Creative Collaboration: When Architecture Meets High Fashion
CategoriesArchitecture

Creative Collaboration: When Architecture Meets High Fashion

The winners of this year’s A+Product Awards have been announced. Stay tuned for the year’s edition of the A+Product Awards ebook in the coming months.

Boundaries are intended to be pushed in the realm of design, and the incomparable creative synergy between fashion and architecture has proven to be an irresistible force. Over the years, this fusion of disciplines has given rise to many breathtaking collaborations that challenge the status quo as designers and architects join forces to create spaces that are as inspiring as they are functional.

Delving into the art of this creative alchemy, this article explores some of the most iconic partnerships in the world of design, each of which has birthed a masterpiece that is both an ode to their respective fields and a testament to the power of collaboration.


REM Koolhaus, OMA x Prada

Prada Los Angeles Epicenter by Rem Koolhaas and Ole Scheeren, Los Angeles, CA Photograph provided by OMA

While some collaborations are one-offs, undoubtedly adding to their allure, others become long-term relationships. Many deeper partnerships between fashion designers and architects are born of a mutually explored aesthetic or shared understanding of values and goals. In the case of Prada and OMA, their ongoing saga is indeed one for the ages.

Rem Koolhaas, the Pritzker Prize-winning architect and founder of the multi-disciplinary firm the Office for Metropolitan Architecture (OMA), has long been known for his innovation and daring vision. When he joined forces with Miuccia Prada, the matriarch of the eponymous Italian fashion house, the result was a series of architectural marvels, such as Seoul’s Transformer project and the Prada Epicenter in New York.

Prada Los Angeles Epicenter, by Rem Koolhaas and Ole Scheeren, Los Angeles, CA Photograph by OMA

This collaboration extended beyond bricks and mortar, as OMA and the AMO think tank began to redefine the very nature of the catwalk at Prada’s shows. The convergence of Koolhaas’s avant-garde design sensibilities and Prada’s penchant for bold self-expression has given rise to spaces and experiences that are as breathtaking as they are groundbreaking.


Lina Ghotmeh x Hermès

Like the early days of Prada and Koolhaas, the collaboration between French luxury goods manufacturer Hermès and Franco-Lebanese architect Lina Ghotmeh appears to be the beginning of a harmonious and hopefully long-established relationship. Having worked together previously to create stunning window displays for the brand, Ghotmeh has now been appointed for Hermès’ latest and largest architectural project to date.

Precise Acts – Hermès Workshops, France by Lina Ghotmeh Architecture. Render courtesy of Lina Ghotmeh Architecture.

Exemplifying the poetic marriage of craftsmanship and design that exists between the two design companies, Ghotmeh’s studio, Lina Ghotmeh Architecture, was chosen to design the new Hermès Leather Workshops, resulting in what looks to be a stunning space that seamlessly blends with the surrounding landscape while respecting the surrounding environment.

The all-brick construction, punctuated by large bay windows, bathes the space in natural light and evokes the precision and craftsmanship that have become synonymous with the Hermès brand. This poetic merging of form, function and broader ecological impact demonstrates the overlapping priorities across both industries.


Samuel Ross, SR_A x Acqua di Parma

Many collaborations between fashion designers and architects are grounded in retail design. Samuel Ross, founder of the streetwear label A-Cold-Wall* and design studio SR_A, has harnessed alternative skills to create new designs for the instantly recognizable Acqua di Parma bottles. While not technically an architect, Samuel is a creative polymath whose portfolio of work is deeply rooted in the semiotics and aesthetics of architecture.

His collaboration with the century-old Italian perfume house resulted in a reimagining of their iconic Colonia bottle. Drawing inspiration from the architecture of Milan and London, Ross’s designs featured a scaffolding-like window frame, a nod to the two cities’ post-WWII architectural dialogue. The result is a captivating reinterpretation that has bridged history and modernity in a way that celebrates both equally.


Marco Costanzi Architects x Fendi

Fendi HQ by Marco Costanzi Architects, Rome, Italy Photograph by Andrea Jemolo

While retail design is often the catalyst for cross-discipline collaboration in recent years, there has been a marked increase in fashion brands entering the realm of hospitality design — notably Fendi. The Italian luxury fashion house found an architectural soulmate in Marco Costanzi Architects when they embarked on a journey to reimagine their flagship store in Rome.

Fendi HQ by Marco Costanzi Architects, Rome, Italy Photograph by Andrea Jemolo

Located in the historic Palazzo della Civiltà Italiana, the store’s interior design is an ode to Fendi’s rich heritage while showcasing the forward-thinking ethos of Marco Costanzi Architects. The result is a sumptuous blend of materials, textures, and colors that pay tribute to both the brand’s history and the building’s architectural significance.

Above the store sits the Fendi Private Suites. Each suite is a celebration of the classic Fendi aesthetic – rich, neutral colors, crisp lines and hardwood floors. Walls are paneled in grey, polished wood and inset with Karl Lagerfeld’s black and white photos of Rome’s fountains, an ideal backdrop that brings out the subtle playfulness of custom Fendi Casa furniture. The building, store and suites are a haven for design and architecture enthusiasts.


Issey Miyake x David Chipperfield x Toshiko Mori x Frank Gehry and more

Reality Lab. Issey Miyake by TOKUJIN YOSHIOKA DESIGN, Tokyo, Japan Photograph by Masaya Yoshimura

Of the many fashion designers who have impacted architecture and interior design, the late Issey Miyake was the pinnacle. He was often referred to as a center of contemporary design culture and found a way to combine space and showcase into one unified experience by using his showrooms to further present his design thinking to the world. The iconic mastermind worked with a broad cross-section of architects to create unique, captivating environments. Over the years, their showrooms became a textbook example of retail design becoming an extension of a fashion brand’s vision and identity.

Issey Miyake Marunouchi by TOKUJIN YOSHIOKA DESIGN, Tokyo, Japan Photograph by Masaya Yoshimura

From as early as 1976 and his collaboration with a young Shiro Kuramata on the From First building in Aoyama, Japan, Miyake worked with many notable architects, providing younger or less experienced architects a global platform on which to showcase their talents.

David Chipperfield and Kenneth Armstrong designed his London showroom in 1985 with the architects using natural materials to evoke the spirit of Japanese architecture. Miyake then worked with Toshiko Mori on his first freestanding showroom at 77th Street and Madison Avenue in New York. Mori also designed a New York location for Pleats Please in 1998; another New York showroom for Miyake on 79th Street was finished in 2005.

Issey Miyake London by TOKUJIN YOSHIOKA DESIGN, London, UK Photograph by Masaya Yoshimura

Later, Miyake would enlist the skills of people like Ronan and Erwan Bouroullec, Ito Masaru Design Project and, of course, long-time friends Frank Gehry and Gordon Kipping. Together, they brought the iconic Issey Miyake Tribeca store to life. The store’s interior is a harmonious blend of Kipping’s urban sensibilities and Miyake’s signature folds, creating a space that is both a tribute to New York City’s architectural heritage and a glimpse into the future of design. With its dynamic, origami-inspired aesthetic, the store serves as a reminder of the potential unleashed when fashion and architecture intertwine.

With each collaboration, the importance of creative exploration and pushing boundaries is evident. By merging their respective disciplines, designers and architects can break new ground, challenge conventions, and redefine our understanding of design and style. The results of these partnerships are spaces that are not only functional but equally inspiring and transformative, demonstrating the limitless possibilities that arise from interdisciplinary collaboration.

The winners of this year’s A+Product Awards have been announced. Stay tuned for the year’s edition of the A+Product Awards ebook in the coming months.



Reference

DF Creative Group transforms former heating plant into cultural centre
CategoriesArchitecture

DF Creative Group transforms former heating plant into cultural centre

Slovakian architecture studio DF Creative Group has converted a former heating plant in Bratislava into a cultural centre, complementing its industrial structure with a series of contemporary additions.

The heritage-listed Jurkovič Heating plant, originally designed in the 1940s by Dušan Jurkovič, was formerly part of the Apollo Refinery.

While the rest of the refinery was demolished, the former heating plant now sits at the centre of the Sky Park Masterplan by Zaha Hadid Architects, which completed its first phase in 2020.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
DF Creative Group transformed the industrial building to contain workspaces

Following an invited competition, DF Creative Group, led by architect Martin Paško, was awarded the project to convert the plant into a space that would combine co-working offices with public exhibition, events and hospitality areas.

Looking to celebrate the original industrial structure of the plant, DF Creative Group approached its retrofit as the creation of distinct contemporary structures within its original, historic shell, organised around the full-height turbine hall at its centre.

Between the vast, exposed concrete volumes of the former hopper heaters, steel-link bridges and glass walls create new routes and lines of sight through the building.

Exterior of Jurkovic Heating Plant transformation by DF Creative Group
The historic exterior was maintained

“The architectural solution uses the void interior space in the boiler room and the turbine hall for the construction of new independent structures, while creating new areas and floors consistently offset from the original building,” explained the practice.

“This concept makes it possible to separate and distinguish historical constructions from new ones, while simultaneously embracing and respecting history and harmony,” it continued.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
Office spaces were finished with contemporary details

The ground floor of the building has been reimagined as a “living square”, focused around a skylit atrium that extends the entire height and length of the building.

A restaurant, cafe, contemporary art gallery and multi-functional hall are all organised around the ground floor atrium, in between the existing columns of the original structure.

Above, five floors of co-working spaces occupy a newly-created glass envelope that overlooks the central void, with black steel-link bridges connecting spaces between the large concrete hoppers.

The office interiors have been finished with minimalist, contemporary detailing to create a contrast with the historic backdrop of the plant, with lighting fitted directly to existing trusses or walls and complemented by simple furniture and planting.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
Steel bridges span across the turbine hall

“The intervention highlights many historical construction details, including the structure’s original rugged columns and three cominant hoppers,” explained the practice.

“The reconstruction created an original representative space with materials in their original ‘roughness’ and colour,” it continued.

Interior of Jurkovic Heating Plant transformation by DF Creative Group
The architecture studio wanted to showcase the building’s original structure

At the top of the building, a roof terrace provides visitors with views out over the newly developed Sky Park, where three new apartment towers by Zaha Hadid Architects sit within a green landscape.

“The new design is a symbol of the former plant, a symbol of Sky Park, and a symbol of the capital, Bratislava, itself,” said the practice.

Exterior of Jurkovic Heating Plant transformation in the Sky Park Masterplan
The project is located within Zaha Hadid Architects Sky Park Masterplan

The project is one of several recent schemes across the world transforming former power plants into new cultural spaces that celebrate their industrial heritage.

In China, ARCity Office adapted the concrete frame of a power plant into a new, glazed community hub, while in the UK, London’s iconic Battersea Power Station recently re-opened following its transformation into shops, offices and apartments.

Reference

How Gen Z Designers Are Smashing Conventions With “Creative Self-Exploration”
CategoriesArchitecture

How Gen Z Designers Are Smashing Conventions With “Creative Self-Exploration”

The next report in Material ConneXion’s insightful series on material trends focuses on the ultra-contemporary phenomena of expressionism among new generations of creators. Following on from their Eunomia report — which revealed insights into designers’ renewed passion for nature as a primary source of inspiration —  their next release is entitled “Creative Self-Exploration”, and covers the rising trend for fluidity and dynamism with regards to everything from identity and aesthetics to occupation and innovation.

Learn More and Access the Full Report

Illustrated with vibrant examples of creative individualism, the new trends “reflect  a  growing  aspiration,  especially  among GEN Z and Alpha, to explore all the components that make up ‘the self’, from physical appearance to existential depth and emotions, overlooking established norms.” They also point towards a new wave of entrepreneurship, with young people breaking free from conventional occupations. Instead, they are harnessing the maturing landscape of social media to create their own opportunities, as well as emerging realms such as the metaverse.

Tiktok Headquarters by Gensler, 9th Annual A+Awards Finalist in the Large Office Interiors category.

In terms of architecture and design, these trends are manifested in avant-garde projects that challenge traditional ideas pertaining to the function, program and typology of buildings. One example is the “Tiktok Beauty Hub”. As described in the report, “Tiktokers now have a creative hub in the heart of LA, hosted by Fenty Beauty, Rhianna’s brand. The concept behind this collaborative space is to help influencers on the platform by offering a fully stocked ‘Make-up Pantry’ in a camera-ready,  creative space as well as community building amongst participants.”

One of a number of innovation concepts in the report is named “Phygital Experiences”, highlighting new investments in “marvelous, magical worlds and bewitching inspirations that boost the imagination” and “immersive and multisensorial experiences that create the sensation of lucid dreaming.” This form of design, with its emphasis on interactivity, engagement and dynamic mediums is undoubtedly permeating architecture and design — one such example is the work of Turkish digital artist, Refik Anadol, whose installation “Quantum Memories” was a recent A+Awards Finalist in the Architecture +New Technology category.

Quantum Memories by Refik Anadol, 9th Annual A+Awards Finalist in the Architecture +New Technology category.

In the report’s ‘Design Ideations’ section, a series of multichromatic mood boards visualizes how the rise of creative self-exploration can be translated into real-world spaces, textures, materials, products and beyond. The bold range of colors, forms and finishes on display encapsulates the overriding takeaway from this report — that emerging creatives are not concerned in the slightest with the social or aesthetic “rules” of prior generations. In fact, they embrace the unconventional, and revel in its unlimited creative potential.

To see the full trend report and receive new material insights each month, become a member of Material ConneXion. Learn more >

Top image: 100 colors no.35 by emmanuelle moureaux architecture + design, 9th Annual A+Awards Finalist in the Architecture +Color category.

Reference

Coach Houses Are Full of Creative Potential
CategoriesArchitecture

Coach Houses Are Full of Creative Potential

Architizer is thrilled to announce the winners of the 10th Annual A+Awards! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches.  

Coach houses first appeared in England around the 18th century and eventually took off in the United States a century later. Such structures were originally intended to store horse-drawn carriages and eventually used to house automobiles. Unlike a modern-day garage, coach houses were a symbol of status; only a select few could afford personal transportation and as a result, these structures were reserved for the wealthy. The traditional coach followed a distinct layout, they were typically two-storied volumes built separately from the main dwelling. There was space designated for the carriage and a private room built for the driver. These structures were functional in nature and reflected the architectural aesthetic of the main house.

Today, those fortunate enough to come across a property with an existing coach house have the chance to restore and rebuild the edifice into whatever they please. Whether it be an elevated garage or a cozy apartment, the potentialities of a coach house are limitless.

Photo by Harold Clark

Photo by Harold Clark

Cabbagetown Coach House by CORE Architects Inc., Toronto, Canada

This Toronto coach house was remodeled into a functional and minimalist apartment. The coach is roughly 2,500 square feet, which meant that all desired functions and amenities could be easily equipped in the home. The two-storied coach house features a spacious living room, a comfortable kitchen and a separate formal dining area. The dining room was positioned in the atrium to maximize space and comfort as the homeowners enjoy cooking. The kitchen is finished with stainless steel counters, a built-in cutting board and an “appliance garage” perfect for the cooking enthusiast. Bi-fold doors in the living room lead onto a relaxed outdoor courtyard space. The outdoors can equally be enjoyed by the upstairs master bedroom, which leads onto an upper floor exterior space.

Coach House Restaurant by SHH, London, United Kingdom

Located on the historic grounds of Hatfield House is a renovated 19th-century coach now turned elevated eatery. The premise of this construction was to create a space that would maximize revenue, increase year-round access and contribute to the cost of maintaining the historic property. In order to do so, the architects designed a dining space that could be enjoyed by the site’s visitors, tenants and nearby residents.

The coach house was redone using materials that reflected the original 19th-century structure and surrounding buildings. The architects blended older-appearing materials with a contemporary design to create a functional dining environment. The original tea house was expanded to two floors, with a glass extension leading to the exterior grounds. Moreover, a rooftop terrace can be accessed via a central spiral staircase. The renovation has increased the floor space by 70 percent and offers a deli, bakery and chef’s table option.

Flynn Mews House by Lorcan O’Herlihy Architects (LOHA), Dublin, Ireland
Finalist, 2014 A+Awards, Single Family Home M 1,000-3000 sq ft

This residential dwelling is located in the heart of Dublin and celebrates the site’s historic fabric. The home was built on the site of a previous 19th-century coach house and retains its history through a respectful contemporary design. The traditional mews entrance features large floor-to-ceiling windows, which ensure that the new edifice remains connected to the original preserved wall. The home is comprised of two volumes attached by a central sunken courtyard; it is a special indoor/outdoor living environment not typically found in Dublin.

An enclosed glass bridge connects the two volumes and creates a rather striking juxtaposition. The home took part in the Dublin Green Building Pilot Program and features a solar panel water heating system and an underground gray water pump. The project is an exemplar of preserving the old and blending it with the new.

Photo by Christel Derksen & Rolf Bruggink

Photo by Christel Derksen & Rolf Bruggink

House of Rolf by ROLF.FR, Utrecht, Netherlands  

Located in Utrecht, Netherlands, this 19th-century coach was turned into a truly unique space that underwent a distinctive design and building process. The home was constructed using materials that came from a demolished building nearby and proves that waste can, in fact, create something beautiful.

The original edifice was built in 1895 behind an aristocrat’s home, and then in 1955, an additional outbuilding was constructed adjacent to the coach. The current homeowners acquired both structures and the surrounding garden to build a singular dwelling. The interior space was divided into three zones, each of which offer a distinctive living environment. The first zone was left relatively void so that the original coach atmosphere can be experienced.  A freestanding structure, standing separate from the coach, forms a second zone housing the kitchen, bedroom, bath and office space. The third zone, meanwhile, is a sculptural structure attached to the shell of the original volume. The entire house was furnished using local Dutch designers.

Wicker Park Residence by Wheeler Kearns Architects, Chicago, IL, United States

This single-family residence consists of two separate volumes — a primary dwelling and a historic coach — which are attached by an enclosed glass walkway. Located in one of Chicago’s Landmark Districts, the design carefully respects the neighborhood’s historic architecture. The original coach was viewed as a special asset to the property and informed the material choices and decorative elements found in the main dwelling. The interior of both the house and the coach embrace a contemporary aesthetic, while the exterior design is more reflective of the historic neighborhood. For example, metal doors and dark window frames were purposefully incorporated to complement the design of the original coach. Equally, the new edifice is clad in brick which speaks to the coach’s brick façade. Floor-to-ceiling windows adorn the home’s façade and look onto the original structure, thus furthering the connection between the two volumes.

Whether it be for commercial or private use, there are countless ways to design, reinvent and interpret the traditional coach house structure. The possibilities are limitless and the outcome is a special bespoke space.

Architizer is thrilled to announce the winners of the 10th Annual A+Awards! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches. 

Reference