Post Company imbues Mollie Aspen hotel interiors with earthy hues
CategoriesInterior Design

Post Company imbues Mollie Aspen hotel interiors with earthy hues

New York studio Post Company has designed warm, wood-filled interiors for a boutique hotel in Aspen, Colorado, which offers a pared-back take on the Arts and Crafts style.

Mollie Aspen occupies a new timber-clad building designed by CCY Architects and developed and operated by HayMax in the mountain city’s downtown area.

Lobby lounge at Mollie Aspen with earth-toned furniture and a gridded wood ceilingLobby lounge at Mollie Aspen with earth-toned furniture and a gridded wood ceiling
With an open fireplace as a backdrop, the lobby lounge at Mollie Aspen features earth-toned furniture and a gridded wood ceiling

Post Company was tasked with creating the interiors for the 68-room hotel, combining contemporary Scandinavian and Japanese design elements for a serene take on Rocky Mountain luxury.

“Mollie is designed for those with a natural curiosity and appreciation for connection and offers visitors a unique, welcoming respite in the bustling mountain town,” said the hotel’s team.

All-day cafe in the Mollie Aspen lobby All-day cafe in the Mollie Aspen lobby
An all-day cafe in the lobby serves pastries and beverages from a walnut-wrapped counter

An abundance of wood can be found throughout the different spaces, with numerous varieties creating a layered effect of different colours and grain patterns.

The timber is crafted into elements like gridded wall and ceiling panels with built-in lighting, which evoke an Arts and Crafts aesthetic, as well as fluted counterfronts and a range of furniture pieces.

Burl wood counters and displays in a retail spaceBurl wood counters and displays in a retail space
Burl wood counters and displays present goods in the hotel’s retail space

The majority of the materials used in Mollie’s construction were sourced from the Western United States to reduce waste, according to the team.

Meanwhile, other accents like earthen ceramics, hand-dyed textiles and sand-casted brass add to the cosy atmosphere.

Guest room with neutral decorGuest room with neutral decor
Guest rooms offer an even more pared-back take on the neutral decor palette

“These materials are incorporated throughout the hotel to mimic the area’s rough-hewn mountains while large windows frame views of the surrounding landscape and bring an abundance of light into the hotel,” said the team.

The lobby lounge is designed as a cosy gathering space for guests and the public, with a large open fireplace providing a backdrop.

Beige plaster walls and textured carpet in a guest roomBeige plaster walls and textured carpet in a guest room
Beige plaster walls and textured carpets complement the wood ceilings in the guest rooms

Chunky leather, velvet and boucle sofas and armchairs in a range of earthy hues form comfy conversation nooks.

At one end of the room, the black-topped bar spans the full width and is illuminated by a row of globe-shaped pendant lights suspended from thin brass bars.

Guest suite with black leather furniture and snowy mountain viewsGuest suite with black leather furniture and snowy mountain views
Black leather furniture in the larger suites offers a contrast to the other furniture pieces and snowy mountain views

A repeated geometric pattern across the pale counter front is also found on door panels leading to other hotel areas.

An all-day cafe at the opposite end of the lobby serves pastries and an assortment of beverages from a walnut-wrapped counter, and the restaurant

Bathroom with dark green tiles and freestanding white bathtubBathroom with dark green tiles and freestanding white bathtub
Dark green tiles in the bathrooms match the spruce trees outside

In the adjacent retail space, burl wood counters and displays with curved edges, some of which are topped with glass vitrines.

On the third floor is a roof terrace with a bar and a spa pool set to open in Spring 2024, while a fitness facility and flexible meeting space are located at ground level.

The guest rooms continue the soft, neutral palette in a more pared-back style.

Beige plaster walls, textured carpets and green-grey curtains complement the wood ceilings and built-in furniture, while black leather chairs add contrast.

Mollie Apsen entrance with logo on the entrance canopyMollie Apsen entrance with logo on the entrance canopy
Mollie Aspen is located within a newly constructed building by CCY Architects

Dark green stacked tiles that line the bathrooms match the spruce trees outside and freestanding tubs beside the windows allow guests to enjoy the view while soaking.

“Guests are left with a sense of Aspen’s cultural and recreational history, providing a lens to appreciate its contemporary personality and influence,” the team said.

Mollie Aspen's wood-clad exteriorMollie Aspen's wood-clad exterior
The building was constructed largely from materials sourced from the Western US

Aspen is a renowned destination for winter sports and affluent vacationers, and CCY Architects has designed several private residences in and around the town – among them an extension to a Victorian house, a residence nestled in a grassy valley and a retreat that overlooks the dramatic mountainous scenery.

Formerly known as Studio Tack, Post Company’s previous hotel projects include the Anvil Hotel in Wyoming, The Sandman in California, and Scribner’s Catskill Lodge in New York.

The photography is by Nicole Franzen.

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Headquarters of crypto company Copper “provide a sense of assurance”
CategoriesInterior Design

Headquarters of crypto company Copper “provide a sense of assurance”

Universal Design Studio put a modern spin on the design conventions of bank buildings when creating the headquarters for cryptocurrency firm Copper inside a Richard Rogers-designed office in London.

Copper – a fintech company that helps financial institutions to securely store and trade cryptocurrencies – wanted to break away from London’s financial districts and instead set up its office inside Soho’s Broadwick House.

Open workspace in Copper headquarters
Copper’s headquarters are located in the Richard Rogers-designed Broadwick House

The building was originally completed by the Richard Rogers Partnership in 2000 and was renovated last year before Copper brought in Universal Design Studio to devise the interiors.

The local practice introduced familiar materials such as marble and walnut into Copper’s HQ to “provide a sense of assurance”.

Seating area in fintech office by Universal Design Studio
Copper-toned curtains provide a sense of privacy

These are contrasted with more contemporary elements including stainless steel, kinetic screens and dynamic light boxes that help to create “an uncanny and cinematic environment”.

“The design approach draws in part upon historic icons of banking architecture through a contemporary lens, to create a familiar space that feels safe, whilst also pushing the boundaries on expectations,” the practice said.

“Being able to contain that within an architectural landmark is very special.”

Overview of Copper headquarters in London
Private meeting rooms are set back from the facade at the core of the building

The lobby features Jesmonite wall panels, referencing the marble-wrapped entrances found in more traditional banks.

By contrast, a gold desk, alcove and gridded lightbox ceiling give a cinematic feel to the lobby and “allude to some of the more unexpected design elements further up the building”, according to Universal Design Studio.

“This idea of bringing together two distinctive finishes that are different recurs throughout the building, to echo the safe and trusted nature of finance with a new digital future,” the practice said.

Overview of London office by Universal Design Studio
The building’s new “Copper Core” is clad in dark timber

Rogers’s original architectural concept for the building focussed on transparency, with glazed facades providing high levels of light penetration.

Universal Design Studio sought to work with this vision, creating light-infused workspaces with a focus on natural materials.

Meeting room inside core of Copper headquarters
Lightbox ceilings provide dramatic illumination

“The main workspaces for the Copper team are light, with a connection to the street level around the perimeter, playing to the strengths of the original facade design,” the studio said.

“But given the nature of what Copper do, an element of privacy was also essential.”

To achieve this, the studio designed a more opaque “Copper Core” that runs through the entire building, punctuating each floor and containing private spaces such as meeting rooms and quiet rooms.

Set away from the exterior facade, the meeting rooms in the core of the building are inevitably less light-filled than the main work areas.

Wood-panelled meeting room
Meeting rooms are panelled with walnut wood

To create spaces that still felt inviting, Universal chose to panel the walls with walnut, harnessing the tactility of this natural material to add a feeling of safety and familiarity.

Stainless steel thresholds were added to create a sense of arrival, as team members move away from general working areas into the Copper Core.

Wood-panelled meeting room
The interiors were designed to inspire a sense of trust and security

In another nod to the concept of privacy, Universal designed a copper-toned curtain that is found on each floor level, running the full perimeter of the facade.

“Operated digitally, each floor’s curtain closes in unison,” the studio said. “The curtain was also conceived as a type of visual security, locking down the building at night.”

Top floor of Copper headquarters in London
The top floors were designed for hosting clients

Visiting clients are received on the sixth and seventh floors of the building where the meeting rooms take on a hospitality focus, with bar and banquette-style seating capitalising on Broadwick House’s views across the city.

“These areas are styled on a members’ club to serve the Copper team and its clients,” Universal Design Studio said.

“The sixth floor has a focus on gathering both physically and digitally. Cinematic experiences are again utilised in this space with dramatic sliding digital screens for large events and presentations.”

Seating banquettes inside London office by Universal Design Studio
Guests can take in the views from banquette-style seating booths

Other unconventional interiors belonging to financial institutions include Hana Bank in Seoul with its “floating” meeting room and Citibank Singapore, which was designed to resemble a giant conservatory.

The photography is by Ed Reeve.

Reference

Embedding climate action in company culture 
CategoriesSustainable News

Embedding climate action in company culture 

Spotted: The Intergovernmental Panel on Climate Change (IPCC)’s synthesis report contains a final warning to the world of the dangers of not keeping climate change to 1.5 degrees Celsius or below. With temperatures already 1.1 degrees Celsius above pre-industrial temperatures, there is a very slim window of time to push carbon emissions to a peak before they must rapidly decline. And Canadian startup Carbon Neutral Club has spotted a gap between corporate intentions and results that is slowing down progress.

More than 70 per cent of companies are setting sustainability goals, yet very few are achieving them, something that researchers say comes down to a lack of agreement on what to do and how to take action. Carbon Neutral Club helps reduce that uncertainty by turning employees into the driver of a company’s climate change work. The Club’s Sustainable Behaviours Platform supports workforce Climate Culture through personal carbon footprint measurements, Scope 3 measurements, team action goals, carbon offsets, and sustainable rewards.

Scope 3 measurements help employees choose the most sustainable travel and food options while providing detailed company-wide emissions reports. Carbon offsets support science-backed, third-party verified carbon emission reduction projects, and the Club provides a database of sustainable brands that give participants discounts on products. Carbon Neutral Club is available to individuals as well as companies of all sizes, and although currently available only in North America, the company plans to expand globally as quickly as possible. A recent $1.4 million CAD funding round will be used to support that expansion.

Timely, quality data is crucial in the fight to stop irreparable climate damage. Springwise has spotted innovations like an energy-tracking platform and supply chain decarbonisation support that are helping companies make sense of the volume of information and then translate that data into effective change. 

Written By: Keely Khoury

Reference

Monumental brick arches outline London houses by The DHaus Company
CategoriesArchitecture

Monumental brick arches outline London houses by The DHaus Company

Architecture studio The DHaus Company has completed The Arches, a row of six brick-clad townhouses in a north London conservation area.

Replacing a derelict petrol station, the terrace is named after the monumental arches that form the facades of each partially sunken, three-level home.

Facade with sunken patio at The Arches townhouses by The DHaus Company
The Arches are townhouses partially sunken underground. Photo is by AVR London

The DHaus Company designed the row to echo its surroundings, which include Georgian-era housing named Grove Terrace and a row of Victorian railway arches.

The arch is a recurring motif, so the studio decided to create a contemporary interpretation.

Arched window with pivoting glass
The facade is formed of a series of arches. Photo is by Richard Chivers

“We undertook a study of local buildings in and around the local area,” explained architects David Ben-Grunberg and Daniel Woolfson, the founders of The DHaus Company.

“These buildings highlighted a strong mixture of rectangles and arches set within a brick canvas,” they said.

The site is a highly prominent location within the Dartmouth Park Conservation Area, so the design process involved lengthy consultation.

Night view of The Arches townhouses by The DHaus Company
The height matches a petrol station previously on the site. Photo is by AVR London

As Ben-Grunberg grew up in the area, and Woolfson had lived nearby, the pair were able to use their instincts to come up with a design that felt appropriate for the setting.

A key aspect was the decision to partially sink the buildings below ground, so the roof is no higher than the petrol station that occupied the site previously.

Rear elevation of townhouses in London
Scallop-patterned window screens reference the arch motif. Photo is by AVR London

Another idea was to reinstate green spaces along the street both in front and behind the terrace.

“Our initial design idea was inspired by the historic green lung of open green spaces along the Highgate Road,” said the duo.

“This meant reinstating the green lung as close to how it was back in 1873 – a futuristic Victorian throwback.”

Pivoting window leading into bedroom of The Arches townhouses by The DHaus Company
Pivoting glass doors are set within one row of arches. Photo is by Richard Chivers

The view seen by most passersby is of the west-facing facade. Here, two rows of arches provide balconies for the two upper levels, while a glass-fronted basement opens out to a sunken patio.

“Because of the stepped nature of the site, this lower level does not feel like a basement,” said Ben-Grunberg and Woolfson.

“The living spaces enjoy a secluded feel with plenty of access to natural light despite sitting close to the main road.”

Entrances are located on the east-facing side, which has more of a quiet, residential feel.

Here, a single row of arches incorporates screens with a matching scallop pattern, while a second sunken patio helps to bring more natural light down to the floor below.

Bedroom of London townhouse by The DHaus Company
Each home contains three bedrooms. Photo is by AVR London

Inside, each 130-square-metre home has a layout that places a lounge, dining area and kitchen on the lowest level, and three bedrooms and a study across the upstairs floors.

Concrete retaining walls are an essential part of the build, but other parts of the structure are constructed from prefabricated timber components.

Living space at The Arches townhouses by The DHaus Company
A study could serve as a fourth bedroom. Photo is by Richard Chivers

The arches are also concrete, clad with red-brick slips that match the tone of the adjacent brickwork.

“We explored brick bonding patterns to differentiate the different areas of the building and give order to each facade,” said Ben-Grunberg and Woolfson.

The homes are topped by green roofs and photovoltaic solar panels.

Kitchen and living space sunken below street level
Kitchen and living spaces open out to a sunken patio. Photo is by Richard Chivers

The DHaus Company is best known for its experimental approach to residential design, on projects like its shape-shifting house concept and the playful Columbia Road extension.

More recently, the studio completed an overhaul of The Bull and Last, a pub located very close to The Arches, with the addition of two Japanese-inspired duplex flats.

Arched windows in brick facade of The Arches townhouses by The DHaus Company
The arches are pre-cast concrete and clad with brick slips. Photo is by Richard Chivers

The completion of this project marks the end of a five-year project, delayed by both the planning process and Covid-19 pandemic. Visualisations were first published on Dezeen in 2019.

“Over the last five years, this project has been such a big part of our lives,” concluded the studio.


Project credits

Architect: DHaus
Client: Design Ventures/EFKERIA
Structural engineer: AMA
Planning department: Camden
Planning consultant: The Heritage Practise
Glazing contractor: Vitrocsa by Brava Windows
Brickwork: Ibstock

Reference

The world’s first virtual reality company for social good
CategoriesSustainable News

The world’s first virtual reality company for social good

Spotted: When most people think of virtual reality (VR), they think of entertainment. But Dutch startup Enliven has a different idea. The company is using VR to create a more understanding and empathetic society. Started by Iranian refugee Alex Tavassoli, who arrived in the Netherlands as a young child, the company is developing VR tech that allows users to see and feel the world from the point of view of those experiencing bullying, discrimination, inequality, and sexual harassment. 

Enliven has developed software to run on VR headsets, such as the Oculus Quest. Enliven only sells the software, but does work closely with hardware manufacturers and distributors. The target audience for its platform is companies conducting employee training sessions, but the company has also developed software on the themes of domestic violence and mild mental disability together with the Dutch Ministry of Justice and the Dutch Probabation Service.

According to Enliven, the approach of putting oneself into the virtual shoes of those experiencing crisis has been demonstrated to increase awareness of the emotional and mental impact of destructive behaviour. It claims the experience also improves the chances that users will recognise and adapt their own behaviour.

In addition to providing software, Enliven provides companies with training in how to use it and can also develop bespoke VR to address specific situations. Tavassoli is clear, however, that his biggest motivation is to increase compassion, saying that, “every time someone experiences our content, they are exponentially more likely to act against domestic violence, bullying, or discrimination.”

At Springwise, we have seen VR used in a number of innovative ways, including to test cognitive skills and in the treatment of phobias. This is the first application we have seen that aims to increase empathy and compassion. However, Enliven is keen to point out that the platform is no panacea, saying, “The VR simulation must always be part of a training or course. After the virtual reality experience made its impact, it is up to you as trainer or teacher to turn this into effective (behavioural) change.” 

Written By: Lisa Magloff

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Swedish appliance company designs new sustainable kitchen
CategoriesSustainable News

Swedish appliance company designs new sustainable kitchen

Spotted: Is the way we cook just as important to the future of our planet as the food we eat? Swedish appliance company Electrolux thinks so, as it has just launched GRO, a reimagining of the traditional kitchen that encourages sustainable and healthy cooking, following the EAT-Lancet planetary diet.

GRO, which means ‘to sprout’ in Swedish, is a new smart kitchen range composed of modular compartments that can be adapted to any home, creating infinite personalised combinations. In addition, there’s also a grain and pulse library designed to showcase the visual diversity of protein sources; a Nordic smoker that infuses food with flavour; and GRO Coach, a smart cooking companion that tracks eating habits and helps make more sustainable choices.

“By challenging conventional thinking of what a kitchen is, we have rethought everything from the start – aiming to help change behaviours by making planet-friendly eating effortless and enjoyable through groundbreaking design,” explains Tove Chevalley, Director CX Innovation Hub Electrolux.

GRO has launched on the Electrolux website, however, there is no set date for the appliances to be released to the general public.

While companies such as Miele and Samsung have created smart appliances, kitchen robots, and sustainable storage solutions, few have created an all-encompassing kitchen like GRO.

Other kitchen innovations recently spotted by Springwise include a new way to dispose of used cooking oil, a kitchen designed for zero-waste production, and an AI system that helps professional kitchens avoid food waste.

Written By: Lauryn De Nagy Berry

Email: sustainability@electrolux.com

Website: betterlivingelectrolux.com

Reference

A vegan social media app gives users the option to own shares in the company
CategoriesSustainable News

A vegan social media app gives users the option to own shares in the company

Spotted: As the world increasingly turns to social media for news and entertainment, a new crop of sustainable startups are looking to tap into their pool of engaged users to further their social purpose. Vegan social media platform abillion is one such startup.

Launched in 2017 as a social platform for connecting people with plant-based food choices, the company is on a mission to make it easy for everyone to be an environmental hero. As the company has developed, it has shifted its focus to helping individuals and businesses become more aware of their choices and proactive about sustainability. It does this by funnelling back cashback rewards from brands to users, who can then direct those funds to their favorite environmental causes.

To date, abillion has given more than $1.4 million (around €1.33 million) to environmental causes, including Sea Shepherd and One Tree Planted. With over 60 recipients to choose from, users can easily support the causes they’re passionate about.

Now, in a first-of-its-kind move for social media, the vegan social app is giving its users the option to own shares in the company. The company says this represents a new concept of ownership and allows users of the platform to take a vested interest in its success. Previously, credits amassed by leaving reviews of vegan products could be redeemed for rewards like discounts or free products. But now those credits will be convertible into shares of abillion.

A democracy of ownership will allow users to not only connect with plant-based food choices, but also to have a say in which companies are featured on the platform. As a result, abillion is positioning itself as a leader in the sustainable food space. And with $1 in review credit equal to a $1 stake in the company when it goes public, abillion is giving its users a chance to profit with purpose.

Other innovations in environmental giving recently spotted by Springwise include a CSR platform that lets companies choose and monitor impact projects, an ad platform that rewards users for watching ads by giving them credit to donate to a cause of their choice, and a search engine that donates its profits to non-profit organisations.

Written By: Katrina Lane

Website: abillion.com

Contact: abillion.com/contact

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