Human Material Loop sets out to commercialise textiles made from hair
CategoriesSustainable News

Human Material Loop sets out to commercialise textiles made from hair

Dutch company Human Material Loop is using an unusual waste source to make a zero-carbon wool alternative that requires no land or water use: human hair.

Human Material Loop works with participating hairdressers to collect hair cuttings, which it processes into yarns and textiles and sometimes turns into garments.

Founder and CEO Zsofia Kollar was initially interested in human hair from what she describes as a “cultural and sociological” perspective before she began exploring its material properties.

Sweater made from hair
Human Material Loop turns human hair into yarn and textile for products. Photo courtesy of Schwarzkopf Professional

“Delving into scientific studies about hair revealed not only its unique characteristics but also the stark reality of excessive waste generated,” Kollar told Dezeen. “This realisation became a catalyst for a clear mission: finding sustainable ways to utilise hair waste.”

Elsewhere, human hair mats are being used to mop up oil spills and to create biodegradable stools, but Kollar honed in on the textile industry as the best target for her aspirations.

“Not only is the textile sector one of the largest markets in our economy, but it also ranks among the most environmentally taxing industries,” said Kollar.

Photo of five fabrics made of human hair folded and stacked on top of each other. They each feature small geometric patterns in shades of black, white and dark blue
The company wants to tackle the environmental impacts of the textile industry. Photo by Medina Resic

“Throughout history, we’ve utilised a variety of animal fibres in textiles, yet our own hair, composed of the same keratin protein as wool, often goes overlooked,” she continued. “Why not treat human hair as we would any other valuable textile fibre?”

According to Kollar, the use of human hair eliminates one of the major sources of greenhouse gas emissions in the textile industry: the cultivation of raw materials like cotton plants or farming of sheep for wool.

Waste hair does not degrade any soil, require any pesticide, pollute any water or produce any greenhouse gas emissions, she points out.

Photo of a pair of hands scrunching up a thick piece of black and white textured fabric
The textiles have many desirable attributes, says the company. Photo by Medina Resic

At the same time, hair has properties that make it highly desirable. It’s flexible, it has high tensile strength, it functions as a thermal insulator and it doesn’t irritate the skin.

Human Material Loop has focused on developing the technology to process hair so it can be integrated into standard machinery for yarn and textile production.

The company has made the waste hair into a staple fibre yarn – a type of yarn made by twisting short lengths of fibres together – and has several textiles in development.

It has also made a few complete garments, most recently a red sweater-like dress created in collaboration with the company Henkel, owner of the Schwartzkopf haircare brand.

Photo of a woman's torso wearing a deep red knit sweater
Human Material Loop’s collaborations have yielded products such as this knit dress, made with the company Henkel. Photo courtesy of Schwarzkopf Professional

The dress is intended for display at hairdressing events, as part of an initiative to foster discussion about alternative salon waste-management ideas.

Seeing completed products like these, Kollar said, helps to ease the discomfort or disgust that many people feel around using products derived from humans.

“Surprisingly, the material looks utterly ordinary, akin to any other textile,” she said. “A fascinating transformation occurs when individuals touch and feel the fabric. Their initial scepticism dissolves, giving way to a subconscious acceptance of the material.”

Photo of a piece of black and white thick woven fabric lying flat on a surface
People’s discomfort around the use of human hair is said to fade when they see the fabric

“The rejection usually stems from those who’ve merely heard about it without ever laying eyes on the garments themselves,” she continued. “It’s a testament to the power of firsthand experience in reshaping perceptions”

Kollar says Human Material Loop will also be targeting the architecture and interiors products market, for which she believes hair’s moisture resistance, antibacterial properties, and acoustic and thermal attributes will make it an attractive proposition.

The company has a commercial pilot scheduled for 2024 and also aims to create a comprehensive fabric library for brands and designers.

Photo of a pale woven textile made of hair by Human Material Loop
The company plans to make a build a full fabric library

Kollar had been making experimental textiles like a golden, scented tapestry woven from blonde hair for many years before setting out to commercialise the venture with Human Material Loop in 2021.

She is not the only designer to have attempted to utilise wasted hair cuttings. In recent years, Ellie Birkhead incorporated the material into region-specific bricks and hair was used to measure urban pollution in Bangkok.

Reference

ASKA uses organic shapes and pastel colours for Maria Nila hair salon
CategoriesInterior Design

ASKA uses organic shapes and pastel colours for Maria Nila hair salon

Swedish architecture studio ASKA has refurbished haircare brand Maria Nila’s headquarters and salon in Stockholm, creating an undulating ceiling installation that looks like dripping shampoo.


The Stockholm-based firm used a palette of soft pink, peach and turquoise colours that reference Maria Nila’s products to transform its headquarters in a four-storey townhouse.

Pastel plastic installation
A plexiglass installation decorates the entrance

“The interior space before the renovation had a very neutral, impersonal feel to it and followed a white and grey colour scheme,” ASKA co-founder Madeleine Klingspor said.

“At ASKA, to the contrary, we always strive to create strong and flavoured environments by defining and highlighting the unique essences within each project.”

Green-checked marble floor
The chequered marble floor was preserved

The studio preserved some of the original details in the building, including a green chequered marble floor and a wooden staircase, while the rest of the space was fully refurbished.

“To add a layer of the uniqueness of Maria Nila as a brand most other parts of the interior was changed,” Klingspor said.

“Some thinner interior walls were torn down, most surfaces were repainted, new flooring was partly added as well as all bathrooms fully renovated.”

Maria Nila salon in Stockholm
Pastel shelving with undulating shapes decorate the salon

The 650-square-metre building has 30 rooms, including five bathrooms, and houses both Maria Nila‘s public and private spaces.

Though each room has a unique look, all were designed to create a coherent relationship between the existing architecture and the new interior details.

Specially designed shelves for beauty products
The colour scheme was informed by the brand’s product packaging

“The program is distributed in a way where the entrance floor is the most public and then gradually the spaces become more private and workspace-oriented the higher up that you get,” ASKA co-founder Polina Sandström said.

“The reception, salon, beauty bar, conference and meeting areas make up the first floor while the second floor is well adjusted for larger gatherings and events including a kitchenette, a viewing room and a bigger break-out space,” she added.

Art installation made from plexiglass
The four-storey townhouse has 30 rooms

At the entrance, ASKA installed a pale-pink art installation made from form-cut plexiglass designed to resemble shampoo dripping from the ceiling.

Much of the furniture was specially designed for the project, including product shelves, sofas and a beauty bar made from wood and MDF.

“Besides that, we chose to bring in products from companies that use sustainable materials, for example, a custom-made tabletop from Smile Plastic, a company that only uses waste materials in their products,” Klingspor said.

The new interior design was informed by the haircare brand’s own products, an influence that is most notable in the pastel colour palette.

Pastel colour palette
Existing architecture was incorporated into the design

“The colour scheme chosen for the different spaces throughout the building refers to the different haircare lines of Maria Nila,” Sandström said.

“These pastel colours are one of the main identities of the brand and we decided early on that this was one of the unique essences that were important to bring to the surface through our design.”

Lounge room in Maria Nila headquarters
Playful tables by Gustaf Westman add a fun touch to the lounge space

ASKA also designed numerous undulating wall shelves to hold haircare products. Painted in matching gradient hues, these were informed by nature.

“The organic shapes are inspired by elements found in nature such as the forest, ocean, coral reefs and caves,” Sandström said.

Pink mirror in hallway
An upstairs hallway has modern furniture in soft peach hues

“This soft and playful architectural language together with the pastel colours gives the interiors a unique visual identity,” she added.

Other playful hair salon interiors include Studio Roslyn’s design for a salon that is the “lovechild of art deco and Cyndi Lauper” and an avocado-green Beijing salon informed by space-age design.

Photography is by Mikael Lundblad.

Reference