Architectural photography is dominated by empty, glossy, new buildings
CategoriesInterior Design

Architectural photography is dominated by empty, glossy, new buildings

Architectural photographer Jim Stephenson explains how The Architect Has Left The Building exhibition at RIBA aims to draw attention to how people use buildings, in this interview.

Despite taking place at the Architecture Gallery at the Royal Institute of British Architects’ central London HQ, Stephenson told Dezeen that the exhibition is not focused on buildings.

“The installation is about people watching,” he said. “Although it’s at the RIBA and in the architecture gallery, it’s not really about the buildings – they’re just the backdrop, they’re the stage set really.”

“We wanted to create a meditative, large scale film piece that was all about how people use (and misuse) space once the architect’s work is done,” he continued.

The Architect Has Left The Building exhibition at RIBA
The Architect Has Left The Building is an exhibition at RIBA

As the exhibition’s title suggests, the exhibition focuses on how buildings are used after the architect’s work is finished.

It aims to show buildings in use, in contrast to the majority of architectural photography that often portrays buildings empty, at their point of completion.

“When I used to work in architecture practices, we used to design everything around people and context,” explained Stephenson. “It felt like everything was dictated by those two things and then when we would get projects photographed we’d ask the photographer to omit those two things.”

“The buildings were empty objects – sculptures,” he continued. “It always jarred with me, so in our work we focus on people using space as much as possible.”

Jim Stephenson's RIBA exhibition
The exhibition features the work of Jim Stephenson.

The exhibition include numerous photos taken by Stephenson, along with an enclosed screening room, where a film created for the exhibition was played on a dual screen.

“This film is all about the small interactions that occur in and around buildings – between individuals, groups of people and even between people and the buildings,” said Stephenson. “It’s all about the people!”

The film, which was created with artist Sofia Smith and has a soundtrack created by Simon James, contains numerous contemporary buildings from the past 15 years.

Among the buildings featured are Tintagel Castle Bridge by William Matthews Architects, Tate St Ives extension by Jamie Fobert, Sands End Arts and Community Centre by Mae Architects and London Bridge Station by Grimshaw, which were all shortlisted for the Stirling Prize.

Dual screen showing film at RIBA
The exhibition features a film screened on a dual screen

The film makes aims to makes people think about the connections between buildings and how people are connected to them.

“Watching Sofia make visual links between buildings that I hadn’t previously considered to have much in common was fascinating,” explained Stephenson.

“There’s a point in the film where we transition from Sands End Community Centre to Tintagel footbridge and it’s seamless – from a community centre in West London to a bridge over the sea in Cornwall!”

“And at London Bridge train station, Simon recorded not just the ambient sound that everyone can hear, but he also recorded the inner guts of the building with contact mics, as well as the sound in the electromagnetic spectrum,” he continued. “All those sounds get layered up in the show and I can’t go through that station now without thinking about them.”

Photo exhibition of Jim Stephenson's work
It also features photos taken by Jim Stephenson

Stephenson hopes that the film will demonstrate how people improve architectural spaces and how they are recorded.

“The history of architectural photography is dominated by empty, glossy, new buildings, photographed before people have come in,” said Stephenson.

“I think there was a fear amongst architects that people ‘mess up their building’ and photographing them empty somehow showed the architecture in a more pure and distilled way,” he continued.

“I think that’s mad. If the people you designed the building for are ‘messing it up’ then maybe there’s something wrong with the building? I’m half joking, but I’ve never documented a space that wasn’t improved by people, or at the very least a sign of life.”

One of the UK’s best-known architectural photographers, Stephenson co-founded film production studio Stephenson& with Smith. Recent projects photographed by Stephenson include a wood-lined community space in east London, a rammed-earth yoga studio to the gardens of Somerset hotel and a rolling bridge in London.

Recent buildings captured on film by Stephenson& include a visitor centre at the UK’s largest sawmill and a school theatre by Jonathan Tuckey Design in London.

The photography is by Agnese Sanvito, unless stated. The film is by Jim Stephenson and Sofia Smith with soundtrack by Simon James.

The Architect Has Left The Building is at RIBA in London until 12 August 2023. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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glossy red tiles dynamically contrast with lime green counter within spazio maiocchi’s new bar
CategoriesArchitecture

glossy red tiles dynamically contrast with lime green counter within spazio maiocchi’s new bar

Spazio Maiocchi’s bar extension in milan 

 

Spazio Maiocchi, a contemporary art space and cultural hub in the heart of Milan, has recently unveiled its new extension, a vibrant and modern bar. Its striking design, conceptualized by Capsule magazine and architect Paul Cournet, features a bold use of color and clear forms, creating a dynamic contrast between the intense shades of red and green. The eye-catching aesthetic is the result of collaborations with renowned designers, including Konstantin Grcic, and Ettore Sottsass among others. This new extension adds to the already rich cultural scene offered by Spazio Maiocchi, providing a stylish and welcoming environment where visitors can enjoy the Milanese energy.

glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan
all images by Capsule

 

One year after the launch of Capsule magazine (see more here), Capsule Plaza was created as a hybrid between a fair and a collective exhibition. This initiative brought together designers and companies from various creative fields, injecting fresh energy into Milan Design Week. The inaugural edition of Capsule Plaza coincided with milan design week 2023, celebrating the city’s lively design scene. On this occasion, Capsule Plaza unveiled the new extension of Spazio Maiocchi — a striking former garage across the street, renovated by architect Paolo Caracini and Laboratorio Permanente, reaching a footprint of over 1600 sqm and reasserting its presence as a new cultural hub.

glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan

wooden wall tiles by Ettore Sottsass incorporate natural warmth and texture into the space

 

 

a Symphony of Materials

 

The new bar is a natural extension of Spazio Maiocchi’s mission to bring together artists, creatives, and the community to foster cultural exchange. The space boasts a stunning design, featuring a striking combination of materials, such as Mutina DIN tiles in glossy red and matte black, created by Konstantin Grcic, and wooden wall tiles by the renowned designer Ettore Sottsass. The resulting aesthetic is bold and contemporary, while also incorporating natural warmth and texture into the space.

 

Adding to the design’s glossy are the horizontal suspended lamps by Ronan & Erwan Bouroullec and a USM bar counter in lime green. This diverse material choice imparts a sophisticated and timeless aesthetic to the overall composition, with the patterns and forms lending an illusion of space extension. Other details from aluminum shelves and wall sconces to a pedestal sink in rust-colored reinforced concrete contribute their own unique flair to the imposing design.

glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan
the lime green USM bar counter creates a dynamic contrast against the red background.

glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan
horizontal suspended lamps by Ronan & Erwan Bouroullec generate intricate reflections on the glossy walls

glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan
a unique combination of materials, textures, and colors

glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan glossy red tiles contrast with lime green counter within spazio maiocchi's new bar in milan

 

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glossy red tiles contrast with lime green counter within spazio maiocchi’s new bar in milan

 

glossy red tiles contrast with lime green counter within spazio maiocchi’s new bar in milan

 

project info:

 

name: Spazio Maiocchi‘s new Bar | @spaziomaiocchi

designed by: Capsule and architect Paul Cournet

location: Milan

christina petridou I designboom

may 01, 2023



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