UNStudio unveils Huawei flagship store with “petal-like” facade
CategoriesInterior Design

UNStudio unveils Huawei flagship store with “petal-like” facade

Dutch firm UNStudio has revealed a two-storey flagship store for Chinese technology company Huawei in Shanghai with a facade clad in ivory-coloured petal-like forms.

Drawing from Huawei’s global operating system, named Harmony, UNStudio‘s design aimed to generate biophilic associations between the brand and its technology by integrating organic geometric shapes throughout the scheme.

Facade of UNStudio Huawei flagship store in ShanghaiFacade of UNStudio Huawei flagship store in Shanghai
UNStudio has completed the Huawei flagship store in Shanghai with a petal-like facade

“Among the many interfaces found in retail nowadays, the flagship store we have created for Huawei in Shanghai is one that blends interactive experiences, technology and community creation,” UNStudio founder and principal Ben van Berkel said.

“The new store reimagines modern retail spaces as inviting environments that promote a sense of community and provide a contemporary venue for consumers and visitors to meet, share and innovate,” he continued.

Southern facade of UNStudio Huawei flagship store in ShanghaiSouthern facade of UNStudio Huawei flagship store in Shanghai
The store’s southern facade integrates undulating floor-to-ceiling glazing. Image courtesy of Huawei

The store’s double-height frontage is defined by a series of overlapping elements that the studio described as “petal-like”, which fold together to form a raised band across the facade glazing.

Each ivory-coloured ‘petal’ weaves down to meet the ground as ‘stems’, configured to hide the structural mullions between glass panels and create the sense of a frameless facade.

Soft lighting was also integrated between the petal edges to illuminate the store’s exterior at night.

Internal tree column in UNStudio Huawei flagship store in ShanghaiInternal tree column in UNStudio Huawei flagship store in Shanghai
A spiralling column was positioned as a visual marker within the central atrium

Positioned directly behind the facade, a spiralling column named the Tree of Harmony continues the organic geometries internally.

The column was positioned to the side of the central atrium as a focal point for visitors and is wrapped by stairs that lead to the upper mezzanine floor.

To further the store’s biophilic character, the southern facade was finished with undulating glazing and seating that folds around the building’s curves.

Display zones in UNStudio Huawei flagship store in ShanghaiDisplay zones in UNStudio Huawei flagship store in Shanghai
The studio used neutral and clean internal finishes to complement the ivory-coloured store frontage

Internal finishes were kept warm and neutral to match the facade’s clean tones and extensive white overhead lighting.

The studio used wood and glassfibre-reinforced cement for the store’s ceilings, floor and columns, while product tables and furniture were also made from wood and natural-toned materials to add to the organic feel of the space.

According to UNStudio, the store integrates high-performance materials and prefabricated, detachable finishes to increase the building’s longevity, while the quality of the air inside the store is monitored by climate control technology.

“Huawei TKL flagship store re-crafts Huawei’s innovative technology into a design aesthetic,” UNStudio partner Hannes Pfau said.

“It seamlessly creates a unified facade and interior narrative, while using high-performance, certified and recycled materials.”

Display zones in UNStudio Huawei flagship store in ShanghaiDisplay zones in UNStudio Huawei flagship store in Shanghai
A central product display avenue spans the length of the store

The store has a central product display avenue that spans the length of the ground floor, with two further experiential zones interspersed for increased user interaction.

A Signature Experience zone will host featured events and exhibits, while the Consumer Full Scenario Experience zone lets visitors use and test Huawei products.

Undulating glazed facade in UNStudio Huawei flagship store in ShanghaiUndulating glazed facade in UNStudio Huawei flagship store in Shanghai
Undulating floor-to-ceiling glazing was used for the store’s southern facade

Both floors were designed with open and flexible spaces in which the store can host lectures, activities and classes.

To complete the store’s functional offerings, UNStudio also created a minimalist interior cafe to blend with the rest of the store for customers awaiting after-sale services.

Open gathering spaces in UNStudio Huawei flagship store in ShanghaiOpen gathering spaces in UNStudio Huawei flagship store in Shanghai
The store hosts flexible spaces to be used by the community

UNStudio was founded in Amsterdam in 1998 by Van Berkel and Caroline Bos.

The studio has also recently completed the Booking.com headquarters in Amsterdam and the YG Entertainment headquarters in Seoul featuring metallic surfaces and geometric forms.

The photography is by Wen Studio unless otherwise stated

Reference

kengo kuma’s tokyo café reuses shrine materials for origami facade
CategoriesArchitecture

kengo kuma’s tokyo café reuses shrine materials for origami facade

kengo kuma revives traditional craft and materials

 

This so-called Wakuni Shoten café is set to open in In the heart of Higashimurayama City, Tokyo with architecture by Japanese icon Kengo Kuma. Recognized at once by its textural, patterned facade, the architecture expresses a contemporary reading of tradition. Its materials have been repurposed from a Shinto shrine, and have been reassembled with influence from the art of origami. Thus, the project is more than a café, but a celebration of community, sustainability, and the enduring spirit of Japanese craftsmanship. With its architecture now complete, the Wakuni Shoten café will open in January 2024.

kengo kuma wakuni shotenimages courtesy Kengo Kuma & Associates

 

 

learning from the heritage of tokyo

 

The Wakuni Shoten café is the result of a collaboration between Kengo Kuma & Associates, Okaniwa Construction Co., and Tomokazu Uchino, head of Uchino Sheet Metal. The space was born from a deep love for Uchino’s childhood home, the Aoba shopping district. Witnessing the district’s gradual decline, the team sought to breathe new life into the area while celebrating its rich heritage. The collaboration with Kengo Kuma and his design team proved to be the perfect marriage of vision and expertise, as the Japanese architect is known for his work with salvaged materials.kengo kuma reuses shinto shrine materials for origami facade of tokyo café

 

 

the folded facade in green and blue

 

The defining feature of Kengo Kuma’s Wakuni Shoten café is undoubtedly its exterior, a patterned composition of seven hundred patinated bronze plates each sourced from the roof of Hayatani Shrine in Hiroshima Prefecture. Rather than discarding these disused plates, Tomokazu Uchino and his team of skilled craftsmen painstakingly reshaped and repurposed them, imbuing them with a new lease on life. The result is a mesmerizing facade that shimmers with a spectrum of greens and blues.

kengo kuma wakuni shoten

 

 

The café’s interior walls are finished in a stark black plaster, serving as a backdrop for brass accents, including lampshades, sinks, baseboards, and kitchen elements. Even the outdoor chairs, designed by Kengo Kuma and crafted from salvaged seats of the former National Stadium, echo this theme of reuse. Sustainability is woven into the very fabric of the project. The decision to reuse the cafe’s original 52-year-old framework honors the past while minimizing environmental impact. By reinforcing the foundation and strategically integrating new wood, the team has revived the derelict structure, demonstrating a respect for both the environment and the district’s history.

kengo kuma wakuni shoten

 

 

project info:

 

project title: Wakuni Shoten Café | @wakuni_cafe

location: Aoba Shopping District, Higashimurayama City, Tokyo, Japan

architecture: Kengo Kuma | @kkaa_official

materials collaborator: Tomokazu Uchino | @tomokazu_uchino, @uchinobankin

design, construction: Okaniwa Construction Co. | @okaniwastyle

client: Wakuni Shoten | @wakunishoten

opening: January 2024



Reference

AMDL Circle and Iart wrap Basel pavilion in energy-neutral media facade
CategoriesSustainable News

AMDL Circle and Iart wrap Basel pavilion in energy-neutral media facade

Italian studio AMDL Circle and interdisciplinary design studio Iart have created the Novartis Pavilion in Basel, Switzerland, which is wrapped in an energy-neutral media facade.

Located alongside the Rhine at the campus of the Novartis healthcare company, the pavilion, which was recently shortlisted in the Dezeen Awards, has a communicative skin made from photovoltaics and LEDs.

Novartis Pavilion - The Novartis
The media facade features a total of 10,000 solar modules with 30,000 embedded LEDs

Designed by AMDL Circle, which is led by Michele De Lucchi, the round pavilion was wrapped in a media facade created by Switzerland-based Iart. The media facade has a total of 10,000 solar modules with 30,000 embedded LEDs and consumes only as much power as it can produce.

“With this project we want to show that a media facade not only consumes electricity, but can also generate it itself,” Iart founder Valentin Spiess told Dezeen.

Organic solar modules were chosen over silicone-based counterparts for their lower grey energy footprint, aligning with Novartis’ sustainability principles.

“They require less grey energy in production and need little light to start generating electricity,” he continued. “They can be used in areas where light conditions are not ideal, such as a facade.

Novartis Pavilion - The Novartis
It was inspired by the shapes and colours of cells and molecules

According to Iart, the design was based on the idea of an organism with the buildings skin made up of individual cells.

The multi-layered membrane reflects the artistic works displayed on the facade, which “embody constant change and research,” Spiess said.

Novartis Pavilion - The Novartis
AMDL Circle worked closely with local architect and general planner Blaser Butscher Architecten AG

The works covering the pavilion were created by artists Daniel Canogar, Esther Hunziker and Semiconductor in collaboration with Novartis scientists.

Their collaboration with Novartis scientists was inspired by the shapes and colours of cells and molecules, as well as the themes of sustainability and the convergence of art and science.

“It communicates the themes of Novartis, through the digital artworks, into the urban space,” Spiess told Dezeen.

“The aim is for curiosity and fascination to arise in the viewer; for the medium, for the content and for the subject of life sciences.”

AMDL Circle worked closely with local architect Butscher Architecten AG for the planning, tender, technical design, construction and delivery of the pavilion.

“The floor plan of the Novartis Pavilion was inspired by the universal symbolism of the circle, considered a powerful field of psychophysical energy, a sort of sacred area where all physical and spiritual forces are concentrated,” added Michele De Lucchi.

Novartis Pavilion - The Novartis
Organic solar modules were used for their lower grey energy footprint

The interiors feature whitened, laminated wood and ceiling slats combined with a continuous light grey terrazzo floor. Providing a background for the dark green division curtains and details in natural oak wood, the internal material palette was chosen to create a “luminous and humanistic appeal”.

Other pavilions recently featured on Dezeen include an ice-block pavilion in China and the Parallel Histories in Chicago.

The photography is courtesy of Iart and Laurids Jensen.

Reference

Timber and hempcrete form patchwork facade of London mews house
CategoriesArchitecture

Timber and hempcrete form patchwork facade of London mews house

Hempcrete walls and a patchwork facade characterise Hempcrete Mewshouse, a three-storey home that local studio Cathie Curran has added to a derelict site in east London.

Located in Forest Gate, the home was built around a gridded structure made from steel and timber and features a variety of natural materials, including oak, accoya, hempcrete and terracotta. It replaces a derelict single-storey garage on a small mews site.

“The single storey lock-up had been unused for some time, the structure was unsound and there was a huge pit in the makeshift floor slab for working on car engines,” studio founder Cathie Curran told Dezeen.

Front elevation of Hempcrete Mewshouse by Cathie Curran
Hempcrete walls and a patchwork facade characterise Hempcrete Mewshouse

Expressing the home’s structural grid, the street-facing facade is clad in a patchwork-like pattern of materials, including panels of dark accoya wood planks, which can be opened in places for ventilation.

In other places, hempcrete blocks are waterproofed with a lime render and covered in terracotta tiles, which have been placed in alternating directions.

“The facade is an expression of the steel and timber tartan grid hybrid structure,” explained Curran. “The brief required maximum adaptability and an unobstructed plan at ground level, so a steel frame was employed to delineate circulation and service areas and define the main spaces.”

Kitchen with hempcrete walls
The home features a variety of natural materials

To enclose the home from the rest of the mews, the studio built a series of screens around the site, creating a semi-private front courtyard bordered by dark grey gates and fences.

Accessed through an accoya door built into the grid of the facade, the home’s entrance hall features a ceiling and walls clad entirely in oiled oak, while a textural concrete floor draws on the industrial past of the site.

Stairwell with wooden walls
A full-height stairwell sits on one side of the entrance hall

A full-height stairwell to one side of the entrance hall stretches between all three floors of the home and is lit by a skylight. While the staircase is mainly made from oak, the base and two lowest steps are made from concrete, softening the transition between the stairs and the light concrete floor below.

“The oak offers a soothing, organic contrast to the hard mineral atmosphere of the lane,” said Curran. “The top-lit entrance space is mysterious, a decompression chamber to emphasise the transition from chaos to calm.”

Stairwell of Hempcrete Mewshouse by Cathie Curran
The stairwell is lit by a skylight

Beyond the lobby, open living spaces featuring oak joinery and furnishings have been arranged across the ground floor, punctuated by oak-clad columns.

With a wall of glazing set in oak frames and doors that open onto the back garden, the double-height space at the end of the kitchen showcases the hempcrete panels that enclose the upper levels of the home.

The top floors of Hempcrete Mewshouse comprise bedrooms and bathrooms along with a first-floor study which overlooks the kitchen and can be separated from the space below by shutters.

Finished with warm-toned joinery, the bathrooms feature walls and floors covered in terracotta tiles, as well as openable oak wall panels and full-height windows.

“Ancient materials such as lime plaster, oak, terracotta, marble, and pale ground concrete contrast with the industrial tone of the street, evoking a gentler time and place,” said Curran.

Interior of London home with exposed wood ceiling
The top floors of Hempcrete Mewshouse comprise bedrooms and bathrooms

When designing the home, London-based studio Cathie Curran arranged the rooms to allow for future separation of the home into two apartments, each with separate access from the street.

“The timber beams and joists can be redeployed to subdivide the house into a pair of apartments, likewise non-load-bearing timber stud hempcrete partitions can be easily removed,” said the studio.

“The structure will permit easy conversion into two separate units, each with independent street access, if desired. Multigenerational occupancy, co-living or social care provision, even commercial activity, could all be accommodated.”

Terracotta-tiled bathroom of Hempcrete Mewshouse by Cathie Curran
The bathrooms feature walls and floors covered in terracotta tiles

Elsewhere in London, Office S&M transformed an Edwardian home with bright colours and graphic shapes while Unknown Works used pink concrete walls to add a terraced landscape to a Victorian townhouse.

The photography is by Chris Daly.

Reference

a tapestry-like facade weaves across paperfarm’s veil house
CategoriesArchitecture

a tapestry-like facade weaves across paperfarm’s veil house

veil house: challenging public/private of compact urban living 

 

Situated near the historic ‘Taiwan-Renga’ (台灣煉瓦) brick kiln from 1899 that prospered in this working-class district in Kaohsiung, Taiwan, the Veil House by Paperfarm revisits this history by weaving a modern, tapestry-like facade using floating clay bricks. In such an area with very narrow streets, and a hyperactive social fabric, privacy is often compromised. To maintain boundaries, windows are often shaded throughout the day; outdoor spaces, such as balconies and terraces, are left largely unused. The project challenges this public/private dynamic of compact urban living, creating a peaceful retreat that redefines this neighborhood’s typical house character: a perforated brick facade liberates the need for window treatments, still allowing filtered light into all the living spaces and bedrooms.

a tapestry-like facade made of clay bricks weaves across paperfarm's veil house in taiwan
all images © Daniel Yao

 

 

using clay bricks to create a breathable, permeable facade 

 

The impetus for security and privacy reimagines the home as a body with a breathable, permeable skin. Like skin’s pores, perforation density is devised according to the functional needs behind the enclosures. With cored bricks secured by rebars, shelf angles, and steel channels, the brick veil is designed to withstand the local challenges of earthquakes and typhoons. There are also three emergency exits, engineered with saw-tooth pivots, seamlessly inserted onto the facade,’ explains Paperfarm (see more here).

 

On the street level, automobile storage is provided without visually distracting pedestrian entry. The powder-coated stainless-steel door is 12 ft by 7 ft (366 cm by 214 cm) in size and is two inches thick. The door and its mechanical track are hung from above, installed behind five courses of veneer bricks with a guide rail below. The entry, through an interior garden, helps quiet the transition from the bustling city streets and provides a deep threshold into the heart of the Veil House, thus acting as a type of perforation

a tapestry-like facade made of clay bricks weaves across paperfarm's veil house in taiwan
challenging the public/private dynamic of compact urban living

 

 

paperfarm defines veil house around an atrium + rich materials

 

The residents circle an open atrium clad with 2×6 vertical aluminum louvers to enter the main living area on the second floor. This materiality pays homage to another Taiwanese vernacular of protected fenestrations while enhancing the home’s verticality. Programmatically, this atrium is the engine of the house: an urban garden on the ground floor; a light well introducing natural illuminance into the rooms on the bedroom’s balconies; an airshaft for cross-ventilation with the brick veil at the front facade; and a connector that ties circulation and program together across multiple floors. Behind the veil, this shifting perspective and the vertical stratification of the program accentuate public versus private relationships. This forms the central discourse on the introverted approach to the Veil House by Paperfarm.

a tapestry-like facade made of clay bricks weaves across paperfarm's veil house in taiwan
using floating clay bricks to create a breathable facade

 

 

Throughout the Veil House interior, custom-designed terrazzo flooring defines spaces within the larger, open-plan living floors, while full-length, custom white-oak millwork conceals the kitchen and the entertainment and storage spaces. The reductive use of materials enhances the focus on the brick veil and the respite gained in the quiet, minimal interior. ‘Ultimately, the defining characteristic of the Veil House is the desire to build a cozy, airy lifestyle behind an urban façade that successfully withdraws from the frenetic street life,’ concludes Daniel Yao from Paperfarm. 

a tapestry-like facade made of clay bricks weaves across paperfarm's veil house in taiwan
entrance to the Veil House by Paperfarm

Reference

Pushing the Envelope: 6 Innovative Façade Designs in Higher Education Buildings
CategoriesSustainable News

Pushing the Envelope: 6 Innovative Façade Designs in Higher Education Buildings

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

A building’s façade is like the skin that does not only allow the building to breathe but also allows it to see and converse with its context and users, responding to many social, environmental and historical factors, such as climate, building identity, program, interior-exterior relationships and user experience, among other considerations. Through this collection, the innovative façade designs of a number of higher education buildings are shown, with more responsibility falling on the façades of this building typology for the way they are expected to show and not only teach students about architectural design and the values of the educational organizations they represent.


Architecture Faculty in Tournai

By Aires Mateus, Tournai, Belgium

Photo by Tim Van de Velde Photography

Photo by Tim Van de Velde Photography

The new Architecture Faculty in Tournai building has its form shaped by the surrounding historical city block, both used and getting used by the adjoining buildings that manage to coexist, despite the difference in their identities and time periods. Designed to connect the existing structures together through a set of vertical and horizontal circulation elements while housing different interior spaces for architectural education, the building evokes the architectural heritage of the city through its use of iconography.

The completely solid main elevation, constructed out of concrete and steel and covered with sanded plaster and grey paint, diverts the attention to the neighboring buildings and allows the new building to comfortably fit into the context, boldly subtracted with a distinctively house shaped three dimensional volume that accentuates the entrance and welcomes users.

Photo by Roberto Ortiz Giacoman and Jorge Taboada

Photo by Roberto Ortiz Giacoman and Jorge Taboada

The façade of this majestic concrete building is three-dimensional, changing directions between the vertical and horizontal planes and artfully mastering the relationship between the building’s interior and exterior while blurring the lines between both, framing the ‘Sierra Madre’ mountain range and opening up the building to the sky and the surrounding landscapes.

The three-dimensional volume that is called “The Shell” almost looks like a solid shape from a distance, especially for the way it spans a distance as long as 80 meters and the way its concrete panels seamlessly align across the building’s several sides and faces. The design of “The Shell” would have not been possible without its innovate structural design, utilizing a principle called composite action where concrete works alongside the structural steel to carry the weight of the building and its materials.


Masdar Institute

By Foster + Partners, Abu Dhabi, United Arab Emirates

The façade design of the residential buildings at the Masdar Institute offers a modern interpretation of Al Mashrabiya, which is a traditional Islamic architecture element where turned wood is used to produce latticed patterns adorning oriel windows facing that face the streets, for shading and privacy. For materials, the façades are constructed out of sustainably developed glass-reinforced concrete and colored with local desert sand to integrate the building with the context, with the buildings being completely powered by solar energy. Through an alternation of the façade elements between recession and protrusion and proper building orientation, the building is not only self-shading but is also sheltering of the neighboring buildings and the pedestrians at street level.


Scottsdale Community College Business School And Indigenous Cultural Center

By Architekton,Scottsdale, AZ, United States

Built on the land of the Salt River Pima Maricopa Indian Community (SRP-MIC) in Arizona, the building rose from the ground holding traces of the native saguaro cactus, in a notion that celebrates the indigenous community’s connection to their land. Technically speaking, the façade design utilized imbedding saguaro ribs into concrete tilt panels, organized into the formwork during construction and protected against concrete by pouring sand into the ribs.

After the panels were cast, the architectural team and the contractor determined the final appearance of the building by deciding which saguaro to burn, remove or conceal. The design of the façade allowed the building, which also houses the Business School, to visually converse and connect with the context and the adjacent east Red Mountain, while also teaching visitors about the native history of the community who views the saguaro as a symbol of life.


Faculty of Architecture and Environmental Design

By Patrick Schweitzer et Associés Architectes, Kigali, Rwanda

For design of the new Faculty of Architecture and Environmental Design in Kigali, the architectural team drew inspiration from the surrounding landscape and topography, reflected on the thirteen distinctively shaped prism volumes that house the classrooms and design studios. The façade design further emphasized the distinctiveness of the prism shapes, alternating in materials between the local lava rocks and rammed earth on the exterior side of the prisms and a striking orange color on the interior sides.

The use of the former represents Earth and the later represents Fire, as part of the four natural elements that guided the design conception, alongside Water represented in the inner gardens and Air in the building’s circulation. The design of the openings on the building’s exterior aimed to maximize the use of natural sunlight to reduce running costs and create more pleasant interiors, with the project serving as a pedagogic tool that shows and not only tells students how to design.


Coil School for the Arts, Riverside Community College

By LPA, Riverside, CA, United States

The music that plays inside the new Coil School for the Arts could be seen reflected on the façade design of the main elevation, constructed out of phenolic wood panels that evoke the craftsmanship of wooden music instruments, with a pattern that is inspired by the sheet music notations. In response to the desert climate of the area and the building program’s acoustical requirements, heavy concrete grouted masonry was used as the main construction material of the LEED Silver certified building, with openings kept minimum on the building’s exterior and the building mass pushed back at street level to create a sheltered outdoor lobby where visitors can gather. On the southeast façade, an intimate courtyard is designed for students for gatherings and informal concerts, shaded with a trellised structure that filters out the noise from the street and the harshness of the sun.

Judging for the 11th A+Awards is now underway! While awaiting the Winners, prepare for the upcoming Architizer Vision Awards, honoring the best architectural photography, film, visualizations, drawings, models and the talented creators behind them. Learn more and register >

Reference

wooden hedge facade enfolds villa on the coastline of stockholm
CategoriesArchitecture

wooden hedge facade enfolds villa on the coastline of stockholm

‘Fenced Maximalism’ stands on a coastal area of Sweden

 

Swedish architectural studio Byggfenomen takes over a domestic villa program congested inside a fence-like facade located in a coastal area of Stockholm. Standing on the eastern waterfront region of the capital, the residence is surrounded by weathered pine trees that divide the landscape plane into vertical strips while the low and harsh ground cover gradually transforms into naked bedrock towards the waterline, a typical disposition of seafront topography. Emerging from the dense vegetation, the wooden cladding enclosing the structure expands vertically fusing with the woodland and leaving specific external surfaces uncovered. The openings set up glass frames overlooking the scenery. Deviating from conventional villa-type structures spreading the program on the site, ‘Fenced Maximalism’ assembles all functions within the defined plan, namely the lawn, flowerbed, pond, gravel, breakfast terrace, evening terrace, conservatory, social space, guestroom, bedroom, bathroom, wine cellar, kitchen.

wooden hedge facade enfolds villa on the coastline of stockholm
all images by Henrik Nielsen

 

 

The layout spreads ten levels treated with specific materiality

 

To avoid the elimination of trees and plantation on the site, the plot condenses all indoor and outdoor functions inside a strictly defined plan forming a fence structure that applies wood cladding throughout the exterior. The double-skin facade blends with the surrounding nature allowing open views from specific parts where the hedge subsides and through the vertical slits of the sheltering formation. The project by Stockholm-based studio Byggfenomen distributes ten levels laying out each zone on the plan treated with specific materiality.

 

The planes overlap and connect in a spiral-like circulation and the intersections are emphasized in different ways to allow sensory negotiations between the environments. The different layers of the construction present convenient spaces and features, such as the ‘Bacchus’ temple that shapes a folding framework stored beneath the building cooling the wine naturally before it is elevated into the common dining area. Another sufficient element is the rainwater collector holding the water on one floor and draining it as a natural shower in the pond below.

wooden hedge facade enfolds villa on the coastline of stockholm
the wooden cladding enclosing the structure expands vertically merging with the woodland

wooden hedge facade enfolds villa on the coastline of stockholm
the double-skin facade allows light to pass through the vertical slits of the sheltering formation

Reference

recessed angular frames form art house cinema’s facade in france
CategoriesArchitecture

recessed angular frames form art house cinema’s facade in france

L’Atalante art house cinema by Farid Azib in Bayonne

 

Paris-based architectural firm Farid Azib reconstructs L’Atalante art house cinema in the center of Bayonne, France, forming a contemporary white angular facade. Originally built in 1990, the edifice is located on the waterfront of Amiral-Antoine-Sala on the right bank of the Adour, just below the Saint-Esprit bridge leading to the city center. The refurbishment program demanded the conjunction of two cinemas adjoining one building and expanding the dedicated theater plan. Aiming for a design that retains the historical character of the site yet explores the possibilities of architectural modernity, the project shapes contrasting forms and materials displaying its dynamic frame in striking white color, standing out between the rest of the buildings on the embankment.

recessed angular frames form art house cinema's facade in france
L’Atalante art house cinema | all images by Luc Boegly

 

 

angular frames are a conceptual nod to the Seventh Art

 

Drawing from a conceptual take on windows and frames in connection to the Seventh Art, the design team at Farid Azib Architects focuses on the main feature of the facade’s openings to form the building’s external identity, sharing ‘the cinema facade is essential in enhancing our visibility with its openings on to the river and its uniqueness which makes it very cinematic-like’

 

The frames are exposed to the southwest allowing the light on each side to pass through both the interior and the exterior, regarding natural and artificial light respectively. ‘The facade stands all at once discreet and surprising, integrated and singular, asymmetrical, deconstructed and harmonious, angular and wise, soft and open’. The glass apertures project landscapes, movements, silhouettes, and lights like an ever-changing film scene underlined by the orientations of the different viewpoints. Thus the facade is made up of prismatic projecting volumes, created with light prefabricated elements forming an interaction between the interior and exterior space.

recessed angular frames form art house cinema's facade in france
the project sets up a contemporary white angular facade

 

 

The cinema hall undergoes specialized interior planning

 

The interior arrangement of the building consists of a new hall, a bar-restaurant, and cinema zones, combining the reception and dining area through a system of a wooden mesh on three levels channeling the flows and allowing the installation of access control points to the cinema halls. Two apartment units are housed within the plot of L’Atalante, setting sound protection as one of the major planning factors.

 

The transversal bar-restaurant forms the strategic link between the existing transformed spaces and the extension, shaping a long wooden counter made of oak wood sourced from the original building’s flooring construction. Thus, the cinema and music bar-restaurant rooms are designed as airtight boxes to avoid any sound leaks. Acoustic lining and independent double wall, double frame, uncoupled from the structure, as well as floors with independently treated slabs complement the protected framework. The restoration remodels the screening rooms providing expanded seating areas and larger projection screens. The structure opens toward the city and the riverbank shaping wide frames along with loggias and terraces.

L'Atalante art house cinema
recessed prismatic frames form the building’s external identity

Reference

Colour-changing facade material could help to heat and cool buildings
CategoriesSustainable News

Colour-changing facade material could help to heat and cool buildings

Researchers from the University of Chicago have invented a cladding material that changes colour to help with heating or cooling and could be retrofitted to improve buildings’ energy efficiency.

The composite material consists of several different layers including copper foil, plastic and graphene, and based on the outside temperature can change its infrared colour – the colour it appears under thermal imaging.

At the same time, it also changes the amount of infrared heat it absorbs or emits from the building. On hot days, the material appears yellow under thermal imaging, indicating that it is emitting more heat, while on cold days it appears purple because it is retaining that heat.

Diagram of the colour-changing material showing, from top, a layer of PE film, a gold grid, graphene, a layer where copper is deposited or stripped away, an aqueous electrolyte layer and copper foil
Top: the material appears yellow under thermal imaging when in heating mode and purple when cooling. Above: a layer of copper is deposited on a film to trigger heating mode

When used on a facade – for example in the form of shingles – the material could potentially reduce the need for heating, ventilation and air conditioning (HVAC) and lower a building’s overall energy consumption.

“We’ve essentially figured out a low-energy way to treat a building like a person; you add a layer when you’re cold and take off a layer when you’re hot,” said materials engineer Po-Chun Hsu from the Pritzker School of Molecular Engineering, who led the research.

“This kind of smart material lets us maintain the temperature in a building without huge amounts of energy.”

Cladding responds to temperature like a chameleon

The University of Chicago describes the material as “chameleon-like” because it can change its colour in response to the outside temperature.

At a chosen trigger temperature, the material uses a tiny amount of electricity to either deposit copper onto a thin film or strip it away.

This chemical reaction effectively transforms the material’s central layer – a water-based electrolyte solution – into solid copper. The low-emitting copper helps to retain heat and warm the interior of a building, while the high-emitting aqueous layer keeps a building cool.

The layer of water-based electrolytes also helps to make the material non-flammable, and the researchers describe the switching process from metal to liquid and back again as “stable, non-volatile, efficient and mechanically flexible”.

“Once you switch between states, you don’t need to apply any more energy to stay in either state,” said Hsu. “So for buildings where you don’t need to switch between these states very frequently, it’s really using a very negligible amount of electricity.”

Material could reduce energy consumption by eight per cent

As part of their study, published in the journal Nature Sustainability, the researchers also created models to test the energy savings that could be achieved by applying their material to buildings in 15 US cities, representing 15 climate zones.

In areas that experienced a high variation in weather, they found the material could save 8.4 per cent of a building’s annual HVAC energy consumption on average. At the same time, the material relied on just 0.2 per cent of the building’s total electricity for its operation.

As it stands, building construction and operations account for nearly 37 per cent of global carbon emissions, most of which is attributed to building operations including lighting, heating and cooling.

To slash these emissions, the material could be used to retrofit poorly insulated or historic buildings and improve their energy efficiency, as the researchers suggest it would be more convenient to install than insulation.

However, several of its components – including the monolayer graphene and gold microgrid used as transparent conductive layers – are currently still expensive and complicated to manufacture.

The researchers have so far created only six-centimetre-wide patches of the material but imagine assembling them like shingles to form larger sheets.

With the watery layer active, the material is a dark white colour, which turns a coppery brown when the copper layer is active.

But the material could also be tweaked to show different colours by adding a layer of pigments behind the transparent watery layer.

Another approach to keeping buildings cool is to paint them white. For this purpose, researchers at Purdue University recently developed the “whitest paint on record”, which reflects 98 per cent of sunlight.

Images courtesy of Hsu Group.

Reference

Plan Architect designs apartment block for nurses with zigzagging facade
CategoriesArchitecture

Plan Architect designs apartment block for nurses with zigzagging facade

A zigzagging form gives extra privacy to the medical staff living in Thai studio Plan Architect’s nurse dormitory apartment block at Chulalongkorn Memorial Hospital in Bangkok.

Comprising 523 rooms, the building, which has been shortlisted for Dezeen Awards 2022, is formed of 26 floors with diamond-shaped openings at their centres. Plan Architect designed the apartment block to be a restful home for nurses working in the hospital, which is run by the Thai Red Cross Society.

Balconies arranged in angular formation on facade of white apartment block by Plan Architect for nurses in Bangkok
The Bangkok apartment block was designed as a peaceful residence for nurses at a nearby hospital

“The main aim was to create the most comfortable residence for the nurses at the hospital,” project architect Jittinun Jithpratuck told Dezeen.

In response to the dense arrangement of the city, Plan Architect aimed to design a building that offers the residents plenty of privacy.

White building by Plan Architect with gap between two halves and zigzag facade
The apartments are arranged across 26 floors

“With the dense high-rise buildings in Bangkok, we aimed to provide enough space for each room to have its own privacy without directly facing other buildings and to allow natural ventilation to get through the rooms,” Jithpratuck continued.

To ensure the rooms didn’t directly face the surrounding high rises, the studio gave the apartment block a zigzagging form.

White zigzag facade of building by Plan Architects with brown artificial timber section
Breaks in the white facade highlight sections of artificial timber

On each floor, the apartments are arranged along two corridors separated by a central opening that lets more natural light enter the corridors and facilitates natural ventilation from the floor to the roof.

Most rooms are separated into two parts by a sliding door, with one half acting as the bedroom and the other containing a dining area, pantry and bathroom. The bedrooms are intended to sleep two people, with the beds on opposite sides of the room for privacy.

Balconies placed at an angle extend from each room, forming snaking rows along the structure.

“Since the dormitory is close to other nearby buildings, we designed the balcony to have a slanted angle,” said the studio.

“This avoids a direct sightline to other buildings and allows more sunlight into the area, making it suitable for planting trees and drying clothes.”

Bedroom in Bangkok apartment with two beds on opposite ends of room and views of city
The bedrooms feature two beds placed on opposite ends of the room

Aluminium railing and perforated aluminium sheets provide further privacy and shading on the balconies.

“This facade and balcony composition create the pattern of light and shadow that reflects the simple systematic design of the building while concealing the various lifestyles of the users,” the studio continued.

Aluminium railing and perforated aluminium sheets casting shadows across balcony of Bangkok apartment
Aluminium railing and perforated sheets cast shadows across the balconies

Additional facilities in the block include a library, public dining room, co-working space, and laundry room.

An enclosed courtyard is formed in the space between the apartment block and three of the neighbouring buildings. Separated from the busy hospital, this courtyard offers green space and a peaceful area for relaxation for the nurses.

“The nurses feel it’s a lot better than where they lived before because it can give them privacy even when living with each other, and the natural cross ventilation really works including the zoning in the room that makes it easier to work while the other occupant needs to rest,” the studio said.

Plan Architect’s project has been shortlisted in the housing project category of Dezeen Awards 2022. Other projects shortlisted in the category include a colourful apartment block in Melbourne and a green tower in Amsterdam.

The photography is by Panoramic Studio.

Reference