Architectural Details: How to Create a Stunning Minimalist Residence That Brings the Outside In
CategoriesArchitecture

Architectural Details: How to Create a Stunning Minimalist Residence That Brings the Outside In

Brevity is one of the most powerful tools in the architect’s apparatus. This astonishing glass house, perched on the banks of Minnesota’s Lake Minnetonka, is proof of precisely that. Clean, crisp lines define its striking structure, which emerges from the trees like a modernist specter.

The brief for the project called for a design that maximized light and forged an intimate relationship with the external world. Thanks to magnificent expanses of glass, the residence is a conduit for the surrounding landscape — an elegant, architectural “picture frame”. Yet creating a home that is visually defined by its glazed skin is not a straightforward endeavor, and its successful resolution hinges on the integration of resilient, high-performing materials.

Photo courtesy of Spacecrafting.

Making a Glass House Structurally Sound

Less is more, or so the mantra of modernism goes. Somewhat ironically though, achieving minimalism is no simple task. Subtracting as much as possible from a building’s fabric is an act of bravery, a challenge that Charlie & Co. Design and John Kraemer & Sons Custom Builders admirably rose to.

Charlie Simmons, the founding principal of Charlie & Co. Design, shared the formative questions they asked themselves at the start of the project: “You strip out all the unnecessary things. What’s the limited amount of structure you need? Could you really go floor-to-ceiling with glass? How high can you make it? And then you start whittling away and whittling away and what’s left?”

The team turned to Marvin to help them deliver the seamless, streamlined esthetic their client wanted. The Marvin Modern product line, comprising a modular series of durable, fiberglass products with narrow sightlines, was the ideal fit for the ambitious design. The doors and windows feature an integrated structural cavity that adds up to half an inch of mull reinforcement to aid structural performance.

But there was still a fundamental obstacle at the heart of the scheme: glass is not typically made to hold significant weight. The project architect and the Marvin engineering department crunched the numbers and came up with an innovative solution: unobtrusive, load-bearing components were integrated into the design without compromising its sleek finish.

“There are very few actual walls in this place, particularly on the first floor … so we have these structural elements that we need to keep the house up and prevent it from twisting,” Simmons explained. A stone fireplace at one end of the home anchors the building, bookended by what Simmons calls “a box within a box” at the opposite end – a wood structure that houses the kitchen, laundry room and powder room.

Photo courtesy of Spacecrafting.

Ensuring Impressive Thermal Efficiency

Minnesota is a land of climatic extremes, from frigid, frosty winters to humid summer months. For a form dominated by glass, extreme fluctuations in temperature posed another major challenge. Unsurprisingly, the home’s thermal envelope was of paramount concern for the architects, and it was vital that the material structure could stand up to snowstorms and heatwaves alike.

Marvin Modern doors and windows proved strong enough to endure the site’s environmental demands. Made from solid pieces of high-density fiberglass, they provide powerful insulation and an impressive U-factor of 0.28. Shielded from the elements, the residence’s interior is comfortable and inviting all year round, while maintaining a palpable connection with the natural topography. Remarkably, no additional insulating materials were required to aid the glazing’s thermal efficiency.

Photo courtesy of Spacecrafting.

Blurring the Boundary Between Inside and Out

The result of this innovative project is a stunning, living glass box that shifts organically with the light levels, weather conditions and seasons. The stretches of glazing are punctuated with Accoya wood cladding, while interior millwork in the same warm grain establishes a sense of continuity between indoors and out.

Yet however you look at this modern masterpiece, glass is the star of the show. Imbued with the Marvin Modern product line, the structure is a skillful and poetic negotiation of transparency. A trellis and purlins frame the skylight above the main living area, while latticework fragments the full-height windows that flank the stairwell. “It becomes a very subtractive and additive design process but in the end, it’s all about transparency and keeping things as simple and clean and minimalist as possible,” Simmons says.

 

The most staggering feats of engineering are the two 60-foot-long glass walls, which line opposing aspects of the residence. Each wall is made up of three sets of 20-foot sliding doors with only 4 inches of steel structure in between them, allowing for uncompromised views throughout. Like the other Marvin Modern products, the profile of each door is slim and inconspicuous. Recessed channels in the frames conceal motorized insect screens and blackout shades, while still providing consistent, narrow sightlines of less than three inches.

The swaths of glass are a portal to the organic terrain, rather than an obstruction. To that end, internal covers across the frames disguise fasteners and rubber gaskets, while low-gloss aluminum interior finishes and black spacer bars ensure an unimpeded outlook. This seamless finish allows inner and outer worlds to collide. In the warmer months when the doors are retracted, the covered deck becomes a natural extension of the interior floor plan.

Photo courtesy of Spacecrafting.

An interplay of modernist finesse and material resilience, this incredible waterfront home is a masterclass in building with glass. Negotiating challenging contextual and structural obstacles, the residence epitomizes the virtues of architectural minimalism. Simmons succinctly summarizes the scheme’s dual nature: “When you have this much glass, you feel like you’re a part of something out here, but you’re also being protected as well … Marvin gives us the tools to create environments such as this.”

To explore more case studies featuring Marvin Modern and learn how to harness windows and doors like these for your next project, click here.

All architectural drawings courtesy of Charlie and Co. Design; photography courtesy of Spacecrafting.

Reference

Paper Architecture: What’s the Point?
CategoriesArchitecture

Paper Architecture: What’s the Point?

Architizer’s Vision Awards is a global awards program for architectural media and representation, recognizing the world’s best architectural photographs, videos, visualizations, drawings and models, and the creators behind them. Enter for a chance to see your work published in print: Start Entry > 

At first glance, one might assume the question posed in the title of this article is a rhetorical one. With a growing number of industry leaders advocating — with good reason — for students and young architects to receive more real-world construction experience, you could be forgiven for thinking that conceptual projects are a distraction, getting in the way of the invaluable education awaiting designers on the building site.

Make no mistake, though — anyone who tells you paper architecture is pointless needs reminding:

Ideas are the lifeblood of architecture.

Behind each award-winning project we see come to fruition each year, there lie countless sketches, models, and renderings created during the design process, as well as unrealized, theoretical concepts, commonly known as paper architecture. At their best, unbuilt architectural projects — just like their constructed counterparts —  hold the potential to tell a powerful story, communicate fresh concepts and advance our profession through ideation.

Left: “Mind Palace” by Mylan Thuroczy, Manchester School of Architecture; right: “Break and Float” by Michael Turner; finalists in Architizer’s One Drawing Challenge competition.

These architectural images, and the ideas they embody, are worth their weight in proverbial gold to the next generation of architects. From the outlandish drawings of Archigram to the abstract paintings of Zaha Hadid, conceptual works form a vibrant exhibition of ideas and inspiration, each contributing to the global discourse over the advancement of the profession and our built environment as a whole.

For this reason, it’s vital that we provide a platform to recognize architectural ideas and visual creations, no matter whether they are built or not.

Enter the Architizer Vision Awards. This brand new awards program is designed to celebrate every form of paper architecture — from napkin sketches and lost competition entries to thesis projects and early models — and give them the global spotlight, now and long into the future.

Enter the Vision Awards

Vision Awards Winners will be published in the inaugural ‘Visions of Architecture’ Anthology, as well as being celebrated year-round through innovative storytelling by Architizer’s team of architectural writers. Film Winners will be premiered in Architizer’s first ever Architectural Film Festival, a unique digital event to air later this year. Every Winner and Finalist will be exhibited on Architizer’s iconic Winners’ Gallery, the definitive directory of world-class architecture and design and an evergreen source of inspiration for the profession.

“Concrete Atla(nti)s” by Hannah Christy and Craig Findlay, University of Nebraska-Lincoln; Winner in Architizer’s One Drawing Challenge

Showcasing the Unending Value of Paper Architecture

Whether it is ultimately realized or not, paper architecture is a critical creative outlet for the profession. Drawings, renderings and models provide a perpetual record of the ideation process that architects go through when developing concepts, offering insights into how they approached design problems in the past. To honor the many mediums of architectural ideation, Vision Awards categories include:

  • Best Architectural Drawing
    (2 categories: Hand-drawn, Computer-aided)
  • Best Architecture Model
    (Special category for physical models)
  • Best Architectural Visualization
    (3 categories: Photorealistic, Illustrative/Artistic, AI-Generated)
  • Architectural Visualizer of the Year
    (Portfolio award for studios and professionals)
  • Architect Creator of the Year
    (Mixed media portfolio award for professionals)
  • Student Creator of the Year
    (Mixed media portfolio award for students)

Together with categories for architectural photography and video, these awards will honor the best in architectural representation today, including the most compelling examples of paper architecture. By entering their work, architects can help to build a rich archive of ideas and designs that will motivate future generations of architects and push the boundaries of what is possible in the built environment.

Left: “The Built Pension” by Yehan Zheng; right: HIGH- RISE TOPOLOGY. Infrastructure for energy creation” by Daniel Garzon; Finalists in Architizer’s One Drawing Challenge competition.

A Second Life for ‘Lost Projects’

The Vision Awards presents a golden opportunity for architects to showcase their unbuilt works, including former competition entries, speculative creations, and drawings or models for projects that stalled due to forces outside of their control. There are countless reasons why many brilliant architectural projects are ultimately left on the drawing board: budget cuts, site complications, changes in a client’s strategy or direction, or even some larger and impossible to foresee — like the COVID-19 pandemic.

Sometimes, an initial design might contain ideas that are ahead of their time, or deemed too ambitious to be realized when first conceived. Revisiting these ideas in the context of the Vision Awards may inspire new approaches to architecture in future, as new technologies emerge and changing social conditions give rise to new creative possibilities.

By bringing the best unrealized projects and conceptual designs together through the Vision Awards, Architizer is aiming to create a powerful repository of ideas, one that can be a touchstone for emerging architects long into the future. By entering their work for the program, architects can help to build on the legacy of the great ‘paper architects’, contributing to the ongoing creative conversation that fuels the wider profession.

If you are an advocate for the power of paper architecture and its potential to advance the profession, the Vision Awards needs you. Submit your most innovative work before the Main Entry Deadline on June 16th, and let your ideas and those of your firm inspire the next generation of architects!

Start Entry

Reference

Let the Light In: Maximizing Natural Light in the Design of Oudong Residence
CategoriesArchitecture

Let the Light In: Maximizing Natural Light in the Design of Oudong Residence

Oudong Residence – aims to combine functionality with artistic flair, creating living spaces that are both functional and visually appealing. Drawing inspiration from a unified composition of textures inspired by nature itself, and cultural influences, the creative vision for this particular residence emphasizes sustainability, innovative use of materials, and a seamless integration of indoor and outdoor spaces. The project brief outlines the key requirements and objectives for the residence, with a strong focus on maximizing natural light, ensuring energy efficiency, and fostering a sense of community among the occupants. Furthermore, the design aims to be adaptable to the evolving needs of the residents, reflecting a dynamic and modern approach to residential architecture.

Architizer chatted with Alessandro Mangano, Partner at Architectural Engineering Consultants, to learn more about this project.

Architizer: What inspired the initial concept for your design?

Alessandro Mangano: The initial concept for the residential design was inspired by the desire to create a harmonious balance between modern living and nature. Drawing upon elements from various architectural styles, the design seeks to establish a seamless connection with the surrounding environment, while ensuring functionality and comfort for its inhabitants. The use of sustainable materials and energy-efficient technologies further reflects our commitment to preserving the ecosystem and promoting a greener future. Ultimately, this architectural concept aims to provide a haven where residents can enjoy the best of both worlds – contemporary living in tune with nature’s grace.

© Architectural Engineering Consultants

© Architectural Engineering Consultants

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

One of the key factors that contributed to the success of our project was the exceptional collaboration and communication among team members. This enabled us to leverage individual expertise and skills to move the project forward effectively. Another standout component was our dedication to continuous improvement and adaptability. By constantly assessing our progress and adapting our strategy, we were able to overcome challenges and ensure the timely delivery of a high-quality project.

© Architectural Engineering Consultants

© Architectural Engineering Consultants

What was the greatest design challenge you faced during the project, and how did you navigate it?

The greatest design challenge we faced during the project was effectively balancing aesthetics with functionality. Understanding the importance of incorporating visually appealing elements while maintaining the project’s core purpose was crucial to its success. To navigate this challenge, we fostered open communication among team members to ensure we understood their expectations and goals. Additionally, we incorporated iterative design processes, allowing for continuous adjustments and improvements while keeping both aspects in harmony.

© Architectural Engineering Consultants

© Architectural Engineering Consultants

How did the context of your project — environmental, social or cultural — influence your design?

The Cambodian context of the project had a significant impact on the design process, particularly in regards to the environmental, and cultural factors. The diverse ecosystems near the outskirts of Phnon Penh city, required us to carefully consider the environmental impact of our design, ensuring that it would support sustainable development in the region. Moreover, we incorporated elements into our design, to feel a deeper connection to the space while also respecting the traditions of the community. Lastly, we accounted for the social dynamics within the Khmer societies, emphasizing elements that encourage communal interactions and emphasizing harmony with the natural environment.

© Architectural Engineering Consultants

© Architectural Engineering Consultants

© Architectural Engineering Consultants

© Architectural Engineering Consultants

© Architectural Engineering Consultants

© Architectural Engineering Consultants

© Architectural Engineering Consultants

© Architectural Engineering Consultants

For more on the Oudong Residence, please visit the in-depth project page on Architizer.

Oudong Residence Gallery

Reference

A Journey of Movement and Form: Inner Mongolia’s Sculpture Research Center
CategoriesArchitecture

A Journey of Movement and Form: Inner Mongolia’s Sculpture Research Center

 

Inner Mongolia Normal University Sculpture Research Center – The project, which covers an area of 6,000 square meters, mainly functions as a sculpture workshop for research and development and production of various types of sculptures (stone, wood, copper, iron, plastic, leather, jade and pottery). It also has the functions of teaching, communication, exhibition and negotiation, and trading, etc. The creativity of the design is to establish the relationship between space and feeling.

Architizer chatted with Zhang Pengju at INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD. to learn more about this project.

Architizer: What inspired the initial concept for your design?

Zhang Pengju: The initial design concept came from the moving line of users entering the site, the organization structure guided by which established a series of overall orders in terms of form, space and structure, including: a movement line order that conforms to the relationship of the site, a form order that conforms to the functional needs, a structure order that conforms to the logic of construction, and a time order that conforms to the feeling of site. At the same time, it also further guides the selection of materials in line with the spatial temperament and the lighting strategy in line with the physical logic.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

At the core are construction, materials, low cost, light, and their interrelation. In the design, light steel was selected as the main structure and recycled concrete blocks served as the wall enclosure space. As both the structure and finishing, the block material expresses the sense of authenticity, achieves durability, and at the same time costs less. The design introduces sky light into the interior, maximizing the expression of the rough and natural block material and the hard and frank steel structure, reinforcing the feeling of a constant and natural site.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

What was the greatest design challenge you faced during the project, and how did you navigate it?

The greatest design challenge was to create an artistic and infectious spatial character. The design laid the foundation of the spatial character by means of spatial staging and enclosure, such as the staging of the space with axial guidance and dynamic variations; the enclosure was completed with the enclosing form of the entrance and the interior light environment; the design also strengthened this spatial character with the attributes of authenticity and purity, such as the authenticity of the materials and the construction. At the same time, the materials, construction, light and shadow also strive to express purity.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

© INNER MONGOLIAN GRAND ARCHITECTURE DESIGN CO., LTD.

Inner Mongolia Normal University Sculpture Research Center Gallery

Reference

Architectural Details: Adjaye Associate’s Winter Park Library Is a “Village of Knowledge”
CategoriesArchitecture

Architectural Details: Adjaye Associate’s Winter Park Library Is a “Village of Knowledge”

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Great civic buildings resonate with people and place. Between vaulted rooflines and sweeping windows, the Winter Park Library in Florida was inspired both by local fauna and the region’s vernacular architecture. Adjaye Associates teamed up with HuntonBrady Architects to create a series of arched pavilions with a porous relationship between interior and exterior for the library and events center. The project’s signature rose-colored precast was brought to life through careful coordination with manufacturers and consultants to create a “village of knowledge.”

The library’s design team aspired to establish a new civic and cultural hub on the northwest corner of Martin Luther King, Jr. Park in Winter Park, Florida. The library was made to embody the values of the park’s namesake as a space for community empowerment. Seven years in the making, the project spans 50,000 square feet across a trio of canted pavilions.

The “village” includes a new two-story library, an event center with rooftop terrace, as well as a new welcome portico to unify the three structures. Each has a different scale and function, but they share a common formal language inspired by Winter Park’s extensive tree canopy.

Arches establish the form of the pavilions, where compound, convex exterior walls are made with a series of scalloping, frond-like patterns. The volumes of the library, events center, and porte cochère come very close to touching. Hoping to draw light deep into the new library, the team created the angled exterior walls that lean outward as they rise from the base.

The rose-pigmented architectural precast concrete was developed with GATE Precast, who fabricated the complex panels framing the arched openings on each façade. The façade alludes to Florida vegetation while establishing durability in a tropical, hurricane-prone environment.

For the precast façade, it was determined that concrete was the only cladding material that could achieve the quality and durability needed for the exterior walls. The texture, color, aggregates and concrete matrix were carefully selected for aesthetics, durability and low maintenance. The curved walls are realized with back-up framing made up of structural steel.

In turn, a series of sloping, arched curtainwalls in the enclosed buildings meet the curved, solid surfaces. The architects mirrored the concrete edge to create continuous seating along the curtain wall. Shallow foundations are used to support the building loads, while the elevated floor and roof are framed using structural steel beams and girders.

The site’s physical constraints required efficient use of space for the buildings, the belvedere and parking. The team worked with TLC Engineering General to form the façade and the shaded indoor-outdoor spaces. They evaluated several structural and envelope systems including concrete and steel, cast-in-place concrete and precast concrete cladding.

The diverse program includes flexible floor plates for both the library and events center, maximizing adaptability for each. All three pavilions rest on a raised belvedere that provides views onto Lake Mendsen and exterior green community spaces that run between the structures.

The library has become a place where the entire community can interact, learn and gather. Inside, open spaces are framed by four timber-lined cores that contain Winter Park’s historical and archival collection spaces, support zones, and private reading rooms. Designing with the community in mind, the event center was made with a flexible auditorium space and a rooftop terrace that offers views of the lakeside park setting.

Creating parity between the civic library space and the commercially focused event center, both buildings feature a signature sculptural stair. As monumental as it is grounded in its context, the Winter Park Library and Events Center is an ensemble made possible through a diverse team with shared values. The new landmark was made possible through bold ideas and thoughtful detailing alike.

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Reference

A Look into the Design of 416 Memorial Park
CategoriesArchitecture

A Look into the Design of 416 Memorial Park

 

416 Memorial Park – The purpose of the project is to design an optimal plan to create a cultural park consisting of a complex of exhibition and educational facilities and a columbarium to commemorate and share the pain of the victims of the Sewol ferry disaster. When the passenger ferry MV Sewol sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.

Architizer chatted with Sang Dae Lee, Assoc. AIA, LEED AP, and principal at UNITEDLAB Associates, to learn more about this collaborative project.

Architizer: What inspired the initial concept for your design?

Sang Dae Lee: As the form and space of ‘416 memorial park’ embody the moment of the sinking of the Sewol ferry, there were challenges as follows.

Spatial sequence: How to spatially implement emotional tension and sequence from the entrance to the enshrinement space? As a gradual and vertical entry into space, it was attempted to represent the space of the Sewol at the time of the accident. This gradual movement into space begins from the park to the entrance to the memorial. Since these internal and external ramps are on the same slope, vertical movement is hidden and horizontality is emphasized instead. Visitors walk from the entrance through the education space on the middle level, then reach the exhibition and AV theater. While walking down the path through a narrow, closed ramp corridor, visitors will ultimately arrive in an enshrinement space with emotional tension.

© treceuve

© treceuve

© treceuve

© treceuve

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

Architecture and landscaping as a figure-ground play a significant role in place-making. The architecture will invite visitors to programs such as education, cultural activities, enshrinement space, amenities, and a shop, and the landscape will serve social events, promenades, gardens, and memorial park. The 250 birch trees commemorate the victims with a metaphor for eternity.

Over time, the trees grow bigger, depicting the meaning of death leading to new life. In addition to the indoor memorial space, a memorial event can be held outdoors in the garden and each tree provides an individual memorial space around. The walkway in the garden can be closed depending on the event and is used as a performance space and amphitheater. The interface along the walkway is a connection between the space and the architecture, receiving natural light, meaning that architecture and landscape are united.

© treceuve

© treceuve

© treceuve

© treceuve

What was the greatest design challenge you faced during the project, and how did you navigate it?

As the 416 memorial park embody the wave of the sea, there were structural challenges to support the wavy landform. If visitors walk along the promenade that crosses the waves of the roof garden, they would ultimately pass through the elevated and huge waves. The tension peaks when the pedestrian reaches the pyramid-shaped ship. By gradually increasing the level of the terrain around the enshrinement pyramid, we have space below maximized for the implementation of educational, cultural, and event programs. The upper terrain allows visitors to contemplate the surrounding park as an observatory deck and to gaze into the interior space below since the terrain is torn. A column-free structure was pursued to maximize the sense of space under this terrain. Therefore, the space is formed in accordance with the shape of the waves, and the shear walls are placed along the waves.

© treceuve

© treceuve

© treceuve

© treceuve

How did the context of your project — environmental, social or cultural — influence your design?

There are various urban cultural and commercial facilities concentrated around the project site, and as such, it has good accessibility by the public due to its large population residing around.
In order to apply the meaning of ‘memorial in everyday life,’ the architecture was designed as memorial, educational, and cultural facilities, and the landscape above was designed as a park—a new typology combining a plaza with a park. The plaza hosts social and cultural events, and provides a good public space for people. A memorial park was designed along the roof garden where visitors can stroll around while looking out at the surrounding area. In particular, the memorial garden on the roof and the enshrinement space on the basement is used as a place to commemorate the victims of the Sewol ferry disaster. This is a mixed type of architecture combined with a park as a figure-ground.

© treceuve

© treceuve

© treceuve

© treceuve

What is your favorite detail in the project and why?

416 memorial park seeks to overcome the pain and sorrow, and furthermore to sublimate and regenerate it ecologically and culturally rather than a mere memorial space of sadness. The 250 birch trees planted in the garden of the memorial park will grow and form a forest over time, and the enshrinement space under the pyramid is open to the outside air allowing visitors to experience a sublime sense of season, space, and time of the disaster. The educational program provides opportunities for engagement and discussion with visitors. The AV theater and exhibition space simulates the disaster scenes and provides exhibitions and education programs tailored to the theme. The park above and the building embrace sustainability by applying new technologies and systems to symbolize the metaphor of the regeneration of the memorial space.

© treceuve

© treceuve

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

In what ways did you collaborate with others, and were there any team members or skills that were essential in bringing this Award winning project to life?

UNITEDLAB Associates has collaborated with Vtrilloarquitectos, an architecture firm specializing in theater in Spain. Due to physical distance and the Pandemic of COVID-19, we mutually met via zoom to discuss the main concept of what memorial park plays in the new age of time. While brainstorming, they developed great alternatives and quickly simulate the scheme into 3D models which helps for us to develop and decide the final options. They have strong technical skills and presentation skills to support our studio in leading the projects. i.e. Computer 3D simulation technics, architecture details, exhibition concept, and its AV theater technical analysis.

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

How do you believe this project represents you or your firm as a whole?

We try to balance practical projects and experimental ones for managing studio works. 416 Memorial Park is rather a new way of architecture well united with another discipline of landscape architecture. It was a meaningful hybrid not only in the discipline but at the same time architecturally program use inside and landscape garden above but exemplary sustainability engaged to the memorial park. Of course, it was not easy for us to critically consider diminishing the budget by designing a kind of simple or rectangular building as this project pursues a parametric form of architecture. but as always, we pursue designing a new typology by experimenting with innovation.

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

Team Members

Design Firm: UNITEDLAB Associates / Vtrilloarquitectos, Principal in Charge: Sang Dae Lee, Architect: Valentín Trillo Martínez, Designer: Kitae Kim, Siying Chen, Client: City of Ansan, 3D Rendering: treceuve

For more on 416 Memorial Park, please visit the in-depth project page on Architizer.

416 Memorial Park Gallery

Reference

How Ice Cubes by Zone of Utopia + Mathieu Forest Architecte is Changing the Skyline of Northern China
CategoriesArchitecture

How Ice Cubes by Zone of Utopia + Mathieu Forest Architecte is Changing the Skyline of Northern China

 

Ice cubes – The question we were asked was that of the spirit of a place. The client imagined a flat building, we proposed a tower: to conquer the sky, mark the territory and put the whole commercial district in tension with the future ski slope on the other side. In this commercial environment, our cultural center says “I am here!“. You can see it everywhere, day and night. The city is conceived from landmarks and vanishing points.

Architizer chatted with Mathieu Forest, Founder of Mathieu Forest Architecte, and Qiang Zou, Design Principal at Zone of Utopia, to learn more about this project.

Architizer: What inspired the initial concept for your design?

We are starting from a virgin site with only fields and sky as the landscape. We wanted a building that captures the “thickness of the air”, the only tangible context, which by its material and its form is anchored in the sky: the gray and misty skies, the sunbeams which pierce it, the snowy skies, the steely blue skies so characteristic of northern China, the skies overwhelming with light in summer, the golden evening horizons, the bluish mornings… our building continually changes its appearance with the rhythm of the seasons, the variations of the climate and hours, and like a mirror reveals the beauty of a changing sky and landscape. Its facades are a gigantic glass printed fresco according to a unique design, without any repetition. It is also an echo of the representations of landscapes in Chinese painting, whose mystery arises from the immensity and detail.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

It is a poetic architecture, for which the technique, as advanced as it is, is at the service of emotion. We think that we must refuse generic, cloned, sanitized, standardized architectures, such as the current world produces too much. We must rediscover the sense of geography and context and never forget that the only goal to be achieved is that of the pleasure of living. As urban art, architecture must address everyone. We are looking for several degrees of mystery: we can see in this architecture the evocation of a mass of ice floating on a lake or that of a lantern and marvel at it, but going deeper, there is a more impressionist vision of capturing the effects of light, with a certain form of abstraction and constant renewal.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

What was the greatest design challenge you faced during the project, and how did you navigate it?

The greatest challenge was the realization of the facade supposed to evoke a form of immateriality. Many prototypes had to be made to properly adjust the quality and color of the glass, the density and the color of the printed patterns. It was also necessary to work closely with the engineers to design the most absent structures possible. The nicest compliment we often get is that people think when they see the photos that they are perspectives when the building is well constructed!

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

How did the context of your project — environmental, social or cultural — influence your design?

We started from an almost virgin site, the most difficult situation for a contextual architect. There was only a master plan and a bird’s eye view of a future residential area organized along the lake, headed by a tourist area and shops and, as a highlight, a future artificial ski slope to attract future residents and tourists. This district of 10,000 housing units will accommodate approximately 30,000 inhabitants and will be part of the future new town of Pinyuan which will accommodate a total of 500,000 inhabitants.

We took advantage of the incredible dynamism of Chinese industry: in the glass sector in particular. Large samples manufactured in record time allowed us to develop the exact colors and ink densities desired, with exceptional thermal performance.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

What drove the selection of materials used in the project?

It is a steel and glass building. Steel is adapted to an architecture of lightness and audacity, but also to allow prefabrication and great speed of implementation. We used glass for its advantages while avoiding its disadvantages, taking into account the continental climate, with cold and dry winters and hot and rainy summers. We have designed a waterproof double skin with controlled ventilation: in winter, the double skin is closed and the greenhouse effect makes it possible to avoid almost any heating. In summer, the air cooled by evaporation at the water surface is collected and circulates in the double skin to evacuate heat accumulations and cool the thermal facade and therefore reduce air conditioning needs.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

What is your favorite detail in the project and why?

We want the structure to disappear so that only the effects remain. The details of the suspended facade were the most sensitive to develop, in the common parts as much as for the details of angles, overhangs and transition between volumes. We worked with our facade engineer on minimalist principles. Each glass of the double skin is only held by 4 pieces of steel of a few centimeters and a simple bead of transparent silicone ensures the seal.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

How important was sustainability as a design criteria as you worked on this project? 

This question is of course a major one at the present time. This is why we have designed a double-skin façade which considerably reduces energy requirements. In winter, there is no need to heat the building. Dynamic thermal studies have shown that our design saves 50% energy compared to a traditional double-glazed facade. After a few years, the investment in the double glass skin is fully compensated and after 50 years, the gain is considerable.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

In what ways did you collaborate with others, and were there any team members or skills that were essential in bringing this Award winning project to life?

We collaborated very efficiently, mainly through video conferences. The engineers for the structure and the facade were particularly called upon to be able to build the project and in general, all the actors worked very intensely with the will to be able to achieve this result.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

Were any parts of the project dramatically altered from conception to construction, and if so, why?

Surprisingly, nothing has changed. The process was very fast and the building constructed is very faithful to the sketch.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

How have your clients responded to the finished project?

The client is extremely satisfied with the project and its numerous publications. More generally, all the feedback tells us that the building is very well received by visitors and users.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

What key lesson did you learn in the process of conceiving the project?

Having to go fast does not prevent designing with complexity and accuracy.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

How do you believe this project represents you or your firm as a whole?

It is a contextual project, even if the urban context was almost non-existent. It exactly answers a question asked by a program and a site. In this, it represents our architectural philosophy well.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

How has being the recipient of an A+Award evoked positive responses from others?

It is a great honor for us to receive such a distinction. Especially because we are a young architecture firm and that encourages us enormously to continue our work. This also contributes to our positive image for clients and our partners. It is very important for us.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

How do you imagine this project influencing your work in the future?

We believe that projects always ask new questions for new answers. Each project teaches us, of course, but we will never do the same thing twice.

© Zone of Utopia + Mathieu Forest Architecte

© Zone of Utopia + Mathieu Forest Architecte

Is there anything else important you’d like to share about this project?

The project was designed and carried out during the COVID, in a very short time. There were 20 months between sketch and delivery. Challenge increased by the pandemic which banned travel and stopped the construction site for 4 months. We had to invent, like others, new methods. We worked and checked the site from photos and videos. We had daily video meetings. Paradoxically, the COVID has reinforced the good coordination between all.

For more on Ice cubes, please visit the in-depth project page on Architizer.

Ice cubes Gallery

Reference

Blending In with Nature: The Inspiration Behind COMMOD-Haus GmbH’s Weekend Home
CategoriesArchitecture

Blending In with Nature: The Inspiration Behind COMMOD-Haus GmbH’s Weekend Home

 

The Little Black One – The ambition of this project was to design a house that blended so perfectly into the breathtaking landscape as if it had always been there. It didn’t need to show off as the scenery speaks for itself but still it should live up to the ambition of providing its owners an elegant weekend spot. A house that is always in style – like a little black dress – that keeps on fascinating you over and over again.

Architizer chatted with Michaela Maresch, CEO & Founder at COMMOD-Haus GmbH, to learn more about this project.

Architizer: What inspired the initial concept for your design?

Michaela Maresch: COMMOD “The Little Black One” was definitely inspired by nature. The harsh, wide, mountain landscape at Semmering was inspiration and challenge at once.

© Commod-Haus GmbH

© Commod-Haus GmbH

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

The Little Black is an amazing example of how architecture can set the stage for the beauty of nature. I think that people currently desire to live closer to nature than ever before and this house reflects a simple yet stunning way to do so.

The minimalistic form of the house, the colour chosen for the spruce wood façade and the play of light and shadow that reveals different shades of black on the façade.

Well protected from the harsh climate outside by the beautiful wooden façade, the living area inside is flooded with light. The generous window fronts and open spaces create a sense of even being part of nature while still enjoying all amenities of a modern home.

© Commod-Haus GmbH

© Commod-Haus GmbH

What was the greatest design challenge you faced during the project, and how did you navigate it?

The main strength of this project was also its biggest challenge: a gentle, subtle embedding of the house into the existing terrain that yet creates a connection to the partents home next door and emphasises the view of the mountains.

© Commod-Haus GmbH

© Commod-Haus GmbH

How did the context of your project — environmental, social or cultural — influence your design?

The design of this project is only fully comprehensible if you take into account its entire context. The client-family living in the big city of Vienna wanted to spend their weekends away from it all in pure nature. It was our top priority to give them a space where they could fully breathe in the beauty of nature. However, considering the fact that they did not want to harm this nature in any way by building their weekend house, our construction method was simply ideal for them. The screw foundations can be removed without leaving any residue after their lifecycle is over. Soil sealing is absolutely not an issue here. So they can live in harmony in and with nature.

© Commod-Haus GmbH

© Commod-Haus GmbH

What is your favorite detail in the project and why?

I can’t help but love the walkway that leads onto the terrace. It reveals this unique distant view of the rugged mountains, but at the same time exudes a calming effect on the visitor through the natural materials and the regularity of the slats.

© Commod-Haus GmbH

© Commod-Haus GmbH

How important was sustainability as a design criteria as you worked on this project? 

As already mentioned, it was extremely important to the owners not to interfere too much with nature. Using the system of point foundations, this was not a problem.

Basically, sustainability has been anchored in our DNA since the creation of our company, so for us it is almost not worth mentioning that our material consists of 99% renewable raw materials. We work hard to be and remain pioneers in this field.

© Commod-Haus GmbH

© Commod-Haus GmbH

How have your clients responded to the finished project?

This project illustrates all our strengths: Sustainability, adaptability, modern design, high quality standards and speed on site (this house took only one day to be delivered and assembled).

© Commod-Haus GmbH

© Commod-Haus GmbH

How has being the recipient of an A+Award evoked positive responses from others?

We are always very honoured when our houses receive awards. This not only makes us proud, but also the owners of the houses. But here it was something even more special. There are few awards that are as internationally respected as the Architizer A+Award. We feel grateful and happy to have become part of the Architizer Family and hope to impress with many more innovative projects in the future.

© Commod-Haus GmbH

© Commod-Haus GmbH

Team Members

Michaela Maresch, Gerald Brencic, Volker Ast, Ingmar Zwirn, Uwe Lackner, Gamze Olcay, Oumaima Laassibi, Lisa Gattebrauer, Rita Fruhmann, Jannis Fielers, Nadja Wieland

Products and Materials

Colour Synthesa „Greywood Forest 03“

For more on The Little Black One, please visit the in-depth project page on Architizer.

The Little Black One Gallery

Reference

Resimercial Architecture: Workplaces that are Designed to Feel Like Home
CategoriesArchitecture

Resimercial Architecture: Workplaces that are Designed to Feel Like Home

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter.

While you may not be familiar with the term, “resimercial design” is something we see frequently but very rarely take the time to analyze. From the comfy couches in the office lounge to the cozy rugs and ambient lighting in the conference room, resimercial design is all about bringing the comforts of home into the workplace (that’s resi-mercial, get it?). By prioritizing employee wellbeing, this design philosophy not only enhances the aesthetics of a workspace but also boosts productivity and overall job satisfaction. It’s a win-win situation that incorporates natural light, comfortable furniture and elements that evoke a sense of homeliness, such as warm lighting, soft textiles and plants, alongside seamless technological integration. This fusion approach has captured the attention of employers looking to create a dynamic and appealing work environment.

As companies strive to attract and, just as importantly, retain top talent, resimercial design has become an increasingly popular choice for optimizing workspaces. Combining the best residential and commercial design strategies, these six resimercial spaces are great examples of the welcoming and comfortable environment at the forefront of modern office design.


The Vibes

By Infinitive Architecture, Hồ Chí Minh, Vietnam

Jury Winner, 2022 A+Awards, Coworking Space

Photographs by Infinitive Architecture

The Vibes by Infinitive Architecture is an office building that perfectly combines bioclimatic design with resimercial elements. With various open spaces and lush greenery, this building provokes tranquility and relaxation in the middle of a bustling city. The multi-zoning masterplan of the coworking space is developed to centralize the garden space to promote natural views.

The building is naturally ventilated, and the workplace areas receive ample natural light from the outdoor intersections, while the bamboo skin that makes up the façade also features integrated percussion balls that produce interactive vibration sounds in light breezes, adding a unique sensory experience to the office spaces. The Vibes is a remarkable example of how understanding the human experience when undertaking tasks can create a sustainable, comfortable and creative work environment that prioritizes employee wellbeing.


Venture X

By Studio+, Naples, FL, United States

Popular Winner, 2022 A+Awards, Coworking Space

Photographs by Seamus Payne

Venture X, Naples, is a coworking space that merges the comforts of home with the productivity of a professional office environment. Designed with a resimercial approach, the space features luxurious finishes and stylish furniture, making it feel more like a bougie apartment than a traditional office.
Gone are the drab cubicles and empty white walls. In their place are living gardens, moss walls and botanical table art that provide a beautiful, verdant backdrop to the coworking space.

The furniture is carefully chosen to complement the design aesthetic, with fabrics, finishes and materials all speaking the same design language. Venture X, Naples, is a coworking space that breaks the mold of traditional office design, offering a resimercial approach that promotes wellness, creativity and productivity in equal measure.


The Coven

By Studio BV, Saint Paul, MN, United States

Photographs by Corey Gaffer Photography

A coworking space that empowers women and non-binary individuals, The Coven is a space designed for inclusivity and comfort. Its flagship location in St. Paul, MN, was developed to encourage collaboration, creativity and community. The goal was to transform a dark, historic space into a bright and empowering environment that reflects the organization’s mission. The reception and open lounge area take advantage of the high ceilings and natural light, with bespoke features that reflect the historic character of the building.

Upholstered in soft blue fabric, the custom reception desk provides a cozy welcome. Color and material choices reflect the individuality of the members and guests, with unexpected pops of color and unique design elements that create a sense of personality and identity. A custom wall tile application in the coffee bar featuring The Coven’s mantra of “do the most good” serves as a bold and empowering statement. The space features murals, weavings, paintings, tapestries and other curated objects created by local female artists that express diversity and community, bringing a real sense of home decoration to the spaces.


Smart Design Studio

By Smart Design Studio, Alexandria, Australia

Jury Winner, 2021 A+Awards, Office Interiors <25,000 sq ft

Photographs by Romello Pereira

Smart Design Studio is a sustainable and sculptural building that fits seamlessly with the brick warehouses of this inner-city conservation area. It embodies the essence of industrial buildings in its aesthetics, functionality, economy and innovation.

The readapted industrial building houses a purpose-designed studio for tenants, Smart Design Studio, that combines traditional workplace design with a hint of resimercial design. On the upper level, a mezzanine overlooking the light-filled space encapsulates and comforts with soft furnishings and a familiar living room. Having multiple areas that can provide what workers need is an excellent way of meeting the needs of individuals.


GoodRx Headquarters

By RIOS Santa Monica, CA, United States

Jury Winner, 2021 A+Awards, Office Interiors >25,000 sq ft

Photographs by Jasper Sanidad

GoodRx Headquarters has undergone a stunning transformation from a start-up to a vibrant and inclusive workspace in the heart of Los Angeles’ tech scene. The combination of commercial and residential elements has been masterfully utilized to create a warm, inviting, and functional space. The design approach incorporates aspects of urban planning to accommodate GoodRx’s growing workforce, with social programs creating private moments in vast warehouse spaces.

The use of upcycled materials and an industrial palette adds an earthy, raw quality that’s visually striking and tactile. The space includes unique features, such as a speakeasy, a doctor’s room and a meditation and yoga facility, providing opportunities for employees to come together and connect. Overall, the GoodRx Headquarters embodies resimercial design, creating a welcoming, community-focused workspace that reflects the company’s evolving mission.


Office Brabant

Studio Piet Boon, NB, Netherlands

Jury Winner, 2020 A+Awards, Office Interiors – Low Rise 1-4 Floors

Photographs by Thomas de Bruyne

Studio Piet Boon was tasked with designing a Dutch office space that is both timeless and functional. The resulting structure draws inspiration from traditional farms in the surrounding area while incorporating a modern interpretation of a barn space, creating a one-story office that feels like a comfortable and inviting residence.

The main spaces of the building feature pitched roofs and brick walls adorned with coal-black wooden slats that open up the interior to the surrounding gardens. The use of brick ‘boxes’ with flat roofs connects the three distinct areas of the building, while the Fitness Center and Spa occupy a separate building that encloses a symmetrical patio with a tranquil water feature for privacy.

The building’s shape and large windows provide panoramic views of the surrounding golf course, while the windows overlooking the patio create a more intimate and cozy feel. The interior is designed with natural stone and light wooden floors, creating a harmonious blend of indoor and outdoor living. Soft, unsaturated colors are used throughout the building, and the plastered walls highlight the natural color of the wooden beams. With a focus on creating a warm and welcoming environment that seamlessly blends work and relaxation, this Dutch office space embodies the principles of resimercial design.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter.

Reference

Questioning the Meaning of Urban Campus: The Sciences Po Campus by Moreau Kusunoki
CategoriesArchitecture

Questioning the Meaning of Urban Campus: The Sciences Po Campus by Moreau Kusunoki

 

Sciences Po – The new campus of Sciences Po questions the meaning of being located in a city, as opposed to the proliferation of new campuses that have been built in a suburban environment. As an urban campus enmeshed within the fabric of the city, the centerpiece of Moreau Kusunoki’s design is the central pavilion located in the main courtyard. Inspired by the concept of a ‘pavillon de thé’, the glass-paneled structure represents both a refuge and transparency by the unique continuity of its innovative pivoting façade, seamlessly transitioning from inside to outside. This new technology has made it possible to create a safe and secure facility that simultaneously acts as a symbol of openness to the world.

Architizer chatted with Hiroko Kusunoki and Nicolas Moreau, co-founders of Moreau Kusunoki, to learn more about this project.

Architizer: What inspired the initial concept for your design?

Hiroko Kusunoki and Nicolas Moreau: The project was inspired by a historical understanding of the site and a reaction to its physical givens, as inherited and as found. Nested within the innermost courtyard of an old convent turned campus, the project formally establishes itself as a new focal point, all while nurturing a calm and respectful conversation with its limestone surroundings.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

The pavilion offers the unique experience of becoming synchronized with exterior spaces when all the large pivoting doors are opened. It removes the interiority of the space and becomes a pure stage, exposed to the wind, light and sounds of the city.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

What was the greatest design challenge you faced during the project, and how did you navigate it?

The pavilion is designed based on the broad palette of grays reflected through different materialities: steel, concrete, paint, glass, the Paris sky. The uniformity of the tone of gray offers abstraction and silence. These subtle nuances create a form of micro visual vibration within the space, providing an extra layer of quiet, sensorial appreciation when approached closely or touched.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

How did the context of your project — environmental, social or cultural — influence your design?

The fluidity of people coming in and out of the location, the levelling of human interaction, are the real opportunities provided by this new campus. As opposed to simply continuing the tradition and history of Sciences Po, people are encouraged to reimagine the school’s image.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

How important was sustainability as a design criteria as you worked on this project? 

Sustainability is a fundamental driver of this project. In spite of a fully glazed façade, the design succeeds at instilling a solid level of comfort by providing the option of using natural ventilation. The canopies play a fundamental role in protection from solar radiation while also conferring the architectural identity of the pavilion.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

How have your clients responded to the finished project?

The pavilion became the “showcase” of the new Sciences Po campus, inspiring the most important donors to the project to install their offices in the pavilion.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

How do you believe this project represents you or your firm as a whole?

This project demonstrates our commitment to the integrity of our architectural concept, which is defined by readability, simplicity, as well as duality.

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

© MOREAU KUSUNOKI

How do you imagine this project influencing your work in the future?

Every project provides an opportunity to try things out, to find prototypes. We will continue collaborating with builders to develop unique façade systems that allow for improved interaction and continuity between interior and exterior spaces.

Team Members

Architects : Moreau Kusunoki, Wilmotte & Associates (coordination), Pierre Bortolussi (heritage). Partners: Groupe Sogelym Dixence (promoter), Franck Boutté Consultants (sustainable engineering), Mugo (landscaping), Barbanel (MEP), TERRELL Group (façade engineering), SASAKI (strategy and urban planning), CORELO (project management). Client: La Fondation Nationale des Sciences Politiques (FNSP)

Sciences Po Gallery

Reference