Ember Locke hotel channels Kensington’s decadent heyday
CategoriesInterior Design

Ember Locke hotel channels Kensington’s decadent heyday

Warm saturated colours and maximalist touches are combined inside Locke Hotels’ latest outpost in west London, designed by local studios Atelier Ochre and House of Dré.

Occupying an imposing Victorian mansion block in Kensington, the Ember Locke hotel was designed as a homage to some of the area’s historic architecture.

Bedroom and mirror in Ember Locke hotel
Atelier Ochre and House of Dré have designed the Ember Locke hotel

Among the references brought in by the designers were the art deco Kensington Roof Gardens and the now-defunct Biba department store, which rose to popularity in the Swinging Sixties.

“We wanted to create interiors that are an extension and interpretation of the neighbourhood, a space that reflects the cultural heritage of Kensington but also somewhere that shows the area’s evolution over time,” Atelier Ochre founder Pauline Dellemotte told Dezeen.

“We wanted to delve into the world of bold patterns, rich colours, eclectic furniture and art deco details, to tap into the sense of opulence that once dominated the Kensington scene.”

Kitchen and seating area in Kensington hotel by Atelier Ochre and House of Dré
The hotel accommodates 121 serviced apartments

Instead of traditional guest rooms, Ember Locke accommodates 121 serviced apartments over eight floors, alongside a bakery, restaurant and conservatory cocktail bar, a stage for live performances, a co-working space, a gym and a garden.

Its interiors were designed to offer a contrast to the hotel’s location on bustling Cromwell Road – home to three of London’s most important museums including the V&A and the Natural History Museum.

Seating area of guest room in Ember Locke hotel
Velvet banquettes in the rooms are trimmed with ultra-long fringing

The building’s original arch-topped windows are mirrored in the arches and curves found in each room, from tubular-backed banquettes and chairs to the sculptural meandering clothes rail of the deconstructed wardrobe.

“The curved edges of the banquette, the rotating mirror and the wardrobe rail are attempts to combine the unlikely trio of playfulness, comfort and practicality,” said House of Dré founder Andreas Christodoulou.

“We’ve introduced some bold furniture and sculptural objects to spark a sense of curiosity and playfulness, and to allow guests to interact and reflect themselves within the space,” Dellemotte added.

Kitchenette in guest room of Kensington hotel by Atelier Ochre and House of Dré
Each apartment also has a small kitchenette

The velvet banquettes are trimmed with ultra-long fringing, echoed by the fringed pendant lights that hang low above the circular table in each room to zone the seating area.

Brass detailing across coat hooks, wall lights and clothes rails adds to the sense of opulent modernity.

An intense colour palette, which layers red, orange and mustard tones, is offset by the deep green of the apartment kitchenettes, highlighting the more practical nature of this area.

“With the fringing and warm earthy colours, the rooms flirt with maximalism but still possess the calm and contemporary sophistication that one would expect from a Locke hotel,” said Christodoulou.

Bed and kitchen in Kensington hotel by Atelier Ochre and House of Dré
The bed is separated from the kitchen via a cotton curtain

Heavy recycled-cotton curtains in a claret colour, custom-created by London textile company Yarn Collective, track around the walls and create a flexible room divider, separating the bed and kitchen areas when needed.

Many of the communal spaces feature art by local and up-and-coming artists alongside specially created works by House of Dré.

Bathroom with striped shower curtains in Ember Locke hotel
Striped shower curtains jazz up the bathrooms

The project was a close creative collaboration between Dellemotte and Christodoulou.

“We are old friends who met at a previous practice,” said Dellemotte. “Our friendship grew to include exciting collaborations across hospitality projects, where we combined our passions for design and art.”

“At Ember Locke, we’ve been given the opportunity to blend the interior aesthetics and art curation of the spaces with the overall branding of the hotel in a holistic way.”

Bathroom sink in guest room of Kensington hotel by Atelier Ochre and House of Dré
Surfaces are finished in a salmony peach colour

Locke Hotels already has a number of other outposts in London. Among them is one in Bermondsey – with interiors designed by Holloway Li to echo sunny California deserts – and one near St Paul’s Cathedral that is housed in a converted 1970s office block.

The photography is by Kensington Leverne

Reference

Eight hotel interiors enriched by decadent jewel tones
CategoriesInterior Design

Eight hotel interiors enriched by decadent jewel tones

Plush velvet upholstery, Moroccan rugs and chinoiserie-style ottomans feature in this lookbook of hotel interiors that use saturated jewel colours to bridge the gap between cosiness and luxury.

Shades of ruby red, cobalt blue and emerald can help to create interiors that are rich in depth and dimension, especially when accompanied by tactile materials such as silk or leather.

Read on for eight hotel interiors that demonstrate how to translate this palette into modern interiors without it feeling stuffy.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring 70s-style interiors, biophilic homes and innovative stone furniture.


Jewel toned sitting room in The Chloe hotel in New Orleans
Photo by Paul Costello

The Chloe hotel, USA, by Sara Ruffin Costello

Interior designer Sara Ruffin Costello set out to emphasise the grand Southern Victorian architecture of this 1800s family mansion in New Orleans when converting it into The Chloe hotel (top and above).

Cobalt blue walls and matching chinoiserie ottomans help to complement the building’s original tall ceilings and dark wooden floors, as well as the burnt umber tiles that encircle the fireplace in the reception room.

“The Chloe is moody with dark, antique furniture, with an emphasis on Orientalism but updated and made culturally relevant through a very special art collection,” Costello told Dezeen.

Find out more about The Chloe hotel ›


Jewel toned carpet and couch in Nobu Hotel Barcelona, Spain, by Rockwell Group
Photo by Ricardo Labougle

Nobu Hotel Barcelona, Spain, by Rockwell Group

This Barcelona hotel by restaurant-turned-hospitality chain Nobu introduces elements of Japanese craft and design into the Catalan capital, with nods to traditional ink paintings, shoji screens and the gold-lacquer mending technique of kintsugi.

In the hotel’s moody suites, this is realised in the form of inky blue carpets and built-in millwork finished in saturated lacquer colours, while bathrooms feature traditional ofuro soaking tubs.

Find out more about Nobu Hotel Barcelona ›


Esme Hotel by Jessica Schuster Design
Photo by Christian Harder

Esme Hotel, USA, by Jessica Schuster Design

Interior designer Jessica Schuster worked with the Historic Preservation Board of Miami to revive the Mediterranean revival “grandeur” of this 1920s hotel in Miami, making liberal use of plaster and travertine. Pecky cypress, a type of cypress wood containing small holes, was used on the ceilings.

These are complemented by decadent furnishings, vibrantly clashing patterns and saturated colours, with bedrooms finished in either a rose quartz or emerald green colour scheme.

Find out more about Esme Hotel ›


Jewel toned guest room in Hotel Kinsley by Robert McKinley
Photo by Nicole Franzen

Hotel Kinsley, USA, by Studio Robert McKinley

Interior designer Robert McKinley wanted to steer clear of the typical upstate New York aesthetic of “antlers or plaid” when designing Hotel Kinsley in the Hudson Valley.

Set over four historic buildings – including a former bank – the hotel instead draws on an unexpected material palette of boiled wool, intricate garnet-red Moroccan rugs and velvet upholstery in shades of mustard yellow and topaz.

Find out more about Hotel Kinsley ›


Jewel toned concierge counter at Maison De La Luz by Studio Shamshiri and Atelier Ace
Photo by Atelier Ace

Maison De La Luz, USA, by Atelier Ace and Studio Shamshiri

Housed inside the former annex to New Orleans’ town hall, this 67-room guest house offers a modern take on Southern hospitality by integrating furnishings and artworks that draw on the city’s uniquely multicultural heritage.

Among them are references to New Orleans as the home of America’s first pirate, alongside quirky details such as the sapphire-blue concierge desk, where guests can collect their tasselled keys.

Find out more about Maison De La Luz ›


Interiors of Chief members club in Chicago, designed by AvroKO

Chief Chicago, USA, by AvroKO

Down to the service ducts, every surface in the lobby of this Chicago members’ club is painted a rich shade of green, with matching tiles laid across the floor.

This serves to set the backdrop for a mix of eclectic furnishings and abstract artworks, which design firm AvroKO chose to provide an alternative interpretation of traditional old-world luxury.

“Saturated walls are intentionally bold, balanced by the warmth of plush upholstery and broken-in leather, creating approachability with an overall style that is fresh and enduring,” the studio said.

Find out more about Chief Chicago ›


Hotel Torni by Fyra
Photo by Riikka Kantinkoski

Hotel Torni, Finland, by Fyra

Originally built in 1931, Helsinki’s Hotel Torni once served as a meeting place for spies during world war two and was later favoured by artists, journalists and other cultural figures, including Finnish composer Jean Sibelius.

Now, local studio Fyra has renovated the building while preserving its “bohemian ambience”, sticking to a moody emerald-green colour palette and layering different styles of furniture, including modern pieces by Swedish designer Gustaf Westman alongside tubular steel seats that were typical of the time.

Find out more about Hotel Torni ›


A corner seating section at The Hoxton, Poblenou
Photo by Heiko Prigge

The Hoxton Poblenou, Spain, by Ennismore

The Hoxton’s outpost in Barcelona proves that jewel tones can also work in sunnier climates, drawing on a slightly more muted palette of rust red, mustard yellow and aquamarine.

The scheme was informed by the distinctive colours and forms used by Spanish architect Ricardo Bofill, whose studio was located nearby.

Find out more about The Hoxton Poblenou ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring 70s-style interiors, biophilic homes and innovative stone furniture.

Reference