This Firm is Putting Amazing Architecture at the Service of Communities
CategoriesArchitecture

This Firm is Putting Amazing Architecture at the Service of Communities

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Questions abound when architecture firms choose to undertake a project intended for community use. How can a building fulfill multiple client purposes in ever-more diverse communities? How will architects respect and contribute to a sense of identity for the people intending to use the place? How will a building incorporate sustainable design and technology given budgetary limitations? These questions constantly challenge architects because they require a different answer for every new context. Moreover, such projects require teams of architects and designers who have a rigorous understanding of the multi-faceted needs of a community but who are still willing to make bold architectural statements.

KSS Architects is one of those firms that regularly handle a high level of coordination between design teams, client interests and the built environment. It’s why for this week’s jobs newsletter, we want to highlight KSS, the award-winning firm designing new and adaptive reuse community-oriented projects across the United States.

The award-winning full-service architecture, planning, and interior design firm has offices in New York, Philadelphia, and Princeton. Founded in 1983, KSS has grown to a team of 80 design professionals, building a reputation for design projects that stimulate the intersections of learning, commerce, and community.

When completed, the Amy Gutmann Hall by KSS Architects will be Philadelphia’s tallest timber building; image by KSS Architects

KSS’s architects takes pride in the firm’s comprehensive design approach – a quality apparent in the dozens of projects the firm has developed over the past few years. Take for instance the Amy Gutmann Hall, the University of Pennsylvania’s future data science building. The university wanted a building that would bring the digital and natural worlds together but was unsure how this vision could materialize. After extensive consultation with the administration, members of faculty, students and other community groups, KSS developed a plan to achieve just that: their final design is not only the first mass timber project for UPenn, but also the first six-story mass timber building in the city of Philadelphia. The timber structure reduces the building’s carbon footprint by 52% relative to concrete and 41% relative to steel. The project, which is slated for completion in 2024, is bound to herald a new era for sustainable architecture at the university and beyond. It will also provide a new spacious, warm and tactile environment welcoming to students, instructors and visitors alike.

The Amy Gutmann Hall project illustrates well the design approach and work culture undertaken at KSS. The firm pairs extensive community research with deft consensus-building in which every member of the team has a voice — and a stake — in the collective success of the project. Thanks to its collaborative and transparent design process, KSS builds strong relationships of trust with clients, allowing the firm to make boldly imaginative designs to address the unique goals of clients and the environmental challenges of today.

The Foundation Collegiate Academy in Newark, NJ, is one of many renovation projects KSS Architects has undertaken on charter schools in underserved communities; photo by KSS Architects


Interested in working for one of the most dynamic architectural firms in the United States focusing on community and sustainability? Consider applying to KSS Architects through Architizer’s jobs board.

The firm is currently for eight new positions for their Philadelphia offices: including Project Architects with levels of experience ranging from 3 to 10 years for QA/QC and Industrial Markets, as well as Architectural Designers with 3-5 years’ experience.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

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This Danish Firm Took Rainwater-Damaged Walls and Made Interactive Green Spaces
CategoriesArchitecture

This Danish Firm Took Rainwater-Damaged Walls and Made Interactive Green Spaces

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

This is the story of an apartment building in Frederiksberg, Denmark, which was often called one of the ugliest buildings in the neighborhood over the past few decades. Its continuous concrete balconies and a stark grey façade might have been associated with efficient rental architecture when it was designed by Ole Hagen Arkitekter in the 1960s, but in the 2000s, it came across as cold and isolated. Over the years, residents became plagued with rainwater-damaged walls and constant nuisance from the heavy traffic on the street beyond.

Now, the old concrete edifice has been transformed into a spectacular award-winning building that has earned praises from both the locals and the government and stands as a source of inspiration for those with new visions to transform old buildings. In an interview with Renover Denmark, residents said that they now felt proud to call this building a home. So how did this dramatic transformation come to pass?

Instead of just addressing the water damage, Tegnestuen LOKAL came in with a vision to turn the existing façade of Ørsted Gardens into an interactive green space. “The main idea with the Ørsteds Haver project is to create a holistic environmental, social and architectural counterpoint to the pragmatic renovations that are carried out all over the country, and which often have a one-sided focus on energy,” they explain. This approach is one of the reasons that the building swept the Architecture +Renovation category in the 10th Annual A+Awards.

The idea was to create an environment that catalyzed random interactions, in turn generating new friendships between neighbors — which may sound idealistic, but has proven successful according to local residents. In addition to addressing the needs of future inhabitants, the design also takes into account the passersby and their experience of the building as they walk by it. The studio achieved this feat by creating triangular semi-private spaces to replace the older balconies. The system uses a mechanism similar to shelves where these boxes are fitted into the existing concrete structure. The bays on the bottom support the ones on the stop. Tension bands have been placed around to building to ensure that the additions don’t fall outwards.

These triangles are angled with glass on one side and a slatted screen on the other. The modules are staggered to break up a monotonous surface and also create space for planters within the gaps. Furthermore, the fifty small gardens also bleed into the interiors with small soil patches inside where residents have the option to plant their own saplings within these nooks. This helps them customize the space the way they would want it and introduces subtle differentiation between the modules. These bays also have openable glass panels to ensure that the space can be used through the different seasons. Another advantage is that this system acts as a buffer and dampens some of the noise from the busy street below.

The small gardens set between these balconies are made of welded steel boxes that come from the manufacturer and are placed directly into these gaps. They have an automatic irrigation system as well as spouts to ensure that the excess water from the garden falls directly into the garden below, indirectly enabling them to water themselves.

Introducing a social dimension to the building was more important to the studio than simply focusing on an energy-efficient model. “Energy renovations are effective from an economic and environmental point of view, but in their basic substance they do not take a critical view of the architecture being renovated,” they said. “Often, the architecture is simply repeated, without regard to the quality of the original project, and this unfortunately results in buildings with both poor social and environmental attributes being renovated solely with a better operating economy as the primary success criterion.”

Sustainability stands at the core of design decisions today. However, new additions might not solve the problems of current structures that consume too much power, have bad ventilation systems, don’t work with natural light and more. Additionally, the older buildings might not meet the changing needs of their residents. Think about the past two years; being locked at home during the pandemic has reminded people across the world of the importance of human contact, face-to-face conversations and the need to connect with nature for mental and physical wellbeing.

Finding innovative ways to radically transform current buildings is something many architects will have to look into in addition to planning new net zero energy homes and offices. In instances where building-level renovations might be impossible, there are still many opportunities to retrofit water collection, solar generation, green systems or spaces that boost connectivity into the outer envelope of the building that can dramatically change how the building functions and also contribute to the wellbeing of those using it. One single project might not change the world but it sure can make a difference one community at a time.

“If we want to achieve a sustainable future, we cannot rely on only building sustainable buildings going forward. We need to have a visionary method of transforming and adapting existing buildings to meet our changing needs,” said the firm.

How can architecture be a force for good in our ever-changing world? During Future Fest, we’ll pose this question to some of the world’s best architects. Launching in September, our three-week-long virtual event will be 100% free to attend. Register here!

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Your Architecture Firm is Leaking Money: How to Identify Losses and Plug the Holes
CategoriesArchitecture

Your Architecture Firm is Leaking Money: How to Identify Losses and Plug the Holes

Architizer is thrilled to announce the next webinar in our live series about how to run a successful architecture business — and you’re invited! We’ll be joined by Steven Burns, FAIA, Chief Creative Officer at BQE Software, as he reveals the many ways in which architecture firms tend to let money “slip through the cracks”, and provide some valuable techniques for how to maximize the profitability of your practice.

Architects can receive 1 AIA Continuing Education Credit for this event, courtesy of BQE! Hit the button below to register for the talk, which will take place at 1pm EST on Wednesday, June 8th:

Register for the Webinar →

Most firms look at profitability as a bottom-line metric. They use this as a gauge to determine if the firm is financially healthy. However, every firm is composed of countless independent elements: employees, clients, projects, phases, consultants, and a myriad of expenses.

What does a firm do when they aren’t achieving the profit margins they desire or experiencing losses? Knowing the answer to this question is the purpose of this webinar.

In this webinar, we will explore:

  • The best practices for monitoring the various profit-centers of your firm.
  • The means and methods that will not only alert you to problems but discuss how to resolve them.

Most architecture and engineering firms don’t apply the same rigor, discipline, and consistency that they use when executing their projects. We will show how easy it is for your firm to be well-organized, efficient, and profitable by applying best practices and utilizing modern, effortless, affordable computing technologies.

Join Steven as he shares lessons learned over 35 years working with over 1,000 A&E firms!

Join Us →

Learning Objectives

In this webinar, you’ll learn how to:

  • Explain the importance and informativeness of a perfectly organized Chart of Accounts
  • Identify each of your firm’s profit centers and the KPIs that measure their performance
  • Determine which technology plays an integral role in every healthy firm
  • Assess how simple it can be to turn your firm into a profitable, elegant enterprise

About Steve

Steven Burns is a member of the College of Fellows of the AIA and Chief Creative Officer of BQE Software. After receiving his Master of Architecture degree from the Harvard Graduate School of Design, Steve spent 7 years at SOM – working in Chicago, London, and Berlin before founding his own firm, BBA Architects in 1993. In 2007, Steve sold BBA to pursue his passion for business management software — starting with his creation of ArchiOffice. Steve is now focused on the product development of BQE CORE ARCHITECT, a fully-integrated, cloud-based firm management platform that includes time billing, invoicing, accounting, and project management for firms of all sizes. Steven is a global speaker and thought leader on topics related to firm management and emerging technologies.

About Paul

Paul Keskeys is Editor in Chief at Architizer. Paul graduated from UCL and the University of Edinburgh, gaining an MArch in Architectural Design with distinction. Paul has spoken about the art of architecture and storytelling at many national industry events, including AIANY, NeoCon, KBIS, the Future NOW Symposium, the Young Architect Conference and NYCxDesign. As well as hundreds of editorial publications on Architizer, Paul has also had features published in Architectural Digest, PIN—UP Magazine, Archinect, Aesthetica Magazine and PUBLIC Journal.

Event Registration →

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An architecture firm in Kyiv creates comfort-first, modular shelters for Ukrainian refugees
CategoriesSustainable News

An architecture firm in Kyiv creates comfort-first, modular shelters for Ukrainian refugees

Spotted: The need for emergency shelters in Ukraine has increased exponentially as a result of the country’s invasion by Russia. In response, architect Slava Balbek began designing new housing for people forced to flee their homes. He knew this would not be easy, but wanted his design solution to help refugees regain some sense of stability.

When half of Balbek’s 75-person company was forced to relocate, he realised that others would need new housing too. After convening a team of 10 architects at his company, he began to work on designs for refugee shelters that could be built quickly. The team analysed 20 existing models from around Europe before deciding on its final product – which is tailored to suit Ukraine’s cold climate.

The shelter’s design is modular, with small units that can be arranged in configurations that cater for different numbers of people – from as few as 50 to hundreds. Some configurations feature communal bathrooms, kitchens, and green space, while others have room underneath them dedicated solely towards playgrounds and sports fields.

The design is open-source, so others are also free to make use of it. However, the firm is asking everyone to maintain the sense of spaciousness and ensure that everyone stays within comfort boundaries to provide ‘dignity life’. “You can change designs, models and produce your own for a more personalised space,” explains Balbek. 

Other innovations, spotted by Springwise, that cater for the needs of refugees in emergency situations include, refugee shelters that pop-up at the touch of a button, shelters made from recycled plastic, and a language learning app that helps migrant children navigate cultural differences.

Written By: Katrina Lane

Email: hello@balbek.com

Website: balbek.com

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Brazilian Firm Brings Passive Design Principles to New Production Facility
CategoriesArchitecture

Brazilian Firm Brings Passive Design Principles to New Production Facility

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches.  

Aldous Huxley said that “springs and landscapes have a serious defect: they are free” and that “love for nature does not provide work for any factory.” Well, sorry to contradict the famous writer and philosopher but the new industrial complex for Nice — the Italian multinational leader in Smart Home, Security, Home & Building Automation solutions, designed by M CA – Mario Cucinella Architects  in Limeira, Brazil — proves exactly the opposite: namely, that an industrial building can concretely combine productivity, social and technological innovation, research and environmental sustainability.

All images courtesy of MC A Mario Cucinella Architects

Nothing could be further from the apocalyptic and sooty atmospheres of Friz Lang’s film Metropolis (1927) in which the machines of productive dehumanization devoured the lives and identities of workers, reducing them to an automated mass swarming beneath the ground.

On the contrary, here, the building’s iconic roof appears like a large tropical leaf floating on light pillars, evoking the idea of an almost “maternal” architecture that is protective and enveloping, its organic forms in tune with the natural ecosystem. Unusually, equally strong themes of production efficiency and quality of work are combined with the strong emotional impact of this architecture.

The intervention is, on the one hand, a manifesto of cutting-edge technology aimed at increasing productivity according to a sustainable business model. Meanwhile, on the other, this is an architecture of social commitment to promote the professional growth of the local community by leveraging constant training and innovative work experiences.

The complex, covering an area of about 215, 278 sq ft (20,000 sqm) in a forest rich in underground water sources, houses the headquarters of the group with two floors of offices, common areas, showrooms, service and training areas. The production facilities, located at the back, are connected to the central atrium by a large window from which visitors can directly observe the industrial process.

Also at the back, a system of suspended paths, immersed in nature, connects to the building that houses services for employees, such as the gym and the inevitable “churrasqueira.” The working environment is a bit like a home, where it is also pleasant to spend moments of relaxation and socializing. 

The building has been designed to reduce energy consumption and toxic emissions through the use of active and passive measures that, thanks to the favorable local climatic conditions, allow the systems to operate completely off-grid for some periods of the year.

In general, the use of natural ventilation is possible for two thirds of the year, thanks to openable facade elements and the integration of mobile openings in the atrium patio that transform it into a giant “ventilation chimney”. The production area, thanks to the combination of thermal mass and natural ventilation, is operational all year round without the need for cooling or heating; showrooms and offices benefit from a mixed system that encourages natural ventilation while reducing overall cooling loads.

The roof, as well as a strong characterizing element of the project, is also an important passive device that provides shading to the large glass fronts during the hottest hours, reducing by 47% the incident radiation and avoiding the risk of overheating. 43 055 sq ft (4,000 sq m) of photovoltaic panels installed on the roof cover the electrical load of the entire building and potentially allow the systems to work off-grid during sunny days.

The landscape design is an equally important part of the intervention and is functional to increase the rich local biodiversity. The project proposes a playful interpretation of the variety of the Cerrado biome, the second largest in Brazil, ranging from grassy glades, to savanna, to forest formations, represented here in different expressive languages along the outdoor paths, inspired by local wild species and native vegetation. Small ponds and water basins mitigate runoff and direct rainwater to a large basin at the bottom of the area; a 2, 120 cubic foot (60 cubic meter) tank stores water to reuse for irrigation.

Image courtesy of MC A – Mario Cucinella Architects

Mario Cucinella, founder and creative director of MC A, states that “sustainability is a founding element of making architecture. Looking back at history, we have always needed a relationship with matter, and the energies brought into play were those of the climate: the sun, the wind, the light. The project re-establishes a symbiotic relationship between the architectural structure and nature, interacting with the landscape and reinterpreting the traditional Brazilian architectural elements and encouraging the use of all its passive characteristics.”

Love for Mother Earth — “our mother and sister who governs us and sustains us” as St. Francis of Assisi said — permeates the work, suggesting a broader reflection on the concept of sustainability that extends not only to environment but also to society and economy. MC A’s building encompasses a cultural approach in which ecology and industry coexist beyond hierarchies and commonplaces.

Judging is now underway for the 10th Annual A+Awards Program! Want to earn global recognition for your projects? Sign up to be notified when the 11th Annual A+Awards program launches.  

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