Hidden Secret: How Energy Usage Was Transformed in Marcel Breuer’s Iconic Hotel
CategoriesArchitecture

Hidden Secret: How Energy Usage Was Transformed in Marcel Breuer’s Iconic Hotel

With climate change now firmly at the forefront of every architects’ mind, new innovations that help reduce carbon emissions are more critical than ever. While flashy façades and green roofs often take the headlines, it’s actually the hidden components of buildings — those elements concealed behind walls, in roof spaces, or within maintenance floors — where the most groundbreaking energy-efficient systems can be found.

Mitsubishi Electric’s Heat2O® Heat Pump Water Heater is a prime example. Through energy-efficient operation and reduction of on-site carbon emissions, this cutting-edge system significantly reduces the environmental impact of producing large volumes of Domestic Hot Water (DHW), a key consideration for hospitality, commercial and multi-unit residential projects.

Thanks to its modular design, the Heat2O system can be harnessed for complex adaptive reuse and renovation projects as well as new constructions. Notably, the technology was put to use in the iconic Hotel Marcel, a $50 million adaptive reuse of the historic Pirelli building, designed by Marcel Breuer. With the goal of becoming the first net-zero hotel in the United States, the installation of Heat2O is helping the building secure its LEED® Platinum certification.

Hotel Marcel, formerly the Pirelli building, designed by Marcel Breuer

Architizer spoke with the bright minds behind Mitsubishi Electric’s latest systems to learn more about how the brand is innovating to meet the increasingly ambitious environmental goals of its clients.

Architizer Congratulations on winning a 2022 A+Product Award! What does winning this accolade mean to you and your brand? 

Mitsubishi Electric: As a company, Mitsubishi Electric Trane HVAC US works toward contributing to a more sustainable society by developing and promoting energy-saving all-electric products and systems that will reduce the use of fossil fuels in the heating and cooling industry. Being recognized for our efforts in this area is significant and means a great deal. Recognitions such as this confirm we’re on the right track and provide momentum in moving forward to reach our goals.

What inspired the design of your product?

Heat2O has been available overseas for several years. After witnessing its positive impact on a building’s energy efficiency and carbon footprint, we wanted to bring this technology to the U.S. market. Domestic Hot Water (DHW) required by multifamily buildings, hotels, hospitals, senior living facilities and other commercial spaces accounts for roughly 25% of these buildings’ annual energy usage. Until the introduction of Heat2O, the U.S. building industry lacked an energy-efficient solution to provide high-volume DHW for commercial buildings.

Tell us about the manufacturing process — What are the key stages involved and how do these help ensure a high quality end product?

To produce the Heat2O QAHV units, Mitsubishi Electric uses a “cell manufacturing process” whereby one person is responsible for each step of the assembly process. Each person is trained at a high level and has an electronic display to ensure they follow clear guidelines/instructions in the process.

Once the unit is assembled it goes through a full functionality test, including electrical safety and operational testing. All test data and unit information including the people who assembled the product are recorded and assigned to the serial number of the product. This ensures that an audit can be performed, and data retrieved post sale if required.

Mitsubishi Electric’s Heat2O® Heat Pump Water Heater

What detail of your product was most challenging to design, and why? How did you resolve it?

The most challenging aspect was the heat exchange between the CO2 refrigerant and water circuit. The heat exchanger is a unique and patented design and is called the “Twisted Spiral Gas Cooler.” The challenge was to provide the best possible efficiency while still maintaining a relatively small footprint. This was overcome by using a unique design and using a twisted coil approach, with six of the heat exchangers stacked above one another.

What makes your product unique and of great value to specifying architects?

The all-electric, cold-climate Heat2O Hot Water Heat Pump reduces the environmental impact of DHW through energy-efficient operation and using CO2 refrigerant. CO2, a natural and environmentally friendly refrigerant with a global warming potential (GWP) of one and an ozone depletion potential (ODP) of zero, helps commercial facilities qualify for rigorous sustainability certifications such as passive house status. Using Heat2O reduces on-site carbon emissions in the production of domestic hot water.

Bathroom in the new Hotel Marcel

What has the reception to your product been like from architects/clients/consumers?

We launched Heat2O in select markets. So far, the demand has been phenomenal. One of the most notable installations was in the $50 million adaptive reuse of the historic Pirelli building in New Haven, CT, into Hotel Marcel, which is projected to be the first net-zero hotel in the United States. Aiming for LEED® Platinum certification and a 60% increase in energy efficiency compared to code requirements, Heat2O was installed to achieve the project’s aggressive sustainability goals.

How do you see the product evolving in future?

Efficiency improvements will always be a driving factor and goal, together with evolving controls options. There are also many opportunities to combine QAHV with other future products in the Mitsubishi Electric portfolio.

To find out more about Mitsubishi Electric, visit MitsubishiComfort.com, and reach out to one of their experts to learn how to incorporate the Heat2O into your next project.

All photos courtesy of METUS

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The hidden environmental impacts of getting mass timber wrong
CategoriesSustainable News

The hidden environmental impacts of getting mass timber wrong

Architects are increasingly using mass timber in the hopes of creating net-zero buildings but carbon assessments are missing key sources of potential emissions, researchers tell Dezeen in this Timber Revolution feature.

The standard method for determining a building’s overall carbon footprint is a whole-building life-cycle assessment (LCA) that breaks down emissions at every stage – from the sourcing of raw materials to their ultimate disposal.

These calculations tend to indicate significantly lower emissions for timber structures compared to those made entirely out of concrete and steel. But experts warned that LCAs only tell part of the story.

“LCAs do not typically consider anything that happens in the forest,” said forester and timberland manager Mark Wishnie.

“And the land management side is, from a climate perspective and a biodiversity perspective, enormously important,” added Steph Carlisle of the Carbon Leadership Forum research group. “That’s really where all the action is.”

End-of-life “very, very important”

Because so few mass-timber buildings have been constructed – let alone demolished – researchers are also unable to reliably forecast what will happen to engineered timbers at end of their life and what emissions this would entail.

“There’s not a lot of data available to predict end-of-life and that can be very, very important,” Wishnie said.

This leaves both researchers and architects with an incomplete picture of mass timber’s climate impacts, which urgently needs to be addressed if the industry is to scale up sustainably without adverse effects on the environment.

Skeleton of mass-timber building
Mass timber offers one potential route to achieve net-zero buildings. Photo by George Socka via Shutterstock

“We need better transparency and traceability,” Carlisle said. “When architects use tools and they don’t necessarily know what’s going on behind them, they can really mislead themselves about the real emissions.”

“If we get this right, it has such incredible potential,” added Robyn van den Heuvel of the Climate Smart Forest Economy Program. “Not just for the built environment but also to ensure forests are sustainably managed.”

“But there are incredible risks of getting this wrong. It could result in the exact opposite effects of what we’re trying to create.”

Badly harvested timber has higher embodied emissions

Timber’s climate potential lies in its ability to sequester large amounts of CO2 from the atmosphere during its growth – in contrast to common building materials like concrete and steel, which mostly just produce emissions.

As a result, mass timber has been widely hailed as a way to help architects make their buildings net zero and, by extension, help the built environment mitigate the 13 per cent of global emissions that stem from the construction of buildings and the materials used in the process.

Research indicates that substituting wood for steel and concrete in mid-rise buildings could reduce emissions from manufacturing, transport and construction by between 13 and 26.5 per cent, depending on the building’s design, the exact wood products used and where they are shipped from.

But due to a lack of data, the International Institute of Sustainable Development (IISD) has warned that LCAs can gloss over the huge impacts that forest management and end-of-life can have on the overall climate impact of a mass-timber product.

Forest management is an important part of the equation, not just because it can help to prevent deforestation and protect biodiversity but also because it has a huge impact on a forest’s ability to act as a carbon sink.

Felling all the trees in a forest at the same time, in a method known as clear-cutting, can generate significant emissions by disturbing the soil and releasing the carbon it stores, which accounts for almost 75 per cent of a forest’s total carbon stock.

When this is combined with other harmful practices such as converting old-growth forests into tree plantations, this could actually make a timber building more emissions-intensive than a concrete equivalent, the IISD suggests.

“It’s neither true that all wood is good, nor that all wood is bad,” said Carlisle. “Architects really need to understand that it matters where your wood comes from.”

Forest certifications falling short

However, none of these important land-management impacts – whether good or bad – are reflected in typical life-cycle assessments.

“They don’t account for an increase in forest carbon stock or a decrease in forest carbon stock, an increase in forest area or a decrease in the forest area,” said Wishnie.

“Often, if you’ve got that wrong, it doesn’t matter what else is happening in the value chain, you already have a bad carbon story,” agreed van den Heuvel, who leads the non-profit Climate Smart Forest Economy Program.

To some extent, these concerns are addressed by forest certification schemes – the most comprehensive being FSC, which covers crucial factors such as forest health, biodiversity, water quality, and Indigenous and workers’ rights.

But these certifications do not require forestry companies to track and quantify how different management practices impact the carbon stock of a forest, which makes them impossible to represent in the LCAs used by architects and building professionals.

6 Orsman Road by Waugh Thistleton Architects in London
6 Orsman Road is a demountable timber building by Waugh Thistleton. Photo by Ed Reeve

“Right now, I have no way of representing FSC-wood accurately in a life-cycle assessment model,” said Carlisle, who is a senior researcher at the Carbon Leadership Forum.

“There’s a lot of work happening on the certification side to do that research and publish it so it can come into our models. And we really need it because it’s not going to be sufficient in the long run for certification to be a stand-in.”

FSC certification is applied to 50,000 companies globally, making it harder for architects to discern which of these companies provides the best forest management and the most sustainable, lowest-carbon product so they can vote with their wallets.

“As the user, I can’t really make choices,” said Simone Farresin, one-half of design duo Formafantasma. “I can’t evaluate if one seller is better in community support or another in sustainable growing. It’s certified and that’s it. It’s not specific.”

“When you’re looking at materials, you have all these different grades of quality,” he continued. “And we need to reach the same in terms of sustainability – we need to be able to detect these different grades.”

“No consensus” over end-of-life emissions

Another area that is lacking in reliable information, and therefore hard to represent in LCAs, is what happens when a mass-timber building is demolished.

“There is a lot of debate about how to model end-of-life and it gets really contentious really quickly,” said Carlisle. “There is no consensus. The fight is very live.”

If a building was designed for deconstruction and its timber components are reused, this could offer substantial carbon and ecosystem benefits – providing continued long-term carbon storage while reducing the need for renewed logging as well as for emissions-intensive steel and concrete.

A small number of architects have begun to deliver demountable mass-timber buildings to facilitate material reuse, such as Waugh Thistleton’s 6 Orsman Road in London.

However, most timber demolition waste today ends up in either landfills or incinerators, with both scenarios resulting in some net emissions.

“Depending on what country you’re in, that waste looks very different,” said van den Heuvel. “But that also has a really massive impact on your total carbon story.”

In the case of incineration, all of the carbon stored in the wood would be released into the air, negating any storage benefits but potentially generating renewable electricity in the process if burned for biomass energy.

In a high-quality modern landfill, on the other hand, engineered wood products are estimated to lose only around 1.3 per cent of their carbon, although part of this carbon is released as methane – a powerful greenhouse gas that is 80 times more potent than carbon dioxide over a 20-year period.

“This is counterintuitive to people,” Carlisle said. “But you see very small emissions at end-of-life from landfills because that material is largely considered sequestered and stored permanently.”

“We can’t aim for perfection”

Crucially, estimates about end-of-life emissions are mostly based on products like medium-density fibreboard (MDF), which are less elaborately engineered than structural materials such as cross- and glue-laminated timber and so may respond differently.

“There is more uncertainty around what will actually happen at end-of-life because there are so few mass-timber buildings,” Carlisle said.

Researchers and institutions such as the Carbon Leadership Forum and the Climate Smart Forest Economy Program are working hard to fill in these gaps. And ultimately, they argue that governments must set national and international standards to ensure responsible sourcing and disposal if we hope to accurately assess and realise mass timber’s climate potential.

But in the meantime, all parts of the timber value chain – from forest managers to manufacturers and architects – should be more transparent about their carbon accounting.

“I would hate to see a world in which we stop everything to make sure all the certification is perfect,” said van den Heuvel. “Because buildings are still going to get built. And if we’re not using mass timber, we’re using a product that’s going to be even worse for the environment.”

“We’re running out of time, so we can’t aim for perfection. We should aim for good enough and transparency around it so that others can improve.”

The top photo is by Maksim Safaniuk via Shutterstock.


Timber Revolution logo
Illustration by Yo Hosoyamada

Timber Revolution
This article is part of Dezeen’s Timber Revolution series, which explores the potential of mass timber and asks whether going back to wood as our primary construction material can lead the world to a more sustainable future.

Reference

Embodied Carbon: Reduce Your Home’s Hidden Carbon Footprint
CategoriesSustainable News Zero Energy Homes

Embodied Carbon: Reduce Your Home’s Hidden Carbon Footprint

Operational carbon is usually what we think of when energy costs are discussed. That is, carbon emissions that come from the energy used to power our homes, cars, etc. over their lifetime. Your home’s energy efficiency comes into play here. Generally, operational carbon emissions can be modeled and predicted, so you can compare one appliance or building product against another. Often, a label will show how much energy a certain appliance is likely to draw over a lifetime of operation, or how much a well insulated house will reduce your energy needs annually. But embodied carbon takes this modeling to a whole ’nother level.

Embodied carbon is the carbon footprint of a product, process, or service starting with the extraction of raw materials through the manufacturing process to market (cradle to gate) and then beyond to delivery and installation (cradle to site). Operational carbon is often considered separately, but adding the carbon embodied in a product’s end-of-life disposal (cradle to grave) or reuse or recycling (cradle-to-cradle) gives a complete lifecycle analysis. In other words, embodied carbon represents the total amount of greenhouse gases (including CO2) emitted during extraction, transportation, manufacture, delivery and deployment, and then end-of-life. Looking at both the embodied carbon and the operational carbon give you the true “carbon cost” of your product or project.

Let’s picture a new countertop for your kitchen. The embodied carbon of that countertop that you will enjoy in your home comprises the energy that goes into mining the stone, transporting the raw material from the mine to a facility for processing, its processing and preparation (cutting, strengthening, and polishing), transporting to a wholesaler, and then to your home where we include the energy emissions of cutting to size and setting it up in your kitchen. And finally its end-of-life, which hopefully includes reuse or recycling wherever possible.

Hardware store assortment, shelf with stainless steel mortise sinks, nobody. Building materials and tools choice in diy shop, rows of products on racks

Embodied carbon hides in your home

For homes, the biggest sources of embodied carbon are typically in materials. Many common materials used in construction, such as concrete, stone, steel, and lumber, tend to be high in embodied carbon either due to energy-intensive extraction or manufacturing processes. Even products made from rapidly renewable materials, or by a manufacturer that uses renewable energy, may waste a lot of water, or raw or finished materials. Or the product must travel overseas, or lasts only a short time before it heads for the landfill and must be replaced.

An exception to looking for the lowest carbon equation would be if the building materials are used for carbon sequestration. For instance, natural renewable materials such as wood from sustainable forests, or wool, or bamboo will hold carbon safely within the walls and furnishings of your home, while the natural source is replenished and continues to grow and pull more carbon from the atmosphere.

To reduce the embodied carbon in your home, as the saying goes, you can’t manage what you don’t measure. The most accurate analysis of the embodied carbon in extraction, transportation, and manufacturing is going to come from the product manufacturer. Eco-conscious companies often use environmental product declarations (EPDs) and post the data on their websites. These look beyond carbon and account for multiple environmental impacts. Further, they provide a lifecycle assessment (LCA), and include both embodied carbon through end-of-life and operational carbon.

Experts can help

Many software tools exist to help conduct LCAs. One of the best free tools out there is the Embodied Carbon in Construction Calculator (EC3). This tool can technically be used by anyone, but it is most efficient if used between your architectural, engineering, and construction professionals along with a trained sustainability professional or firm. Increasingly, the emphasis shifts to embodied carbon as building codes call for increased energy efficiency, and more homes and utility grids are powered by renewable energy—thus significantly lowering the carbon footprint of operational carbon emissions.

By looking at these issues, weighing pros and cons, we can help reduce the embodied carbon and thereby the total lifecycle carbon in our homes. Particularly in new construction and all-electric homes, just a few adjustments in key areas—insulation, cladding, and concrete—can make strides toward meeting our collective climate change commitments and averting the worst of the climate change catastrophes to come.

 

The Author: Sustainability Consultant Arnaldo Perez-Negron is an environmentalist and social entrepreneur based in the Tampa Bay area.

 

Energy Efficient Homes Zero Carbon renovation.

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Ginza Ecological Map by Hakuten presents the “hidden story of Ginza”
CategoriesInterior Design

Ginza Ecological Map by Hakuten presents the “hidden story of Ginza”

Design studio Hakuten has created a three-dimensional map of Ginza, Tokyo, that presents the ecology that exists in the district.

The Ginza Ecological Map, which was featured in the Japanese makeup brand Shiseido‘s Hakuten’s window, was designed to “carefully express the impression of the location and the history of the city, with a hidden story of Ginza”.

A photograph of someone looking at the Ginza Ecological Map
The map showcased the local ecology in the area

It spotlighted the natural elements found throughout the district, including samples of trees, plants, insects and earth, with the intention of enhancing the local community’s knowledge of its district’s ecology. Each item was presented in one of 72 windows – similarly to how scientific specimens are exhibited in museums.

The exhibition ran throughout 2021 and across two themes: Organisms, which presented insects and cuttings from plants, and Earth – showcasing the diversity of soils found throughout the district.

The Glothistle arranged in a clock-like motif
Parts of the glothistle plant were arranged in a clock-like motif to represent the district’s Wako clock tower

“We care­fully displayed this ecology in the window as if they were scientific specimens,” said Hakuten.

“The exhibition ran throughout the year across two different ecological themes – Organisms and Earth – and brought to light a new and beautiful Ginza that had not been seen before in the form of the Ginza Ecology Map.”

Ginkgo biloba trees printed with images of the district
Ginkgo biloba trees were planted in Ginza in 1906

The materials were collected during a number of fieldwork studies in addition to the knowledge gained from speaking to people local to Ginza. Once collected, the items were exhibited in creative ways with the aim of becoming a tool to communicate the connection between Ginza’s natural world and society.

For example, the plant named glothistle was collected from under the city’s Wako clock tower, and as part of the exhibition was displayed in a clock-like motif to represent it.

In addition, the district’s ginkgo biloba trees were planted in 1906, and according to the designers, they represent a “turning point for modernisation in the city”.

As a nod to the tree’s heritage in the district, images of Ginza’s buildings were printed onto the collected ginkgo tree leaves as part of the exhibition.

A number of specimens curated in 72 windows
The exhibition showcased a number of plants and insects

“Unlike most window displays that show objects and installations that only suit its occasion, not only did Ginza Ecological Map provide a new perspective of Ginza city, but through research from local residents it also expanded into a communication tool between the city and the people,” said Hakuten.

“By looking at the usually unseen ecology that exists in a metropolis, we were able to rethink the relationship between the city, people, and nature in an attempt to approach a more sustainable society.”

Samples of earth displayed one of the windows
Earth was collected as part of the exhibition

As part of the Earth theme, the colour of the soil across the district was documented, including samples collected from sidewalk ditches and from around various plants such as dogwood and camellia.

The exhibition also shed light on creating a number of creative resources from the city’s soil – including pottery and crayons – and clothing dyed using local plant’s pigments.

Shiseido's Hakuten's window displaying the map
The map featured in the Japanese brand Shiseido’s window

According to the studio, the pandemic provided the opportunity to reflect on the human-nature relationship as Ginza was “emptied” because of the pandemic.

The project was conceived of this change, and aimed to rethink the district’s approach towards creating a society more mindful of enhancing and protecting its nature.

Samples of materials dyed from local plant pigments
The exhibition also presented the ways in which local plant pigments can be used as textile dye

“In Covid-19 where we were provided with more opportunities to deeply reflect upon the global environment, this project allowed us to rethink the relationship between the city, people, and nature in an attempt to approach a more sustainable society,” said Hakuten.

Ginza Ecological Map has been shortlisted in the exhibition design category at this year’s Dezeen Awards alongside, Weird Sensation Feels Good – The World of ASMR, Greenwood Rising: Black Wall Street History Center exhibition and Journey of the Pioneers.

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