vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
CategoriesArchitecture

vincent van duysen’s tile-clad residence in southampton draws from traditional farmhouses

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses

HBH Residence by Vincent Van Duysen

 

Belgian architectural firm Vincent Van Duysen has built a private residence on the lush coastline of Southampton in New York. Surrounded by wetlands and large oak trees, the architecture reflects the archetypal composition of a traditional farmhouse in the form of a cluster of volumes. Seeking a timeless material palette that emphasizes the careful composition of angled and vertical surfaces and highlights their shadows cast under the unique light, the architects chose traditional local materials such as typical wooden barn siding, cedar shingles, and bespoke fired clay tiles to cover the entire façade and roofs.

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
the residence is clad in bespoke fired clay tiles | all images by Joseph D’Arco

 

 

reinterpreting traditional typologies against a unique backdrop

 

The site is enveloped by protected wetlands with a specific color and vegetation palette. Large oak trees dominate the access road to the property, creating a tranquil and natural environment. At the same time, the region is characterized by a very special light throughout the year, creating strong shadows and contrasts.

 

Against this unique natural background, the architecture by Vincent Van Duysen (find more here) is defined as a group of structures that house different functions of the program and consist of a main house and outbuildings. The design approach reflects the archetypal composition of a traditional farmhouse and residential structures that form an integral part of the cultural heritage of the region.

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
the materiality of the project emphasizes the careful composition of angled and vertical surfaces

 

 

exterior and interior merge into one overall experience

 

From the lush driveway, occupants pass through one of the buildings to a central courtyard. The interaction of the different volumes around the central courtyard is unified by a wooden pergola and an extended wooden terrace on a higher level, which connects and encloses all the outdoor and public areas around the house. These terraces were conceived as a pure extension of all interior spaces. In the summer, the exterior and interior spaces merge into one overall experience, ensuring interactivity between the different parts of the program.

 

The public areas dominate the first floor in a careful sequence of spaces and atmospheres, always emphasizing an important axis or an interesting viewpoint of the landscape. Secondary functions are located in the outbuildings, while the higher floors house the more private and exclusive areas with the master bedroom and master suite, as well as the children’s rooms. All of these rooms feature higher ceilings that capture and frame nature through generous pocket windows set into the walls.

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
the interaction of the different volumes around the central courtyard is unified by a wooden pergola

 

 

An important aspect of this project is the tectonic expression of the architectural volumes. It was crucial to create a timeless but contemporary material palette, but also to find a material that would highlight the careful composition of the volumes and the hierarchy between oblique and vertical planes, while emphasizing the tactility of the surfaces and the way they cast shadows under the unique light.

 

With an eye to the traditional materials of the region, such as the typical wooden barn siding or the cedar shingles, fired clay tiles were carefully selected for the entire façade and roofs to reflect the local architectural heritage in a contemporary way. This highly textured and tactile material, combined with naturally aged ipe wood and dark metal, completes a very powerful yet sober material palette that blends in with its surroundings.

 

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
view of the interior of the HBH residence

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
detail of the façade 

vincent van duysen's tile-clad residence in southampton draws from traditional farmhouses
detail of the wooden pergola

 

 

project info: 

 

name: HBH Residence
architects: Vincent Van Duysen
in collaboration with: STELLECO
interior design: Atelier Christian Liaigre
landscape design: Piet Oudolf
area: Southampton, NY, US

myrto katsikopoulou I designboom

jan 31, 2023



Reference

discarded timber regenerates set of farmhouses hidden on mount emei
CategoriesArchitecture

discarded timber regenerates set of farmhouses on mount emei

discarded timber regenerates set of farmhouses hidden on mount emei

three timber houses stand in china’s mountainous countryside

 

Super Normal Design Office assembles a set of country houses in a tiny village at the bottom of Emei Mountain, reusing old materials. Surrounded by wild foliage, three timber buildings stand hidden behind huts, paddy fields, and untamed springs in Sichuan Province, China. Each building serves a distinct purpose while sharing the same easy-living character of the countryside. Respecting Chinese natural aesthetics the design concept ‘regenerates farmland buildings’ former appearance’ in selected reclaimed materials.

discarded timber regenerates set of farmhouses hidden on mount emei
all images courtesy of Super Normal Design

 

 

new + old materiality composes the solitary farmhouses

 

Overlooking Emei’s peak to the west, and the rice field to the east, the solitary houses blend seamlessly with their surrounding landscape. The residence’s open layout interconnects indoor and outdoor zones in a natural unforced ambiance. Both the framework and the furniture in the interior and exterior spaces were carefully carved out with no excessive ornamentation. Concepts of ‘new’ + ‘old’ coexist in the construction forming balanced wooden volumes. Super Normal Design used previously discarded timber elements, locally sourced, following an approach of environmental protection and sustainability. All textures and finishes display earthy hues and tones in minimal design.

discarded timber regenerates set of farmhouses hidden on mount emei
observation hallway runs around the main volume

discarded timber regenerates set of farmhouses hidden on mount emei
open layout interconnects indoor and outdoor zones

Reference