Dekton Ukiyo: Cosentino’s New Material Collection Celebrates the Aesthetic Wisdom of Japan
CategoriesArchitecture

Dekton Ukiyo: Cosentino’s New Material Collection Celebrates the Aesthetic Wisdom of Japan

Most people who love design also love Japan. In fact, it is impossible to truly appreciate the modern history of Western art and design without recognizing Japan’s influence. From the woodblock prints of Hiroshige that inspired Van Gogh to the Zen tea rooms that laid the foundation for minimalist architecture, Japanese aesthetics paved the way for modernism.

It is not just that Japanese design is beautiful. The nation has a long tradition of thinking carefully about aesthetics, and how the contemplation of beauty contributes to human flourishing. Consider the concept of wabi-sabi, or the art of imperfection, that was recently explored in an Architzer op-ed. Centuries before American architects lamented the homogeneity of the clean and orderly suburbs, Japanese philosophers recognized the paradoxical truth about beauty: that it requires flaws.

Dekton Ukiyo NACRE. Image courtesy Cosentino

It is this aspect of Japanese aesthetics — the theoretical side — that most inspired world-renowned interior designer Claudia Afshar in the development of her new collaborative collection with Cosentino, Ukiyo. The tagline for the series is “The Inner Texture,” which speaks to the Japanese understanding of interior design as an art that evokes a mental atmosphere of inner serenity. In the Japanese tradition, beauty and well-being go hand in hand.

The collaboration consists of a series of new patterns and textures for Cosentino’s versatile Dekton surfaces, a product we love and have profiled many times in the past. Scratch resistant, stain resistant, and able to endure the elements, Dekton is the surface of choice for designers looking for a material that is both resilient and visually alluring. The introduction of Dekton into the marketplace in 2013 completely upended the old conventional wisdom that natural materials are more beautiful than composites.

With Ukiyo, Claudia Afshar showcases the extraordinary potential of Dekton. Most Westerners recognize the term ukiyo as referring to a genre of woodblock prints that flourished in the 19th century, epitomized by the work of artists like Hokusai and Hiroshige. But in the promotional materials for this new collection, Afshar and Cosentino have chosen to emphasize the literal meaning of this term, listing the dictionary definition on the top of the collaboration webpage: “[u-key-yo], Japanese, (n). Living in the moment, detached from the bothers of life. ‘The floating world.’” The idea is drawn from Zen. It means that paradise is always at hand; all it takes is a choice to live in the moment.

Dekton Ukiyo KRETA. Image courtesy Cosentino

In a recent webinar hosted by Architizer, Cosentino’s Lauren Dron quoted Coco Chanel’s statement that “An interior is the natural projection of the soul”, emphasizing the depth of the question architects and designers must ask every time they take on a project. “Meaningful design in the built environment continues to be rooted in our minds and in our emotions,” she declared. “Design is a reflection and enhancement of the human experience.”

This second part — enhancement  — is key, and it is the place where architects can really have an impact on the world. In a social environment dominated by stress, conflict, and speed, architects can create environments of serenity and calm. They can remind people that “the floating world” is alway at hand if one is willing to adjust their perspective.

This, then, is the noble aim of Ukiyo, which features textures and colors that are simple, yet rich. As lush as any natural stone, and as meditative as a pool of still water, these surfaces bring serenity into all sorts of interiors, from domestic to commercial. Each Dekton color features the same delicate ribbed texture, which is reminiscent of the wood slats one often finds in Japanese homes. The texture also evokes the delicate patterns one finds raked into the sands of Zen gardens.

There are two different options when it comes to the size and spacing of the grooves. Ukiyo GV2 is wider, with 25 mm slats and grooves that are 5 mm wide and 3 mm deep. GV3 is finer, with 11 mm slats and grooves that are 4 mm wide and 4 mm deep.

Dekton Ukiyo BROMO. Image courtesy Cosentino

BROMO is the first color in the series. It is described as “a dark gray shade inspired by slate featuring subtle faded graphics and a carefully crafted texture with a natural aesthetic.” The graphics are really key here. The material is actually deeper and richer than slate, yet it has the same soothing matte finish, exuding sophistication.

The next color, KRETA, is inspired by concrete, a material that retains modernist cache despite its ubiquity. Some of the most lyrical architecture ever made with raw concrete was created by Japanese architects, including Tadao Ando. Cosentino notes that KRETA can “create lighter or darker spaces.” In this way, it  plays off the light conditions in its environment, just like real concrete — a true neutral.

NACRE and REM are both shades of cream or beige. NACRE is the lighter of the two, and can even be considered an off-white. It is a great choice for designers looking for a minimalist finish but wary of stark brightness. This tone is both light and warm. REM has a similar impact but is marked by more dramatic veining patterns. There is a luxe quality here that is perfect for commercial interiors.

Dekton Ukiyo UMBER. Image courtesy Cosentino

Finally there is UMBER, the most adventurous and unique color in the series. It is hard to look at this delicately textured terracotta without imagining the rooms one could create with this tone. Unlike the other colors, which are notable for their versatility, UMBER is a showstopper. It is the kind of color you build a room around.

Ukiyo is a truly inspiring series of surfaces. It is also ethically manufactured. Dekton is  the only “Cradle-to-Grave Carbon Neutral surface” as Cosentino offsets 100% of their CO2 emissions over the product’s life cycle. This too is very Zen. Dekton exists in harmony with its surroundings.

To learn more about Dekton Ukiyo and talk with Cosentino about how to integrate it into your next project, visit their website.

Reference

Cosentino’s Latest Material Innovation Could Transform Sustainable Design
CategoriesArchitecture

Cosentino’s Latest Material Innovation Could Transform Sustainable Design

A leading manufacturer of surfaces, Cosentino’s products are invariably beautiful, resilient, and suited to a wide range of purposes. Whether you are looking for a kitchen countertop or a unique flooring or cladding system, you will find a reliable solution in one of Cosentino’s lines of synthetic or natural surfaces.

Among architects and builders, Cosentino surfaces are known to be innovative and high-quality, but one should also add visionary and socially conscious to the list of descriptors. Their newly developed HybriQ+ Technology, used for their versatile Silestone surfaces, blends premium minerals, quartz, and recycled materials with a sustainable manufacturing process that uses 99% recycled water, 100% renewable electric energy and a minimum of 20% recycled materials in its composition. Cosentino uses the term “Circular Economy” to describe their sustainable approach to resources.

All said and done, this process produces ZERO water waste. That’s right, zero with a Z. In 2022, this is welcome news indeed. The past few years have seen new attention given to the issue of water conservation as global water shortages have become a mounting problem.

The World Wildlife Federation summarizes the situation bluntly, writing that “Many of the water systems that keep ecosystems thriving and feed a growing human population have become stressed. Rivers, lakes and aquifers are drying up or becoming too polluted to use. More than half the world’s wetlands have disappeared.” They add that global climate change has put even more stress on the world’s water supply, and that “By 2025, two-thirds of the world’s population may face water shortages. And ecosystems around the world will suffer even more.”

The need for sustainable manufacturing practices is, to put it simply, an imperative. Cosentino illustrates this point quite vividly in their new campaign to promote HybriQ+. Early on in the clip, a sobering montage plays showing plastic bottles washed onto beaches, clear cut forests, and other examples of the destructive impact humanity has had on the globe. The message is poignant: alternatives must be found, and fast, if our species will be able to secure a high quality of life in the coming decades.

The rest of the video provides insight into the HybriQ+ manufacturing process, cross-cutting images of the raw materials Cosentino recycles with scenes of the laboratories in which the company’s research and development team discover new ways to conserve resources in their manufacturing process. This video is a testament to the power of technology and human ingenuity to overcome even dire obstacles.

The video closes with a simple slogan flashing on the scene: “Welcome to our revolution.” And it’s true – such an approach to manufacturing is revolutionary, especially in an era when it is easy to save money by pushing costs onto the planet. As the company notes, “We take care of the present to secure the future.”

Cosentino believes that consumers need not compromise quality in the name of sustainability. In fact, those Silestone surfaces that have been produced with HybriQ+ technology are among the most beautiful the company has ever produced. The company explains that “the new mineral composition enables never before-seen effects in color depth, texture and tone.” Indeed, Cosentino has long proven that synthetic materials can be just as elegant and intricate as natural materials.

Moreover, Silestone is engineered to withstand the harsh daily use that kitchen countertops are subject to, including stains, acid and everyday nicks and scratches. Silestone also comes with a 25 year warranty. This alone is cause for celebration for the eco-conscious among us. Materials that are built to last will not find their way to a landfill anytime soon.

We recommend spending time on the Cosentino website to explore the myriad patterns and colors that are available. The website also includes great photos of their surfaces in action in real spaces for inspiration. There really is something for any design aesthetic, to warm Mediterranean hues to the industrial gray that has proven so popular in modern homes. Silestone also comes in three textures: polished, suede (or matte), and volcano. The latter is really cool, featuring a rustic, rough texture that would add warmth to a kitchen.

As Cosentino points out in their promotional material for HybriQ+, “the kitchen has become the heart and soul of our homes. It is where we cook, work, study, and share memories. It is only natural that the next world-changing idea will come from the kitchen.” So next time you need a sustainable surface for a kitchen redesign, Cosentino Silestone with HybriQ+ should be top of mind.

To learn more about Cosentino’s HybriQ+ Technology and request a quote, click here.

Reference