Can AI Become the Saving Grace of the Architectural Profession?
CategoriesArchitecture

Can AI Become the Saving Grace of the Architectural Profession?

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.

Recently, I had a discussion regarding Artificial Intelligence (AI) with a seasoned architect who vividly recalled her transition from analog architectural drawing to computer-aided design and visualization. Naturally, through our conversation, many questions were raised:

‘Did the slow process of putting ink to paper allow architects to think more? Did technology expedite the process of design and representation to such an extent that it led to architecture becoming less considerate? Finally, will AI make matters worse?’

Nowadays, technology once again knocks on the architecture’s door, allegedly threatening to stifle any last drop of human-generated creativity, relegating architects to mere spectators in the design process. Yet there is an immense difference between traditional Computer Aided Design (CAD) and AI technology. While the first revolutionized the way architects produce, draw and represent architecture, the era of the AI bloom unlocks new dimensions of what architecture can actually accomplish. In other words, it repositions the role of the architect in today’s world.

For many decades now, architecture as a profession has gradually becoming reduced, to an extent, to large profit-driven developments, frequently opting to occupy every available space with elaborate schemes, rather than producing carefully thought-through design. Oftentimes, the utilization of design software encouraged practices such as copy-paste designs, placing emphasis on exaggerated forms and even prioritizing stunning visualizations over the buildings themselves. Ironically, the speed and digitally aided precision at which architecture was produced left little room for experimentation and added a rigidness during its conception.

AI technology on the other hand, introduces a different mode of thinking and communicating architecture. It prioritizes provocation over resolution, offering architects a canvas upon which to express their artistic vision in new and unexpected ways. By leveraging the capabilities of AI, architects can explore complex geometries, intricate patterns and innovative material combinations that were previously unimaginable. Moreover, AI enables them to tailor designs to specific environmental conditions, cultural contexts, and user preferences with unparalleled care, resulting in truly bespoke and contextualized architectural solutions.

Shail Patel is an architect and AI artist, who has fully assimilated AI in his workflow. His conceptual experimentations are described as realistic-looking dreams that glow in the dark, float on water and put a humorous twist in well-known architectural landmarks. Patel also redesigns retail stores of famous brands such as Apple and Lacoste, clearly showcasing how AI tools such as Midjourney can do more than mere architectural representation. His designs tackle evident challenges that occupy realistic aspects found in commercial architecture, proving that even in the most dreamily conceptualized spaces there is room for architectural application.

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Another “local” AI artist is architect Tina Marinaki, who produces AI-generated surreal images of Athens through her Instagram account @athens_surreal. Her images do not suggest architectural propositions but rather reshape the city, often convey contemporary political, social and environmental messages. Last summer, an image of a pink, melting Parthenon told stories of Athens’ severe overheating due to the lack of sustainable environmental practices. A couple of months ago, she posted a pink cluster of Cycladic architecture filled with waterslides and people, which became a testament to the large numbers of tourists that engulf the Greek islands every year.

Both artists use AI technology to craft imaginative spaces that surpass the concretized representations of our current reality. Their work is not merely Instagram-appropriate images but rather a collection of constructed futures that expose worldwide issues, tell captivating stories and suggest thought-provoking spatial solutions. Additionally, they use real-site data in a profoundly non-restrictive way, informing their designs without stripping them of human imagination. In lieu of perishing over window schedules, building regulations, budget restrictions and technical checklists, AI gives architects the freedom to think, design and visualize in a more strategic manner. It offers an alternative type of “speed” that takes on the repetitive tasks, leaving room for pursuing more impactful, creative endeavors.

Instead of viewing it as a “sci-fi threat”, could AI become the saving grace of the architectural profession? Can this technology put architects back on the board, reinstating them as decision-makers rather than decision-doers?

Architizer’s Tech Directory is a database of tech tools for architects — from the latest generative design and AI to rendering and visualization, 3D modeling, project management and many more. Explore the complete library of categories here.



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Halleroed references Swedish Grace for Toteme flagship store
CategoriesInterior Design

Halleroed references Swedish Grace for Toteme flagship store

Stockholm studio Halleroed has designed fashion brand Toteme’s flagship store in London, which features a sculpture by artist Carl Milles and a steel sofa by designer Marc Newson.

Halleroed designed the store, located on Mount Street in the upmarket Mayfair area, together with Toteme founders Elin Kling and Karl Lindman. The duo wanted its third flagship to feature nods to the brand’s heritage.

“We like the idea of keeping certain elements that we find in our Swedish heritage,” Lindman told Dezeen at the store’s launch event.

“It can be by using certain vintage pieces, or like in [the brand’s Mercer Street store] in New York, we had a collaboration with Svenskt Tenn,” he added. “It’s about lifting this notion of Scandinavian design or Swedish design.”

Interior of Totême store in LondonInterior of Totême store in London
A metal sofa by Marc Newson is among the sculptural details in the store

Halleroed drew on the space itself when designing the interior, focussing on how the light falls.

“We were inspired by the space itself with beautiful original windows letting the daylight in,” Halleored co-founder Ruxandra Halleroed told Dezeen.

“The upper part of the windows was partly hidden, which was a shame, so we redesigned the ceiling with a half vault towards the front to show the full height of the windows.”

Totême London storeTotême London store
A piece by sculptor Carl Milles sits by the entrance

The design also references the work of Italian architect Carlo Scarpa as well as the Swedish Grace movement.

“We were also inspired by the Swedish Grace period – around 1920-30s – that has an elegant and pure design, something we think works well for Toteme as a brand,” Halleroed co-founder Christian Halleroed told Dezeen.

“Also the work of Carlo Scarpa we find interesting, more as a mindset on how to work with details and textures to create a subtle elegance and luxury.”

Cube inside fashion store in MayfairCube inside fashion store in Mayfair
A black mirrored cube features at the rear of the store

Kling and Lindman wanted to keep the feel of “very posh” Mount Street where the store is located, while also underlining the space’s minimalist feel.

To do so, a lot of effort was put into the colour palette and different textured materials used for the flagship store.

“We worked with an off-white palette in different tones and different textures,” Ruxandra Halleroed said.

“The textures are as important as colour and materials. For walls, we have a glossy, off-white stucco, ceiling in same colour but matte. The floor is in a beige, honed limestone with a so-called Opus pattern.”

Milles sculpture inside Totême storeMilles sculpture inside Totême store
Halleroed chose to redesign the store’s ceiling to reveal its windows

In the middle of the Toteme shop, Halleroed created a stone-clad cube that holds shelves, vitrines and niches filled with artworks.

“The volume in the middle is clad with the same limestone, but in three different textures: honed, bush hammered and spiked texture, combined with oxidised dark brass,” Christian Halleroed said.

The store also features a square black volume in the back made from high-gloss stucco and dark brass.

Beige and white interior of London fashion storeBeige and white interior of London fashion store
The minimalist interior has a beige, white and black colour palette

To contrast the minimalist interior, the store is decorated with multiple artworks, including a sculpture by Milles and Newson’s intricately woven steel Random Pak Twin sofa, which Lindman found online.

“He’s a slave to auction houses,” Kling told Dezeen.

“So he found it and sent it to me and I loved it, and we also have a Marc Newsom piece in every store,” she added. “So we thought, ‘this one’s for the Mount Street store’. At that time we only had the signed contract, nothing else.”

Sign outside Mount Street storeSign outside Mount Street store
The store is located on Mount Street in central London

The two founders and Halleroed decided on the gypsum Milles sculpture for the Toteme store together, with Halleroed designing a custom niche to place it in that is made from black high-gloss stucco to contrast the pale artwork.

Halleroed also added vintage Swedish Grace furniture to the store, including armchairs and a coffee table by furniture designer Otto Schulz, a daybed and a mirror in pewter made for the Stockholm Exhibition 1930.

The studio has designed a number of other store interiors, including a Paris boutique for French brand L/Uniform and an Acne Studios store in Chengdu that aimed to combine the futuristic and primitive.

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