Architects Should Continue Using Concrete. Change My Mind.
CategoriesArchitecture

Architects Should Continue Using Concrete. Change My Mind.

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“What’s nice about concrete is that it looks unfinished.” 

– Zaha Hadid 

Before embarking on my argument, I want to get something out of the way: I believe that climate change is real. I also believe that mitigating climate change by lowering carbon emissions in as many areas of human life as possible is an urgent necessity in our century. Doing so is the only way to preserve the chance that future generations will be able to enjoy a decent and dignified existence. 

Another point to add in the preamble: I agree that concrete is an enormous contributor to climate change. It would be silly to try to deny it. The facts are there for anyone who cares to look. 

According to the Princeton Student Climate Initiative, the manufacture of concrete produces 4 billion tonnes of carbon dioxide annually, about 8% of global emissions. By comparison, transportation accounts for 29% of global emissions. The reason concrete is so carbon-heavy has to do with the manufacture of cement, the binding agent that, when mixed with water and gravel or sand, creates concrete – that magical liquid stone that enabled the creation of modern cities and remains the most consumed product on Earth after water. (Food is not even in spitting distance). 

To create cement, limestone, clay and other materials are fired in massive kilns at over 1,200 degrees fahrenheit. And again, this is done a lot, all over the world, as concrete is used in almost every aspect of construction worldwide, from roads to sidewalks to bridges to pipes and more. Even most wood frame buildings have concrete foundations. As the architect Sarah Nichols put it, concrete is in “almost everything” and can be found “almost everywhere” in the modern world. 

In a brilliant 2022 essay for Noema, author Joe Zadeh explains that “such a monstrous scale of production has monstrous consequences.” He adds that “concrete has been like a nuclear bomb in man’s conquest of nature: redirecting great rivers (often away from the communities that had come to rely on them), reducing quarried mountains to mere hills, and contributing to biodiversity loss and mass flooding by effectively sealing large swathes of land in an impermeable gray crust.” 

It is no wonder that some writers have advocated abandoning concrete altogether, arguing that new techniques of engineering wood and other materials obviate the need for all this gray sludge. Right here in Architizer, Francesca Mercurio asserted bluntly that “architects should stop using concrete.” She writes that “we should be striving toward a mindset shift, one where humans understand their place on Earth and respect their ecosystems and natural terrains. We must shift our priority from grandeur and excess to preserving the Earth’s natural resources and ultimately, close the chapter on the concrete era.” 

Because it can be cast into any shape, concrete opened up new possibilities for architects.

Because it can be cast into any shape, concrete opened up new possibilities for architects, essentially enabling the development of modern architecture as we understand it. Via Phaidon and Architizer.

However, even Mercurio admits that “there is certainly no clear path” to abandoning concrete altogether, as there are no real substitutes that are as cheap and versatile to meet the needs of a world that is still in the process of urbanizing. And here is my worry. 

At times, the broadsides against concrete seem to be attacks on modernity itself, a claim that the time has come to scale back and learn to live with less. It is often linked to a call to repair existing infrastructure instead of always building more. But that is not an option for the developing world, where necessary infrastructure is still being constructed and the process of industrialization and economic growth is lifting millions out of poverty. When people say that “concrete built the modern world,” it almost seems to imply that the modern world has already been built, which is far from the case. Politically, economically, physically, and morally, humanity remains involved in a period of growth and transformation. 

As a democratic socialist, I am not happy with where we are. I do not want to stop building and go back to nature, as doing so would require an enormous amount of sacrifice on the part of the world’s most vulnerable people. A sustainable future is key, but it must be a high-tech future, one that is able to provide for the needs of a global population that continues to grow. To do this, we are going to need to move mountains — literally. Certainly, innovations toward a greener concrete should be commended, as should building practices that allow architects to use less concrete. In this vein, Philippe Block’s research into how architects can use vaulting to limit the amount of concrete used even in high rise structures is particularly fascinating. But until a real alternative to concrete presents itself, we are very much still in the “concrete era.”

Architizer’s new image-heavy daily newsletter, The Plug, is easy on the eyes, giving readers a quick jolt of inspiration to supercharge their days. Plug in to the latest design discussions by subscribing. 

Cover image: RW Concrete Church by NAMELESS Architecture, Seoul, South Korea

Reference

How Will Modular Construction Continue Changing Design?
CategoriesArchitecture

How Will Modular Construction Continue Changing Design?

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Modular construction isn’t a new concept in architecture; however, it wasn’t until the 20th century that the concept began gaining traction: pre-fabricate parts of buildings in factories how we build car parts and then assemble them onsite as if they were human-sized Lego bricks. Even still, until recently the term ‘modular construction’ brought to mind clunky concrete boxes and repetitive housing blocks.

Yet, now, as manufacturing technology in the architecture sector continues advancing and the environmental cost of construction is being evaluated more critically, modular design is becoming an increasingly attractive approach for architects and contractors. In fact, AMA Research reported that modular construction is set to grow by 14% between 2020 and 2024, and its seemingly limitless possibilities portend even greater growth for years to come. We’ve only scratched the surface of what is proving to be one of the most promising research fields in architectural design.

By shifting construction towards a manufacturing-style process, the modular design presents a host of unique advantages. The fabrication of materials inside the strictly controlled setting of a factory reduces the number of uncontrollable variables that might have otherwise caused delays or cost overruns. All the pre-fabrication work also means that the assembly phase itself is as streamlined as possible: the bulk of the work consists in stacking and bolting together the components of the building, reducing the inconveniences of construction — waste, noise and pollution from heavy-duty machinery — to a minimum.

Take for instance B100arcquitectos’ Science of Rehabilitation Faculty building at Don Bosco University in Soyapango, El Salvador. The project by the A+Award finalist firm offers us a glimpse of what the future of architecture might look like thanks to modular construction.

Annex Building Science of Rehabilitation Faculty Don Bosco University by B100arquitectos, Soyapango, El Salvador

The impact is apparent in the most striking feature of the building: the large, beautiful trees stooping over and surrounding the campus building, as if they had been purposely planted around it decades ago (and not the other way around!). This impressive architectural feat could only have been possible thanks to the flexibility of modular construction; the pre-fabricated cubic modules only had to be moved into place rather than built from the ground up. And though that presented its own logistical challenges, it spared the sacrifice of many trees, leaving over over 80% of the lot’s forestry untouched. The old trees now form an integral part of the architectural experience and give a sense of maturity to the building far beyond its one-year-old existence.

Aside from the aesthetic advantages, the modular construction was completed quickly and with little material waste. This allowed the firm to work on a tighter budget — the whole project ringing in at under a million dollars — allowing the University to invest more on what’s inside the classroom rather than on the classrooms themselves.


Are you interested in joining one of the most promising fields in architecture? Consider applying to a firm that specializes in modular construction.

Volumetric Building Companies (VBC) is a global leader in volumetric modular construction headquartered in Philadelphia, PA with locations across the United States and in Europe. The firm uses its precision-driven manufacturing capabilities and project-proven expertise to provide high quality, sustainably produced modular-designed buildings in less time across varied market sectors. VBC is currently looking to hire a Design Technology Manager, a Senior Project Designer / Senior Project Architect and a Senior Design Associate for their Somerville, MA offices.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

 

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