Visualisation showing outdoor pavilion
CategoriesInterior Design

University of the Arts London spotlights six interior design projects

Dezeen School Shows: an app that makes use of disused car parks and a community cafe feature in Dezeen’s latest school show by students at the University of the Arts London.

Also included is a museum that examines the role of female workers in the industrial revolution and a scheme that aims to integrate the physical and digital worlds to connect people to their surroundings.


Institution: University of the Arts London
School: Camberwell College of Arts
Course: BA Interior and Spatial Design

School statement:

“Camberwell College of Arts is a renowned art and design college. We give students the space to explore their creativity. Staff will support and challenge you to rethink current practices. Our facilities embrace both traditional craftsmanship and digital technology.

“Our design and fine art courses will make you think about your social responsibility, as well as develop your critical and making skills.

“View our recent graduate’s work online at the Graduate Showcase website.

“Join our online and on-site open days to learn more about Camberwell College of Arts and our courses. Click here for more information.

“For the following projects, Camberwell’s BA Interior and Spatial Design students collaborated with students at IED Kunsthal, a design university located in Bilbao, Spain.

“Students focused on the regeneration of Zorrotzaurre, a post-industrial area of Bilbao built on an artificial island.

“The project’s aim was to design proposals for a former biscuit factory site, which required remote online working with students at IED Kunsthal as they researched and explored the area together.

“Each student created a map of the urban landscape through a variety of media including textiles, projection and interaction.

“Some Camberwell students also visited the site in Bilbao, where they exhibited their urban fabric mappings of the current condition of Zorrotzaurre and design proposals for the future of the island.

“They also took part in a show at the university, as well as delivered presentations and workshops as part of the DRS2022.”


Visualisation showing outdoor pavilion

Community and the Vernacular: Physical and Virtual by Lea Fakhouri

“Community and the Vernacular is an expansion of my thesis around the idea that people in today’s society are considered inert consumers that only use the spaces that they inhabit, and are not actually part of the process of designing them.

“My project explores the merging of the physical and digital world to help revitalise the connection between people and space.

“The physical world houses six separate pavilions suspended across the site of the Artiach Cookie Factory in Bilbao, Spain.

“The virtual world houses the united pavilions suspended together to represent the capabilities of the community to inform and transform its topography.”

Student: Lea Fakhouri
Course: BA Interior and Spatial Design


Visualisation showing multi-use outdoor space

Mobile Community Repair Cafes by Mia Bizard

“Using my research on themes exploring accessibility, connection and communities, this project continues my investigation into the architecture of connection – connecting people, city, and environment.

“Proposing a series of workshops and gallery spaces that essentially become repair cafes, all connected with foldable canopies, this project promotes the reduction of waste and sustainable, social community-focused lifestyles.

“The idea is to bridge and connect these places – located around the island of Zorrotzaurre in Bilbao, Spain – as well as the local community through this fragmented series of spaces.

“It aims to empower residents to take an active part in shaping their communities, as well as building on the legacy of the site by adding a participatory and engaging design that will help promote and attract people to the area.”

Student: Mia Bizard
Course: BA Interior and Spatial Design


Visualisation showing multi-use space

Zorrotzaurre’s Art District by Maya Hammoud

“The project offers a unique experience to its visitors by taking them through a ‘designed walk’ across three spaces: a gallery, an auditorium and a multi-purpose social space.

“The project is aimed at the local community and those with a common interest in Bilbao’s growing art scene.

“The spatial layout explores the act of observing, using thresholds and viewports to make visitors see, experience and question their surroundings.

“The aim of using viewports as a tool for observing fragments of other spaces, allowing sudden interactions to happen between visitors.

“It also forms a deeper understanding of visitor experiences and how it is influenced by the creation of space.”

Student: Maya Hammoud
Course: BA Interior and Spatial Design


3D view of building layout on white background

Time Traveller by Qiao Wang

“I created a temporary exhibition to promote local cultural heritage in Zorrotzaurre, Bilbao, Spain.

“This solar-powered installation is based on the simplified shape of Zorrotzaurre, which is intended to provide visitors with a quick tour of the island.

“To arouse the interest of visitors, they will feel as if they are exploring the maze while walking inside the installation, just like they are discovering and seeking knowledge in an unfamiliar city.

“This project promotes the industrial heritage culture of the region to visitors from all over the world while boosting the local tourism economy and providing educational cultural dissemination.

“In the installation, I used the pulley structure of the factory and woven fabric, which was inspired by my map. All materials used are sustainable.”

Student: Qiao Wang
Course: BA Interior and Spatial Design


Visualisation showing entrance to gallery

Fabric-Women-Museum by Shiyuan Liu

“Fabric-Women-Museum aims to spatialise the inequalities suffered by women in the workplace during the industrial revolution.

“The project is based on research into the history of Artiach during the industrial revolution when approximately 80 per cent of the workers were women.

“Although Artiach offered work opportunities for women, their working conditions and treatment were poor.

“The design translates the inequality of women in the workplace into four thematic rooms: control, inconvenience, isolation and vulnerability.

“The interactive exhibition helps visitors understand the conditions suffered by women workers in workspaces during the industrial revolution.”

Student: Shiyuan Liu
Course: BA Interior and Spatial Design


Visualisation showing outdoor cinema made from converted multi-storey car park

(Junk)scape – Rethinking and Recycling Non-Places by Kiwi Chan

“This project represents creative ways to transform car parks from non-place, anonymous spaces to ones with urban character.

“The (Junk)scape app is a system and service that proposes efficient uses for ‘wasted’ spaces and energy around ‘non-places’ i.e. car parks.

“This app rethinks and recycles underutilised parking lots by using a renting and scheduling system.

“My primary design proposal for my rented ‘non- place’ explores ‘placeless’ people, in hopes to provide support for the local homeless community and raise awareness around this ‘invisible class’ through film.

“This proposal also aims to incorporate responsible involvement with Bizitegi, a non-profit organisation that contributed to the construction of services for individuals from the worlds of exclusion and mental illness in Bilbao.”

Student:Kiwi Chan
Course: BA Interior and Spatial Design

Partnership content

This school show is a partnership between Dezeen and the University of the Arts London. Find out more about Dezeen partnership content here.

Reference

Hyundai Ioniq 6
CategoriesSustainable News

Circularity is “closer than we think” says Hyundai design boss

Mass-market cars built to circular design principles could only be a generation of automobiles away, says Hyundai vice president Simon Loasby.

Loasby, vice president at Hyundai Motor Company and head of its styling group at the carmaker’s design centre in South Korea, said his team is pushing “really strongly” towards eliminating the waste and pollution caused by producing its vehicles.

Hyundai Ioniq 6
Hyundai has revealed the design for its new Ioniq 6 electric car

He was speaking to Dezeen as Hyundai unveiled its new Ioniq 6 electric car to journalists at a launch event in London.

“In every aspect we’re pushing it [circularity] really strongly, though I wouldn’t say we’re the most successful yet,” said Loasby.

“We just need to get the visibility, the understanding”

“Circularity is where we have to be, that’s the vision where we have to get to,” he added. “I’d say design is often the most advanced in thinking in the organisation to some extent, and so that for us is like the Holy Grail.”

Asked how far off a mass-market Hyundai car built to circular economy principles is, he replied: “Honestly, I believe it’s closer than we think. We’re so quick when we get our mindset right, when we get everybody in the same direction.”

Hyundai Ioniq 6
Loasby made the comments while speaking to Dezeen at a media launch event for the Ioniq 6

“It could be a generation [of cars] away rather than three or four generations away,” he continued. “We just need to get the visibility, the understanding of it.”

He said he is trying to convince Hyundai’s seat suppliers to reuse old metal seat frames rather than make new ones.

Hyundai is also working on reusing plastic pieces of car parts that are currently removed and discarded during the assembly process, Loasby added.

“We try to sow the seed at every bit in the organisation,” he explained. “We need to get the whole company on that wavelength – the product managers, the engineers, the purchasing guys, the suppliers.”

New Ioniq 6 car
The car is the second in Hyundai’s series of Ioniq electric vehicles

“In everything we do we can find those examples to get everybody thinking,” Loasby continued. “Once we get that critical mass in the organisation – and we’re getting there – then all of a sudden it’s boom, and then it’s one car away.”

Embodied carbon associated with material production currently accounts for around a fifth of a car’s lifecycle emissions.

“It’ll cost us a little bit more”

At the COP26 global climate conference in November, German auto manufacturer BMW unveiled a concept car designed to be easily disassembled at the end of its life in line with circular principles, using detachable connections in the place of permanent adhesives.

Electric carmaker Polestar is aiming to produce a climate-neutral car by 2030.

Hyundai with LED headlights
Like its predecessor, the Ioniq 6 has pixelated LED headlights

Cars incorporating circularity will initially come with an extra cost to consumers, Loasby admitted, but he believes people will be prepared to pay more for models that are better for the planet.

“People are already prepared to pay a bit more for electric cars, but they’ll come down in price. It’ll be the same with circularity, it’ll cost us a little bit more,” he said.

“It’ll become the norm, it will get over a tipping point and everyone will do it so no longer will there be an extra cost,” he continued. “The early adopters will buy into it earlier, whichever generation that is, and they’ll do it because it makes that statement.”

The Ioniq 6 is the second in Hyundai’s Ioniq brand of electric vehicles, following the hatchback Ioniq 5.

Interior of Ioniq 6
Parts of the Ioniq 6’s interior are made from recycled materials, including the seat fabric and the carpet

Hyundai has said that sustainability is a key part of the Ioniq brand, and the latest model uses some recycled or less energy-intensive materials.

For example, the seas are covered in recycled PET fabric and the carpet is made from recycled fishing nets, while the leather is dyed using a process that reduces the need for chemicals by using flaxseed oil.

“A very nice cocoon that hugs you”

The polyurethane paint on the inside of the doors was derived from vegetable oils, with the black paint around the base of the car’s exterior pigmented using recycled tire rubber.

Aesthetically, the Ioniq 6 is based on Hyundai’s Prophecy concept car with a streamlined shape and an extra-long wheel-base influenced by 1930s sports cars like the Phantom Corsair.

Mood lighting in Ioniq 6
Mood lighting inside the car changes as it accelerates

Like the Prophecy concept and the Ioniq 5, it uses distinctive pixel LED headlights and rear lights.

The Ioniq 6’s interior, which Hyundai calls a “mindful cocoon”, has mood lighting that changes according to driving speed with translucent materials used to enhance the effect.

“You’re going to feel like you’re surrounded by a very nice cocoon that hugs you,” said head of Hyundai’s Global Design Centre SangYup Lee of the experience of sitting in the car during a talk at the launch event.

In a recent interview with Dezeen, Lee shared his belief that cars will increasingly become “more of a living space rather than a driving space”.

Reference

A hotel room at The Julius Prague
CategoriesInterior Design

Matteo Thun draws on Czech art heritage for design of The Julius Prague

Italian architect Matteo Thun looked to the work of Czech artists Alphonse Mucha and František Kupka for the interior design of this Prague hotel, which features pastel colours and natural materials.

Located in an art deco building in the city centre, The Julius Prague has apartment suites with kitchenettes as well as smaller hotel rooms that were designed to have the feel of a home-away-from-home.

A hotel room at The Julius Prague
Matteo Thun used soft colours for the guest rooms at The Julius Prague

“In exploring new forms of living, we had to think about how to create that home-away-from-home feeling – providing privacy and independence, whilst also offering flexible communal spaces such as co-working areas, meeting rooms, and open lounges,” Thun told Dezeen.

“The rooms are designed as apartments, and the public areas are conceived as an extension of the rooms.”

Conservatory in courtyard of Czech hotel
Rooms overlook a central courtyard

The interior design of the colourful hotel was influenced by the way in which Czech Art Noveau painter Alphonse Mucha and Czech abstract painter František Kupka used colours.

Mucha’s soft, pastel hues were used for the guest rooms, many of which overlook a central courtyard with a light-filled conservatory, while Thun looked to Kupka’s brighter colour palette for the communal areas.

Restaurant with rust-coloured chairs
The hotel’s lighting was informed by bohemian glass work

“Inspired by Mucha’s work, we selected a pared-back palette and pastel hues for the guest rooms, working with natural materials and soft textiles to create a calming and welcoming atmosphere,” Thun said.

“Meanwhile in the communal areas we chose a more vibrant colour palette, drawing on Kupka’s abstract pieces, for a more energetic atmosphere,” he added.

“For lighting, we were inspired by the bohemian art glass work, emitting a warm ambient glow.”

Green walls and orange chairs in hotel restaurant
More vibrant colours were used in the communal areas

Tactile natural materials were used throughout the hotel, including in the bathrooms, which are clad in a striking marble-effect ceramic tile.

“We used ceramic tiles with a marble effect from a leading Italian tile producer for the floorings of the public areas and the kitchens and bathrooms of the residences,” Thun said.

“We love to work with natural materials and have used oak-flooring for the serviced residences, featuring spacious living environments with open kitchen and generous smart-working spaces,” he added.

“Throughout The Julius, custom-made furniture and pieces ensure every space arouses curiosity.”

Bathroom interior at The Julius Prague
Bathrooms were clad in ceramic tiles with a marble effect

The Julius Prague is the first hotel from the Julius Meinl family, a gourmet-food retailer and manufacturer based in Vienna that Thun has previously worked with.

“We have enjoyed a rewarding relationship over the last 15 years and their flair continues to be invaluable in channelling design towards authentic, novel and inspirational projects,” Thun said.

A wall with small potted plants and a bench
The hotel was designed as a “home-away-from-home”

“In this case we have contributed our experience to their first hospitality project, designing a timeless scheme in tune with new expectations: a contextually aware nomadic way of living,” he added.

Other recent projects in Prague include a pop-up market with a turquoise scaffolding design and a spa with curved-cement walls and glass detailing.

The photography is by Gionata Xerra.

Reference

Image of the RPT-02 SOL headphones
CategoriesSustainable News

Ten design projects that show the varied uses of solar power

Clothing, cars, watches and headphones powered by solar energy feature in this roundup of 10 products that are harnessing the power of the sun as part of our Solar Revolution series.

Solar power captured by means of photovoltaic panels or solar electricity cells is becoming a more widespread way to power all manner of electronic devices.

Often incorporated into buildings, as photovoltaic panels become smaller, lighter and more efficient they are being increasingly used by designers as a renewable source of energy.

Below are 10 design projects that showcase the variety of ways solar power can be used:


Image of the RPT-02 SOL headphones
Photo courtesy of Adidas

RPT-02 SOL by Adidas and Zound Industries

Sportswear brand Adidas and speaker brand Zound Industries created wireless headphones that can be charged using both sunshine and artificial light.

Named RPT-02 SOL, the wireless headphones feature a headband that is constructed from a solar cell fabric named Powerfoyle that can convert sunlight and artificial light into electricity.

Find out more about RPT-02 SOL ›


The Solar Blanket, by Mireille Steinhage

The Solar Blanket by Mireille Steinhage

Central Saint Martins Material Futures graduate Mireille Steinhage made this solar-powered blanket from conductive yarn. The product was developed as part of a project that explored ways in which to make renewable energy products more accessible and affordable.

The blanket comes with a solar panel that attaches to a power bank and supplies energy to the blanket. Conductive yarn is used to generate heat across the blanket which is constructed using a polyester composition.

Find out more about The Solar Blanket ›


Ra by Marja van Aubel
Photography is by Pim Top

Ra by Marja van Aubel

Dutch designer Marjan van Aubel arranged photovoltaic cells into geometric patterns to create a glowing, tapestry-like panel that was designed to be hung in a window.

Titled Ra, the artwork is one millimetre thick and comes to life at night. Once dark, a ring of electroluminescent paper embedded in the piece will begin to glow as a result of energy captured by the photovoltaic cells throughout the day.

Find out more about Ra ›


Sun-Powered Textiles by Aalto University
Photography is by Anne Kinnunen

Sun-Powered Textiles by Aalto University

Design and physics researchers at Aalto University in Finland have developed clothing with concealed solar panels that provide users with a means to charge and power handheld electric devices without portable power banks.

A solar cell system was concealed beneath a textile layer within the jacket, which was amended so that enough light could pass through the fabric to power the wearable power bank. The development team hopes that the innovation could be applied to work and sportswear.

Find out more about Sun-Powered Textiles ›


Solartab C, by Solartab

Solartab C by Solartab

Solartab C is a portable charger that uses a photovoltaic panel to power phones, laptops and other handheld devices. Launched in 2017, the device was said to be the first of its kind to feature a USB-C connection and can quickly charge electronic devices.

The device was designed as a greener alternative to traditional chargers and has waterproof qualities as well as including a built-in cover that doubles as a stand.

Find out more about Solartab C ›


Solar-powered windbreaker, by Pauline van Dongen
Photography is by Roos van de Kieft

Solar-powered windbreaker by Pauline van Dongen

Dutch fashion designer Pauline van Dongen created a technical windbreaker with integrated solar panels that is able to charge handheld electronic devices.

Three flexible solar panels were incorporated across the face of the jacket in order to allow its users to still wear backpacks without obstructing the panels’ energy collection. The jacket is fitted with a power bank that stores energy collected throughout the day and also has water-resistant properties.

Find out more about Pauline van Dongen ›


Stella Lux, by Eindhoven University of Technology students

Stella Lux by Eindhoven University of Technology students

Stella Lux is a wedge-shaped car with solar panels fitted across its sloping roof and rear. As a result of its solar panel roof, the car can run for 1,000 kilometres (621 miles) on a single charge while carrying four people.

The family car was designed and built by Eindhoven University of Technology students and generates more energy than it uses, which can then be returned to the power grid.

Find out more about Stella Lux ›


Solution-01 watch collection, by Matte Works

Solution-01 watch collection by Matte Works

Watch brand Matte Works created a solar-powered watch that aims to integrate solar energy into its users’ everyday lives.

Named Solution-01, the watch comprises a solar cell beneath its dial that converts light into electrical energy. Energy is stored within the watch’s rechargeable battery, which reduces the need for disposable batteries.

Find out more about Solution-01 watch collection ›


Lightyear 0, by Lightyear

Lightyear 0 by Lightyear

Dutch startup Lightyear developed the “world’s first production-ready” solar-powered car. Lightyear 0 is a five-passenger car that is fitted with five square metres of curved solar panels across its roof, bonnet and tailgate.

The solar panel integration will convert solar energy into electric power that can add up to 70 kilometres (44 miles) per day onto the car’s 388-mile range from traditional electric charging.

Find out more about Lightyear 0 ›


SunUp, by Bradley Brister

SunUp by Bradley Brister

Rigid and flexible solar panels were combined to create SunUp, which is a product for outdoor use that can be placed over a backpack and other surfaces such as the top of a canoe.

SunUp was created by designer Bradley Brister and is comprised of a collection of polycrystalline solar panels that are adjoined to each other by flexible joints. The product has a 4,000 milliamp Hour (mAh) battery that can charge and power electronics within 12 hours.

Find out more about SunUp ›


Solar Revolution
Illustration is by Berke Yazicioglu

Solar Revolution

This article is part of Dezeen’s Solar Revolution series, which explores the varied and exciting possible uses of solar energy and how humans can fully harness the incredible power of the sun.

Reference

SDCC_aerial view
CategoriesArchitecture

Healing Green: Architects Are Breaking Down a Long Tradition of Sterile Healthcare Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

That nature can help cure people both physically and mentally is not a new concept. Architects are using greenery to help combat the sterility of modern healthcare facilities, yet it is not usually not easy to achieve the ideal result. Explore different approaches to ‘green healthcare’ with the following six projects of different sites and sizes.


Steno Diabetes Center Copenhagen

By Vilhelm Lauritzen Architects and MIKKELSEN Architects, Herlev, Denmark

Popular Choice, 10th Annual A+Awards, Hospitals & Healthcare Centers

SDCC_aerial viewSDCC_interiorSteno Diabetes Center Copenhagen is a hospital for preventing and treating diabetes. The hospital occupies a rectangular site with two entrances open on two opposite sides. There are four inner gardens on the first floor and two of them greet the visitors immediately upon their entry. Common areas such as circulation spaces and reception sit in the middle of the floor plan, while most individual rooms are lined on the outer ring.

The same layout continues to the second floor, replacing covered common areas with a continuous roof garden. Both vegetation and warm-color, wooden interior aim to build up a calming atmosphere for all visitors. Outside the rooms, a thin layer of vegetation shelters the rather private rooms from public view.


Maggie’s Leeds

By Heatherwick Studio, Leeds, United Kingdom

Jury Winner and Popular Choice, 9th Annual A+Awards, Hospitals & Healthcare Centers

maggies leeds_exteriormaggies leeds_interiorMaggie’s centers provide free cancer support and information to patients and their friends and families. The centers are located across the UK, each in a unique style while all of them embrace nature as a way of healing. Maggie’s Leeds stands on the last patch of greenery at St James’s University Hospital. The sloping site is bounded by roads and a multi-story car park. Instead of flattening the landscape, the spaces descend along the landscape, creating views that vary from open to secluded.

Three tree-like structures articulate the common areas under their crowns and include the counseling rooms within the trunk. Plants are visible everywhere – on top of the roofs, around the buildings and inside the buildings. The building demonstrates the idea of shelter in a natural form.


Waldkliniken Eisenberg

By Matteo Thun & Partners, Germany

Popular Choice, 9th Annual A+Awards, Architecture + Health

This new hospital wing of the orthopedic center Waldkliniken Eisenberg enjoys an immersive view of the Thuringian Forest. The six-story building has 128 patient rooms, all located on the outer ring of the circular floor plans. Floor-to-ceiling windows invite unblocked views of the natural landscape into the rooms while providing natural light and fresh air to the rooms.

Common areas such as the lobby and the cafeteria for patients are in the middle of the floor plans, framed by the wards. Inner gardens are carefully cultivated so that the common areas are also visually connected to pleasing greenery. The interior is finished largely in warm-color timber and lighted up by colorful fabrics. Rich textures and colors create a cozy and cheerful atmosphere for the patients.


Expansion of Santa Fe de Bogotá Foundation

By EL EQUIPO MAZZANTI, Bogota, Colombia

Popular Choice, 8th Annual A+Awards, Health Care & Wellness

Expansion of Santa Fe de Bogotá Foundation_exteriorExpansion of Santa Fe de Bogotá Foundation_solariumThe expansion of Santa Fe de Bogotá Foundation is sited in the compact urban context of the city of Bogotá. It comprises an eleven-story block and a single-story base. The roof of the base becomes a plaza opening to the roads, with staircases inviting people onto it. Red bricks cover the expansion as a response to the existing buildings around. Strips of pavement on the plaza are replaced by plants. Different types of plants vary in height, breaking the flatness and solidity of the brick plaza.

Bricks are held by metal cables and form an airy net over the tall block. Light penetrates the breeze-wall façade during the day, nurturing the plants in the solarium on the ninth floor. Patients can feel connected to the outside world in the solarium while remaining sheltered and protected.


Maggie’s Gartnavel

By OMA, Glasgow, United Kingdom

maggies glasgow_aerialmaggies_2011_Charlie KoolhaasMaggie’s Gartnavel sits humbly on the land of the Gartnavel hospital in Glasgow, close to the Beatson West of Scotland Cancer Centre. The single-level volume comprises a series of interlocking rooms, with an inner garden in the middle of the ring of rooms. With a flat roof and floor levels that respond to the natural topography, the rooms vary in height. Common areas including the dining room, kitchen, library and a large activity room are on the side with taller ceilings and the counseling rooms are more intimate.

Although the rooms are of different levels of privacy, there are hardly continuous walls that enclose a room. Most spaces have at least one side open or transparent. As a result, the spaces are separated by functions yet visually continuous. Meanwhile, views of the gardens enter the spaces freely through the transparent façades.


SDC

By Takeru Shoji Architects.Co.,Ltd., Niigata, Japan

SDC_exteriorSDC_interiorNeighboring a nursery, elementary school and junior high school, this dental clinic is designed as an enjoyable place for both children and parents. This two-story timber building accommodates not only a clinic but also a bookstore and daycare center. By combining programs, the design team wishes to encourage people to come not just for their appointment.

A long garden surrounds the building. The view of the garden passes through the sheltered corridors and enters the interior spaces. The garden is a buffer between the clinic and the roads as well as a showcase for changing weather and seasons.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

Reference

Effortlessly Design and Render with Enscape’s New SketchUp Plugin for Mac
CategoriesArchitecture

Effortlessly Design and Render with Enscape’s New SketchUp Plugin for Mac

Enscape has been a favorite rendering tool for architects and designers since 2015. Its seamless integration with CAD and BIM software, as well as its striking visualization results, have made it a successful and competitive product on the market. Enscape is continually looking for ways to expand its offerings and functionality for users, and after a month-long open beta run, the brand is proud to announce its newest offering: Enscape for Mac is officially available for SketchUp!

In a highly anticipated development, Mac users can now integrate their preferred rendering and virtual reality plugin seamlessly into SketchUp 2021 and 2022. This initial version comes with an extensive offering of editing tools, view settings, and export options to elevate the design and visualization workflow. This new plugin efficiently produces top-quality rendering results natively on the renowned Mac operating system.

Among the new features are the real-time visualization and walkthrough options. Real-time visualization allows users to view their rendering as they simultaneously model in SketchUp, while the walkthrough setting enables designers to experience their rendered project from a range of perspectives, including two-point and orthogonal. These features aid in deepening the designer’s spatial awareness and understanding of their visualization.

Not only is quality prioritized, but efficiency is a pronounced feature in Enscape for Mac. Enscape’s view management settings and batch rendering options make the final phase of conceptual design that much easier. Enscape’s batch rendering tool helps architects save time by rendering their views in bundles, while the improved view management settings let architects easily refer back to previous angles. This feature is especially useful when presenting to a client or colleague.

Additionally, Enscape’s updated visual settings and asset library make adding detail that much easier. With just a few clicks, users can adjust the atmosphere and other visual effects to achieve the perfect image. Users can equally browse the asset library and decorate their design with high-quality and low-poly 3D models.

The collection of assets includes vegetation, furniture and vehicles among many others. In addition, the material editor feature allows users to adjust textures and utilize height maps to increase the level of realism in their project. These three settings work together to ensure the most detailed, realistic and precise renderings are achieved.

Enscape is also developing an extensive list of export options to make sharing a visualization straightforward and secure. From still renderings to 360-degree panoramas, there is an export option fit for any scenario. Additional export options such as video and standalone executable files are under development and soon to come.

Enscape for Mac’s expansive offerings will soon grow to include VR support that allows designers to create immersive 3D experiences. A custom asset library and additional light and sound sources are on their way to release as well.

The minimum required MacOS version is Monterey 12.2.1, while the recommended minimum hardware is the MacBook Air (M1, 2020). These specifications are put in place to ensure that Enscape for Mac runs smoothly.

Enscape’s commitment to excellence, accuracy and detail is evident in its new SketchUp plugin. It will be slowly releasing all the exciting features to ensure the most robust and efficient rendering and VR tool for architects. The company is working hard to develop new functionalities and additional support for other CAD software.

Enscape offers a free 14-day trial complete with the full range of features to discover. For those interested in purchasing a license, there are a few licenses to choose from.

To stay up to date on the latest Enscape for Mac releases, designers are welcome to sign up for the Mac mailing list. To learn more about the new Enscape for Mac for SketchUp, please visit the Enscape website.

Reference

How Will Modular Construction Continue Changing Design?
CategoriesArchitecture

How Will Modular Construction Continue Changing Design?

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Modular construction isn’t a new concept in architecture; however, it wasn’t until the 20th century that the concept began gaining traction: pre-fabricate parts of buildings in factories how we build car parts and then assemble them onsite as if they were human-sized Lego bricks. Even still, until recently the term ‘modular construction’ brought to mind clunky concrete boxes and repetitive housing blocks.

Yet, now, as manufacturing technology in the architecture sector continues advancing and the environmental cost of construction is being evaluated more critically, modular design is becoming an increasingly attractive approach for architects and contractors. In fact, AMA Research reported that modular construction is set to grow by 14% between 2020 and 2024, and its seemingly limitless possibilities portend even greater growth for years to come. We’ve only scratched the surface of what is proving to be one of the most promising research fields in architectural design.

By shifting construction towards a manufacturing-style process, the modular design presents a host of unique advantages. The fabrication of materials inside the strictly controlled setting of a factory reduces the number of uncontrollable variables that might have otherwise caused delays or cost overruns. All the pre-fabrication work also means that the assembly phase itself is as streamlined as possible: the bulk of the work consists in stacking and bolting together the components of the building, reducing the inconveniences of construction — waste, noise and pollution from heavy-duty machinery — to a minimum.

Take for instance B100arcquitectos’ Science of Rehabilitation Faculty building at Don Bosco University in Soyapango, El Salvador. The project by the A+Award finalist firm offers us a glimpse of what the future of architecture might look like thanks to modular construction.

Annex Building Science of Rehabilitation Faculty Don Bosco University by B100arquitectos, Soyapango, El Salvador

The impact is apparent in the most striking feature of the building: the large, beautiful trees stooping over and surrounding the campus building, as if they had been purposely planted around it decades ago (and not the other way around!). This impressive architectural feat could only have been possible thanks to the flexibility of modular construction; the pre-fabricated cubic modules only had to be moved into place rather than built from the ground up. And though that presented its own logistical challenges, it spared the sacrifice of many trees, leaving over over 80% of the lot’s forestry untouched. The old trees now form an integral part of the architectural experience and give a sense of maturity to the building far beyond its one-year-old existence.

Aside from the aesthetic advantages, the modular construction was completed quickly and with little material waste. This allowed the firm to work on a tighter budget — the whole project ringing in at under a million dollars — allowing the University to invest more on what’s inside the classroom rather than on the classrooms themselves.


Are you interested in joining one of the most promising fields in architecture? Consider applying to a firm that specializes in modular construction.

Volumetric Building Companies (VBC) is a global leader in volumetric modular construction headquartered in Philadelphia, PA with locations across the United States and in Europe. The firm uses its precision-driven manufacturing capabilities and project-proven expertise to provide high quality, sustainably produced modular-designed buildings in less time across varied market sectors. VBC is currently looking to hire a Design Technology Manager, a Senior Project Designer / Senior Project Architect and a Senior Design Associate for their Somerville, MA offices.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

 

Reference

Why Portugal Is a Dream Destination for Design Lovers
CategoriesArchitecture

Why Portugal Is a Dream Destination for Design Lovers

Portugal is one of the most visited countries in Europe, and there is no surprise why. Located at the southwest point of Europe, Portugal enjoys a coastline connected to the Atlantic Ocean and borders Spain to the east. The country is filled with a range of breathtaking landscapes and historical sites to explore, all within close proximity to one another. Portugal harmoniously blends heritage with modernity, making it an unbeatable travel destination — for leisure and for architecture. From museums and interactive installations to distinctive religious sites and elevated hospitality, there is something for everyone in Portugal. This collection will highlight some some of the country’s stunning contemporary architecture, represented by a range of typologies.


Museums 

Photos by Joao Morgado

Museums play an important role in reciting the history, culture and heritage of a nation, and in Portugal, one will find an abundance of modern complexes dedicated to Portuguese art and culture.

Take the Olive Oil Museum for example. Located in Oliveira do Hospital, Portugal, and designed by VT – Vasco Teixeira Architecture, this site delineates the history of olive oil production. The museum features an array of objects belonging to the owner António Dias’ private collection dating back to the Romans. The site was built in the shape of an olive branch, which reflects the museum’s theme and becomes recognizable to visitors. From a bird’s eye view, one can recognize the form of an olive branch, which was designed using natural shapes and earth-toned hues.

Visitors are taken through a chronological journey that retells the history of producing olive oil. Each room is connected to the museum’s central space, and as viewers move through the edifice, they finish in a room that faces the breathtaking Serra de Estrela mountain range. This museum is distinctive and particular to Portugal and serves as a fantastic day trip for tourists who find themselves in the central district of Coimbra.


History 

One does not need to venture far to be immersed in Portugal’s expansive history. From the eighth century, Muslim communities dominated the Iberian Peninsula and have left their mark in today’s modern-day Portugal. Moorish architecture can be spotted by simply browsing the streets of Lisbon, while others incorporate traditional Moorish elements into their contemporary builds.

For example, a residential dwelling located in Mesão Frio, Portugal embraces the Moorish tradition of privacy without compromising sight. Quinta da Boavista designed by SAMF Arquitectos is located near Portugal’s Douro River and overlooks a hilly valley. The home is located on a wine-producing estate and takes the form of a U shape. The home’s two existing structures are connected by a new volume and together create an expansive courtyard.

The newer dwelling continues the stonework found in the original edifice and was designed to relate to the surrounding landscape. Openings were added to strengthen the relationship between indoors and out — even the additional bedrooms lead onto an outdoor terrace. The home is deeply connected to the outdoors however, in keeping with Moorish traditions, a sense of privacy is maintained through a purposeful placement of openings that can be obscured if need be.


Progressive Private Residences 

Portugal’s visual language is rich in well-preserved historic architecture and innovative contemporary design. This marriage of old and new makes for a special place to explore.

Located in the prestigious town of Cascais is The Wall House, a residential dwelling designed by Guedes Cruz Architects. The home is everything but boring and was built primarily using concrete, glass and wood. At first glance, the home looks like a large concrete box, which was done to protect the structure from the Atlantic winds as well as provide a sense of privacy. However, once inside, the experience changes. The dwelling’s most pronounced feature is the two exterior pools, one located on the ground level and the other above.

The upper-level pool is placed across the ground-level pool and features a transparent glass floor. Due to its transparency, the ground level is filled with a unique blue hue. Additionally, a glistening ambiance is created by the shadows from the water above as well as the sunlight filtering through the upper-level pool. The home is designed to offer expansive views of the adjacent golf course while maintaining a degree of privacy. It is not every day that one comes across a residence like this. The Wall House exemplifies the innovative architecture one will come across in Portugal.


Interactive Streets 

Portuguese designers utilize public spaces in a very special way. With the goal of strengthening community and encouraging interaction, public structures can be found throughout the country.

atelier do rossio architecture embraced the metamorphosis of a butterfly to inform the design of a public installation. Located in Viseu, Portugal is COCOON, a public structure designed for anyone and everyone. The cocoon symbolizes metamorphosis, growth, and shelter, and the structure is intended to do just that – protect and aid in transformation. The structure is a weaved cocoon made of wood and steel. Origami pieces cover the façade which works to enclose the structure and give it its distinctive appearance. Passerbyers are able to interact with the space in whatever capacity they please – whether it be admiring it from afar or enjoying it from within.


Elevated Hospitality & Unbeatable Landscapes

Jury Winner & Popular Choice, 2021 A+Awards, Unbuilt Hospitality | Photo by Mir AS

Photo by 24STUDIO

Photo by 24STUDIO

From mountain ranges, rolling plains to archipelagoes, Portugal is filled with spectacular landscapes all within arm’s reach. Portugal’s special topography has attracted tourists for decades, and the recent influx of visitors has given rise to the booming hospitality industry. In Portugal, one will find luxurious hotels and breathtaking landscapes, and sometimes, the two collide.

Located in Tabuaço, Portugal on the UNESCO World Heritage Site of Alto Douro Wine Region is Quinta de Santo António Hotel & Winery. This award-winning hotel is located below an 18th-century chapel and consists of a series of volumes positioned around a courtyard. The design team, Atelier Sérgio Rebelo, carefully studied the region’s vernacular architecture and local materials to construct the hotel. The site effortlessly integrates with the surrounding landscape and is designed so that guests can connect and experience this special wine region. The site’s architecture works to frame views of the surrounding landscape while offering a high-end hotel experience. Quinta de Santo António Hotel & Winery is an unparalleled hotel experience that offers breathtaking views, incredible wine and sophisticated amenities.


Unique Religious Sites

Popular Choice, 2018 A+Awards, Architecture + Wood | Jury Winner & Popular Choice , 2018 A+Awards, Religious Buildings & Memorials

Portugal’s most practiced religion is Roman Catholic, and as a result, one will find an array of ancient religious sites to visit. However, today’s devout don’t only frequent historic sites to practice their faith.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletter. 

 

Reference

Why Landscape Architects Are the Unsung Heroes of the Design World
CategoriesArchitecture

Why Landscape Architects Are the Unsung Heroes of the Design World

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Now more than ever our cities need landscape architects. Whether to help revitalize downtown communities with pedestrian-first green spaces or to restore biodiversity to local parks, the countless benefits that landscape architects bring us can no longer be overlooked. Earlier this month, Architizer unveiled the winners of the 2022 A+Awards. Among the dozens of awards celebrating contemporary architecture, it was easy to miss the handful of prizes highlighting landscaping. Yet, the A+Award-winning designs demonstrate the crucial role that landscape architects play in adapting our cities for the future.

Photos by Sam Oberter (left) and by David Woo (right)

Take for instance the West End Square in Dallas, a 2022 A+Award popular winner for Landscape & Planning. The design by James Corner Field Operations replaces a former parking lot with a dynamic combination of green spaces and public utilities. Growing greenery in a concrete jungle is no simple feat. The ambitious intervention has transformed a dead-end city block into an anchor for the community, where the neighborhood’s growing population can enjoy salsa dancing classes, a vendor’s market and various interactive art installations. The green oasis makes a bold statement about a future where cities can be oriented less towards cars and more towards pedestrians and community.

Meanwhile, the Xiaoyunlu 8, MAHA Residential Park project by Ballistic Architecture Machine in Beijing, another A+Award popular winner this year, weaves together disparate sections of the site of various eras and styles into one seamless and soothing green space. Residents can now fully access and enjoy the park’s gardens, historical sites and communal areas.

The project brings together culturally significant heritage with an expansive and beautifully maturing man-made forest, physically manifesting the fact that landscapes, even more so than buildings, cannot be realized overnight. Greenery takes time to grow, and though we like to imagine our urban parks as natural spaces, they must be cultivated and maintained by man. The design expresses this passage of time, drawing attention to it.

These projects are a mere snapshot of why at Architizer, we believe that landscapers are the unsung heroes of the design world. It’s why this week we are highlighting jobs in the sector.

The award-winning architecture and design firm based in Seattle GGLO is currently hiring for a landscape designer to join their team of architects and designers that work on community-oriented projects. A GGLO project like the Elson S. Floyd Cultural Center in Pullman, Washington is a good example how of an acute knowledge of native fauna, local history and people-oriented landscaping can create lively cultural spaces.

Additionally, Stoss, an urban design firm based in Boston with an office in Los Angeles, is also looking to hire landscape architects in both studios. The firm works on large, neighborhood-scale projects that sensibly mix natural and urban elements to revitalize local communities.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Reference

An App for Everyone: Spaces Is the Conceptual Design Tool Architects Always Needed
CategoriesArchitecture

An App for Everyone: Spaces Is the Conceptual Design Tool Architects Always Needed

The key to a successful architectural project is the development of a strong conceptual model. Conceptual design is the foundation of architecture and oftentimes, determines the future success of a project. Architects are forever in search of reliable and effective design tools that will aid in bringing their ideas to life. However, finding the right tool isn’t always easy. Many applications available today are complicated, costly and don’t always align with the designer’s working rhythm. For the average on-the-go architect, reliable and straightforward tools are key. Thankfully, Cerulean Labs has delivered just what every architect is after: the Spaces iPad app.

Cerulean Labs comprises a global team that is dedicated to improving the conceptual stage of architecture. Back in October of 2021, the company released Spaces: a parametric conceptual design tool made for the iPad. Today, the brand celebrates its continual effort in improving the conceptual design stage with a new and improved version of the app: Spaces version 2.

This updated application has recently hit the market and boasts a comprehensive list of tools fit for architects of all levels and experiences. Spaces version 2 comes complete with improved editing tools, increased 2D viewing options, new sun studies, new sketching capabilities and additional workflow integration options. This application is well and truly built for the masses.

The Spaces version 2 app boasts an easy-to-use yet comprehensive set of design tools. The app merges old-school drawing techniques with modern-day computing technologies into a user-friendly interface. Its clean and clutter-free layout makes it especially useful for those designers who are constantly on the move.

The new digital sketchbook feature lets users swiftly document their ideas whenever — and wherever — they come to mind. The sketchbook encompasses new technologies, such as the Apple pencil, and allows designers to test their ideas out by sketching and note-taking. Moreover, users can send snapshots of their models directly to the sketchbook and trace them using the Apple pencil. This app celebrates architecture’s oldest and most useful tools – a simple pencil and paper.

The improved interface allows users to switch their screen between the Sketch and Modeling modes with ease.

Another fresh addition to Spaces version 2 is the sun study feature. Recognizing how invaluable solar analysis is to the conceptual design process, Cerulean Labs has developed a tool that allows users to specify the exact location and time of day for their model, and instantly see how shadows cast by their project might impact neighboring buildings. Users can impose an animated sun study directly onto their models in real-time, helping them to better understand how their design responds to its surroundings.

Additionally, Spaces version 2 has introduced IFC and OBJ exporting, which means that models can be exported and furthered in a secondary BIM tool. Moreover, the new space planning feature allows users to manage design briefs, create reports and develop project concepts directly on the app. The improved export options and new space planning features ensure that all models come out professional and presentable. In addition, users can import key site data to their design, thus producing a more precise and site-specific model.

Cerulean Labs is committed to growing and developing its Spaces app. iPads are continuing to dominate the AEC world and professional applications like Spaces version 2 offer increasingly powerful platforms to sketch, model and manage conceptual projects. The spaces app is available in both free and paid versions, with a new subscription recently becoming available: the Spaces Pro. Priced at $75 USD per month, the Spaces Pro subscription offers unlimited projects and comes with new and improved export features, reporting tools and modeling capabilities. The application can be downloaded via the Apple App Store and subscriptions can be managed directly through the Spaces website

Spaces by Cerulean Labs demonstrates the vast capabilities of iPad use in parametric conceptual design. The application offers great depth and flexibility, all the while remaining transportable and accessible. It celebrates traditional design tools while implementing the best modern-day technologies out there. The result is a brilliantly straightforward application suitable for all architects and designers.

Cerulean Labs is currently offering an extended free trial for the app, allowing users to try it out for 3 whole months — click here to find out more and download it (offer ends June 30th). To learn more about the Spaces application and all its offerings, check out the Spaces website.

Reference