BNIM’s Customized Glass Façade Inspires New Forms of Art Making
CategoriesArchitecture

BNIM’s Customized Glass Façade Inspires New Forms of Art Making

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches. 

Art and design are defined by how we experience the world and express ourselves. The spaces for creation and ideation shape what we make, and in turn, can provide the platform for making new works of art. When BNIM designed the Fine Arts + Design Studios (FADS) building at Johnson County Community College (JCCC) in Overland Park, Kansas, they brought together multiple disciplines into a single, carefully crafted facility. The result is an open architecture that allows students, faculty and staff to explore what expression means to them.

At the heart of the FADS building is the idea of bringing diverse ideas and art practices together. The building was made to exemplify the notion of learning by doing, drawing together disciplines that were previously dispersed across campus: graphic design, sculpture, ceramics, metals, painting, drawing, photography and filmmaking. The architecture was designed to provide a framework for new synergies and enhanced collaboration and, in doing so, inspire creativity and new forms of art making.

The FADS building was completed with Clark & Enersen, who provided programming and equipment planning, as well as mechanical, electrical and structural engineering for this building. In turn, they were selected for a range of services for priority projects identified in Johnson County Community College’s 2016 Master Plan. A goal of the facilities master plan was to reinforce campus neighborhoods by promoting adjacencies. The FADS building brings these ideas to life and contains the arts programs that were formally housed in the Arts & Technology building, along with filmmaking and graphic design.

As the design team notes, the FADS building included classrooms and studio space, material storage, multi-use common spaces, as well as display and collaboration spaces throughout building corridors. Fueling a desire to create, FADS includes these hallway gallery spaces and a covered outdoor courtyard, which functions as a year-round workspace for student and faculty artists alike.

In addition to providing collaboration spaces, the design features flexible and vibrant interior studios. The project was sited to provide intimately scaled exterior spaces for the creation and display of art, and to integrate and strengthen campus connections.

BNIM’s design features a rectangular volume lifted off the ground by a concrete podium and pilotis. In turn, the building volume is offset by acid-etched and ceramic-fritted glass panels. They worked with architectural glass and systems manufacturer Bendheim to bring the glass panels to life.

The customized, ventilated glass façade features a 170-foot-wide façade with Bendheim’s Lumi Frit Surface 1 fritted glass. It acts as a screen that filters soft, glare-free daylight into the studios through second-story windows, while creating a white aesthetic during the day. The glass also reflects sunlight to a shimmering white effect. Bendheim sampled multiple Lumi Frit patterns and surface options to test and evaluate for optimal diffusion and projectability.

Just steps away from the Midwest Trust Center, the Wylie Hospitality and Culinary Academy, and the Nerman Museum of Contemporary Art, the Fine Arts & Design Studios (FADS) facility was made to anchor a new arts neighborhood on campus. The FADS strengthens these connections and provides space to reimagine how art is made.

“In the fine arts are these silos of specialties, but the trend is to break through those silos,” says Fine Arts Professor Mark Cowardin. “Painters are embracing more materials, and sculptors are working with ceramics and drawing. We want that sort of cross-pollination, not only with our students but with our professors. We are encouraging a creativity zone where we can build on our reputation and present to our students the opportunity for innovation.”

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches. 

Reference

Vision Studio conceals “jewel-like” store behind perforated metal facade
CategoriesInterior Design

Vision Studio conceals “jewel-like” store behind perforated metal facade

Cool-toned industrial materials such as aluminium and concrete are paired with marble surfaces and translucent pastel shelving in this eyewear store in Melbourne, Australia.


Designed by local firm Studio Edwards, the first flagship store by optometrist Vision Studio is housed in a shopping centre in the city’s Glen Waverley suburb.

Transluscent pastel pink sunglasses displays with marble counter in retail interior by Studio Edwards
Vision Studio’s perforated aluminium facade (top image) hinges open to reveal a jewel-like interior (above)

Half of the store’s 3.6-metre-high perforated aluminium facade hinges open to reveal what the studio describes as a “jewel-like” interior, framed by marble tiles that contrast with the raw concrete of the existing shell.

Inside, Studio Edwards set out to create a space reminiscent of a gallery, including enough display space for 200 spectacles and storage for an additional 800 pairs alongside three consultation rooms with waiting areas and a staff and store area.

Marble accents and bright orange tap in Vision Studio interior
A bright orange tap and pastel pink doorframe act as pops of colour in the otherwise monochrome interior

To accommodate these functions, the floor plan is split into two zones with the store and display area at the front, and the optician and consulting spaces at the rear.

“The space is zoned via an angular plan configuration with the areas requiring most privacy to the rear and semi-private consulting spaces tapering to the front,” Studio Edwards founder Ben Edwards told Dezeen.

“One challenge was to work with the existing air conditioning ceiling ductwork – we chose to expose them and include them within the overall aesthetic.”

Pastel-coloured accents are applied to the shelving and cabinets that run along the walls on either side of the Vision Studio store.

The material palette, which the studio described as “a balance between raw and refined”, blends industrial materials such as aluminium and concrete with marble surfaces and translucent shelving that seems to hang in midair.

Perforated aluminium facade of retail interior by Studio Edwards
The shop is located in a Glen Waverley shopping centre

Other studios that have combined industrial materials and soft, powdery colours include Spanish studio Lucas y Hernández-Gil, which contrasted pastel furnishings against concrete walls in this restaurant in Seville.

Photography is by Tony Gorsevski.

Reference