6 Homey Ways Architects Are Designing Warmer Office Environments
CategoriesArchitecture

6 Homey Ways Architects Are Designing Warmer Office Environments

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Today, our lives are no longer compartmentalized into rigid schedules, nor is the line separating work from leisure as clear-cut as before. When the global pandemic hit in 2020, everyone was forced to work from home, bringing their meetings and busy agendas to the middle of their living rooms, changing much of what we know about the workplace and further blurring the line between the office and the home. That shift later promoted many businesses to uphold the “working from home” setup, at least in a hybrid format with some in-office days, having realized its environmental, financial and social benefits for many.

Following these trends, many businesses are now adopting a comfortable home-like environment — sometimes prioritizing comfort over formality and other times upping their interior decor game to lure employees back to work. These office designs, of course, come without the challenges of WFH policies, such as unexpected family cameos in Zoom meetings and the difficulty of unplugging at the end of a day in the home office. The following trailblazing honorees from the 11th Annual A+Awards awards showcase examples of offices that are so comfortable that employees will feel right at home.


Bay Area Research Company

By SkB Architects, CA, United States

Bay Area Research CompanyEntering this think tank feels like entering someone’s living room, you almost feel like you need to knock first. Designed as an engaging and emotion provoking workplace that seamlessly flows between what used to be two warehouses in the Bay Area in California, this design research company adopts what the designers termed as a “better-than-home” concept, achieved through the selection of furniture, carpets, plants and materials that have contributed to producing a very relaxing and tranquil work environment. The workspaces are distributed over a wide variety of smaller spaces anchored in the open floor plan and staggered vertically across a number of split levels that together enrich the user experience for the employees, guests and collaborators.


EDGE Suedkreuz Berlin

By TCHOBAN VOSS Architekten GmbH,

 From the outside, the two newly designed EDGE office buildings facing Hedwig-Dohm-Strasse in Berlin give no hint of what their insides look like, presenting employees a pleasant surprise once they enter. Inside the “Carré” building, the larger of the two buildings, a generously naturally lit atrium almost looks like a play area for adults, with its design blurring the boundary between the inside and the outside.

This atrium is playfully furnished with a web of tree like wooden structures that offer a variety of platforms for recreation and communication, connected by a network of by filigree steps that facilitate circulation across the building’s different parts. The sustainable state of the art design of both the buildings, which won the project the DGNB Platinum and DGNB Diamond awards, produces a healthy and vibrant work environment for employees and ensures the longevity of the buildings and the reusability of its materials.


DB55 Amsterdam

By D/DOCK, Amsterdam, Netherlands

Photo by Niels Vlug

Photo by Niels Vlug

Photo by Niels Vlug

It is hard to tell what this place is for at first glance, given the variety of activities taking place around the miscellaneous furniture spread out across this building’s different sections. From a bed to a huge dining table and an abdunance of plants, the open floor plan contains a variety of levels where so much is going on at the same time. For those reasons, it comes as no surprise that this building, which used to be a timber warehouse, has a program that combines work and leisure, giving space to different events and even making room for a children’s playground. The array of windows on the top of the building connect the building with the outside and create a pleasant indoor experience, flooding the central open space with its double volume with natural sunlight, while the natural wood that is used in various elements of the interior give a soft and tranquil work ambiance.


Kabelovna Studios

By B² Architecture ,Praha, Czechia

Photo by Alex Shoots Buildings

Photo by Alex Shoots Buildings

Photo by Alex Shoots Buildings

Set in what used to be a cable making factory, the super cozy atmosphere of this recording studio was established through the generous use of plants and the floods of natural sunlight that light up the entire space and allow an interplay of shades and shadows that complement the interplay of the musical notes across the sheets. The different recording studios are distributed around a central “living room” with a seating area and a kitchen, with the high ceiling giving a generous breathing space and the restored brick walls giving the studio a rustic and authentic character that offers a rich background for the recording artists.


Shenzhen Yeahka Office

By JSPA Design, Shenzhen, China

The interiors of the Yeahka headquarter office look like an ultra modern apartment set in a futuristic movie scene, with meeting tables hovering over the building’s central space inside glass boxes and the exposed structure of the refurbished building boldly exposed. The rough appearance of the building’s envelope is nicely contrasted with the use of softer materials and lighter colors for the partitions and the furniture, while the high ceilings allow floods of natural sunlight to travel across the office’s atriums and establish a variety of visual connections for visitors and employees across the different floors.


Casa Pich i Pon. LOOM Plaza Catalunya

By SCOB Architecture & Landscape 

Aesthetically, the organization of this office space is remarkably appealing, allowing the eye to travel across a variety of layers and vertical lines around every corner. Whether it is through the contrast of materials, or the perfect positioning of the working chambers inside the open floor plan, a lot is happening inside this refurbished historical building whose celebratory classic exterior celebrates a masterpiece of its time. The color white, which dominates the interior, sets the stage for the other materials to occupy the space, particularly the red brick walls that stand as a reminder of the building’s rich past.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

Spill The Tea: How Architects Can Transform Workplace Culture and Call Out Toxic Office Environments
CategoriesArchitecture

Spill The Tea: How Architects Can Transform Workplace Culture and Call Out Toxic Office Environments

Wandile Mthiyane is an Obama Leader, TedxFellow, architectural designer, social entrepreneur and the founder and CEO of Ubuntu Design Group (UDG) and The Anti-Racist Hotdog. He is proud to introduce The Tea, a peer-to-peer inclusion rating platform.

For far too long, companies have chosen to remedy discrimination after the fact rather than proactively cultivating prevention tactics to ensure employees don’t endure negative and potentially traumatic experiences. This reactive default means that the people who plan our homes, neighborhoods and cities don’t have a plan preventing them from facing harmful and dangerous workplace situations. It’s too easy to simply blame architecture culture; architects shouldn’t have to depend on Plan B–lawsuits, support groups or even have therapists on speed dial. What if you had all the information you needed on a company’s culture before applying?

Recently, I asked some friends what they wished they had known before entering the workforce, and their responses shed light on the challenges they faced. Each told me a harrowing story about intersectional discrimination in the workplace: significant pay gaps, inadequate maternity leave and administrative reluctance to address these issues and others. Comparing their stories exposes how similar problems can be found anywhere in the world, with women and people of color trying to combat workplace discrimination while simply trying to do the jobs they were hired for.

One experience was shared by a Black female friend who worked as an architectural designer in South Africa. After her first year, the company hired her white male classmate from university, assigning her the task of mentoring him for six months and teaching him about the firm’s design philosophy. One day over lunch, he unexpectedly expressed his dissatisfaction with his salary and, in the process, revealed the significant pay gap between them. Surprised by this revelation, my friend confronted her boss, and the conversation that followed is almost unbelievable.

Library in Anzin by Dominique Coulon & Associés, Anzin, France

The boss initially justified the disparity by explaining that her classmate had financial responsibilities, such as paying rent to his mother. She pointed out that she paid rent to an actual landlord. The boss mentioned that his colleague — again, who she was mentoring — had a car, so they need to uphold his living standard, to which she responded she’d also have a car if she were compensated fairly. Only when she threatened to quit did she gain a raise to match her classmate’s salary.

These problems persist in North America, too. My Asian friend from Canada shared a comparable account of discovering that she was being paid significantly less than her colleagues. When she confronted her boss about the inequity, her boss quickly deflected the issue to the HR department, adopting a stance of concern and promising action. A week later, the boss informed her that the matter had been resolved and presented her with a list of goals she needed to achieve within a specific timeframe to earn a raise. Frustrated, she questioned the idea of needing to prove herself for a job she was already overqualified for just to receive equal pay. In the face of her threat to resign, the matter was resolved within a week.

Meanwhile, one of my white female friends in Germany revealed an age-based layer to gender discrimination. As she approached her mid-20s, she encountered difficulties securing a job. Once gainfully employed, she faced even greater hurdles in obtaining promotions. Companies perceived her as a potential liability because she could get pregnant, thus hindering her progress at work. Almost ironically, policies favoring maternity leave have led male bosses to view women as liabilities.

Clearly this problem is pervasive worldwide and is linked to problematic workplace cultures. While relevant in most workplaces, architecture is an industry well known for its toxic work culture. Architects have to deal with unnecessary competition between colleagues, work long hours, and pay off a mountain of school debt in the meantime. In 2023, Architecture Journal reported that over 40% of architects work at least 10 hours of overtime per week, largely unpaid, according to an AJ study completed by 400 architects. This work-pace leads to high burn-out rates, with almost 97% of architects reporting burn-out.

Take into consideration women and People of Color have to fight their own struggles against workplace discrimination while doing their own work in these already-toxic spaces. According to the National Council of Architectural Registration Boards (NCARB), out of the 121,603 licensed architects in the U.S. as of 2022, only 2% (2,492) are Black. Among them, only 566 are Black women, despite Black people making up 12.6% of the country’s population, with 52% of the Black population being Black women. These statistics clearly highlight the significant underrepresentation of people of color, particularly Black individuals and women, exposing them to vulnerability in white male-dominated studio spaces. Moreover, disparities in power structures within firms further exacerbate the situation, as women face additional challenges and are less likely to complete licensure, impeding their progression to principal roles. As one of my American friends noted, employees should have the ability to go to work and focus solely on their tasks without the added burden of being the unofficial and unpaid advocates for DEI within their companies.

Clearly, DEI programming is not enough to change our workplaces. Over the past two years, my team and I have partnered with leading social psychologists from Harvard, Columbia, Deloitte, and The Resolution Project, and closely studied company culture while consulting with architecture firms, both large and small. Throughout our research, we engaged with young professionals to understand what they wish they had known before entering the workforce, particularly what would have helped them make better decisions about the places where they would spend the majority of their adult lives.

Building upon this work, we developed The Tea: a demographic-specific, peer-to-peer inclusion rating platform that connects women and people of color to workplaces where they are truly valued. The Tea uses key workplace indicators that matter the most to individuals of similar demographics, based on research that shows why women and people of color leave or stay in workplaces. The platform uses ratings based on key workplace indicators such as salaries and benefits, path to growth, internal advocacy, external advocacy, authentic self, and valued expression. Users can also filter based on race, gender, sexual orientation and age to find how people that look like you have experienced a particular workplace.

The Tea is also built for firm leaders and HR directors, helping them know exactly what they need to improve in their own workplaces and the steps they have to take. Instead of providing negative anecdotes without clear solutions, The Tea’s data-driven key indicators show more precisely where companies need to improve. Companies can even upload their own efforts to address each indicator, so applicants can see how a company is dealing with certain problems. Above all, we value everyone’s identity and security, online and in the workplace: just log in with your LinkedIn, and your reporting remains anonymous.

In the end, The Tea benefits everyone involved. It provides employees with a safe space to identify companies that truly value their labor, eliminating the need for them to be BIM managers and the office’s designated MLK just because they’re a person of color. Simultaneously, employers gain valuable insights on how to create the most culturally diverse and inclusive firms in the world. We are transforming DEI from a mere aspiration into a tangible reality. Let’s join forces and spill the tea together, ensuring we never have to face these challenges again!

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

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Robots monitor underwater environments without human intervention
CategoriesSustainable News

Robots monitor underwater environments without human intervention

Spotted: According to the United Nations Framework Convention on Climate Change (UNFCC), our oceans have absorbed 90 per cent of all heat generated by rising greenhouse gas emissions and taken in 30 per cent of carbon emissions. Climate change, along with direct human activity like overfishing, is having a devastating impact on ocean biodiversity. Mapping these underwater environments provides experts with baseline data, with which they can monitor change and plan for mitigation. Belgium robotics company uWare is helping gather that data with autonomous underwater robots. 

Called the uOne, the system’s robot inspects both built and natural environments, providing essential data to organisations with underwater assets, as well as those working to conserve and repair marine habitats. The robots are programmed for consistent, continuous monitoring of a certain set of geolocal parameters and run for up to four hours at a time, remaining stable even in harsh weather conditions.  

The autonomous underwater vehicles (AUV) deploy from shore or a boat and do not require users to be in the water. Monitoring routes are saved and repeated as regularly as required, with bespoke analyses of new locations or highly specific locations added whenever needed.

Video source uWare

UWare provides multiple data packages to clients. The initial gathering of data provides high-resolution imagery, depth and temperature readings, and other types of information tracking can be added to the drone’s capabilities depending on the environment being surveyed. The cloud-based uDataboard stores and tracks the data, and users can download raw files for in-house analysis. UWare can also provide visualisations and automated processing for easy, quick review and sharing of information.   

AUVs are frequently taking on some of the more dangerous jobs in monitoring the health of the world’s oceans. In the archive, Springwise has also spotted remote-controlled robots monitoring underwater gas leaks and a jellyfish-like robot collecting rubbish.

Written By: Keely Khoury

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The Architecture of Escapism: 8 Dreamlike Renderings That Showcase Bold Utopian Environments
CategoriesArchitecture

The Architecture of Escapism: 8 Dreamlike Renderings That Showcase Bold Utopian Environments

Send Us a Rendering. Tell Us a Story. Win $2,500! Architizer’s 3rd Annual One Rendering Challenge is open for entries, with a Regular Entry Deadline of March 11th, 2022Submit a rendering.

Renderings are more than simple computer-generated images; they tell a story and help us envision how a space feels, is used and interacts within the surrounding environment. Architizer’s annual Rendering Competition the inspiring and striking architectural ideas made possible by architectural visualization. This rendering challenge provides designers with an opportunity to showcase their individual talents and distinctive imaginations.

At its best, ArchViz allows designers to explore the expansive potentiality of what architecture can be through surreal imageries that engage with the absurd, the paradoxical, and escapism. Each of the eight renderings offers a dreamlike vision. Whether it be an idyllic setting, a fascinating paradox, or a dream-like scene, each rendering highlights the fantastical possibilities of bold utopic environments and pushes the boundaries of what an architectural rendering can be — a chance to escape reality. 

Floating Vestiges by Timlok Li

Timlok Li’s rendering takes the viewer off-ground and into the sky. His rendering challenges the notion of architecture as permanent and site-specific, encouraging us to engage in the idea of impermanence. Floating Vestiges is hard to categorize as it flees from a defined architectural style. Instead, it embraces various styles and practices from different eras and periods. From American roadside architecture to imperial China, this floating structure is an amalgamation of historical periods and thus creates an inviting space for all walks of life.

The House of the Rising Sun by Bogdan Begmat

Bogdan Begmat’s paradoxical rendering is seemingly warm as it is brutalist. Made of poured concrete, this monolithic design boasts a warm brutalist aesthetic with a reflective façade. The rounded structure is at once muted through its monochrome appearance and, yet, defiant as it stands tall within the skyline. The building reflects onto the water surface below in what amounts to an almost subliminal effect. The juxtaposition of harsh and warm effects speaks to a surrealist aesthetic. Still, with the help of the surrounding peaceful landscape, a warm and inviting atmosphere is imagined.

Joint Structures by Nash Hurley, Jean-Pierre Monclin and Sonja Guth

A collaborative effort by three architects produces a rendering that responds to society’s ever-changing work culture. Remote work currently dominates over the traditional office space, and this change has required designers to pivot and evolve their practices. This rendered design concept imagines a healthy, functional, and environmentally-conscious workspace. It consists of a skyscraper made of a cluster of separate volumes, all of which are attached in a motif that creates a tree-like design. The workspaces within the structure offer ample daylight and access to fresh air, which encourages good work habits and good health. Moreover, the separated volumes are ideal for small workgroups while equally remaining connected to the others and thus creating a sense of communal belonging.

The Oasis by Nuno Salgueiro

Nuno Salgueiro’s rendering features a pyramid within the middle of a desert and reveals a surreal and oxymoronic design. It employs the traditional tomb structure — a space once used to commemorate the dead — but instead designs an environment for the living. The Oasis is a structure that provides shelter, rest, and a chance to appreciate the surrounding desert topography. The interior is a light spectacle, a space where visitors can appreciate the radiating sunlight that shines through a series of intricately-cut openings. The focal point is the grand staircase, which leads guests to the top of the pyramid and where they can contemplate the surrounding desert landscape.

ISAURA, A city that moves entirely upward by Maria Karim

Maria Karim’s city design takes inspiration from the works of Italian writer Italo Calvino. His imaginative writing and description of cities influenced Karim to design ISAURA, a city that is oriented upwards. Karim’s city design is built above a subterranean like — just as Calvino describes it to be. The lake provides residents with fresh drinking water and also houses many of the city’s gods. This unconventional city organization speaks to Calvino’s vivid imagination and excites our surreal senses.

The Crevasse by Yeong Joon Ko

Yeong Joon Ko’s light-filled gallery was intended for Hongik University in Seoul, South Korea. The space is cubic, boxy and exudes a tranquil morning atmosphere. A series of box-shape volumes were assembled in such a way that creates an arched path that leads visitors to a public space below. A sequence of crevasses and cut-outs connect the space with the outdoors and allows streams of sunshine to brighten the interior space. The rectangular shapes work together with the soft beams of lights to create a calm and warm gallery space.

Enter the Garden by Zana Bamarni

Zana Bamarni’s rendering invites the viewer to a light-filled haven. Enter the Garden is designed to be a tranquil space where for those in need to escape their chaotic and often frustrating work lives. The structure consists of a rounded archway that is deeply ornamented and stands with grandeur. Shining through the archway is a radiating, almost blinding light. What lies beyond the archway is unknown, but the fierce light and large scale create a sense of mystery and a deep urge to explore what may be lying ahead.

Solivagant No More by Joe Parayno

Joe Parayno rendering embodies the widely-felt fear of the pandemic, the intense fatigue of isolation and the desperate desire to travel. This design consists of a home hitched on a giant balloon, which allows the structure to fly freely in the sky. This illustrative rendering depicts a hiker who comes across the flying house and joins the owner of the home on a traveling adventure. Both individuals connected over their shared urgency to travel and see the world. The home is a surreal take on the human necessity for freedom and mobility.

Send Us a Rendering. Tell Us a Story. Win $2,500! Architizer’s 3rd Annual One Rendering Challenge is open for entries, with a Regular Entry Deadline of March 11th, 2022Submit a rendering.

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