"We can't plead ignorance" on sustainability says panel of design experts
CategoriesSustainable News

“We can’t plead ignorance” on sustainability says panel of design experts

"We can't plead ignorance" on sustainability says panel of design experts

Architects need to listen to younger generations and take a collaborative approach to sustainability, according to a panel of design experts in this filmed talk hosted by Dezeen for developer Brookfield Properties.

The panel included Brookfield Properties director of design Pragya Adukia, architecture studio Foster + Partners senior partner Dan Sibert and architecture studio BVN strategy director Esme Banks Marr. The talk was moderated by Dezeen co-CEO Ben Hobson.

The discussion followed the publication of a report commissioned by Brookfield Properties and Foster + Partners, which surveyed workers’ thoughts on the importance of sustainability in the workplace.

The panelists discussed how younger generations are increasingly more invested in furthering sustainable practices in their workplaces, with the report finding that 93 per cent of people working in an “environmentally friendly office” felt happier in their job.

The panelists was made up of experts in architectural design and strategy

“We want to make sure that we’re hearing what people say, which is why we co-commissioned this report with Foster + Partners – to listen to what the younger generation at work was saying, to give them a voice around their own sustainability, ideas and goals,” Adukia explained.

“The idea of sustainability is really a community-based thing,” added Sibert. “[There’s] a generational shift. People are no longer interested in just sitting and letting it happen to them, they actually want to be involved in it.”

“Our approach has always been ‘this is what can be realistically achieved’, it’s not just a fancy hashtag or a strapline,” continued Adukia.

“Let’s look at the data points, that’s very strong evidence, and then talk about what can be achieved, how we can future proof it.”

The talk took place in the public square of the 30 Fenchurch Street offices in London

“People are more vocal about their beliefs and what they’d like to see, it’s a good idea to involve these people in bigger conversations, and then take on board what they want to see,” she added.

“We can’t plead ignorance, none of us can plead ignorance anymore” said Banks Marr, echoing the importance of listening to public opinion around sustainability.

“There are some baseline things that we need to fundamentally just get right in buildings, new and existing, first and foremost. Sounds quite simple, but a lot of people still fail to do it,” she concluded.

The panel discussed the importance of qualitative data and community feedback during the design process

The panel also discussed how approaches such as biophilic design could help lead to more engagement with the environment and green policy-making.

Defining biophilic design, Banks Marr said “it’s not [just] putting plants into a space. Biophilic design is a term that’s been used for such a long time and in lots of different types of ways, when actually it means all of your senses, your experience with the space and your connection to nature.”

“It’s a stepping stone, or a starting point, to taking a really ecological world view of things,” she added.

“If I’m in these concrete jungle cities that do not have any connection to nature, and I don’t experience that on a daily basis, it doesn’t live in my psyche. So how am I expected to care about it and create real change?”

“There’s a desire across the board, not just in the city, to make sure we’ve got spaces to live and breathe in,” Adukia concluded.

Similarly, the panel noted the importance of creating long-lasting and future-proofed spaces.

“We need to get ourselves into that mindset where we actually think about things for a much longer term, and think and design them so they will change over time,” said Sibert. “So, can the building be designed for multiple lifespans rather than a single lifespan?”

“One has to take the overall sense of why you’re building in a city like this,” he added.

“Why do we build where, what does it mean for the overall picture of carbon and regeneration? What’s possible, but why would you make these choices as clients?”

Co-CEO Ben Hobson moderated the discussion

To conclude the talk, Hobson asked each of the speakers what they believed the key challenges the industry needed to overcome were.

“I think one thing we could definitely get better at, which we’re perhaps not currently doing enough, is knowing when to invite the real experts to the table. We don’t have to know everything,” answered Banks Marr.

“Data is absolutely key,” Sibert added. “If we could allow ourselves to find both the right dataset for the purposes of the buildings we have, and also then make the way we manufacture it be database based, I think that would be a massive step forward for us as an industry.”

“Our more successful projects have been where we’ve worked collaboratively and transparently. For any change to be implemented, I think it needs to be taken on board by all of its stakeholders. And that’s not just as landlords or developers – tenants, individuals, everyone has to be on board vocal about what they want out of it,” Adukia concluded.

The event was held at 30 Fenchurch Street, one of Brookfield Properties’ landmark office developments in the City of London.

Partnership content

This video was produced by Dezeen as part of a partnership with Brookfield Properties. Find out more about Dezeen partnership content here.

Reference

These Terracotta Experts Are Redefining the Architectural Possibilities of an Ancient Material
CategoriesArchitecture

These Terracotta Experts Are Redefining the Architectural Possibilities of an Ancient Material

These Terracotta Experts Are Redefining the Architectural Possibilities of an Ancient Material

The One Rendering Challenge is now part of the Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Winners are published in print! Start your entry >

Great architecture marries function with aesthetics. Often, the expression of this negotiation between form and use plays out in materials, the many assemblies and combinations that define what we experience. Terracotta is a clay-based ceramic that can be glazed and has been used throughout history. But it wasn’t until the 19th century that the material began gaining new architectural applications outside roofing. With varying colors and textures depending on the type of clay, terracotta is now produced in a vast array of shapes, styles and varieties.

Shildan has become known for its rainscreens and terracotta products, which bring iconic and energy-efficient building façades to life. With over 300 institutional projects, they specialize in designing and engineering systems for high-performing facades. While a large majority of contemporary terracotta buildings include cultural institutions and arts facilities, the material can also be used in residential and commercial construction. Durable as it is beautiful, Shildan’s terracotta is used in contemporary architecture to redefine building envelopes in both rainscreens and cladding. Each of the following projects explores how Shildan rethinks terracotta and its application in diverse building types.


Mercy Corps Global Headquarters

By Hacker, Portland, OR, United States

Designed to teach and encourage visitors to engage with contemporary issues, the Mercy Corps building was built to exemplify a sustainable, community-focused approach. Doubling the size of the historic Portland Packer-Scott Building, the landmark project combined a green roof, with resource-friendly landscaping and a glass and terracotta envelope.

Certified LEED Platinum, the project uses the LONGOTON Terracotta Rainscreen Panels with extruded, double leaf, 1.6 inch (40 mm) panels. The panel has increased strength from a chain of internal I-beam supports. The panels were chosen because of their flexibility in being able to be incorporated in both horizontal and vertical support systems, as well as a flexible orientation in layout. The headquarters also includes the Action Center — a “window to the world” — featuring interactive exhibits that educate visitors about the changing nature of relief and development work.


NASA Langley Research Center – Headquarters Building

By AECOM, Hampton, VA, United States

For NASA’s Langley Research Center, a $23 million, 72,000-square foot administrative office building, AECOM provided full bridging architectural and engineering services for the headquarters. The building is conceptualized as a parallelogram on a triangular site with a two-sided entry at ground level linked by a continuous lobby. The southern entrance plaza links both through the lobby and around the building to the north plaza, which is oriented to the heart of the campus.

The headquarters building was required to achieve LEED-NC Gold certification but achieved LEED-NC Platinum certification, focusing on the reduction of operating and maintenance costs, energy efficiency, comfort for the occupants, and a low environmental impact. The project features the Shildan/Moeding ALPHATON Panel, an extruded, double leaf, 30 mm (1.18”) terracotta panel. The ALPHATON panels can be incorporated in both horizontal and vertical support systems, and they were used in the Langley project to for durability and to denote the change in building form.


NOAA Southwest Fisheries Science Center

By Multistudio, San Diego, CA, United States

For the design of the National Oceanic and Atmospheric Administration (NOAA)’s Southwest Fisheries building, the team partnered with the University of California San Diego to design a facility that would pay homage to a world-class site and create a sustainable building for environmental stewards of the ocean.

The Southwest Fisheries building takes advantage of the local microclimate while respecting the ever changing needs of the research scientists. The new facility continues the California-style legacy of an open architectural environment, and courtyards encourage interactions among researchers from different disciplines. Terracotta sun shades, green roofs, photo-voltaic panels, and a state-of-the-art 528,000 gallon ocean technology tank help this building rethink scientific building design.


UCLA Evelyn & Mo Ostin Music Center

By Kevin Daly Architects, Los Angeles, CA, United States

For this music center in Los Angeles ,the project includes a high-tech recording studio, spaces for rehearsal and teaching, a café and social space for students, and an Internet-based music production center. Music industry executive and philanthropist Morris “Mo” Ostin donated $10 million to UCLA for the music facility, now known as the Evelyn and Mo Ostin Music Center. Adjacent to the Schoenberg Music Building and the Inverted Fountain, the new structures provide faculty and students access to the latest advances in music technology, research and technology.

The design utilized Shildan’s Terracotta Baguette Sunscreen to provide subtle variation and add texture to a building. This was combined with the ALPHATON terracotta panel. Kevin Daly Architects utilized these materials and assemblies, as well as proposed a series of additions, subtractions, and modifications to the existing facilities that transformed the building into a dynamic complex that supports a new vision for music education at UCLA.


Lesley University, Lunder Arts Center

By Bruner/Cott & Associates, Inc., MA, United States

The Lunder Arts Center at Lesley was designed to be the new heart of the College of Art and Design. A center for art teaching and making, the campus is a crossroads for academic, artistic, and neighborhood communities. The terra-cotta and glass design foregrounds the site’s important historic church, initiating a dialog between 19th century religious and 21st century educational icons. An art gallery in the new glass building and a library in the historic church anchor the building at both ends; both are open to the public.

The complex is a transition from Porter Square’s large-scale industrial buildings to the smaller, finer-scaled residences and stores along the avenue. The scale and detail of the historic church inform the new building; terra cotta reflects back neighboring brick and clapboard. Registered for LEED Gold, the complex exceeds Cambridge’s strict new Stretch Energy Code. The project team used both the ALPHATON terracotta panel system, as well as Shildan’s Patinated Terracotta Rainscreen Panels.


Stephen M. Ross School of Business

By Kohn Pedersen Fox Associates, Ann Arbor, MI, United States

Key to the success of the design of the new Stephen M. Ross School building was relating the typical tiered classroom to group study spaces. To do so, the design team developed a model for early site planning studies to address the pedagogical needs of the school, which focused on assessing the capacity of existing buildings to accommodate new teaching spaces. Equally important was a sense of local identity, both for the building on the university campus and for distinct groups within the school.

Respect for the language and history of nearby buildings on campus had to be balanced with the goal of projecting a forward-looking image for the school. The new building meets these challenges set by the Ross School with an organization of elements around a central winter garden which opens directly to the street, providing a distinctive presence and a new “front door” for the school on the University of Michigan campus. Through both phases, glass, terracotta, and warm sandstone define the material vocabulary of the building. The mixture of textures offers smooth glass that is clear and fritted, machined terracotta, split-faced sandstone and water-jet finished granite to provide a contrast in color, texture and feel. Terracotta is the building’s most prominent material.

The One Rendering Challenge is now part of the Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Winners are published in print! Start your entry >

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