up children to get on the property ladder, and those who don’t have the time to take on a building project.

The profits will be used to fund future workshops.

Each home contains two floors, with the interiors led by Common Knowledge’s McClure. The lower level includes a window seat that doubles as a bed, as well as a kitchenette, a toilet and shower, and a storage area or workspace.

A ladder leads up to a mezzanine floor containing a large loft bed.

Bed loft in Tigín Tiny Home by Common Knowledge
Windows make u 25 per cent of the exterior walls

As the Tigín Tiny Homes are mobile, weight was a key consideration when selecting materials. It was this that led Common Knowledge to Margent Farm’s corrugated hemp panels.

First used in the pioneering zero-carbon Flat House, these panels are made by combining cannabis plant fibres with a sugar-based resin produced from agricultural waste, making them both lightweight and highly sustainable.

Shelving in Tigín Tiny Home by Common Knowledge
The rear corner can be either used for storage or as a workspace

Although planning regulations make it difficult for these panels to be used in typical architecture projects, their use on mobile structures is not so restricted.

“Hemp ticked most of the boxes,” said Harrison, “and the fact it’s grown and manufactured in the UK is amazing.”

Other design details include large windows, an eco-composting toilet and a customised electrical system that can be used off-grid or connected up to mains power.

Cork insulation
Rigid cork insulation is left exposed inside

Common Knowledge plans to open-source the designs for the Tigín Tiny Homes so that anyone can build their own, either using these materials or alternatives.

Gardner said the plan is to release a toolkit that includes a full set of architectural drawings, a materials list with suggested suppliers, and a price scale.

“We’re trying to create options in the toolkit, so people can scale the price up or down,” he said. “For instance, if they don’t want to use cork insulation, they can switch it out for something else.”

Composting toilet
Each home also features an eco-composting toilet

He believes the use of natural materials, combined with the natural light and views, make the Tigín Tiny Homes a more attractive option than the traditional mobile home.

“Compared to a lot of tiny homes that exist in the world, ours is quite tall and it has a lot of glazing,” Gardner added.

“You get a real feeling of space and feel completely connected to nature.”

Other mobile micro homes recently featured on Dezeen include Quatro by Land Ark, Dodo Van by Juan Alberto Andrade and María José Váscones and Base Cabin by Studio Edwards.

The photography is by Shantanu Starick.

Reference