“The world needs cement” says concrete industry decarbonisation chief
CategoriesSustainable News

“The world needs cement” says concrete industry decarbonisation chief

Concrete will remain the world’s dominant construction material over biomaterials such as timber as the world transitions to net-zero, claims GCCA chief executive Thomas Guillot.

The second most widely used material on the planet after water, concrete is produced by a massively polluting industry that accounts for around seven per cent of the world’s carbon dioxide emissions. For comparison, aviation is responsible for closer to two per cent.

However, Global Cement and Concrete Association (GCCA) chief executive Guillot argues the focus should be on reducing the carbon footprint of concrete rather than seeking to replace it.

“Concrete is really the backbone of all modern society”

“If you look around us, concrete is really the backbone of all modern society,” he told Dezeen. “So it’s easy to say we get rid of cement, but the reality is that everywhere we look for infrastructure, for schools, for roads, for development, cement is there. The world needs cement.”

“So the question is now: if this material is fundamental to the world, then we are custodians as an industry of that material, and as much as we need concrete, we need us to bring net-zero concrete to the world,” he continued.

“The core of our priority is to bring net-zero concrete to the world in the next decades.”

Many sustainable building campaigners argue that to keep global temperature rises under control, concrete must increasingly be swapped out for carbon-sequestering biomaterials, especially timber.

But Guillot believes that his organisation’s vision for a net-zero concrete product will remain the building material of choice for most construction projects, in favour of timber or direct concrete alternatives like hempcrete.

“There are substitutes of concrete,” said Guillot. “The problem is the volume of the use of the material on the scale that concrete is used around the world. So what material can substitute concrete really?”

“You say some of these technologies are better, fine,” he added. “Put a price on carbon and let the market compete, and then we’ll see what is the most effective material,” he said in reference to the GCCA’s call for widespread market-based carbon pricing.

“I’m taking the bet: concrete has a future in a regulated world that says CO2 has a cost and you need to price it.”

The GCCA describes its mission as helping the concrete and cement industry transition to net-zero by 2050.

Its website features multiple fallacy-versus-fact-style articles pouring doubt on the suitability and sustainability of timber as a construction material while extolling the benefits of concrete.

Ribbon of Light in Los Angeles
Top: Thomas Guillot addressed the GCCA’s CEO gathering in Atlanta this year. Above: the Ribbon of Light viaduct in LA. Photo by Iwan Baan

But Guillot denies that his organisation is anti-wood.

“We are not against any type of materials,” he said. “I am definitely not the one that will start to bitch on wood or things like this, because that’s not the point, that’s not my role, honestly. We want to use our energy in trust-forming our materials, not bitching on others’ materials.”

Instead, he claims, the GCCA is seeking a “fair comparison” between the merits of concrete and timber.

“We need to use all the materials we have, but we need to have a fair understanding and we should be candid in front of the reality of what wood is,” he argued.

“We have an issue with deforestation, right? Try to scale using wood in core elements in line with deforestation, in line with mono types of forestry, biodiversity etcetera, etcetera, just try to map that.”

“We are not here to defend an old industry”

The GCCA’s membership includes huge corporations like HeidelbergCement and Cemex, plus more than 40 national cement associations.

It represents 80 per cent of the world’s cement manufacturing capacity outside of China, as well as some Chinese companies including CNBM, which produces around 500 million tonnes of concrete each year. China alone pumps out more than half the world’s concrete and cement.

The GCCA frequently cites the statistic that three-quarters of the infrastructure that will exist in the world by 2050 has yet to be built.

To enable that to happen, it argues, concrete will be crucial. However, Guillot insists the GCCA is not interested in “protecting the status quo”.

“We are not here to defend an old industry,” he said.

“We are not protecting the status quo. We are defending a tremendous – is it a revolution, an evolution? I don’t know, I can’t qualify it today – but we are defending a tremendous change of our industry.”

“We are habitants of the planet, and we totally understand that we are custodians of that material [concrete] and that we need to change things.”

And he concedes that the world will need to find a way to use less concrete and cement.

“We are not saying that it’s concrete and only concrete; there are things out there that will help, including reducing the quantity of material use,” he said. “I say we have to use that material in a more frugal manner.”

“We have to use concrete in a more frugal manner”

Guillot worked in the industry for 20 years before being appointed to lead the GCCA in 2021.

Last year, the body launched a 2050 net-zero roadmap, in what Guillot claims was a “first for the industrial sector”.

Its vision for net-zero concrete seeks “CO2 optimization at each place of the value chain”, according to Guillot.

That includes using concrete more efficiently with the help of 3D printing in construction and better design, plus more accurate measuring of cement brought to market – which is currently often sold by the bag.

The GCCA's net-zero roadmap
The GCCA unveiled its net-zero roadmap in 2021

It also involves adopting recipes for cement that use less of the high-carbon base material clinker, with the GCCA supporting research exploring clay cement as an alternative to the standard Portland cement.

“Circularity is also an important element,” added Guillot. “I mean how much you can reuse the concrete itself, the recycling of concrete, the recycling of cement. Some of our members have put on the market some cement which has up to 20 per cent of circular material inside.”

By reducing clinker-related emissions, producing and using concrete more efficiently and transitioning to renewable electricity, the GCCA believes that the concrete industry can cut its total global carbon dioxide emissions – currently 2.5 billion tonnes a year – by 64 per cent.

The remaining 36 per cent, the single biggest element in its net-zero roadmap, relies on carbon capture at cement plants.

“The technology exists, just it is not applied to cement conditions yet”

Industrial carbon capture involves capturing CO2 from factory flues using machines, which can then be stored or utilised for other purposes. At least 35 carbon capture plants are currently planned by GCCA members, though none are yet fully operational.

“All our members are working on that, making the technologies happen, working on innovation to make sure that this is coming,” said Guillot.

“The technology exists, just it is not applied to cement conditions yet, so this is about to be proven,” he claimed.

Some experts believe that carbon capture will form a major part of the world’s transition to net-zero.

Others – including Cambridge University engineering professor Julian Allwood – have argued that the novel materials and carbon capture technologies being explored by industry cannot be scaled up fast enough to decarbonise all of the world’s concrete production by 2050.

The GCCA’s roadmap calls the 2020s “the decade to make it happen” – the period in which it hopes the industry can develop carbon-reducing technologies to roll out between 2030 and 2050.

It had an active presence at the recent COP27 climate summit. One of its main asks is for governments, which represent a large proportion of global demand for cement, to “stop buying high-carbon concrete” according to Guillot.

“You need to create demand for low-carbon material so that these materials can flow, can have its own market,” he said.

Instead of binding targets, which it argues would place firms in some countries at a disadvantage, GCCA members are required to set their own sustainability objectives that increase in ambition year-on-year.

“Judge us on action”

The body’s recently released one-year action and progress report said that the latest available data showed its members had reduced their net CO2 emissions per tonne of cement by 22 per cent between 1990 and 2020.

However, research by the CICERO Center for International Climate Research found that the industry’s overall CO2 emissions have risen dramatically over the same period due to an increase in production.

“Judge us on action,” said Guillot. “We will be relentlessly working on getting people in motion to the transformation.”

“That’s the essence of this association, the GCCA – we need to accelerate the net-zero transition. This is our headache, this is our life motive, and I’m waking up at night saying ‘how do we do that quicker?'”

Reference

Made in Mexico: 6 Captivating Contemporary Concrete Constructions
CategoriesArchitecture

Made in Mexico: 6 Captivating Contemporary Concrete Constructions

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

Mexican uses of concrete span thousands of years, stretching as far back as the Aztecs to the present day. It is no surprise then that the country has a rich culture of architectural styles that incorporate the age-old material; whether through a deep understanding of cement’s varied textures and patterns or a knowledge of how cement interacts with the country’s diverse climactic conditions, which range from lush vegetation to arid deserts.

Mexico’s concrete architecture is as varied as the country’s geography. The recent projects below illustrate how architects are drawing from this rich natural and historical heritage to create unique styles of concrete construction.


Casa Candelaria

By Cherem Arquitectos, Mexico

Popular Choice Winner, 2020 A+Awards, Private House (XL > 5000 sq ft)

This multi-residential project by Cherem Arquitectos on the outskirts of Mexico City is the contemporary equivalent of the traditional Mexican Hacienda. The project consists of a dozen flat roofed buildings interspersed by three main courtyards and large, lush gardens. Inside, the firm aimed to create a strong contrast between the large paneled concrete walls and the natural light entering from skylights. This is accentuated by the rich display of plants and native artwork throughout, suggesting an artisanal quality to the houses’ rough concrete finishes.


House P

By Cherem Arquitectos, Mexico

Photos by Enrique Macias Martinez

This house ensconced among trees in the state of Mexico plays with theatricality in many ways. The open triangular shape of the house — appearing to be folded onto itself — opens onto a large, dramatic luminous courtyard overrun by bushes and stooping trees. For their part, the exterior walls are like concrete curtains framing the free-reigning nature. The overall result is a house which engages dynamically with its surrounding environment: a concrete canvas onto which nature can play a starring role.


Pabellón 3E

By TACO Taller de Arquitectura Contextual, Mérida, Mexico

This 1960s suburban house in Mérida, Yucatán was recently renovated by TACO Taller de Arquitectura Contextual to accommodate the accessibility needs of the aging property owners. As part of the renovation, the firm gave a nod to the original era of the house with a new second skin: a lattice of compressed white cement made with discontinued molds from the sixties. The semi-permeable walls provide a new textured intermediary between interior and exterior, where both sunlight and interior light play in unique ways with the circular patterns.


L House

By Dellekamp Schleich, Mexico

Photos by Sandra Pereznieto

This L-shaped house goes to extreme lengths to preserve the pre-existing trees on the wooded lot by incorporating them quite literally into the building’s footprint. The house includes a series of small courtyards that interweave pre-existing vegetation and offer ample privacy for each section of the building. Meanwhile, the faded smooth paneled concrete quietly blends in with the house’s stone walls, adding to the house’s peaceful harmony with the surrounding forest.


Nuestro sueño

By Espacio 18 Arquitectura, Oaxaca, Mexico

This new home designed for a retired couple on the outskirts of Oaxaca is what the firm Espacio 18 Arquitectura has described as “an oasis at the city limits”. The house is modeled like an old colonial house from downtown Oaxaca with a floorplan centered around the kitchen and the central patio, where the couple hopes to host numerous social events. Likewise, the architectural combination of smooth concrete, timber and bright red clay brick creates a warm, hospitable atmosphere in the house’s congregation spaces. No doubt the homeowners will be recurring dinner party hosts.


Casa Estudio

By Intersticial Arquitectura, Santiago de Querétaro, Mexico

This modestly sized house located in an industrial neighborhood of Santiago de Querétaro manages to look rugged and hospitable at the same time. Intersticial Arquitectura undertook major renovations to this once deteriorating one-story concrete house, decluttering the space with the addition of a luminous and well-ventilated second floor. The renovation also combines rugged and smooth concrete sections for the new walls – a play of textures that pays homage to the local industrial heritage without losing the warm touch of the former building.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

Reference

Bureau conceals Thérèse cabin in France with boulder-like concrete finish
CategoriesArchitecture

Bureau conceals Thérèse cabin in France with boulder-like concrete finish

Architecture studio Bureau has used a rough concrete finish to disguise this small wooden cabin in France as a boulder, distinguishable only by a porthole-style window.

Named Thérèse, the structure is located in the rural grounds of contemporary art space Bermuda outside the town of Sergy and provides space for one person to live comfortably.

Concrete exterior of Thérèse cabin in France by Bureau
Bureau has created a boulder-like cabin in France

Bureau, formerly known as Bureau A, conceived the project as a companion piece to its 2014 project Antoine – a cabin in the Swiss Alps that was also disguised as a boulder.

Both projects pay tribute to the work of Swiss writer Chales-Ferdinand Ramuz, whose novel Derborence tells the story of a shepherd named Antoine who becomes trapped under rocks following a landslide, shortly after his marriage to Thérèse.

Woodland with boulder-like structure
It has a rough concrete finish to disguise it in woodland

“Thérèse was thought and built along the same lines as Antoine, creating interconnected dependencies of art and other travelling communities,” said Bureau.

“Habitation is political here, as the two shelters are nowhere near commercial or speculative routes or agendas,” it continued. “They offer a place to many outside any financial or economic considerations.”

Porthole-style window of Thérèse in France
All that distinguishes it is a porthole-style window

Nestled in a wooded area close to France’s border with Switzerland, all that gives away the presence of the cabin is a single, large porthole-style window.

Underneath Thérèse’s rough concrete exterior is a pyramidal timber structure, sitting atop light foundations that give it the potential to be relocated in future.

Inside, the cabin provides enough space for a single person to live comfortably, with room for a portable wood-burning stove, a table with benches and niches for storage.

Beneath the openable porthole window is a bench for viewing the surrounding landscape, alongside a ladder that leads up to a small mezzanine sleeping area.

Wood-lined cabin interior designed by Bureau
Underneath the concrete is a wooden structure

Exposed timber panels line the entirety of Thérèse’s interior and have also been used to construct the furniture, chosen to provide a warm contrast to the rocky exterior.

Wooden ladder to mezzanine of Thérèse
A mezzanine is accessed by a ladder

Bureau is an architecture, design and research studio led by architects Daniel Zamarbide, Carine Pimenta and Galliane Zamarbide, with offices in Geneva and Lisbon.

As well as the previously completed cabin Antoine, the studio’s other projects include an inflatable PVC nightclub in Geneva that was designed to host the annual party of the Federation of Swiss Architects.

The photography is by Dylan Perrenoud.

Reference

Architects Should Stop Using Concrete. Change My Mind.
CategoriesArchitecture

Architects Should Stop Using Concrete. Change My Mind.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Concrete is one of the most widely used substances on Earth, it has been around for centuries and makes up most of our modern-day and past world. It is used to build our roads, our buildings and the many historic monuments we cherish today. Humankind relies on concrete for everything: to build our hospitals, transportation systems and schools. We have greatly benefitted from this material and it is thanks to its relatively straightforward manufacturing process that makes it easy to use on a global scale.

When we think back, some of the most important historic monuments still stand thanks to concrete. Take the Colosseum for example, or Le Corbusier’s Unité d’Habitation, such architectural wonders are owing to concrete.

The Colosseum metro exit, Rome, Italy, Courtesy of Wikimedia Commons

Concrete has played a pronounced role in architectural movements like Brutalism and Futurism and its aesthetic properties have been contested and debated time and time again. When and where concrete was first used is often debated and it typically depends on how one defines the term “concrete.” Although its origins are contested, it is clear that ancient civilizations have combined limestone with water and sand for a very long time. This historic mixing of limestone, water and aggregates can be seen as a precursor to the modern-day cement-making practices we use today.

In 2022, we live in a world dominated by concrete.The Romans were known to use concrete similarly to the way we do today. This ancient civilization built everything with concrete – bathhouses, harbors and important religious structures like the Pantheon. What’s significant about these ancient Roman structures is their ability to have lasted centuries. The lifecycle of modern-day concrete is roughly 100 years, however, there was something about the Roman structures that stood the test of time. Many believe the longevity seen in the structures built by the Romans is thanks to the use of volcanic ash, otherwise known as pozzolana

Today, concrete is made by blending Portland cement with water and then mixing the paste with aggregates — typically sand, gravel and crushed stone — which hardens and binds into an incredibly durable substance. Portland cement is a limestone powder developed in the late 19th century and is hugely popular in today’s cement-making industry. Concrete’s unyielding nature mixed with its relatively straightforward construction process has helped it land its name as the most used substance on Earth (after water, of course).

The Pantheon dome, Rome, Italy, Courtesy of Wikimedia Commons

We are living through the age of concrete, and the time has come for this epoch to draw to a close. The world’s most beloved material is, simply put, detrimental to our planet.

Concrete has kept us sheltered and secure for a long time. Safe from the elements, inside our concrete fortresses unaware of what’s happening outside. We have reached a time in history where concrete is competing — and winning — against the Earth’s fauna. Concrete accounts for around 4-8% of the world’s CO2 emissions and most of that is produced during the manufacturing stage. The concrete industry has tried to divert attention toward the material’s positive capability of capturing CO2, but studies have proven that concrete absorbs a mere 17% of emissions produced, and that’s over its lifecycle of 100 years.

However, it’s not just CO2 emissions that worry scientists: the cement-making process accounts for one 10th of the world’s industrial water consumption. An equally worrying issue is concrete’s impact on natural resources. The cement-making process is draining many natural infrastructures that humans rely upon. For example, the acquisition of sand to make concrete is destroying many of the world’s beaches. The glorified concrete jungle is covering the productive land we rely upon for our very existence.

Unité d’Habitation by Le Corbusier, Marseille, France, Courtesy of Wikimedia Commons

The craze for concrete, excess and grandeur is seen all over the world and is especially pronounced in China. Statistically speaking, China has poured more concrete into its land every three years than the United States has in the past hundred years. Not only is this significant in terms of environmental impact, but it is a costly endeavor for governments to replace and dispose of old concrete.

What can possibly be the solution to replacing the world’s most used substance? There is certainly no clear path to doing so, but there are ways to start. Architects, builders, manufacturers and consumers all carry a responsibility when it comes to making conscious choices that will impact our planet. Rethinking the production process, using alternative materials and conserving existing concrete structures are starting points. Finding alternative construction practices, such as timber-framed buildings, is important areas to explore. However, it is crucial not to replace one ecological issue with another.

The situation is complex, political and far from resolved. Demanding architects, who have been taught to rely upon concrete, to avoid the material altogether will take time. However, we need to start somewhere. We should be striving toward a mindset shift, one where humans understand their place on Earth and respect their ecosystems and natural terrains. We must shift our priority from grandeur and excess to preserving the Earth’s natural resources and ultimately, close the chapter on the concrete era.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

Reference

Thirty bathrooms by architects including concrete, stone and tiled designs
CategoriesInterior Design

Thirty bathrooms by architects including concrete, stone and tiled designs

Making improvements to your home because you’re spending so much more time there? In our latest Dezeen Lookbook, we’ve rounded up 30 bathrooms designed by architects to give you some ideas.



Pink tiled bathroom

Minimal Fantasy apartment by Patricia Bustos Studio

Designed by Patricia Bustos Studio, this pink bathroom has shiny pink curtains and mirrors with pink frames to match the rest of the apartment in Madrid, which is almost entirely pink.

Find out more about Minimal Fantasy apartment ›


Travertine marble bathroom

Botaniczna Apartment by Agnieszka Owsiany Studio

This bathroom in a Poznań apartment designed by Agnieszka Owsiany Studio for a couple working in medicine has travertine marble walls and a travertine basin.

Find out more about Botaniczna Apartment ›


White and blue filed bathroom

House 6 by Zooco Estudio

Zooco Estudio covered the walls and floors of this bathroom in Madrid with white tiles and blue grouting. A geometric counter clad with blue tiles snakes across the ground and up the wall to form a storage closet in the space.

Find out more about House 6 ›


Bathroom with square white tiles

Porto house by Fala Atelier 

Fala Atelier used square white tiles for this bathroom in a house in Porto. The tiles are paired with marble countertops, blue cupboard doors and a large round mirror over the sink.

Find out more about Porto house ›


Bathroom with mock-Tudor tiles

Makepeace Mansions apartment by Surman Weston 

The bathroom in this apartment designed by Surman Weston is finished with hand-painted tiles that are arranged to form a black-and-white graphic pattern that mimics the housing block’s mock-Tudor facade.

Find out more about Makepeace Mansions ›


Bathroom with colour-changing shower screens.

Unit 622 by Rainville Sangaré

Set in an apartment within Moshe Safdie’s brutalist Habitat 67 housing complex in Montreal, this bathroom designed by Rainville Sangaré has colour-changing shower screens.

Find out more about Unit 622 ›


Bathroom with bright yellow wall

Rylett House by Studio 30 Architects

Created as part of the renovation of a Victorian maisonette in London, this small en-suite bathroom is finished with a black grid of tiles and a bright yellow wall.

Find out more about Rylett House ›


Bathroom with pink tiles

Cats’ Pink House by KC Design Studio 

This holiday home in Taiwan is designed with a focus on the owner’s cat and includes cat ladders, a rotating carousel-shaped climbing frame and a fluffy pink swing. Its bathroom combines larger square pink floor tiles with a wall made from terrazzo with large flecks of pink and grey.

Find out more about Cats’ Pink House ›


bathroom with grey tiles

Borden house by StudioAC

This en-suite bathroom at the front of a house designed by StudioAC has pitched walls covered in grey tiles.

Find out more about Borden house ›


Bathroom with pink walls and barn door

Spinmolenplein apartment by Jürgen Vandewalle

This bathroom in an apartment in Ghent’s tallest building is enclosed within a white lacquered-wood box and is accessed by a set of barn-style doors. Internally the bathroom is finished with earthy, pink-tone micro cement to contrast the white wood.

Find out more about Spinmolenplein apartment ›


Rammed-concrete walls in a bathroom

Cloister House by MORQ

The rammed-concrete walls of Cloister House in Perth have been left exposed in the bathroom where they are softened with timber slatted floors and a timber-clad bath and sink.

Find out more about Cloister House ›


Bathroom with red floor tiles

Akari House by Mas-aqui

Designed by Architecture studio Mas-aqui as part of a renovation of a 20th-century apartment in the mountains above Barcelona, this small bathroom combines red floor tiles with white wall tiles.

Find out more about Akari House ›


Coral vanity unit

Louisville Road house by 2LG Studio

Created by 2LG Studio as part of a colourful overhaul of a period house in south London, this bathroom has pale marble walls and a baby-blue tiled floor. The baby-blue colour was also used for the taps and mirror surround, which contrast with the coral vanity unit.

Find out more about Louisville Road house ›


Mirrored steel bath

Apartment A by Atelier Dialect

This en-suite bathroom, which forms part of a large open-plan master bedroom in an Antwerp apartment designed by Belgian studio Atelier Dialect, has a rectangular freestanding tub at its centre.

The bath is wrapped in mirrored steel to compliment a stainless-steel basin, while the walls are finished with subway tiles and mint-green paint.

Find out more about Apartment A ›


Exposed-brick bathroom

House V by Martin Skoček

Martin Skoček used salvaged bricks throughout the interiors of this gabled house near Bratislava, Slovakia. The master bedroom has a dramatic en-suite bedroom with a freestanding bathtub that is alined with the apex of the pitched timber roof.

Find out more about House V ›


Bathroom with white tiles

308 S apartment by Bloco Arquitetos 

The bathroom in this 1960s apartment renovated by Bloco Arquitetos in Brasília incorporates white tiles as a reference to architecture in the city in the 6os. The white walls and ceiling are combined with a vanity counter and floor made from Branco São Paulo – a matte-finished granite.

Find out more about 308 S apartment ›


Mexican holiday home shower room

Mexican holiday home by Palma

This slim shower room is tucked behind a bedroom in a holiday home designed by architecture studio Palma. It has slatted wooden doors that open directly to the exterior.

Find out more about Mexican holiday home ›


Taps made from gold-hued brass

South Yarra Townhouse by Winter Architecture

This bathroom designed by Winter Architecture in a Melbourne townhouse combines exposed-aggregate grey tiles and thin, horizontal white tiles with towels rails and taps made from gold-hued brass.

Find out more about South Yarra Townhouse ›


Bathroom with green tiles

Edinburgh apartment by Luke and Joanne McClelland

The main bathroom in this Georgian apartment in Edinburgh has glazed green tiles on the lower half of the walls and the front of the tub. Alongside the bath, a sink was placed on a restored 1960s wooden sideboard by Danish designer Ib Kofod Larsen.

Find out more about Edinburgh apartment ›


Bathrooms with surfaces covered in tadelakt

Ruxton Rise Residence by Studio Four

Built for Studio Four’s co-director Sarah Henry, this tranquil house in the Melbourne suburb of Beaumaris has bathrooms with surfaces covered in tadelakt – a waterproof, lime-based plaster that is often used in Moroccan architecture to make sinks and baths.

Find out more about Ruxton Rise Residence ›


Bathroom with views of Austrian countryside

House with Three Eyes by Innauer-Matt Architekten

In House with Three Eyes, the bathroom has a full-height glass wall that has views out across the surrounding Austrian countryside. The marble-clad bath is positioned right next to this window so bathers can enjoy the views.

Find out more about House with Three Eyes ›


Green coloured bathroom

Hygge Studio by Melina Romano

Brazilian designer Melina Romano designed this fern green coloured bathroom to extend from a bedroom in a São Paulo apartment. It features a striking black toilet, a corner mirror and a vanity unit built from red brick that has an open slot for storing towels and toiletries.

Find out more about Hygge Studio ›


Bathroom split from bedroom by curtain

Ready-made Home by Azab

This en-suite bathroom in Azab’s Ready-made Home is separated from the bedroom by an angled blue curtain. The triangular bathroom space is differentiated from the bedroom by its blue tiles on the floor, which extend up the front of the bath and walls.

Find out more about Ready-made Home ›


Le Corbusier's bathroom

Immeuble Molitor apartment by Le Corbusier

This small bathroom was designed by Le Corbusier in the Immeuble Molitor apartment in Paris that was his home for over 30 years. The room, which has walls that are painted sky blue and covered with small white tiles, has a short bath and sink.

Find out more about Immeuble Molitor apartment ›


Blush-toned bathroom

Apartment in Born by Colombo and Serboli Architecture

Colombo and Serboli Architecture added a new guest bathroom to this apartment in Barcelona’s historic El Born neighbourhood, which has by blush-toned tiles and a circular mirror.

Find out more about Apartment in Born ›


David Adjaye-designed bathroom

130 William skyscraper model apartment by David Adjaye

Built within an apartment in David Adjaye’s 130 William skyscraper in New York, this bathroom is lined with serrated grey marble tiles and has a wooden sink unit with a matching profile.

Find out more about 130 William skyscraper model apartment


Shou Sugi Ban bathroom

Pioneer Square Loft by Plum Design and Corey Kingston

The bathroom facilities in this loft apartment in Seattle are located in a custom-built L-shaped wooden box in one of the room’s corners, which is topped with a bedroom.

A washroom, shower, toilet and sauna are each located in different boxes that are each clad in wood charred using the traditional Japanese technique known as Shou Sugi Ban.

Find out more about Pioneer Square Loft


Emerald-coloured marble toilet surround

VS House by Sārānsh

The bathroom in VS House by Sārānsh in Ahmedabad, India, combines two clashing Indian stone finishes. Floors and walls are made from flecked grey tiles, while an emerald-coloured marble surrounds the toilets and mirror.

Find out more about VS House


Bathroom with blue and milky-orange tiling

Nagatachō Apartment by Adam Nathaniel Furman

Forming part of the brightly coloured Nagatachō Apartment, which Adam Nathaniel Furman designed to be a “visual feast”, this bathroom combines blue and milky-orange tiling. A sky-blue vanity unit, lemon-yellow towel rail and taps, and a pink toilet complete the colourful composition.

Find out more about Nagatachō Apartment


Kyle House by GRAS

This holiday home in Scotland was designed by Architecture studio GRAS to have a “monastically simple” interior. This is extended into the bathroom, which has grey walls and a shower space clad with large black tiles.

Find out more about Kyle House

Reference

Walnut and concrete wrap Sao Paulo “gallery apartment” by BC Arquitetos
CategoriesInterior Design

Walnut and concrete wrap Sao Paulo “gallery apartment” by BC Arquitetos

Monolithic concrete columns and walnut panelling create a backdrop for an extensive collection of mid-20th century Brazilian art and design in this 1970s São Paulo apartment renovation by BC Arquitetos.


Located in a 1970s building in the traditional Jardins neighbourhood of São Paulo, the 230-square-metre DN Apartment was created for a landscape architect client.

BC Arquitetos designed the project
Walnut panelling features in the apartment

When designing the space, BC Arquitetos – led by Bruno Carvalho and Camila Avelar – was influenced by the work of Brazilian modernist and landscape architect Roberto Burle Marx.

The layout was guided by the apartment’s original faceted concrete columns, which became a feature of the open-plan living room.

BC Arquitetos installed concrete columns into the apartment
Monolithic concrete columns guide the layout of the space

The monolithic columns, concrete ceiling, stone floor and granite countertops are tempered by natural walnut wood, which wraps the entire space.

“Three main pillars guided the choices for this project, which we classify as a gallery apartment,” said BC Arquitetos. “A clean, sensorial and scenographic architecture that facilities the connection between the spaces, using few elements.”

The apartment is furnished with a selection of classic furniture designs by Brazilian masters of the 1950s and 1960s. These include black gold chairs and a Petala table by Jorge Zalzupon, a Janguada armchair by Jean Gillion, mtf600 dining chairs by Geraldo de Barros, a Mole armchair by Sergio Rodrigues and a Verde Corvo sofa by Jader Almeida.

A table by Sergio Rodrigues and its original leather chairs by Jorge Zalzupin feature in the open-plan kitchen and dining room, which can be closed off from the rest of the apartment with a set of folding doors.

A table by Sergio Rodrigues features in the kitchen
A table by Sergio Rodrigues features in the kitchen

Pieces of mid-19th-century furniture, as well as a glass ceiling light by revered Brazilian lighting brand Dominici, were sourced from a local antique dealer.

The interiors also feature a collection of contemporary pieces of art, such as a photograph of São Paulo by Claudio Edinger, a metal sculpture by Claudio Alvarez and a bronze head sculpture by Florian Raiss.

BC Arquitetos used walnut and concrete in the apartment
A glass ceiling light was sourced from an antique dealer

Other art-informed interiors include one by local studio Framework, which used sculptural furniture and French oak panelling to create a family office in Amsterdam designed to convey the “calm ambience of an art gallery.”

In London, an art dealer’s vault was transformed into a tranquil basement flat by Daab Design.

Photography is by Denilson Machado.

Reference