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The storied location of this brasserie in Paris inspired interior studio B3 Designers to fill the restaurant with tasselled chairs, disco balls and other flamboyant decor.

Brasserie des Pres is set in Paris’s Latin Quarter, which was a hub of creativity throughout the 19th and 20th centuries, its cafes filled with artists, publishers and prominent writers including Ernest Hemingway and Jean-Paul Sartre.

London-based studio B3 Designers aimed to infuse this same buzzy ambience into the quarter’s latest eatery, undeterred by its awkwardly narrow interiors.

“Brasserie des Pres has a very unique floor print and we’ve used the existing architecture to create layers of dining experiences,” the studio said. “We’ve created a feeling of community and delight, a welcoming backdrop to the great food served here.”

Lush with greenery, the exterior of the restaurant features a striped orange awning and classic Parisian terrace seating.

Once guests step inside, they find themselves in a large dining room with red-panelled walls, inset with mirrored shelves that display an assortment of shapely glass vessels.

Decorative tiles depicting limes, lemons and oranges are incorporated at the top of each panel.

Tables throughout the room are dressed with white linen cloths and bijou brass lamps, nodding to the table set-up of the Latin Quarter’s traditional eateries.

Guests also have the option to sit at a high marble counter that directly overlooks Brasserie des Pres’s bustling kitchen or enjoy a drink at the bar, which is fronted by velvet-lined orange stools.

More dining space is provided on the first floor, where the shelves along the walls are filled with antique books and candelabras to mimic the worldly look of a cabinet of curiosities.

Finally, on the top floor of the restaurant is a lounge-style space where guests can relax while selecting tracks from the brasserie’s vinyl record library.

A curtained partition can be drawn back to reveal a secret bar, complete with a mirrored ceiling. From its centre hangs a cluster of disco balls, enclosed by a circular neon sign that spells the word groovy.

A plush, crimson banquet winds around the periphery of the space, accompanied by matching tassel-backed chairs and marble tables.

Even the toilets at this level are finished with eccentric details including a pearl-laden chandelier that droops above the washbasin and surreal gold-framed paintings that depict the eyes of “unsung Parisian anti-heroes”, according to B3 Designers.

Paris’s rich culinary scene is constantly expanding.

Other spots that have recently opened up around the city include Citrons et Huîtres, an oyster bar that’s designed to resemble a fishmonger, and Chinese restaurant Bao Express, which has a retro interior informed by Hong Kong diners of the 1970s.

The photography is by Vincent Remy and Joann Pai.

Reference

Bar area with stools surrounding a purple-fronted counter

Interior Design

ALA draws on West Village history for Talea taproom interiors

By Zarkon Group,04/02/2024

New York studio Alda Ly Architecture has designed a taproom for female- and veteran-owned brewery Talea in the city’s West Village neighbourhood, which includes a place for groups to “scheme”.

Talea West Village is the beer company’s third outpost and its first Manhattan location, following two established in Brooklyn.

The space is located in a 1920s building on Christopher Street, an iconic thoroughfare that’s home to several landmarks, businesses and historic spaces associated with the LGBTQ+ rights movement.

“This new taproom on Christopher Street reclaims the masculine identity of a West Village saloon to celebrate voices of women and LGBTQ+ communities in the Village, all while serving Talea’s popular sour brews in an elevated, vibrant space,” said Alda Ly Architecture (ALA).

Bar with built-in seating on the left and counter on the right — Bright hues chosen by ALA for the space include yellow for tiles, green seat backs and red dining chairs

Flooded with natural light thanks to large windows along the street facade, the main space is anchored by a purple-fronted bar with a curved white quartz countertop in one corner.

Behind, numerous beer taps are mounted onto a yellow-tiled partition, while glassware and cans are displayed on shelves above.

View towards an exposed brick wall with seating in front — Exposed brick and stone floors allude to a saloon-style aesthetic

The bar is lit by Junit oak pendants from Schneid Studio and brass Dottie sconces by Visual Comfort are mounted around the perimeter.

“We opened up the space to provide as much open area for the front dining room, and brought the bar front and centre to highlight the taps with their extensive selection of beers,” said ALA founder Alda Ly.

Dining area and bar counter with street windows behind — The taproom was designed to celebrate its location in the West Village, which has played an important role in LGBTQ+ history

“We wanted the bar to be a welcoming beacon for all people in the neighborhood,” she added.

The other side features built-in, stained-oak seating and small circular tables against an exposed brick wall.

Brick-wrapped room with a skylight over a large table — Behind the bar is The Revolution Room, intended for larger groups to gather

Pale green backrests and muted red Scroll dining chairs from Industry West continue the interior’s bright colour palette, which is also echoed in the works by local artists displayed on the walls.

“It was important to us to capture the spirit of Talea in a space that felt elevated but also very warm and welcoming,” said ALA project director Marissa Feddema.

Past the bar is a more intimate space called The Revolution Room, designed for groups of eight to 10 people to “scheme, hang and gather” according to the team.

A large table sits below a Nuura Miira 8 Oval chandelier that’s suspended from a skylight, and more brickwork is exposed to add to the saloon-like vibe.

Dimly lit room with dark walls and colourful furniture — At the back is the Snug, a cosy space furnished with jewel-tone pieces

Further back still, patrons will find the Snug – a much darker and cosier room decorated with jewel-toned furniture, navy limewash painted walls and a vintage fireplace mantle.

The moody bathrooms are adorned with images of prominent local residents and gender activists through the years, further emphasising the neighbourhood’s importance to the LGBTQ+ community.

Bathroom with dark blue tiles, paintings on the walls and an oval mirror above a sink — Images of prominent local residents and gender activists are displayed in the moody bathrooms

The West Village is packed with bars and restaurants, from upscale dining spots like Cecchi’s to casual cocktail places like Donna.

Close by, in the Union Square area, ALA has previously designed the interior for a doctor’s office and clinic with earthy and homey details.

The photography is by Brooke Holm.

Project credits:

Architect and interior designer: ALA (Alda Ly, Marissa Feddema, Sheridan Treadwell, Marlee Anderson)
MEP engineer: Tan Engineering
General contractor: Aerial Design & Build

Reference

Interior Design

Commoncraft draws on “beauty in imperfection” for New York cafe

By Zarkon Group,06/01/2024

Distressed concrete, rowlock bricks and worn plasterwork create an intentionally unfinished appearance at this cafe in New York City’s East Village neighbourhood, designed by Brooklyn studio Commoncraft.

For its expansion into Manhattan, New Jersey-based Kuppi Coffee Company secured a 350-square-foot space on bustling St Marks Place – its second location.

The compact interior has just enough space for a customer area and the cafe counter, plus a prep area and a WC for staff at the back.

Commoncraft approached the front-of-house space with an ethos akin to wabi-sabi, the Japanese art of “flawed beauty”.

Cafe counter faced with rowlock-course bricks — Commoncraft chose materials for the space that appear purposefully rough and unfinished

“Employing a range of rough and raw materials, Commoncraft’s design of Kuppi Cafe seeks out the beauty in imperfection,” said the studio, which was founded by Zach Cohen and Tony-Saba Shiber.

Textured concrete plaster curves up from two perpendicular walls and over the ceiling, enveloping the room together with the concrete floor.

Concrete interior with small brick bench against a wall — The compact space features a small bench for customers awaiting their orders

Where these walls meet, a vertical element is wrapped in bluish plaster that’s peeling away to reveal a whitewash beneath.

The Kuppi logo is applied faintly at the top, and stainless-steel shelves for displaying merchandise are cut into part of the pillar’s corner.

Brick cafe counter facing a glass facade — The cafe counter is faced in bricks stacked on their sides to expose their “guts”

Zones for customer interaction – including the service counter and a small bench – are defined by terracotta bricks, which are stacked on their sides in rowlock courses “to expose their core and mortar ‘guts’.”

“Each terracotta volume is terminated by a course of cut bricks, further revealing the rough, imperfect cores,” Commoncraft said.

In such a compact space, the designers have ensured that their concept carries through each of the cafe’s elements.

“The material honesty of the space is further reinforced by a number of small details,” said Commoncraft.

A corner element is wrapped in bluish plaster that’s distressed to reveal a whitewash underneath

These include floating stainless steel shelves behind the counter, a freestanding glass splash guard for baked goods and spherical concrete pendant lights suspended at different heights above the bench.

The cafe is highly visible from the high-traffic street through its fully glazed facade.

A counter terminated by a course of cut bricks, with a glass enclosure for pastries on top — The counter is terminated by a course of cut bricks

New York City is home to thousands of cafes and coffee shops, including many independent establishments with unique interiors intended to entice customers inside.

Among them is another Commoncraft project: a Williamsburg eatery named Gertie designed as a playful tribute to the owner’s grandmother.

The photography is by Andrew Fu.

Project credits:

Client: Kuppi Coffee Company (Kevin and Vivian Kim)
Architecture and interior design: Commoncraft
Plumbing engineer: Alan R Schwartz
General contractor: LTI Construction Corp

Reference

Office reception with meeting room visible through glass and mint green sliding doors

Interior Design

Civilian draws on “grandeur” of early cinemas for Sandbox Films offices

By Zarkon Group,23/12/2023

New York studio Civilian has designed the headquarters for a documentary production company in Manhattan’s Flatiron District, which includes an art deco-influenced screening room.

The offices for award-winning Sandbox Films are located in a landmarked 1920s neo-gothic skyscraper, and provide the company with its first dedicated workspace.

Spread across 4,200 square feet (390 square metres) of space, the program includes an open-plan reception area that doubles as an events space, a conference room, private and open offices, and production and editing suites.

There’s also a 22-seat screening room with a Dolby Atmos sound system, in which the team and their visitors can preview the completed or in-progress cuts.

A custom, double-sided sofa upholstered in velvet and boucle fabric — In the centre of the reception area is a custom, double-sided sofa upholstered in velvet and boucle fabrics

The non-profit documentary production company makes cinematic science films, many of which have won or received nominations for prestigious awards.

Among them are Fire of Love, which was nominated for Best Documentary Feature at the 95th Academy Awards in 2022; Emmy-winning Fathom; Sundance winner All Light, Everywhere; and Fireball, co-directed by Werner Herzog.

Meeting room with table featuring ash legs and a white lacquered top — Another custom design is the meeting room table, which has ash legs and a white lacquered top

“Inspired by [our] clients’ love for the craft of storytelling, the space was informed by the grandeur of the amenity-rich yet intimate early movie houses of Stockholm and Amsterdam, art deco cinemas, the architectural colour gestures of Danish modernist designer Poul Henningsen, and the vanished world of interwar New York conjured by the project’s Broadway address,” said Civilian.

The reception area revolves around a circular stone-topped bar, which demarcates a staff pantry area by day, and can be used for serving food and drinks for events.

A pair of swiveling Milo Boughman chairs with a sculptural side table — Vintage pieces sourced for the space include a pair of swivelling Milo Boughman chairs

“With an active roster of screenings, events and a residency program for independent filmmakers, the space acts as an office as well as a dynamic center of gravity for New York’s nonfiction film community at large,” the team said.

A custom double-sided, Pierre Chareau-inspired boucle and velvet sofa sits opposite a pair of refinished Milo Boughman swivel chairs.

Bar and pantry area with plaster walls and oak millwork — A bar area in reception acts as a pantry by day and is used for hosting events in the evening

Marquee lights are installed in rows along the sides of the existing ceiling beams, with additional sconces mounted on the plastered pantry wall.

Structural columns have been wrapped in travertine cladding to highlight thresholds between the different spaces.

Swivel chairs in front of a periwinkle blue divider, with film posters behind — Wood panelling and film posters hark back to art deco movie theatres

On either side of the reception, acoustic partitions with glass panels and mint-green frames cordon off the bright conference room and a private office.

Furnishing the conference room is a custom-designed meeting table that combines a solid ash frame and a high-gloss curved lacquer top, surrounded by vintage Tobia Scarpa Sling Chairs.

A communal workspace withsit-stand desks, oak dividers and plenty of ledges for plants — A communal workspace features sit-stand desks, oak dividers and plenty of ledges for plants

From reception, a neon-lit burgundy door leads into the screening room, where three tiers of seating face the large screen like in a mini movie theatre.

The cushioned seats are upholstered in soft powder-blue fabric, which contrasts with walnut wainscoting, and sound-absorbing brown wool wall panels that conceal the equipment.

Each chair has an individual armrest table for placing drinks or writing notes, complete with a small light created in collaboration with Lambert et Fils.

More private offices, sound-proofed editing suites and an open workspace are accessed via a short L-shaped corridor.

A 22-seat screening room with three seating tiers — A 22-seat screening room allows the team and their visitors to preview documentary films

In the communal work area, sit-stand desks feature white oak divider panels and are topped with a stone ledge for displaying objects and plants.

“This project has given us an opportunity to draw from so many inspiring references, from its iconic Broadway location to historic theatre architecture, to create an elevated and layered space that supports the work Sandbox is doing to uplift documentary film talent,” said Civilian co-founder Ksenia Kagner.

Screening room chairs with individual armrest tables — The screening rooms boasts a Dolby Atmos sound system, and includes chairs with individual armrest tables for drinks or note-writing

“We also felt it was important to be responsive to the changing priorities of the modern workplace, creating open, multipurpose spaces that nurture interaction and foster a sense of community,” she added.

Civilian was founded in 2018 by Kagner and Nicko Elliott, and the designers have since completed projects ranging from the transformation of Detroit’s historic Book Depository into a headquarters for tech company Newlab, to the renovation of a historic Bed-Stuy townhouse for themselves.

The photography is by Chris Mottalini.

Project credits:

Client: Sandbox Films (Simons Foundation)
Client rep: Cushman and Wakefield
Civilian scope: Interior design, creative direction, furniture design
Architect of record: LB Architects
Mechanical engineer: WB Engineers
AV engineer: Spectra
Acoustic engineer: WSDG
Production studio consultant: Tom Paul
Contractor: L&K Partners

Reference

Interior Design

Cake Architecture draws on Bauhaus principles for Hoxton bar

By Zarkon Group,08/12/2023

Cake Architecture has renovated A Bar with Shapes for a Name, an east London cocktail bar featuring “utilitarian” interiors.

A Bar with Shapes for a Name owes its title to the yellow triangle, red square and blue circle that are emblazoned on its facade in a nod to the primary colours and understated geometry commonly associated with the Bauhaus.

When creating the bar’s minimalist interiors, Dalston-based Cake Architecture took cues from the influential German art and design school that was established in 1919 and advocated for an emphasis on functionality, among other similar principles.

Located at 232 Kingsland Road in Hoxton, the cocktail bar was renovated by the studio to serve as a multipurpose venue.

Reddish plywood bar — Cake Architecture created a smooth ground-floor bar from reddish plywood

Cake Architecture doubled the bar’s capacity by adding a basement, which acts as a “kitchen-bar” room, and refurbished the ground floor’s existing seating area as well as a classroom-style space that offers a location for rotating events or workshops.

“These spaces have specific functional requirements and we selected colours and materials to suit,” studio director Hugh Scott Moncrieff told Dezeen.

Rectilinear light installation within bar by Cake Architecture — It was positioned opposite a rectilinear light installation

Upon entering the bar, visitors are greeted by the main seating area or “showroom”, which was designed to be warm and inviting.

Tall tubular chairs finished with neutral rattan were positioned around chunky geometric tables made from birch ply stained to a rich, reddish-brown hue.

Glass-topped central table in the basement — The renovation included the addition of a new basement

The team also used the same timber to create the space’s curving bar, which is illuminated by a squat, cordless table lamp by lighting brand Flos.

Opposite the bar, a glowing rectilinear light installation by photographer Steve Braiden was fitted to the wall underneath bench-style seating reminiscent of early Bauhaus furniture designs.

Close-up of the steel, glass-topped table — A steel, glass-topped table sets an industrial tone

“We looked in particular at projects by the Bauhaus founder Walter Gropius,” reflected Scott Moncrieff.

“Gropius is a master of this elegant zoning through the application of colour and form,” he added.

Steel-framed tables in the classroom — The “classroom” includes steel-framed tables

Downstairs, the low-lit basement was created to house additional seating as well as “all of the crazy machinery they use to prepare the drinks,” the designer said.

The basement is characterised by a bespoke central table by Cake Architecture and furniture designer Eddie Olin.

Sculptural, colourful lamp — Red, yellow and blue accents define a sculptural lamp

Consisting of a steel frame that “floats” over a central leg, the table was topped with a glass surface and its base was clad in phenolic-coated plywood to match the floor and walls.

“This new basement is predominantly a production space – so the palette reflects this with hardwearing, utilitarian and industrial materials,” said Scott Moncrieff.

A thick, felt curtain in ultramarine adds a pop of colour to the otherwise pared-back space.

With its pale blue walls and Valchromat-topped, steel-framed tables, the ground-floor “classroom” pays homage to the Bauhaus as an educational institution.

Tall blackboard in the classroom — A tall blackboard provides space to learn in the classroom

Brighter blue vinyl covers the floors while a sculptural lamp featuring red, yellow and blue circles echoes the bar’s logo.

A tall blackboard and overhead strip lighting add to the classroom feel of the space, which is used for various group events.

Illuminated bathroom sink — Thin vertical lights frame the bathroom sink

Cake Architecture worked closely with the bar’s founders Remy Savage and Paul Lougrat when creating the interiors, which were primarily informed by the duo’s way of working.

“The team has a conceptually driven ethos drawn from the theory and practice of Bauhaus embedded in everything they are doing. We found that incredibly exciting,” explained Scott Moncrieff.

Sconce lighting on the wall — A Bar with Shapes for a Name is located on London’s Kingsland Road

“The Bauhaus phrase ‘party, work, play’ was pertinent to some early ideas and this carried through all our design discussions,” noted the designer.

“The space enables these three things. Separately as individual functions and simultaneously as a representation of the overall atmosphere of a bar!”

Cake Architecture previously worked with interior designer Max Radford to create a curtain-wrapped speakeasy in London’s Soho. The studio also designed a workspace for London agency Ask Us For Ideas in the same part of the city.

The photography is by Felix Speller.

Reference

Interior Design

Martin Brudnizki draws on “gritty glamour” for Broadwick Soho hotel

By Zarkon Group,30/11/2023

Interior architect Martin Brudnizki has used Italian maiolica tiles and bespoke furniture from India to give London’s Broadwick Soho hotel an eclectic look.

The eight-floor hotel was designed by Martin Brudnizki Design Studio (MBDS) to evoke the history of Soho – the London neighbourhood that surrounds it.

“Inspired by ‘gritty glamour’ and the diverse history of Soho, MBDS’s design influences range from 1970s disco pop elements to British eccentricity,” studio founder Martin Brudnizki told Dezeen.

The hotel was also influenced by “the strong women who frequented Soho during the 1960s and 70s such as Mary Fedden, Molly Parkin and Muriel Belcher.”

Bar at Broadwick Soho — Maiolica tiles decorate the restaurant bar

Broadwick Soho is comprised of 57 rooms, which Brudnizki decorated in opulent colours and patterns. For the downstairs Italian restaurant, Dear Jackie, Brudnizki sourced materials and accessories that nod to its cuisine.

“A split-level restaurant, the communal dining takes centre stage with long counter-style tables featuring 1970s Formica tops and Memphis-inspired chandeliers suspended from coral lacquered ceilings,” he said.

Bar Jackie by Martin Brudnizki — Floral patterns cover the walls of the restaurant

“The bar features maiolica tiles in traditional southern Italian patterns,” Brudnizki added. “This compliments the maiolica wall covering adorned with Sicilian folk motifs of grapes and flowers.”

The handpainted ceramic tiles for the bar were developed by the studio itself together with a family business in Sicily.

Elephant wallpaper at Broadwick Soho — Rooms feature decorative elephant wallpaper

In some of the guestrooms, walls were decorated with marbled wallpaper with a pattern of tigers and elephants. The elephant was chosen as a symbol for the hotel and was also turned into mini bars in the hotel’s suites.

“A huge amount of bespoke pieces were designed by the studio and produced by talented craftspeople across the world,” Brudnizki said.

Elephant minibar in Soho hotel — Martin Brudnizki Design Studio had elephant minibars crafted in India

“The wonderful elephant mini bars in the suites were designed by the studio and crafted in India,” he added.

“We actually travelled to India to work with the craftspeople directly, ensuring each detail was as we envisioned.”

The Nook at Broadwick Soho — A vintage Murano glass chandelier hangs in The Nook

The studio also sourced a number of vintage pieces for the hotel, including a 1970s Murano glass chandelier that hangs from the ceiling of The Nook – Broadwick Soho’s residents-only ground-floor lounge.

MBDS also commissioned new Murano glass lamps that are scattered throughout the space.

“All of the Murano glass lights throughout the property have been made and developed by local artisans in the Venice region,” Brudnizki said.

“Lastly, there is a collection of antiques throughout the hotel that have been sourced from independent Italian and British antique dealers, auction houses and shops.”

Flute bar in Soho — Rooftop bar Flute features a variety of polished materials

Broadwick Soho’s rooftop dining bar – named Flute after a 19th-century flute maker on Broadwick Street – is an example of how Brudnizki played with multiple colours and patterns to create a space that he describes as combining “cocooned comfort with maximalist glamour”.

Here, saturated green and pink pastel colours contrast gleaming marble and brass details, while contemporary art decorates the walls.

Reading area in Broadwick Soho — The Nook has a cosy reading area

The overall aim of the project was to create a hotel that would suit the context and history of Soho.

“We were conscious of ensuring that what we were designing felt authentic and true to the Soho context and neighbourhood,” Brudnizki concluded.

“It has such a strong and important cultural history, we were conscious we needed to draw this out and bring it to the forefront of our design concept.”

Previous London projects designed by Brudnizki, who was one of the judges for Dezeen Awards 2023, include a mythology-informed restaurant and the redesign of members’ club Annabel’s.

The photography is by James McDonald.

Reference

Interior Design

Barde vanVoltt draws on Japanese zen gardens for Calico Club interior

By Zarkon Group,03/11/2023

Dutch studio Barde vanVoltt has used rippled mirrored glass, boulders and pebbles to create the interior of Calico Club, a retail store located in a century-old farmhouse in the Netherlands.

The studio aimed to combine Dutch heritage with Japanese tradition to create an “unexpected” but never overwhelming interior for the store, which is located in the village of Nistelrode.

“The main objective was to pay respect to the monumental 100-year-old farmhouse that Calico Club moved into,” Barde vanVoltt co-founder Valérie Boerma told Dezeen.

“The challenge was to find ways to add materials we could remove easily to keep the original state of the construction as it was,” she added.

Interior of Dutch retailer — Barde vanVoltt added plants to the interior

Boerma and her co-founder Bart van Seggelen added several organic details to the space, which has been divided into different sections.

“The floor plan is shaped like a Japanese zen garden and its traditional elements of rock, water, and plants have been interpreted in more modern and abstract ways,” Van Seggelen explained.

Boulders inside clothing store in the Netherlands — Boulders are scattered throughout the space

On polished concrete flooring, the studio placed whitewashed boulders that are used as retail displays and created elevated pebble islands above which garments are hung.

Barde vanVoltt also designed matching islands made from walnut wood. The same warm wood is also used for the fitting rooms, cabinets and counters.

Wood counter in Calico Club store — Walnut wood is used for the counters inside the store

Materiality is an important aspect of the project, with rippled mirrored glass added in a nod to the water features that are often included in zen gardens.

“Rippled mirrored glass and silver colour was to create contrast and depth,” Boerma said.

“The rippled glass keeps changing from wherever you look at it, this added an extra layer to the space, much like water, that is always changing,” she added.

The aim was for the interior to “nourish creative flow, harmony and support it with a screen-free store policy to create calm in an unpredictable world,” the studio said.

Tree inside Dutch store — A large tree adds a touch of nature at the back of the store

At the back of the store, a tree sits inside a round glass bench behind a metal wall divider.

“Encased in a circular glass bench, the tree and the fashion collection opposite is given its moment thanks to a sheet of curved, rolled metal to separate it from the fitting rooms,” Van Seggelen said.

“And at the front of the store, customers are shown the best of the collection with floating glass display cylinders filled with hay.”

Exterior of Calico Club store — Calico Club is located in a red-brick former farmhouse

The pared-back designs and shiny materials inside the store contrast against its exterior, a rustic red-brick farmhouse.

“With every project we do, we feel the responsibility to search for high quality, natural materials that are produced in a sustainable way,” Boerma said.

“These materials and heritage come with earthy tones and it suited well with our Japanese reference,” Van Seggelen added.

Rippled glass-details in clothing store — Rippled glass references the water in zen gardens

Calico Club has been shortlisted in the retail interior (large) category of Dezeen Awards 2023.

Previous projects by Barde vanVoltt include a former garage in Amsterdam that was transformed into a family home.

Other recent projects in the Netherlands include an underground house and a wood-lined home in Zwaag.

Reference

Exterior photo of Burberry's New Bond Street store

Interior Design

Burberry’s draws on minimalism at New Bond Street store

By Zarkon Group,31/08/2023

British luxury brand Burberry has renovated its New Bond Street store, which has been decorated with a minimalist scheme that is populated with striking contemporary furniture.

Set on a prominent spot on the corner of New Bond Street and Conduit Street in central London, the 22,000-square-metre store is split across three levels.

The flagship store has a minimal open-plan interior that is characterised by stark white floor, walls and ceilings which are offset by pops of gold, blue and tones of brown.

The fixtures of the store such as its pillars, staircase, wall displays and mirrors bring a rigid and strict geometry to the space that is complemented by a panelled ceiling which was designed to mimic the brand’s iconic check.

Interior photo of Burberry's New Bond Street Store — It has a minimalist interior

“The minimalist interior is punctuated with an eclectic mix of contemporary furniture, creating a stripped-back setting designed to spotlight key Burberry pieces,” said Burberry.

“Overhead lighting has been crafted to replicate the iconic Burberry Check – a pattern introduced in the 1920s, referencing the brand’s rich heritage.”

Ceiling panels were organised in a gridded formation with spotlights set between each. Lighting strips were added to the panels at various intervals throughout the store and reference the multiple lines of the signature check.

Throughout the store, slivers of checkered tiles punctuate the stark white floors. A classic black-and-white checkered tile covers multiple areas of the interior, zoning numerous different spaces including ready-to-wear and accessory sections.

Other combinations of tiling include a dark brown and black rectangular tiles that are similarly organised in a checkerboard formation.

In contrast to the rigid lines of the store’s more permanent fixtures, furniture brings a softer and more playful look.

Curving sofas and armchairs were upholstered in bold shades of beige, brown and vibrant blue and placed on top of matching area rugs and carpets.

Photo of a seating area at the store — Areas of the store were decorated with pops of colour

Display tables in blocky shapes are carried throughout each of the store’s floors and sit alongside glass, metal and mirrored vitrines.

Clothing rails draw on an industrial look, with the floor-to-ceiling structures reminiscent of scaffolding systems, however, set apart by their polished and reflective finish.

Photo of a shopping area — Polished metals were paired with glass

“We are excited to open the doors of our newly refurbished flagship store on New Bond Street in one of London and the world’s premier luxury shopping destinations,” said Burberry’s chief executive officer Jonathan Akeroyd.

“The store showcases our beautifully crafted products in a luxury setting that connects our customers with our brand and unique heritage.”

Photo of the store interior — Blocky display units were placed throughout

In 2022, British designer Daniel Lee was announced as Burberry’s creative director following a shock exit from Bottega Veneta. Soon after his appointment, Lee revealed the “first creative expression” under his direction in the form of an archive-inspired charging knight logo and serif logo font.

Earlier this year, British artist Tom Atton Moore was commissioned to create a series of hand-tufted textile installations for Burberry’s Paris showroom and Rue Saint Honoré store.

The photography is courtesy of Burberry.

Reference

Interior Design

YSG draws on beach clubs of Ibiza for redesign of Sydney coastal home

By Zarkon Group,14/06/2023

Australian interiors studio YSG has updated a holiday home in Sydney’s Palm Beach suburb, layering it with a maximalist mix of colours, patterns and textures.

The 400-square-metre house belongs to a young family who wanted a place to escape during the holidays while still providing space for remote working.

The home’s original furnishings were included in the sale but the clients were less than enthused by the nautical colour palette, seashells and model yachts.

“The weathered features and cliched seaside tropes, amongst other things, deterred their visits,” said Yasmine Ghoniem, founder and director of YSG.

Look from patio into Sydney home by YSG — Its living and dining area are separated by a small step

YSG took cues from the rustic beach clubs of Ibiza and Cancun for the revamp, with a touch of French Riviera refinement to create “a palpably playful mood for entertaining”.

The house was given a full overhaul, with worn floorboards sanded back to reveal warmer timber accents while windows and doors were replaced with more slimline versions.

Living room with painting in Palm Beach house — Details from a painting in the lounge were carried over onto the walls

In the sunroom, tongue-and-groove panelling was removed for a more contemporary look while a mirrored wall was taken out because it caused the room to overheat.

A new rose-tinted marble floor extends to skirting height, amplifying the sense of space while helping to keep the room cool. In the kitchen, YSG added a stone island “that recalls the ombre shades of a freshly poured tequila sunrise”.

Seating area next to pool in Sydney house by YSG — Chequerboard tiles surround the pool

The couple also asked for a second master suite, so that they could each have their own retreat while working remotely.

“We designed integrated marble and timber desks, enabling both to simultaneously work privately from their rooms whilst enjoying views from the upper level,” Ghoniem said.

For the all-important exterior areas, which wrap around the house on each level, YSG provided a material refresh by removing the old heavy paving and weathered grey timber as they distracted from the views.

The pool area now features a chequerboard pattern of tumbled marble cobblestones while the dark blue pool tiles were replaced with a lighter finish and the chrome fence posts were powder-coated in a soft white tone to prevent glaring reflections.

Kitchen of Palm Beach house — The home’s stone kitchen island is made from thickly veined stone

YSG added a playful painting in the living room that acted as a starting point for the home’s entire interior scheme, including the colour palette of ochres, yellows, and reds.

Its motifs such as palm trees and fruit are repeated throughout the house across prints and cushions, as well as being hand-painted onto walls and doors.

Living room of Sydney house by YSG — The home also has a second lounge area

Even the painting’s chequered top border is continued as a hand-painted datum line across the living room to enliven the otherwise plain walls.

Ghoniem also repeated the same device on the side of the raised step that lead to the dining area, “artistically acknowledging a trip hazard”.

Bedroom of Palm Beach house — The bedrooms were designed to provide space for remote working

In the sunroom, hand-painted swirls soften the beams while in one of the master bedrooms, the vertical red lines of a nude painting were playfully continued onto the wall above the artwork.

The rich material palette features many types of marble, including Giallo, Toledo and Tiberio along with honed travertine and French wash walls, while the textiles include linen and kimono silk.

Bathroom of Palm Beach house in Sydney — Chequerboard tiling also features in some of the bathrooms

YSG has completed a number of projects across Sydney, including another house in a coastal suburb with tactile finishes and a penthouse for a couple of empty nesters.

The photography is by Prue Ruscoe.

Reference

Architecture

Naturehumaine draws on Streamline Moderne for Montreal duplex

By Zarkon Group,29/05/2023

Local studio Naturehumaine has completed a two-family housing block located in the Côte-des-Neiges borough of Montreal that draws on 1930s architectural styles.

The project comprises 297 square metres of housing on a narrow urban strip, which formerly served as a large swimming pool site for a neighbouring building.

Called Le Paquebot – or The Steamer– the project references and builds on the architectural styles of the surrounding neighbourhood, which is made up of 1950s multi-residential buildings that surround the project on three sides.

It includes two semi-detached duplex units spread over four floors with outdoor space on the rooftop and at the sides.

Round corners, various masonry configurations, strict symmetrical layouts and refined geometries characterise the structure.

Its form was influenced by the Streamline Moderne architectural style, commonly associated with the 1930s interwar art deco movement.

Curved brick facade with metal staircase and winter greenery — It has a brick-clad facade with curved edges

“Since we found in the immediate neighbourhood various beautiful examples of art deco residential projects from the 1930s, it became obvious for us from the start that we wanted to revive in a contemporary way some of the features of that period in architecture,” Naturehumaine told Dezeen.

The facade is clad in red clay brick with steel details that have been painted wine red.

Privacy screens as well as the terrace railings were made from perforated steel painted in a terracotta colour, along with the curved roofs of the mezzanine floors.

Red brick building with metal top and metal privacy screens — The top floor has a metal exterior that matches the privacy screens on the windows below

“Our first intention was to choose a burgundy colour that would contrast and stand out with respect to the immediate neighbours where both are in tones of light and darker brown,” Naturehumaine told Dezeen.

“What turned out to be interesting is the variation perceived in the tonality of the brick based on lighting; the brick becomes particularly warm and orangey when directly exposed to the sun.”

The primary bedroom and mezzanine are on the top floor

The homes are set up symmetrically, with four bedrooms each. There are semi-submerged basements that hold single bedrooms and a family room, while the ground floor holds the common areas.

The third floor is dedicated to two bedrooms meant for children, while the top floor, which acts as a mezzanine, holds the primary bedroom.

A central staircase bisects each of the homes and each has a carport topped by a terrace that extends from the ground floor

Sunlight on top of red brick building in Montreal — It has curved windows and terraces that act as car ports

The ornate masonry work exists in its usual horizontal layout until coming to head at the curved windows, where it has been turned vertically and tilted toward the two front corners of the home in order to accentuate the curve.

The corner masonry comes to a halt at large, curved-corner windows.

Because the large window needed double-glazing and used curved glass, the windows had to be fabricated by specialists in Texas and then shipped north to the site in Montreal.

“For a modest residential project like ours, it was effectively a challenge to build the rounded roofs and curved metal lintel needed to support the brickwork above our rounded corner window.

“All of these elements needed to be perfectly erected one above the other on the same radius,” said the studio.

Red brick and curved glass windows on housing block — The windows were shipped from fabricators in Texas

Nonetheless, the strict geometric identity of the construction adds to the strong identity of the building. Curves and colours of the project aid in making this home a statement piece in the area.

Naturehumaine has completed other multi-family projects in the area such as a project with twisting yellow external staircases and single-family projects such as a home with a staircase inspired by Dutch artist MC Escher.

The photography is by Ronan Mézière.

Reference

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Naturehumaine draws on Streamline Moderne for Montreal duplex

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