Homes where flooring enhances connection between indoors and outdoors
CategoriesInterior Design

Homes where flooring enhances connection between indoors and outdoors

Our latest lookbook explores homes where flooring details and materials help to create the impression that a living space extends out beyond a house’s exterior walls.

A range of different techniques can be used to create the sense of a continuous floor surface.

The most obvious is to use the same flooring material, or one that looks very similar, for both interior and exterior spaces.

However, this isn’t always necessary. By combining level thresholds with floor-to-ceiling glazing, it’s also possible to create that sense of continuation by simply maintaining a consistent surface.

Here, we look at 10 examples that use one or more of these methods to create different effects, ranging from a forest home in Mexico’s Valle de Bravo to a waterside villa in Denmark.

Many of these examples use continuous floor surfaces to connect a living room with a garden or patio, but some explore other rooms where the effect can be applied.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring chocolate-brown interiors and minimalist bathrooms.


Casa Mola, Mexico, by Estudio AtemporalCasa Mola, Mexico, by Estudio Atemporal
Photography is by LGM Studio

Casa Mola, Mexico, by Estudio Atemporal

Mexico City-based Estudio Atemporal designed this house in a densely forested area of Valle de Bravo with the aim of allowing residents to live “more organically”.

The large-format flooring tiles inside the house give way to brickwork paving outside, but sliding glass doors with level thresholds create a clean junction that allows the two spaces to feel connected.

Find out more about Casa Mola ›


The Saddlery, UK, by Studio OctopiThe Saddlery, UK, by Studio Octopi
Photo is by Agnese Sanvito

The Saddlery, UK, by Studio Octopi

Terrazzo flooring features both inside and outside this extension to a Georgian house in southeast London, designed by architecture office Studio Octopi.

Sourced from British manufacturer Diespeker, this material is speckled with colours that complement the mint-green tone of the building’s metal walls.

Find out more about The Saddlery ›


Proctor & Shaw design London home extension with continuous flooringProctor & Shaw design London home extension with continuous flooring
Photo is by Nick Deardon

Dulwich House, UK, by Proctor & Shaw

Kitchen and terrace become a single space divided only by levels in this extension to a home in Dulwich, London, designed by architecture studio Proctor & Shaw.

Glass doors slide open on two sides – with one disappearing into a wall – to completely open up the building’s corner. The sliding mechanism is set into a continuous porcelain tile floor surface, resulting in a flush threshold.

Find out more about Dulwich House ›


Exterior patio with stone paving at Maison Hercourt by Studio Guma in NormandyExterior patio with stone paving at Maison Hercourt by Studio Guma in Normandy
Photo is by Maxime Delvaux

Maison Hercourt, France, Studio Guma

Minimal glazing plays a key role in connecting the kitchen of this renovated stone farmhouse in Normandy with an adjoining patio.

Designed by Paris-based Studio Guma, the renovation involved installing the kitchen in a space that previously functioned as a cart shed. Although the floor surface changes from concrete to stone from inside to outside, the slender-framed glass doors help the two surfaces to be read as one.

Find out more about Maison Hercourt ›


Brick flooring in Fjord Boat HouseBrick flooring in Fjord Boat House
Photo is by Jonas Bjerre-Poulsen

Fjord Boat House, Denmark, by Norm Architects

Copenhagen-based Norm Architects chose handmade ceramic bricks for the flooring of this vacation house, built on the edge of a fjord just outside the city.

They form stairs that lead down from the main house to a terrace, then continue inside to give the interior living spaces a casual, rustic feel. At the main entrance, the linearity of the brickwork pattern acts to draw the eye.

Find out more about Fjord Boat House ›


Square saltillo tile flooringSquare saltillo tile flooring

Ederlezi, Mexico, Práctica Arquitectura

Using the same flooring surface for both indoors and outdoors can become costly, but this low-cost infill house in Monterrey offers a clever solution.

Designed by locally based Práctica Arquitectura, the house features a stepped living space with an adjoining courtyard.

Most of the courtyard is landscaped, but the edges are lined with the same square saltillo tiles that provide interior flooring. This helps to extend the living space outdoors without requiring quite as many tiles.

Find out more about Ederlezi ›


The Maker's Barn by Hutch Design with timber end-grain flooringThe Maker's Barn by Hutch Design with timber end-grain flooring
Photo is by Helen Cathcart

The Maker’s Barn, UK, by Hutch Design

Full-height glazing features in many of the rooms of this rural holiday rental on the outskirts of London, a former pig shed renovated by Hutch Design. This results in a strong connection with the surrounding patio.

The effect is particularly effective in the primary bedroom, which features a bath set into the floor. Here, it’s possible to observe the clean line running between the end-grain timber flooring inside and the paving tiles outside.

Find out more about The Maker’s Barn ›


Tiled flooring in bathroom of Mossy Point House by Edition OfficeTiled flooring in bathroom of Mossy Point House by Edition Office
Photo is by Rory Gardiner

Mossy Point, Australia, by Edition Office

Melbourne-based Edition Office selected very different surfaces for the shower room of this house in Mossy Point, New South Wales, but they appear to merge thanks to the use of frameless glazing.

A similar effect can be found throughout the house, but the contrast between the wooden decking and the blue tiles of this room is the most striking.

Find out more about Mossy Point ›


Shift House, Spain, by Nomo Studio

Roughly polished white concrete flooring unites both the interior and exterior of this house on the island of Menorca, designed by Barcelona-based Nomo Studio.

This creates a feeling of continuity from the building’s entrance, located on the uppermost storey, all the way across to a balcony terrace on the opposite side of the main living room.

Find out more about Shift House ›


House by Richard ParrHouse by Richard Parr
Photo is by Brotherton Lock

A Modern Oasis, UK, by Richard Parr Associates

The level thresholds of this house in Oxfordshire, England, create a visual connection between the polished concrete flooring inside and the paving tiles outside.

Architecture office Richard Parr Associates carefully matched the colours of these two surfaces so that they appear to be made of the same material.

Find out more about A Modern Oasis ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration, see previous lookbooks featuring chocolate-brown interiors and minimalist bathrooms.

Reference

Children in social housing “sleeping on a blanket on a concrete floor”
CategoriesInterior Design

Children in social housing “sleeping on a blanket on a concrete floor”

Increasing numbers of people in social housing are living in inhospitable conditions because they are unable to afford even basic furniture and flooring, Dezeen reports as part of our Social Housing Revival series.

In the UK, social-rented homes are usually handed over to new residents in a sparse state – lacking basic elements of decoration and furnishings, as well as essential appliances.

As the cost of living continues to rise and the availability of crisis-support services diminishes, a growing number of people are unable to afford to furnish these homes, meaning they are sometimes forced to live in a harsh environment for months at a time.

Living room designed by Furnishing FuturesLiving room designed by Furnishing Futures
Top: before – many UK social-housing residents live with furniture poverty. Above: after – London charity Furnishing Futures makes new interiors for women who have fled domestic abuse

“For the families who we work with, the point that is most distressing is the void condition – the homes are given and [social landlords] don’t bother painting the walls, and there’s absolutely no flooring down,” said Emily Wheeler, founder and CEO of Furnishing Futures.

“Most people over time can manage to get some furniture together that’s gifted to them from the local church or friends or family or whatever, but it costs thousands and thousands of pounds to put flooring down, even in a one-bedroom flat.”

London charity Furnishing Futures was recently established to address the issue among women fleeing domestic abuse, creating interiors to a high standard using furniture donated from brands.

Furnishing Futures CEO and founder Emily WheelerFurnishing Futures CEO and founder Emily Wheeler
Emily Wheeler founded Furnishing Futures after realising that the poor condition of social housing was driving women back to abusive partners. Photo by Penny Wincer

Domestic-abuse survivors and people leaving care or who were previously homeless are particularly at risk of furniture poverty since they are less likely to have items to bring with them.

Wheeler said Furnishing Futures is seeing increasing demand for its services as more people come under financial pressure.

“Initially we were only working with women who were in receipt of benefits or experiencing severe poverty or destitution,” explained Wheeler.

“But now we’re working with families who are using the food bank but the woman is a midwife, or she’s a teaching assistant, or she is a teacher, and that is new.”

Social home in dilapidated conditionSocial home in dilapidated condition
The charity increasingly encounters families living in destitute conditions

Sometimes the conditions the charity witnesses are shocking, Wheeler told Dezeen.

“People are experiencing real hardship,” she said. “We’ve frequently come across people who have no food, no clothes, no shoes for their children.”

“The kids are sleeping on a blanket on a concrete floor – there’s nothing in the flat whatsoever,” she continued. “And those people might even be working as care assistants, or teaching assistants. So it’s really, really difficult at the moment for people.”

Interior created by Furnishing FuturesInterior created by Furnishing Futures
Furnishing Futures seeks to deliver interiors that “look like show homes”. Photo by Michael Branthwaite

According to the campaigning charity End Furniture Poverty, more than six million people in the UK lack access to essential furniture, furnishings and appliances – including 26 per cent of those living in social housing.

Only two per cent of social-rented homes in the UK are let as furnished or partly furnished, the charity’s research has found.

Wheeler is a trained interior designer who formerly worked in child safeguarding.

Furnishing Futures volunteer working on a homeFurnishing Futures volunteer working on a home
The charity decorated and furnished 36 homes in 2023. Photo by Michael Branthwaite

She was prompted to set up Furnishing Futures after discovering that many women in social housing who had left dangerous homes were driven back to their abuser by poor living conditions.

“When women were placed in new housing after having escaped really high-risk situations, they sometimes felt that they had no choice but to return because they couldn’t look after their children in those conditions – there’d be no fridge, no cooker, no washing machine, no bed, no curtains on the windows,” she explained.

“People are expected to go to those places at a time of great trauma and distress, and recover, but those places are often not conducive to that because of the design and the environment.”

Shot of interior by Furnishing FuturesShot of interior by Furnishing Futures
Wheeler said the interiors industry could be doing more to have a bigger social impact. Penny Wincer

The charity overhauled 36 homes in 2023, helping 99 women and children. It takes a design-led approach with an emphasis on finishing interiors to a high standard.

“We professionally design them and they look like beautiful homes – they look like show homes when they’re finished,” Wheeler said.

“And the reason we do that is because it’s really important that the women feel that they have a beautiful home and they feel safe there, that they feel for the first time that someone really cares about them,” she added.

“It also supports the healing and the recovery journey for those women.”

To help ensure quality, the charity only works with new or as-new furniture. It works with brands to source items that would otherwise be sent to landfill – usually press samples or items used at trade shows, in showrooms or on shoots.

Donating partners include Soho Home, BoConcept, Romo Fabrics and House of Hackney.

Wheeler is keen for Furnishing Futures to expand beyond London but the charity is currently held back by limited warehouse capacity and funding.

“If we had more money and more space we could help more people, it’s as simple as that, really,” she said.

Furnishing Futures warehouseFurnishing Futures warehouse
The charity relies on donations from furniture brands

The charity continues to seek donations from brands, particularly for bedroom furniture and pieces for children.

As well as calling for social-housing providers to let their properties in a better state, Wheeler believes the design industry could be doing more to help people facing furniture poverty.

“I do think that where the industry could catch up a little bit is working with organisations like ours,” she said.

For example, charities are unable to take furniture lacking a fire tag – which tend to be removed – so imprinting this information onto the items themselves would make more usable.

Children's bedroom designed by Furnishing FuturesChildren's bedroom designed by Furnishing Futures
The charity is often in need of items for children’s bedrooms. Photo by Michael Branthwaite

In addition, donating excess items as an alternative to sample sales could be a way to reduce waste with much greater social impact, she suggests.

“There’s probably millions of people across the country living without basic items and yet there’s massive overproduction, but the waste isn’t necessarily coming to people who actually need it,” Wheeler said.

“There are things that the industry could be doing that will create a huge social impact very easily.”

The photography is courtesy of Furnishing Futures unless otherwise stated.


Social Housing Revival artwork by Jack BedfordSocial Housing Revival artwork by Jack Bedford
Illustration by Jack Bedford

Social Housing Revival

This article is part of Dezeen’s Social Housing Revival series exploring the new wave of quality social housing being built around the world, and asking whether a return to social house-building at scale can help solve affordability issues and homelessness in our major cities.

Reference

Eight interiors where chequerboard flooring adds a sense of nostalgia
CategoriesInterior Design

Eight interiors where chequerboard flooring adds a sense of nostalgia

A cannabis dispensary, a hotel gym and an office in a converted 1930s military warehouse feature in this lookbook, proving that chequered floors aren’t just for kitchens.

Alternating squares of colour, a style hearkening back to the nostalgia of 1950s American diners and Victorian entryways, can provide a graphic backdrop to any room.

The examples below were realised using a range of materials, from tiles and stone slabs to wood parquet and paint, providing a clever way of bringing colour, pattern and texture into interiors.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring autumnal bedrooms, loft conversions and kitchen islands with sleek waterfall edges.


Chequered yellow floor with chequerboard flooring
Photo by Mikael Lundblad

Cafe Banacado, Sweden, by ASKA

The sun-drenched bars of Cuba and the symmetry of Wes Anderson films informed the design of this all-day breakfast cafe in Stockholm.

This is reflected in its butter-yellow colour palette and the tonal squares painted onto the concrete floor, complemented by vintage touches including a vinyl player and a wall of Polaroid pictures.

Find out more about Cafe Banacado ›


Il Capri Hotel, Italy, by Graziella Buontempo and Arnaud Lacombe
Photo by Marine Billet

Il Capri Hotel, Italy, by Graziella Buontempo and Arnaud Lacombe

When renovating this hotel in a 19th-century Venetian-style palazzo, husband-and-wife duo Graziella Buontempo and Arnaud Lacombe aimed to balance the building’s old-school grandeur with a more pared-back contemporary elegance.

A classic black-and-white checked floor runs through all of the hotel’s communal spaces and was paired with a mix of new and antique furniture pieces to create a homely, lived-in feel.

Find out more about Il Capri Hotel ›


Bonne Vie patisserie with chequerboard flooring
Photo by Brian W Ferry

Bonne Vie patisserie, USA, by Home Studios

Alternating slabs of red and white marble pave the Bonne Vie patisseries at The Grand America Hotel, which was designed to bring European cafe culture to Salt Lake City.

Matching crushed velvet chairs create a small seating area and are offset against duck-egg blue millwork and art deco-style opal globe lights mounted on brass fixtures.

Find out more about Laurel Brasserie and Bar ›


022 Rodrigo da Fonseca by Aboim Inglez Arquitectos residential interiors
Photo by Ricardo Gonçalves

Rua Rodrigo da Fonseca apartment, Portugal, by Aboim Inglez Arquitectos

Portuguese studio Aboim Inglez Arquitectos stripped back the interior of this 1930s apartment in Lisbon to reveal its original parquet floors during a renovation.

Fulfilling much the same function as area rugs, the carefully restored patterns feature timber in different shades, laid into a subtle chequerboard pattern bordered by strips of light wood.

“We believe it was used to stress the independence of the rooms and circulation areas and at the same time acting as the element that unifies the whole house,” architects Maria Ana and Ricardo Aboim Inglez told Dezeen.

Find out more about Rua Rodrigo da Fonseca apartment ›


Clay Warsaw offices designed by Mateusz Baumiller with chequerboard flooring
Photo by Ernest Wińczyk

Clay.Warsaw office, Poland, by Mateusz Baumiller

Tiled chequerboard floors are original to this former 1930s military warehouse in Warsaw, which now houses the joint offices of production companies Menu, Analog/Digital and Photoby.

To soften the building’s industrial shell, architect Mateusz Baumiller furnished the office much like a residential interior, bringing in modern Polish art and a mix of contemporary and vintage design pieces from local brands and artisans.

Find out more about the Clay.Warsaw office ›


A greent store with cannabis products
Photo by Alex Lysakowski

The Annex, Canada, by Superette

This cannabis dispensary in Toronto was modelled on an Italian delicatessen, complete with a deli counter that contains an array of pre-rolled joints and different strains and strengths of marijuana.

The kitschy nostalgic atmosphere was rounded off with green-and-white chequered flooring, while contrasting splashes of tomato red was used across stools and pendant lights.

Find out more about The Annex ›


Casa Cabanyal in Valencia by Viruta Lab with chequerboard flooring
Photo by David Zarzoso

Casa Cabanyal, Spain, by Viruta Lab

A mosaic of small navy blue and white tiles brings a subtle nautical feel to this home in Valencia’s traditional fishing neighbourhood El Cabanyal.

Featured throughout all the rooms, from the bathroom to the sleeping quarters, they nod to the traditional azulejo tiled facades found across the city, which has been a prolific exporter of ceramics since the 15th century.

Find out more about Casa Cabanyal ›


Gym inside Hotel Les Deux Gares in Paris
Photo by Benoit Linero

Hotel Les Deux Gares, France, by Luke Edward Hall

Colours and patterns clash merrily inside this renovated hotel, designed by British designer Luke Edward Hall to have an “anti-modern” feel that hearkens back to the Paris of the past.

Even its gym has been reimagined with wooden equipment, graphic red-and-white flooring and mismatched floral wallpaper designed by Austrian architect Josef Frank.

“I really wanted this space to feel above all joyful and welcoming and alive, classic but a little bonkers at the same time,” Hall told Dezeen.

Find out more about Hotel Les Deux Gares ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring autumnal bedrooms, loft conversions and kitchen islands with sleek waterfall edges.

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