Hotel lounge with dark blue walls and amber lighting
CategoriesInterior Design

Adean Studios’ overhauled High Country Motor Lodge nods to astronomy

An old roadside motel on America’s iconic Route 66 has been renovated by San Francisco-based Adean Studios to reflect the culture and enviromnent of Flagstaff, Arizona.

Adean Studios worked with local architecture studio Synectic Design to overhaul the High Country Motor Lodge, which is operated by Marc & Rose Hospitality.

Hotel lounge with dark blue walls and amber lighting
Dark blue walls and amber lighting set the tone inside the High Country Motor Lodge lobby lounge

The mid-century property is accessed directly off the historic, cross-country Route 66 highway that runs through Flagstaff – the city that provides a base for visitors to the Grand Canyon, the Arizona Snowbowl ski resort and miles of hiking trails through the surrounding wilderness.

Almost 7,000 feet (2,100 metres) above sea level, the city is also home to the Lowell Observatory where Pluto was discovered in 1930.

Self-check-in desk as viewed in a mirror
The hotel was renovated by Adean Studios to reflect the landscape and history of Flagstaff

All of these elements were combined as influences for the hotel’s design, which lands somewhere between a mountain lodge and a retro motel.

“Our goal was to incorporate the rich astronomical history of Flagstaff, while also creating an environment that blends elements of a retro 1960s lounge with modern mountain design,” said Adean Studios principal Alexa Nafisi-Movaghar. “The entire property showcases a darker colour palette accented with rustic woods and 1960s-inspired fixtures and furnishings.”

Guest room with double bed, blue wainscoting and white upper walls
Guest room interiors are a cross between mountain cabins and retro motel rooms

Painted midnight blue, the hotel buildings form a U shape around a central lawn and a large swimming pool, which was also renovated as part of the project.

The lobby, restaurant and other public areas face the highway, while the majority of guest rooms are located in perpendicular two-storey blocks behind.

Guest room with low cushioned seating beside a double bed
Low furniture and cassette players add to the nostalgic atmosphere

On the west side of the site, three new shingle-clad cabins were constructed to house larger suites, bringing the total number of keys to 123.

The dark facade colours continue inside the lobby, lounge and bar areas, where a variety of seating types and configurations allow guests to dine or relax as they choose.

Dark green bathroom with lighting above a mirror, shelves and sink
Dark green and blue hues throughout the property nod to the forested surroundings and night sky

Amber-hued glass light fixtures emit a soft, warm glow in these spaces, while velvet curtains and blankets were included.

The bar and lounge opens onto a stepped outdoor terrace, where more dining tables and low chairs are arranged around a series of fire pits.

Motel rooms surrounding a central lawn and swimming pool
The property is arranged around a central lawn, which public events are held, and a large renovated swimming pool

A general store off the reception area sells a curated selection of snacks, merchandise and other locally sourced gifts.

In the guest rooms, navy blue wainscoting wraps the lower portion of off-white walls, and dark wood floors and low furniture add to the mid-century aesthetic.

Shingle-clad cabins beyond wooden tables and chairs
Three shingle-clad cabins that house suites were built as part of the project

Each is equipped with a cassette player and a set of three tapes, which play tracks that evoke nostalgia for the road trip era.

High Country Motor Lodge also boasts a Nordic spa, comprising two private wood-lined saunas that guests can reserve for one-hour sessions.

These cabins are accessed from an enclosed courtyard with an outdoor shower and fire pits, and have direct access to the hot tub for further relaxation, or the swimming pool for a cold plunge.

“Inspired by the local lifestyle of adventure-seekers, day-sleepers, and night-watchers, the great lawn, private cottages, and the Nordic Spa have been designed to enhance the outdoor experience, constantly reminding guests of the beautiful nature that surrounds,” Nafisi-Movaghar said.

Arched gateway with "The Sauna at HCML" written above
The hotel has a Nordic spa that guests can book for private experiences. Photo by Landon Kroeger

The hotel’s branding was created by Charleston-based SDCO Partners, and also plays up the retro and astronomy themes.

“Nestled between the Grand Canyon and Barringer Crater, the High Country Motor Lodge is at once both celestial and earthly, and the brand design honors both,” said creative director and founding partner Amy Pastre.

Hot tub with steam coming off it
The sauna cabins are located close to the hot tub. Photo by Landon Kroeger

“An eclectic family of hand-rendered typographic and illustrative graphic elements celebrate the motor lodge’s vintage style, contemporary design, and the love of high desert adventure.”

A range of public programming is organised at the location throughout the year, including theatrical performances, and a folk music festival in the fall.

Wood-lined sauna with benches and a water bucket
The private saunas can be reserved for an hour. Photo by Landon Kroeger

Many former motels and motor lodges across the US have been bought up and renovated into boutique accommodations over the past decade.

From Hotel Joaquin in Laguna Beach and The Drifter in New Orleans, to Scribner’s in New York’s Catskills Mountains and Tourists in the Berkshires, these hotels are often designed with a location-specific twist.

The photography is by Werner Segarra, unless stated otherwise.

Reference

Black Country Type book front cover
CategoriesArchitecture

Ten post-industrial structures from the Black Country

Artist Tom Hicks has spent the last six years documenting the built environment of the West Midlands. Here, he picks ten of his favourite photographs from his book Black Country Type exclusively for Dezeen.

From factories and warehouses to shop fronts and underpasses, Hicks explores the structures that make up the post-industrial landscape of the West Midlands region known as the Black Country.

Black Country Type book front cover
The photographs included in the book were taken between 2017 and 2023

“The Black Country is an area that has a strong tradition of manufacturing, particularly in terms of making things out of steel (known locally as metal bashing), and this has been in steady decline for years,” Hicks told Dezeen.

“The landscape I grew up in is human-made. I’m interested in conveying the changes in the region, largely brought on by deindustrialisation,” he added.

“Some parts of the Black Country feel like the land that planning forgot”

Taken while out cycling, many of Hicks’ photographs focus on signs and handmade lettering on buildings.

“The title of the book reflects the idea that the images are taken in The Black Country and originally featured typography,” Hicks explained. “Letterforms have the ability to locate a building in a certain time period”.

What the artist looks for in the built environment varies from time to time.

“Sometimes I focus on a building that was once grand but has fallen into disrepair,” he said. “Or I focus on a door that may seem like a minor detail, but that reflects the overall architectural style of the building – so it acts as shorthand for a time period and architectural genre.”

“Some parts of the Black Country feel like the land that planning forgot,” he added. “There are improvised and patched-up structures all over the region.”

“I rely on sunlight to illuminate the surfaces of the buildings”

As well as having an emphasis on typography, Hicks’ photographs are unified by a focus on bright colours and sharp lines, and the fact that they are always taken in direct sunlight.

“The vivid colours in the images are all as they appear. I rely on sunlight to illuminate the surfaces of the buildings,” Hicks continued. “Colour and surface material are key focuses for my work.”

“I love the contrast with the name of the region – The Black Country – and the colourful nature of the work,” he added. “Humour is an important part of the Black Country character and I try to convey that where possible.”

Read on for Hicks’ selection of ten photographs from Black Country Type:


Central Snooker Club exterior from Black Country Type

Central Snooker Club, Lye, 2019

I love the simplicity of the design of this building – not only in terms of the structure of the building but also the paint job. It took me a while to realise that the colours relate to the order in which you pot the balls in snooker.

This photograph is an example of how the project is documenting change in the Black Country; the building is now a warehouse and has been painted black.


Lollipop Oldbury from Black Country Type

Lollipop, Oldbury, 2021

For many, this conjures up the atmosphere of Miami. In actual fact, this is the side of the Mecca Bingo club in Oldbury, which is in the shadow of the M6 motorway.

When I was taking this photograph, I was stopped by the club’s security team, who informed me that the car park was for members only. My response was to join the Bingo club, and security let me finish the shoot. I still have my membership card.


SMO graffiti on building in Wolverhampton

Smile More Often, Wolverhampton, 2021

This building has now been demolished. It was empty for a long time but when I arrived the demolition crew was on site. For me, this image is tinged with regret, as the building was a sleek sixties design which spoke of the post-war ambition of the region.

SMO means Smile More Often and is the name of a local graffiti crew. I’m still trying to work out how they painted the letters on the building.


Yellow subway stairs against blue tiled wall Stourbridge

Subway, Stourbridge, 2021

Something about this image reminded me of a swimming pool. I gave it the alternative title ‘A Bigger Splash’ in a nod to Hockney.

I took this on a cold winter’s day. So cold in fact that I didn’t want to hang around for too long. I didn’t even dismount from my bicycle – I leaned against the tiled wall and took this before heading off.


Do Not Rush sign at railway station

Do Not Rush, Stourbridge, 2021

This ‘Do Not Rush’ sign is located at Stourbridge Junction Railway Station. When I saw it, it struck me as a quaint way to say ‘no running’.

For people who have bought this image as a print, it has become a kind of mantra – a reminder to slow down in life.


Adult Shop exterior from Black Country Type

Adult Shop, Cradley Heath, 2022

This shop is located in part of a now-derelict art deco cinema.

I love the font used on this – it seems more fitting for a balloon shop than an adult shop. Free customer parking seems like a polite touch.


Lichen covered rooftop Stourbridge

Yellow Roof, Stourbridge, 2022

I’ve always been struck by the vivid yellow of this building in Stourbridge. It’s the main structure of what remains of the Scala Theatre. The unusual yellow roof gets its colour from lichen, which covers the entire surface.

This was a difficult building to photograph as from ground level you can’t see the roof in full. I shot this while travelling on the escalator in Tesco, which overlooks the building!


Industrial Unit Bilston

Industrial Unit Bilston, Wolverhampton, 2022

The building in this image is typical of large swathes of industrial buildings in the Black Country – cheap to construct and functional in nature.

This image represents the more minimal vein of my practice and shows the value of timing. For me, the shadow on the small wall behind the safety rails makes the image. If I’d arrived an hour later, it may not have been there.


Newly built warehouse in Oldbury from Black Country Type

Cloud Storage, Oldbury, 2023

Not all my images are of derelict or decaying buildings. I took this image of a newly-built warehouse in Oldbury in the same week it had been completed. The concrete was untouched by delivery trucks.

The cloud that we see in the reflection was in the sky behind me. When I reviewed the image, it appeared to me that the cloud was inside the building – hence the title.


Pies sign Tipton photographed by Tom Hicks

PIES, Tipton, 2023

This image is taken in the beer garden of the wonderfully named ‘Mad O’Rourke’s Pie Factory, which is in Tipton – considered by many as the heart of the Black Country.

The photography is by Tom Hicks.



Reference

Aerial visual of Ziel by MVRDV
CategoriesArchitecture

MVRDV designs “stack of country villas” for Montevideo housing block

Dutch architecture studio MVRDV has released visuals of Ziel, a pixelated residential block made up of stone-clad family units for Uruguay’s capital, Montevideo,

Described by MVRDV “as a stack of country villas”, the 15-storey building is being developed to offer residents of the dense Punta Carretas neighbourhood a more suburban lifestyle.

The design responds to the trend of Uruguayans moving out of the city and to the countryside in search of more space and greenery when starting a family.

Aerial visual of Ziel by MVRDV
MVRDV has released visuals of Ziel

“In Montevideo, like in many other cities, it’s common that once people start a family, they leave – buying a villa in the countryside and reducing the vitality of the city,” said founding partner Jacob van Rijs.

“With our design, we wanted to show that you can have the spaciousness and nature of the countryside on the tenth floor in the middle of the city,” added partner Frans de Witte.

“We believe the city should be for everyone, including families with children,” de Witte continued.

Visual of staggered exterior for housing block in Uruguay
The building will be made up of stone-clad family homes

Ziel is MVRDV’s first project in Uruguay. It will comprise 40 homes designed in collaboration with Argentinan architect Monoblock for local developer IXOU.

The site of the project is close to the ocean and next to the Villa Biarritz park in Punta Carretas, on the southern tip of Montevideo.

Courtyard of Ziel by MVRDV
A courtyard sits at its centre

The distinctive, pixelated form of the building will be created by shifting the floorplans of all 40 homes.

Externally, they will be clad in various stones with “warm, earthy tones” and complemented by bronze window frames.

Inside, there will be ten different home types, ranging in size from two to four beds. There will also be a rooftop lounge and dining room, a restaurant and shared swimming, gym and spa facilities.

To recreate the feeling of living a suburban lifestyle in a dense urban area, a key feature of Ziel’s design will be the integration of open green spaces. According to MVRDV, the pixelated arrangement of the block will also maximise natural light and air that can enter.

Apartment balcony of Ziel by MVRDV
There will be a series of outdoor spaces

The green spaces at Ziel will include a central courtyard, as well as private terraces, shared patios and “sky gardens” across its levels.

These sky gardens will occupy the second, fourth, sixth, and eighth floors of the building and will be filled with plants and landscaped for various activities.

Rooftop pool overlook Uruguayan capital
A swimming pool will be shared by residents

Founded in 1991, MVRDV is an architecture studio led by Winy Maas with van Rijs and Nathalie de Vries.

Another recent housing project by the studio includes Ilot Queyries in Bordeaux, France, which is folded around a large red courtyard.

The visuals are courtesy of MVRDV.

Reference