Serenity Framed: Waetcher Architecture’s Society Hotel Awarded Top Prize in 6th Best of LaCantina Competition
A classic paradox in architecture is that, quite often, the buildings that get people talking most are those that are gloriously defined by silence.
The stunningly serene spa at the heart of the Society Hotel in Bingen, Washington, is a perfect example of this phenomena, and its elemental beauty has now been recognized with the prestigious “Best in Show” award as part of LaCantina Doors‘ much loved annual design contest, the 6th Annual Best of LaCantina Competition.
Designed by Oregon-based firm Waechter Architecture, this carefully crafted project involved the adaptive reuse of a historic school building into a boutique hotel, with the addition a ring of minimalist cedar cabins and a unique, polygonal bath house containing a series of relaxing pools, changing rooms, a sauna, a kitchen and two massage rooms.
At the heart of the project, the community spa building serves as a feature gathering space with shared amenities for hotel visitors and guests. The spa employs a similar material palette of striated cedar as the surrounding cabins, yet has a distinctly volumetric form. Avoiding a singular front entrance, the building opens onto each side of the ring with dynamic apertures and floor-to-ceiling folding doors.
Within, the structure expands upward to a large skylight, which washes natural light over a series of pools below.
One of the most critical considerations for the spa’s design was how the interior and the exterior spaces could be seamlessly connected, providing shelter for visitors while also maintaining both a visual and a visceral connection with the hotel’s stunning natural surroundings.
In order to strike this balance, Waechter Architecture turned to LaCantina Doors. “We used a series of three custom-sized, six-panel Aluminum TC (Thermally Controlled) folding doors with a dark bronze anodized finish, all roughly 10′ high and 18′ in width,” explained the architects. “Two of the door systems were symmetrical 3L/3R configurations, and the last (in the highest-traffic area) was arranged as a 5L/1R configuration outfitted with panic hardware.”
The use of LaCantina doors were key to the success of the project, as Waechter explained: “In many ways, these doors were the most important single component of the entire project. After seeing the system and learning about other successful installations in this dynamic context and climate, they seemed to be an ideal choice.”
The architects continued: “We wanted the architecture of the spa to feel effortless and elemental, with as few materials and components as possible. The three openings between the cedar-clad ‘piers’ all wanted to open fully to the elements in good weather, and we also needed to protect against the snow and winds the Gorge is famous for at other times of the year.
“The La Cantina folding door system gave us the simplicity and solid construction we were seeking while providing an almost seamless connection to the landscape. It was the perfect fit for this challenging condition.”
The finished project is an exemplar in adaptive reuse architecture and spa design, creating a perfect destination for those looking for a scenic getaway in the Pacific Northwest. As the architects concluded: “Through its composition and pairing of historic and new architecture, the Society serves as a model for how buildings can reconcile the needs of a sensitive site, visitors, and the local community, and maximize connection to the surrounding landscape.”
To see every winner of the 6th Annual Best of LaCantina competition, click here, and learn more about LaCantina Doors here.
Project photography by Lara Swimmer
The project was approached with a deep sensitivity to local context. “The intent was to first restore, then relate to and engage with the site,” stated the architects. “The design needed to emerge from the restored forest to find wide open plains through, in, and around the main house. The concept of the main house at Casa Loro was to create a modern tree house made with contextual materials that enclose indoor and outdoor spaces equally.”
IM-KM paid special attention to material selection and spatial layout, seeking to create a home in which each space is uniquely designed to enhance the client’s sensory experience: “As we designed each of these spaces, we wanted them to have unique qualities of sound, materials, and light, that become integrated components that enhance the user’s experience and create specific memories of the place.
“This was achieved by hierarchically separating the spaces by a series of steps and platforms that are surrounded by gardens that attract biodiversity. As you circulate, each space becomes gradually more intimate until you reach the bedrooms and their private gardens. The ocean and fountain provide different acoustics depending on which space or garden you are in, and the shade from the various trees and palms create shadows that move around with the ocean breeze.”
The architects sought to create a hierarchical sequence of spaces that would offer inhabitants a sense of escape as they transition between each living space. IM-KM explained: “The pavilions of the main house are all balanced around the central pavilion which contains the vestibule and indoor and outdoor living rooms. From this central space, you transition from the modern world to somewhere else, where you can forget your day, and just be on holiday.”
Utilizing LaCantina’s sliding door systems, the façades of each pavilion are fully operable. When opened, the perimeter of the interior spaces become permeable and create a single larger room including the adjacent garden spaces and the ocean at the horizon. “When passing through the modern pavilion — from the vestibule into the outdoor living room — you are compressed and released into the vastness of the outdoor living room which looks out to the sea and the surrounding playful roof forms. It is meant to be an exciting, all-encompassing transition,” said the architects.
Casa Loro powerfully demonstrates how smart material and product selection can enable a seamless transition between interior spaces and the surrounding landscape. IM-KM’s adept use of LaCantina Doors systems helped create a serene home that is intimately connected to the unique natural environment of Panama, while producing an open-plan layout that is flooded with natural light. The house is proof that, when the right building products are employed and the details are well considered, a “Best in Show” outcome is possible.
“In New York City, the world-famous concrete jungle, people live their lives up in the air. But there are always oases of peace on the ground, providing breathable green places among concrete and steel. The gaps in Central Park’s foliage naturally form a viewing window, showing the vertical lifestyles of New Yorkers.”
“This image was taken at the Tampa Museum of Art. There is an opening on the building guiding your eyes towards the sky. I laid there with my camera on my face to avoid shake and trying to capture the best angle using the lines in the structure towards the clouds. I noticed there were paragliders in the area and I waited patiently for one to appear in my frame. I am glad I did.”
“This image is my photographic translation of a space-dissolving surface design of a stairwell interior. Its design is part of the conversion of a bourgeois house from the 1900 into an apartment building.
“This photo was taken in Dia Beacon in upstate New York. Looking out, the surrounding nature has become vague silhouettes and paint brush like colors around the clear glass at the window. One then focuses almost only at the limited pocket of beauty, details highlighted, colors embellished, like a camera focusing on a target. When the light shines through, it’s the most magical moment.”
“Photograph taken at the plaza of Kanagawa Institute of Technology in Japan designed by Ishigami Junya.
“POPCourts!, a 7,000 SF community plaza in the Austin neighborhood on Chicago’s West Side, was born from the pandemic and civil unrest and developed in concert with Mayor Lightfoot’s INVEST South/West initiative. The goal was to provide a safe community space that residents could enjoy outdoors during the pandemic while also creating a visible presence along Chicago Avenue.
“My intention from this project was to reduce the minimalist architecture design of Jameel Arts Centre to a single frame and presents its white façade and clean lines in the simplest way possible. What made the capture more interesting is the passing mechanical guy which was a happy accident that contributed a human element to the otherwise too pure of a picture.”
“This is the story of a monument: a sculpture that talked to a building, the sun, the sky and to me; a conversation that gave me a photographic understanding I had never encountered before.
“Parkaden (Car Park) 1964 by Hans Asplund in Stockholm, Sweden. Between a steady flow of cars going through the centrum, there was a 1-2 second moment with this man walking. This was one of the two shots I managed to quickly capture. It was only later that I noticed that the patterns in the wall are the floor numbers in mirror!”
