Spotted: An ageing population, combined with the potential growth of dementia, is contributing to the immense pressure being put on the UK’s National Health Service (NHS). Part of the challenge lies in the high numbers of vulnerable people admitted to A&E, who are then kept in hospital while a suitable care home is found, or homecare support is organised.
Remote monitoring technologies help care teams quickly respond to emergencies and often provide a life-saving service. Physiotherapist Louise Rogerson and data scientist Jonathan Burr wanted to find a way to prevent some of those emergency admissions by deploying smart home care earlier and in more detail. The co-founders built Howz, a smart home care monitoring system that works to prevent falls and other injuries by identifying slight changes in a patient’s behaviour.
Using artificial intelligence (AI), a motion sensor, smart plug, door sensor, and hub, Howz’s package helps carers track energy use and at-home movements. The AI quickly establishes a base routine for each patient and uses that information to identify early behavioural changes and capability that indicate a possible need for social care support. Those early alerts – such as no electric kettle use that day – help social care teams and family carers spot and react to small changes that may otherwise go unseen with current home care monitoring systems, before a more serious accident can occur.
It takes only minutes to install the Howz system and data is available instantly via the app for individual carers and healthcare professionals. Howz provides round-the-clock monitoring and a care dashboard for those in charge of multiple patients. At the same time, privacy is an essential part of the system. No personal data is collected, and the main account holder can add or delete permissions for those using the app. Results show that the use of Howz reduces emergency admissions by 32 per cent and the risk of care home admission by 42 per cent.
From Parkinson’s to mental health, Springwise’s library includes a variety of innovations using AI to provide customised, timely healthcare interventions.
New York studio Civilian has designed the headquarters for a documentary production company in Manhattan’s Flatiron District, which includes an art deco-influenced screening room.
The offices for award-winning Sandbox Films are located in a landmarked 1920s neo-gothic skyscraper, and provide the company with its first dedicated workspace.
Civilian’s interiors of the Sandbox Films offices draw upon multiple references, from old movie theatres to colours used by Danish modernist Poul Henningsen
Spread across 4,200 square feet (390 square metres) of space, the program includes an open-plan reception area that doubles as an events space, a conference room, private and open offices, and production and editing suites.
There’s also a 22-seat screening room with a Dolby Atmos sound system, in which the team and their visitors can preview the completed or in-progress cuts.
In the centre of the reception area is a custom, double-sided sofa upholstered in velvet and boucle fabrics
The non-profit documentary production company makes cinematic science films, many of which have won or received nominations for prestigious awards.
Among them are Fire of Love, which was nominated for Best Documentary Feature at the 95th Academy Awards in 2022; Emmy-winning Fathom; Sundance winner All Light, Everywhere; and Fireball, co-directed by Werner Herzog.
Another custom design is the meeting room table, which has ash legs and a white lacquered top
“Inspired by [our] clients’ love for the craft of storytelling, the space was informed by the grandeur of the amenity-rich yet intimate early movie houses of Stockholm and Amsterdam, art deco cinemas, the architectural colour gestures of Danish modernist designer Poul Henningsen, and the vanished world of interwar New York conjured by the project’s Broadway address,” said Civilian.
The reception area revolves around a circular stone-topped bar, which demarcates a staff pantry area by day, and can be used for serving food and drinks for events.
Vintage pieces sourced for the space include a pair of swivelling Milo Boughman chairs
“With an active roster of screenings, events and a residency program for independent filmmakers, the space acts as an office as well as a dynamic center of gravity for New York’s nonfiction film community at large,” the team said.
A custom double-sided, Pierre Chareau-inspired boucle and velvet sofa sits opposite a pair of refinished Milo Boughman swivel chairs.
A bar area in reception acts as a pantry by day and is used for hosting events in the evening
Marquee lights are installed in rows along the sides of the existing ceiling beams, with additional sconces mounted on the plastered pantry wall.
Structural columns have been wrapped in travertine cladding to highlight thresholds between the different spaces.
Wood panelling and film posters hark back to art deco movie theatres
On either side of the reception, acoustic partitions with glass panels and mint-green frames cordon off the bright conference room and a private office.
Furnishing the conference room is a custom-designed meeting table that combines a solid ash frame and a high-gloss curved lacquer top, surrounded by vintage Tobia Scarpa Sling Chairs.
A communal workspace features sit-stand desks, oak dividers and plenty of ledges for plants
From reception, a neon-lit burgundy door leads into the screening room, where three tiers of seating face the large screen like in a mini movie theatre.
The cushioned seats are upholstered in soft powder-blue fabric, which contrasts with walnut wainscoting, and sound-absorbing brown wool wall panels that conceal the equipment.
Each chair has an individual armrest table for placing drinks or writing notes, complete with a small light created in collaboration with Lambert et Fils.
More private offices, sound-proofed editing suites and an open workspace are accessed via a short L-shaped corridor.
A 22-seat screening room allows the team and their visitors to preview documentary films
In the communal work area, sit-stand desks feature white oak divider panels and are topped with a stone ledge for displaying objects and plants.
“This project has given us an opportunity to draw from so many inspiring references, from its iconic Broadway location to historic theatre architecture, to create an elevated and layered space that supports the work Sandbox is doing to uplift documentary film talent,” said Civilian co-founder Ksenia Kagner.
The screening rooms boasts a Dolby Atmos sound system, and includes chairs with individual armrest tables for drinks or note-writing
“We also felt it was important to be responsive to the changing priorities of the modern workplace, creating open, multipurpose spaces that nurture interaction and foster a sense of community,” she added.
Civilian was founded in 2018 by Kagner and Nicko Elliott, and the designers have since completed projects ranging from the transformation of Detroit’s historic Book Depository into a headquarters for tech company Newlab, to the renovation of a historic Bed-Stuy townhouse for themselves.
