Nālukettu, Ettukettu and Pathinarukettu: The Architectural Heritage of Kerala, India
CategoriesArchitecture

Nālukettu, Ettukettu and Pathinarukettu: The Architectural Heritage of Kerala, India

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Uniquely positioned on the Malabar Coast in the southwest of India sits the diverse state of Kerala. Bordered by the lush Sahyadri mountain range and dappled with extensive backwaters, this tropical region has been shaped by the land’s immense fertility that has supported a rich agricultural tradition for centuries. Thanks to its strategic location along ancient trade routes, with spices like pepper and cardamom being significant exports, Kerala has always been a melting pot of cultures.

The thriving coastal area is somewhat unique in India, topping various human development indices for its commitment to social welfare, healthcare accessibility and education. By prioritizing people over profits, Kerala often serves as a model for other areas of India and various developing countries.

House of Generations by City Futures Design Collaborative, Edappally, Kochi, India.

Like much of India, the traditional joint family system, known as Tarawad, played a central role in Kerala’s social fabric. This arrangement of extended families living together under one roof, often with several generations cohabiting, is not unique to India but was historically the custom of the matrilineal communities that were common to the area.

As a result of the various influences shaping Kerala’s identity, architecture tailored to the region’s climatic conditions, familial dynamics, and societal traditions emerged, swiftly establishing itself as the standard. Three distinct types of built structures, known as Nālukettu, Ettukettu, and Pathinarukettu, became the norm throughout the area. While many architects outside of this region may be unfamiliar with these terms, the ideas of social cohesion that the buildings put forth merit consideration in their own right.

1. Nālukettu

Niraamaya Retreats Backwaters & Beyond by Edifice Consultants Pvt. Ltd, KL, India

Nālukettu, the simplest of the three styles, was the traditional homestead of upper-class families. Featured sloping tiled roofs, thick walls and verandas, which were designed to protect against heavy rains and hot summers, these homes were constructed under the principles of Vastu Shastra.

Rooted in Vedic knowledge, Vastu Shastra aims to balance the five fundamental elements — earth, water, air, fire and space — within the built environment as a way to promote the well-being, happiness, and prosperity of its inhabitants. The philosophy is based in science but goes beyond typical construction methods to create spaces with specific qualities and energies. These beliefs influence the design and positioning of rooms, doors and windows to optimize the flow of positive energy. It is a design philosophy still practiced in India today, although more loosely, that respects natural resources and ecological balance. It guides everything from site selection to building orientation to ensure sunlight is harnessed in the best possible way.

The term “Nālukettu” means “four blocks” and refers to the four halls or buildings that surround the central open courtyard, which is the feature characteristic of this type of residential dwelling. A symmetrical layout with a nadumuttam (central courtyard) — the focal point of the household is typical of a Nālukettu home. The nadumuttam is an essential addition as it ensures ample light and ventilation, creating a microclimate perfect for the humid tropical weather of Kerala. As the name suggests, ‘four blocks’ — the Northern, Southern, Eastern and Western wings, known respectively as Vadakkini, Thekkini, Kizhakkini, and Padinjattini — are designed according to their functions, such as sleeping quarters, kitchen, storage and ceremonial spaces. Of the three residential styles, Nālukettu were the most common and were typically the least ornate.

2. Ettukettu

Niraamaya Retreats Backwaters & Beyond by Edifice Consultants Pvt. Ltd, KL, India

Ettukettu takes the concept of Nālukettu further with an additional four halls, making it an eight-hall structure with two central courtyards. The term “Ettukettu” literally means “eight blocks.” The larger form was developed to accommodate larger joint families or to signify wealth and social status, and the addition of the second courtyard was believed to enhance the socio-cultural and environmental aspects of the traditional Kerala homes. They provided more light, better ventilation, and increased space for communal activities.

Ettukettu houses are less common due to the complexity of their construction and the higher costs involved in building them. These detailed structures required precise planning and skilled craftsmanship to ensure balance and symmetry, as well as to maintain the environmental integrity of the design that was essential in the practice of Vastu Shastra.

3. Pathinarukettu

Estate Plavu by Earthitects, Wayanad, KL, India

Estate Plavu by Earthitects, Wayanad, KL, India

The largest of the three styles, Pathinarukettu, is the most elaborate form of traditional Kerala architecture, consisting of a mammoth sixteen blocks arranged around two central courtyards. The term “Pathinarukettu” unsurprisingly translates to “sixteen blocks.” These buildings were rare in Kerala and were usually reserved for the wealthiest families and local rulers. It is the pinnacle of traditional architectural sophistication, accommodating large families and facilitating grandiose social gatherings and ceremonies.

Pathinarukettu houses are architectural marvels, and today, some have been retained as museums and heritage sites or public buildings. More so than Ettukettu and Nālukettu, Pathinarukettu homes are full of intricate woodwork and detailed carvings, expansive outdoor spaces, and elaborate gabled roofs. They are the pinnacle of Indian craftsmanship and the architectural ingenuity of the time.

Estate Plavu by Earthitects, Wayanad, KL, India

The traditional architectural forms of Nālukettu, Ettukettu, and Pathinarukettu hold deep cultural and social significance in Kerala. These structures, with their unique design, have been pivotal in hosting a variety of cultural festivities, family life events and social gatherings, and they reflect the communal ethos of Keralite society. The open courtyards, spacious verandas and interconnected rooms allowed for not only the flow of natural elements like air and light but also nurtured the flow of social interactions and intergenerational communal living.

Festivals such as Onam and Vishu, as well as family ceremonies, were celebrated with grandeur in these homes. These traditional buildings underscored the importance of social cohesion, with spaces that encouraged gatherings and collective living, reinforcing the bonds within families and the wider community, something deeply sought after in today’s architecture.

Driven by a blend of nostalgia for heritage, an understanding of the ecological benefits of traditional architectural wisdom, and the unmistakable allure of these beautiful structures, there has been a resurgence of interest in Nālukettu, Ettukettu, and Pathinarukettu recently. The people of Kerala are expressing a desire to reconnect with their cultural roots, sustainable living practices, and the aesthetic richness that was inherent in these traditional designs.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

Cox Architecture celebrates heritage features of its own Sydney studio
CategoriesInterior Design

Cox Architecture celebrates heritage features of its own Sydney studio

A brick, steel and timber structure is left exposed in this office interior in Sydney, which local firm Cox Architecture has revamped to house its own studio.

Cox Architecture removed previous alterations to the structure, which occupies five floors of the heritage-listed Metcalfe Bond Stores warehouse in Tallawoladah, to highlight its original features and complement them with pared-back, flexible workspaces.

Cox Architecture design studio office in Sydney
Cox Architecture has designed its own studio in a Sydney warehouse

“Our objective was to do more with less, balancing the poetic with the pragmatic,” explained the studio.

“Restrained interventions allow the heritage to be the hero and minimise the project’s embodied energy,” it continued. “Our starting point was a process of reduction, removing non-heritage elements to create clarity.”

Interior view of office space by Cox Architecture
The studio exposed its existing structure

The interior is defined by the original steel and timber structure’s columns and beams that have been painted white, and the brickwork of the outer walls that are left exposed.

New elements such as glass doors and walls, room dividers, curtains and furniture were chosen to touch the existing structure “as lightly as possible”, and feature alongside dark-wood carpentry and gallery-style lighting tracks.

View of office interior featuring a steel and timber structure
Dark-wood carpentry features throughout

The workspaces themselves are designed to be flexible and “hackable”, allowing areas to be reconfigured and subdivided easily by staff.

This includes a forum space on the fifth level of the building, which has a wall lined with magnetic whiteboards and can be used as anything from a collaborative workshop space to a presentation area for 200 people.

Alongside it is a kitchen with a backdrop of exposed brickwork and two long counters topped with unsealed brass that will patinate over time.

A black-steel stair leads up to a mezzanine level above containing further desk spaces. This sits at the top of the building, lit by skylights in the apex of the pitched roof.

View of workspace by Cox Architecture in Sydney
The workspaces are designed to be flexible

“Anchored by a generous kitchen, a flexible forum space is a magnet for serendipitous exchange between Cox’s own people and the wider design community,” said the studio.

“The majority of elements within the space are movable, creating an experimental, nimble workspace allowing teams the autonomy to control their space and future-proofing the studio as the workplace evolves,” it continued.

Cox Architecture design workspace interior in Sydney
The presentation space is lined with magnetic whiteboards

Facing the street, Cox Architecture created a “shopfront window”, giving staff the opportunity to populate vitrines with the studio’s work.

Cox Sydney Studio has recently been shortlisted in the large workplace interior category of Dezeen Awards 2023. Another office interior completed by the studio is the Midtown Workplace in Brisbane, which features a large, plant-filled atrium with by a weathered-steel staircase.

The photography is by Nicole England and Cameron Hallam.

Reference

Matteo Thun draws on Czech art heritage for design of The Julius Prague
CategoriesInterior Design

Matteo Thun draws on Czech art heritage for design of The Julius Prague

Italian architect Matteo Thun looked to the work of Czech artists Alphonse Mucha and František Kupka for the interior design of this Prague hotel, which features pastel colours and natural materials.

Located in an art deco building in the city centre, The Julius Prague has apartment suites with kitchenettes as well as smaller hotel rooms that were designed to have the feel of a home-away-from-home.

A hotel room at The Julius Prague
Matteo Thun used soft colours for the guest rooms at The Julius Prague

“In exploring new forms of living, we had to think about how to create that home-away-from-home feeling – providing privacy and independence, whilst also offering flexible communal spaces such as co-working areas, meeting rooms, and open lounges,” Thun told Dezeen.

“The rooms are designed as apartments, and the public areas are conceived as an extension of the rooms.”

Conservatory in courtyard of Czech hotel
Rooms overlook a central courtyard

The interior design of the colourful hotel was influenced by the way in which Czech Art Noveau painter Alphonse Mucha and Czech abstract painter František Kupka used colours.

Mucha’s soft, pastel hues were used for the guest rooms, many of which overlook a central courtyard with a light-filled conservatory, while Thun looked to Kupka’s brighter colour palette for the communal areas.

Restaurant with rust-coloured chairs
The hotel’s lighting was informed by bohemian glass work

“Inspired by Mucha’s work, we selected a pared-back palette and pastel hues for the guest rooms, working with natural materials and soft textiles to create a calming and welcoming atmosphere,” Thun said.

“Meanwhile in the communal areas we chose a more vibrant colour palette, drawing on Kupka’s abstract pieces, for a more energetic atmosphere,” he added.

“For lighting, we were inspired by the bohemian art glass work, emitting a warm ambient glow.”

Green walls and orange chairs in hotel restaurant
More vibrant colours were used in the communal areas

Tactile natural materials were used throughout the hotel, including in the bathrooms, which are clad in a striking marble-effect ceramic tile.

“We used ceramic tiles with a marble effect from a leading Italian tile producer for the floorings of the public areas and the kitchens and bathrooms of the residences,” Thun said.

“We love to work with natural materials and have used oak-flooring for the serviced residences, featuring spacious living environments with open kitchen and generous smart-working spaces,” he added.

“Throughout The Julius, custom-made furniture and pieces ensure every space arouses curiosity.”

Bathroom interior at The Julius Prague
Bathrooms were clad in ceramic tiles with a marble effect

The Julius Prague is the first hotel from the Julius Meinl family, a gourmet-food retailer and manufacturer based in Vienna that Thun has previously worked with.

“We have enjoyed a rewarding relationship over the last 15 years and their flair continues to be invaluable in channelling design towards authentic, novel and inspirational projects,” Thun said.

A wall with small potted plants and a bench
The hotel was designed as a “home-away-from-home”

“In this case we have contributed our experience to their first hospitality project, designing a timeless scheme in tune with new expectations: a contextually aware nomadic way of living,” he added.

Other recent projects in Prague include a pop-up market with a turquoise scaffolding design and a spa with curved-cement walls and glass detailing.

The photography is by Gionata Xerra.

Reference

Ethical accessory brand celebrates heritage crafts
CategoriesSustainable News

Ethical accessory brand celebrates heritage crafts

Spotted: Social enterprises are a type of business that earns profits for the benefit of a local community. One such organisation in Malaysia, the Earth Heir accessory brand, works with weavers and jewellers to produce handmade bags, baskets, jewellery, stationery, and more. The company spent more than a year earning its Fair Trade certification by the World Fair Trade Organization (WFTO), and works with refugees as well as local artisans.

Earth Heir helps individuals and groups of artisans design a product to sell. The company then provides additional support in the form of education and training for sustainable business longevity. As well as selling directly from its website, the company also accepts commercial commissions for events and individual products and matches artisans with requests.  

The Made51 jewellery line is the result of the brand’s partnership with the United Nations High Commission for Refugees (UNHCR). Making the jewellery helps people in some of the most insecure situations improve their finances – something that is particularly powerful in locations where the host country does not allow refugees to work.  

With ethical consumption becoming a more common goal for many people, artists around the world are providing the means to shop sustainably. Springwise has spotted a South African social enterprise working with young people with disabilities and special needs to help them earn a living from their craftwork. And an e-commerce platform centred on Mexican handicrafts provides a transparent supply chain that supports some of the country’s most vulnerable artists.  

Written by: Keely Khoury

Email: team@earthheir.com

Website: earthheir.com

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