Stockholm Furniture Fair exhibition stands designed to cut down on waste
CategoriesSustainable News

Stockholm Furniture Fair exhibition stands designed to cut down on waste

Is it possible to stage a trade fair without producing excessive waste? Dezeen editor-at-large Amy Frearson explores eight approaches that were all on show at this year’s Stockholm Furniture Fair.

The trade show format is increasingly under scrutiny, with environmental concerns prompting many to reconsider the material cost of building large exhibition stands that are only used for a few days.

Stockholm Furniture Fair has pointed a way towards how trade fairs might become more eco-friendly. The majority of exhibitions and stands at this year’s edition of the fair were designed to reduce waste and promote circularity.

“A new layout to promote less construction”

Hanna Nova Beatrice, director of Stockholm Furniture Fair, said that numerous strategies were set out to reduce the carbon footprint of the fair.

“First and foremost, we updated the halls with a new layout to promote less construction,” she said.

Nova Beatrice and her team also drew up “very strict guidelines” that were applied to all of the in-house exhibitions, and worked closely with exhibiting brands to help them find more sustainable solutions.

“We had many discussions about how fairs can be more sustainable, promoting less construction and less waste, both within the organisation and with our exhibitors,” she explained.

Here’s a look at eight approaches that featured:


Hem exhibition stand at Stockholm Furniture FairHem exhibition stand at Stockholm Furniture Fair
Photo is by Erik Lefvander

Create island stands without walls

The new fair layout made it possible for some brands to create “island stands” formed simply of a floor surface that could be easily repurposed or recycled.

Brands adopting this approach included Hem, whose stand was defined by bold chequerboard flooring. The result was a space that became a de facto public plaza.


Nola exhibition stand at Stockholm Furniture FairNola exhibition stand at Stockholm Furniture Fair
Photo is by Sanna Lindberg

Use products to frame space

Swedish outdoor furniture brand Nola put its own spin on the island stand by making clever use of one of its new products, the Moiré pavilion by designer Mattias Rubin de Lima.

By installing two of these pergola structures, Nola was able to create a simple frame for its stand. This was accompanied by a floor formed of recycled bricks, making the space feel like a garden patio.


Pholc installation at Stockholm Furniture FairPholc installation at Stockholm Furniture Fair

Build an installation rather than a stand

The fair organisers encouraged some brands to find ways to exhibit using no construction at all. “Think Lars Von Trier’s Dogville, which used only tape to divide the different areas,” Nova Beatrice explained.

One of the most successful examples came from Pholc. The Swedish lighting brand worked with design agency Nineties to create a multilayered scenography out of stacked packing crates.


Lammhults exhibition stand at Stockholm Furniture FairLammhults exhibition stand at Stockholm Furniture Fair
Photo is by Erik Lefvander

Creatively repurpose an old stand

Many Stockholm exhibitors chose to reuse a stand they had already used before, either for a previous edition of this fair or for one of the many others on the furniture design calendar.

One of the most simple and effective approaches came from Swedish furniture brand Lammhults, which reuses the same stand every year but simply paints it in a different colour. For this year, the cobalt blue of 2023 was replaced with a bold shade of red.

Other noteworthy examples included fellow Swedish brand Mitab, which opted for transparency. Its stand featured a counter that made clear how it had used the same stand for the last five years. “This is the same bar we used last year. And we will use next year,” read text printed on the front.


Minus Furniture exhibition stand at Stockholm Furniture FairMinus Furniture exhibition stand at Stockholm Furniture Fair
Photo is by Felix Odell

Work with waste materials

Minus Furniture made its fair debut with a stand built entirely from recycled materials, in line with the Norwegian brand’s ambitiously eco-friendly business model.

Interiors studio Omhu went to great lengths to source everything. Together with a rented scaffolding system, the design included items sourced from construction sites, second-hand stores and municipal waste.

“Not every company wants to put in the work to think in this manner. It takes time and research to demonstrate and source supplies of a circular nature,” said Poppy Lawman, designer at Omhu.


Reading Room by FormafantasmaReading Room by Formafantasma
Photo is by Andy Liffner

Find a new home for everything

All of the fair’s own exhibitions were designed for circularity, which meant rehoming every component once the fair was over. The Reading Room installation by guest of honour Formafantasma was one of the best examples.

Both the fabric curtain that framed the space and the books displayed inside have been donated to design schools, while the Flos lighting has been gifted to a bookshop. The Artek furniture is meanwhile being sold by retailer Nordiska Galleriet as signed limited editions.


The Yellow Thread bar and stage by Färg & BlancheThe Yellow Thread bar and stage by Färg & Blanche
Photo is by Andy Liffner

Adapt an old design for a new purpose

The bar and stage installation by Stockholm-based Färg and Blanche was first created for Sweden’s Presidency of the Council of the European Union, which took place in the first six months of 2023.

The design duo adapted the components into a new configuration so that they could be reused here, along with flooring that manufacturer Tarkett plans to repurpose at its factory in Ronneby.


New Ventures area at Stockholm Furniture FairNew Ventures area at Stockholm Furniture Fair
Photo is by Andy Liffner

Keep things simple

Young brands exhibiting for the first time were invited to make use of ready-made booths designed by designer Nick Ross, rather than building their own.

This “nude edition” was built from recycled materials – an aluminium truss system created freestanding wall modules in untreated MDF – that are now being recycled again.

“The entire area can be disassembled and reused for other events,” explained Ross.

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Could this app change your habits to cut carbon?
CategoriesSustainable News

Could this app change your habits to cut carbon?

Spotted: The Intergovernmental Panel on Climate Change’s (IPCC) 2022 mitigation of climate change report estimated that changes to individual “lifestyles and behaviour” could reduce global carbon emissions by 40 to 70 per cent by 2050. Helping to make that a reality is the One Small Step behaviour change app.

One Small Step uses proven psychology to support and encourage individual behaviour shifts that, when added together with thousands of others, equate to significant reductions in carbon emissions. The app helps users track their expenditures, travel, food choices, energy use, and waste production. And for every friend that a user helps to sign up, One Small Step also plants a tree.

After establishing a baseline for their behaviour, the app lets users track how different choices impact carbon emissions and receive personalised suggestions for ways to make their habits more eco-friendly. As users record shifts in behaviour and buying habits, the app also provides vetted alternatives for some of the most commonly used products.

The company’s goal is to work with 100,000 users of the app to prevent one million tonnes of carbon pollution from entering the atmosphere, as a first step in harnessing the power of community action. The company also challenges users to try to reduce their carbon footprint to two tonnes of CO2 per year, which is the UN’s 2050 goal for individuals. With the average American having a carbon footprint of over 14 tonnes, any reduction in that figure, when multiplied by millions of others doing the same, adds up to a substantial climate impact. Currently available in the USA and Australia, the company plans to expand access to the app to other countries.

There’s certainly work to be done by heavy-polluting industries to cut their emissions, but individuals also have the power to contribute to positive environmental changes. Springwise has spotted a countertop appliance that lets you compost easily in your kitchen and a platform that helps individual employees make their company more sustainable.

Written By: Keely Khoury

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Could this system cut the carbon cost of air-con?
CategoriesSustainable News

Could this system cut the carbon cost of air-con?

Spotted: Climate change has led to more frequent and severe heatwaves, and the increasing need to stay cool indoors is, in turn, speeding up global heating. Researchers have calculated that air conditioning is responsible for around 3.9 per cent of annual global greenhouse gas emissions and startup Blue Frontier Inc. has developed an ultra-efficient, sustainable air conditioning (AC) technology to tackle this climate footprint.

The company’s AC system is designed to replace the energy-intensive Packaged Rooftop Units used to cool commercial buildings. The system uses a liquid saltwater solution as a ‘desiccant’, which is a substance that removes moisture – like the silica bead packets used when shipping products to prevent damp.

First, air is passed over a thin layer of the dessicant, which absorbs moisture. The dried air is then split into two streams. The first air stream gets directed over a thin layer of water, which absorbs the air’s energy (heat) to leave it cooler. This cooler, now-humid, air cools a metal surface, before being funnelled outside. Finally, the cool metal sucks heat out of the second (still dry) air stream, which is then blown into the building. As well as cooling down the building, the system also dehumidifies it to improve indoor air quality and create a healthier indoor environment.

The dessicant will periodically need to release water and be ‘recharged’ for the system to keep working. Typically, this would require fossil-fuel-powered heating, but Blue Frontier instead uses a heat pump. This recharging can occur at night when electricity is cheaper and grid demand is lower.

Depending on weather or usage, the system reduces electricity use by 50 to 90 per cent and reduces peak electricity demand. The company points out that its AC system also enables the replacement of traditional ACs with an ‘HVAC-as-a-service’ business model that’s designed to speed up market adoption by removing the need for large capital investments.

Luckily, recognition of the huge energy footprints of heating and cooling systems is leading to a wave of innovations. These include more viable heat pumps and the use of geothermal energy.

Written By: Lisa Magloff and Matilda Cox

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CUT Architecture designs sunset-hued interior for Parisian burger joint
CategoriesInterior Design

CUT Architecture designs sunset-hued interior for Parisian burger joint

The mid-century architecture and roadside diners of the American west informed the interior of this nostalgic hamburger restaurant in Paris designed by CUT Architectures.


Located in Paris’s Citadium – a multi-brand department store on Boulevard Hausmann that is focused on lifestyle, streetwear, and sneaker culture – PNY Citadium is the hamburger chain’s seventh opening in the city.

Fluted panels line the bar and cashier area
Top image: yellow booth seating has a mid-century look. Above: marquee lettering announces the menu

Paris studio CUT Architectures – which previously designed PNY’s first, second, third and fourth outposts – was invited back to create this location around the theme “electric tropical diner”.

The interior, which features neon tube lighting, aluminium walls and embossed stainless steel, seeks to capture the “vivid and unique” energy of America’s West Coast.

Bar tables were fitted with planters at PNY Citadium
Bar stools are paired with circular tables

In particular, the architects looked to the mid-century architecture of Venice Beach in Los Angeles, the Palm Springs’ houses of Albert Frey, and Palm Desert sunsets.

Set out over 75 square metres, the 51-seat restaurant is headed up by a curved crenellated aluminium bar that lines the back wall.

The back of the bar is clad in aluminium while overhead a retro lightbox sign that displays the menu wraps around the top.

PNY Citadium has an orange lit interior
The crenellated aluminium bar reflects light across the restaurant

“The place is conceived as an architectural parenthesis set in the Citadium; a roadside diner whose bar is clad in crenellated aluminium like a longhaul truck crossing the United States,” said CUT Architectures.

“The back bar is dressed in embossed stainless steel with a radiant pattern that increases the reflections.”

Seating is laid out over a series of classic diner booths with banquette seating, as well as a series of tall bar tables and stools.

The booths are positioned along the entrance to the department store and lined with large circular glass panels, lit by rows of warm neon tubes that fade from yellow to orange and pink.

Booth seating has an angular design
Sun-like panels were placed at the ends of tables for privacy

Designed to recall the setting sun on the Pacific Ocean, the panels provide privacy for diners and create a visual boundary between the restaurant and the rest of the department store.

“To achieve the specific hues and quality of light we wanted we used old school signage neon tubes instead of LED lights,” the studio told Dezeen.

A PNY Citadium sign is located above the bar
Sunset hues reflect off the surfaces

The bases of the taller tables are made from large steel cylinders lacquered in a faded yellow hue.

The cylinders pierce through glossy white circular tabletops to create planter centrepieces that are filled with arid vegetation native to the Californian desert.

Other sunset-informed eatery designs include designer Yota Kakuda’s sunset-hued counter installed within a Tokyo cheese tart shop.

While in a Hong Kong cafe, architecture firms Studio Etain Ho and Absence from Island pay homage to Australia’s spectacular sunsets with a terracotta colour scheme and semi-circular forms.

Photography is by Romain Laprade.

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