an ethereal lightness defines studio gameiro’s the VAULT in lisbon
CategoriesArchitecture

an ethereal lightness defines studio gameiro’s the VAULT in lisbon

inside the vault apartment by studio gameiro

 

Studio Gameiro completes The VAULT as an integrated residential project, spanning approximately 157 sqm in size and located in a singular building on the historic and creative Rua de São Bento street in Lisbon. ‘As good and long lasting stories go, we wanted to take this challenge a bit further as a unique opportunity to go that extra mile, and were extremely fortunate to find such an interesting couple moving into the city who handed us the challenge to design and build something completely unique which played, and twisted, with the usual notions and principles of space,’ shares the studio. 

an ethereal lightness takes over studio gameiro's VAULT apartment in lisbon
all images © Francisco Nogueira

 

 

mimicking the Arch of São Bento in lisbon

 

The perfect metaphor for the VAULT apartment by Studio Gameiro (see more here) is that the inside of the apartment mimics what the street has lacked for decades, and which used to define it as a starting and finishing point: the Arch of São Bento. The fact that the arch still exists nowadays in another square of Lisbon, and that the marks of this ‘uncoupling’ are still deeply visible on the street itself (and on the tiny rocky side which connects it to the National Parliament), gave the team an extra shot of energy to create something deeply rooted on the notion of the unexpected/unusual. This historic but grounded reference to arched forms is now perceived throughout its operational/logistics framework, and its visual identity.

an ethereal lightness takes over studio gameiro's VAULT apartment in lisbon
The VAULT living area

 

 

curved ceilings and ethereal atmospheres

 

As residents enter from the living room, the social area is revealed in full display, with a corridor leading to the dining room. Here, a bespoke dining table with a Travertine Creme top occupies the center of the space. It rests on a solid Iroko wood structure which evokes the traditional style of centuries-old dining tables, and which is accompanied by six restored chairs designed by Gianfranco Frattini for Cassina. A classic revisited, something borrowed from memory, something pushing forward. This space is then smoothly connected to a breakfast corner, casual and chic as it could be. This small room, almost like a roundabout, gives one of the structural elements of this project: a strong character embedded with an almost floating, ethereal lightness. This contradiction of sorts permeates the entire apartment.

an ethereal lightness takes over studio gameiro's VAULT apartment in lisbon
Studio Gameiro designs ethereal curved ceilings throughout

 

 

The continuation of the curved ceiling leads us to the bespoke kitchen, where Moleanos countertops, a brass pendant element and extensive storage units (which aesthetically and structurally follow the tone of the walls) stand out. Bespoke brass handles, in the shape of hooks, make magical appearances as playing hide and seek. The kitchen provides access to a small patio, ideal for a short break (and a good book on cold Winter nights). The opposite path leads to the private area of the apartment which is traversed by a corridor that begins and ends with a stone arch. Full circle and the perfect metaphor for the project itself.

an ethereal lightness takes over studio gameiro's VAULT apartment in lisbon
breakfast corner

 

 

This corridor leads to the bedrooms and a family bathroom, ultimately leading to the impressive entrance of the master suite. This room, with its incredible scale and width, has an almost cinematic visual flair that defines what we were very keen to have as a foundation stone: space as playful and functional as it could. These layers work as different ‘levels’ to create smooth transitions between each area, allowing us to create quiet spaces, reminiscent of the Roman aqueducts which had basins to calm and re-direct the water’s flow. It is as if all these historical references came together to create ‘free flow’ areas to promote smooth transitions between each room.

an ethereal lightness takes over studio gameiro's VAULT apartment in lisbon
detailed view of breakfast corner

 

 

a deep and rich material palette by studio gameiro

 

The use of materials such as Moleanos limestone and brass is a nod to the aqueduct’s heritage and technical expertise as an Architecture and Design wonder. As textures go, the stone permeates all prominent areas like the arches which divide the spaces, the kitchen countertops and the bathroom sinks, while shiny brass represents a much more industrial character, alluding to the hooks that held lighting cables in the tunnels. This material, which sometimes wrongly rhymes with brash, is poetically edited into signature pieces, as it is discreetly incorporated into the project with a functional purpose. From the entrance there are two side paths which ‘divide’ the apartment into complementary ‘half moons’.

an ethereal lightness takes over studio gameiro's VAULT apartment in lisbon
corridor leading to the bedrooms and a family bathroom

 

 

From the common areas of both kitchen and dining room, the same sense of openess permeates the acess to the sleeping rooms, accessed through another set of arched corridors. This ‘suspension’ framework is intricately connected to the apartment’s storyline. As the arch was part of the same technical design of the Aqueduto das Águas Livres which used to supply water to Lisbon, the curved ceilings and arches guide us through it like a meander/path, much like water was guided through the arches of the aqueduct to people’s homes for centuries. Similar to the soft and mysterious lighting of those tunnels (which have an almost cinematic and stage/set display), light is skillfully designed to illuminate warm-textured surfaces coated with lime stucco stone.

 

Reference

“Subtle luxury” defines Rachel Boston jewellery store
CategoriesInterior Design

“Subtle luxury” defines Rachel Boston jewellery store

Interior design studio Hollie Bowden Interiors has created fine jeweller Rachel Boston’s flagship store and showroom in London.

Located in Shoreditch’s Redchurch Street, the store is split into four main areas – the retail space, private appointment area, workshop and office space for the jeweller’s team of 12.

Wood panelled walls and display casesWood panelled walls and display cases
The space blends a neutral palette of glass, steel and sycamore wood veneer

The store aims to blend a neutral material palette of glass and steel with sycamore wood veneer and velvet mohair upholstery.

“Jewellery stores can be read as quite uninviting and exclusive,” Hollie Bowden Interiors founder Bowden told Dezeen. “I wanted to create the opposite experience to that, something that felt open and un-intimidating, yet special and elevated.”

Cantilever display case Cantilever display case
Bowden and designer EJR Barnes have created bespoke displays from mirror polished steel

Placing the jewellery centre stage was a key objective for Rachel Boston when briefing Bowden’s team.

“Even though our pieces are striking, they are ultimately small objects by nature, so I didn’t want a huge amount of fussy furniture or bold colours to detract from the experience of customers viewing our pieces,” Rachel Boston told Dezeen.

In response to the brief, Hollie Bowden created a compact 19-square-metre front retail space “inspired by the concept of a jewellery box that draws your attention into the small, intricate objects within”.

jewellery retail space jewellery retail space
The store on Redchurch street is split into four main areas

Sycamore veneer wall-cladding, limestone flooring and lining the display cases with ivory silk combine to create the jewellery-box effect, “emphasising this feeling of being cocooned in the space” Bowden told Dezeen.

“I wanted to focus on materials that have a quiet beauty about them, that you have to get up close to really appreciate,” she continued.

Steel window displaySteel window display
Bowden employs a refined approach to materials for this retail project in London

This process of refinement has been a hallmark of Bowden’s style since establishing her London-based studio in 2013.

“Not over-designing projects with too many materials is very important – to give objects the space to sing,” she explained. “I’m always trying to reduce and simplify.”

Jewellery is displayed in floating window vitrines and a cantilever display desk, designed in collaboration with London-based artist and designer, EJR Barnes.

Made from mirror polished steel, these bespoke displays introduce a “vertiginous moment that makes the space feel unique,” according to Bowden.

For these cabinets, Bowden and Barnes drew on the utilitarian design language of archives which “display, protect, and organise what they contain in quite a neutral way”.

A shop front A shop front
Hollie Bowden’s retail space in Shoreditch has been designed in reference to jewellery boxes

Rather than using big ornamental gestures more common in jewellery retail, Bowden says this approach “represents a unique and original way of presenting jewellery”.

“The idea of ‘subtle luxury’ feels like a great counterpoint to retail design at the moment that can feel like you’re in a casino,” she added.

The frames of the cases are simple and uninterrupted, maximising the display of the jewellery and encouraging guests to roam freely around any area.

Red chairRed chair
The red cab chair placed at the front of the store is by Mario Bellini

A Mario Bellini Cab Chair in a deep wine red, placed at the front of the store, works along the lines of the unexpected-red-theory interior trend, featured in our recent lookbook.

Through a stainless steel-lined open doorway, the rear space is curtained off for private appointments. This larger 42-square-metre showroom in the back has a more relaxed and intimate feel that mirrors the art-deco style of Boston’s jewellery.

Four chairs around a carpeted floor Four chairs around a carpeted floor
The rear of the store is reserved for private appointments

Upon entering the rear space, a brown short-pile carpet and bespoke sofa upholstered in Claremont mohair signals the transition from the storefront.

“We wanted to create two distinct spaces, independent of each other yet with a subtle link that reflects Rachel’s jewellery,” Bowden said.

“While the spaces contrast, the continuations of steel and limestone allow for a striking continuity throughout.”

A brown mohair velvet sofa A brown mohair velvet sofa
The rear showroom features a bespoke sofa upholstered in Claremont mohair

Other projects by Hollie Bowden Interiors featured on Dezeen include a pared-back jewellery showroom and a London office space inspired by the sultry lighting of gentlemen’s clubs.

The photography is by Richard Round-Turner.

Reference

Concrete grid defines Svendborg International Maritime Academy
CategoriesArchitecture

Concrete grid defines Svendborg International Maritime Academy

Danish studios EFFEKT and CF Møller Architects have completed the Svendborg International Maritime Academy in Denmark, using an exposed concrete frame to echo its industrial surrounds.

Overlooking the harbour in the North Quay of the former port city Svendborg, the 12,500-square-metre centre unites several previously separate departments of Svendborg International Maritime Academy (SIMAC), providing combined study spaces for 1,000 students.

Front elevation view of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsFront elevation view of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
EFFEKT and CF Møller Architects have created a building for Svendborg International Maritime Academy

EFFEKT and CF Møller Architects designed a “resilient grid” for the building formed of prefabricated concrete elements, which nods to the surrounding architecture and is divided with glass partitions to create teaching spaces that can be easily modified or adapted in future.

“We set out with the desire to create an extremely raw and transparent grid structure, contextually adapted to its industrious setting while capable of staging the school’s workshop-based content,” explained CF Møller Architects partner Mads Mandrup.

Facade dusk view of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsFacade dusk view of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
It is characterised by an exposed concrete grid

“[It is] a scaffolding of spatial possibilities, centred around encouraging young people to encounter and exchange ideas through informal meetings, both within and out towards its surroundings, activating the whole harbour front of Svendborg,” Mandrup added.

SIMAC’s teaching spaces are organised across five storeys around a central 20-metre-high atrium. Lined with balconies, this atrium visually connects each level to a communal seating area on the ground floor.

Internal frame of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsInternal frame of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
Five storeys of educational facilities surround a 20-metre-high atrium

Double-height spaces house specialist workshops alongside conventional offices and classrooms, with the glass partitions intended to “stimulate communication and informal exchange” between areas, said the studios.

On the roof is a communal terrace for students and staff, providing both internal and external spaces with expansive views out across the harbour framed by the hollow concrete grid.

Taking cues from the raw concrete structure, interior finishes have been kept minimal and unfinished, with exposed ducting and steel balustrades. Social areas are visually softened by wooden details, including an area of tiered seating.

On the building’s exterior, panels of glazing and corrugated metal have been pulled back to express the concrete structure. In each corner, the grid is cut away to create sheltered external areas for the cafe and canteen, which are open to the public.

Stairs and frame of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsStairs and frame of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
An area of tiered communal seating is among those with wooden detailing

“You see the same raw, minimalist exposed column-girder structure both from the outside and the inside,” said EFFEKT co-founder Sinus Lynge.

“The space essentially flows through the building’s structure, and the intriguing aspect concerning the concrete elements is that SIMAC’s structure is the architecture,” he added.

Education space in concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsEducation space in concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
Exposed ducting contributes to the raw interior aesthetic

SIMAC is the first project to be completed as part of a wider masterplan for a new district in Svendborg, which is set to transform 5.5 hectares of industrial area with new education, business and residential buildings.

Elsewhere, EFFEKT also recently completed Denmark’s first treetop walkway at the Hamaren Activity Park in Fyresdal and CF Møller Architects created the headquarters for Lego in Billund with a bright yellow atrium.

The photography is by Rasmus Hjortshøj.

Reference