Material and spatial contrasts define Barwon Heads House
CategoriesInterior Design

Material and spatial contrasts define Barwon Heads House

Australian studio Adam Kane Architects has renovated a cottage on a quiet coastal street in Barwon Heads and connected it to a barn-like extension by a glazed link.

Named Barwon Heads House, the project was designed by Melbourne studio Adam Kane Architects as a contemporary dwelling that embodied a “relaxed, coastal lifestyle”.

Black Australian cottage
Adam Kane Architects extended and renovated a cottage in Barwon Heads

Prior to Adam Kane Architects‘ renovation and extension, the neglected weatherboarded cottage was known locally as “the dump”.

Its transformation led it to be shortlisted house interior of the year in the Dezeen Awards 2022 and win the public vote for the same category.

Exterior image of Barwon Heads House by Adam Kane Architects
Barwon Heads House is clad in wood

Adopting a minimal palette of monochrome contrasts, the studio painted the existing cottage’s exterior entirely black, pairing it with a lighter extension clad in silvery-grey weathered wooden planks.

Beneath steeply pitched black metal roofs, this play of contrasts continues to the interiors, creating a spatial journey of “compression and release” that begins in the more compartmentalised cottage containing three bedrooms and a bathroom.

Interior image of the dining and kitchen area of Australian house
Contrasting colours and materials feature throughout

Moving through the existing cottage into the small glazed link and a dark corridor, Barwon Heads House’s extension opens up into a large living and dining space, overlooked by the main bedroom on a mezzanine above.

Full-height windows look out to Barwon Heads House’s garden to the north, while a narrow clerestory-level window opposite draws in light above its kitchen.

“Access to the extension is via an enclosed corridor, lined with black mottled joinery panels on walls and ceilings, and is used to conceal doorways into the rumpus, laundry and storage areas,” said Adam Kane Architects.

“The ‘journey’ through this dark corridor with a lower ceiling creates a sense of compression before a sense of release when walking towards the living room, where the gable opens up into the main space,” it continued.

Living area of Australian cottage extension
The extension has a deliberately simple finish

Existing features were retained in the cottage, while the extension has a deliberately simple interior finished with oak panelling and exposed concrete. Slabs of travertine marble are used as countertops, coffee tables and a large dining table.

“Heritage features are maintained through the use of the original lining board ceilings, as well as period skirting and architraves, which fit perfectly with the renewed tones,” said the studio.

“The timber lining helps blur the threshold between inside and out, delineating zones, making spaces feel more generous and contributing to the relaxed feel of the home.”

Black kitchen with stone worktops
It is designed as a spatial journey of “compression and release”

Adam Kane Architects was founded in 2015, and its previous projects include a bridal boutique in Melbourne with minimal finishes of concrete and marble.

Alongside Barwon Heads House, other projects shortlisted in the house interior category of Dezeen Awards 2022 include a home in Melbourne with a palette of “organic” materials by Brave New Eco and the renovation of a 120-year-old townhouse in Kyoto by Td-Atelier and Endo Shojiro Design.

The photography is by Timothy Kaye.

Reference

‘the house of a thousand faces’ by OOIIO architecture frames mountainous views in spain
CategoriesArchitecture

‘the house of a thousand faces’ by OOIIO architecture frames mountainous views in spain

the house of a thousand faces

 

OOIIO Architecture plays with bold geometries for ‘LLO House,’ a single-family dwelling in Valdemorillo, Spain. The final composition presents itself as a series of angular volumes that interconnect and point in different directions, framing scenic views of the mountainous landscape around Madrid. The presence of several trees and rocks on the property was a great challenge that led the team to intervene gently in the existing vegetation with a design that slides through it. Taking shape as a large spatial pinwheel — as mentioned by the architects — the project aims to open up to the horizon but also itself becomes a sculpture with expressive forms of materials and shapes. From the perspective of a passerby, the house emerges with vague boundaries and invites one to discover them gradually by walking around it.

 

‘Wandering around the building, a passer-by discovers that the house is never the same, it has a thousand faces.’ shares the Madrid-based studio. ‘It is a house that looks to several different points, and also, when you look at it, it will always appear different, depending on the time of day, the season, and the position. You will always see a different house. A nuance, a shadow that throws with a specific inclination, but never the same as before.’'the house of a thousand faces' by OOIIO architecture frames scenic views of mountainous spainall images by Javier de Paz

 

 

Form & material variety in domestic residential architecture

 

The functions are distributed throughout the various masses, each of them generously opening in different directions. The building’s core is a double-height space that embraces the staircase and acts as a connector between the two levels. The imposing geometries of the project are softened with a skin of clay-type ceramic pieces in reddish and grayish tones and smoothly integrate the building into its natural setting. At the same time, its muted color palette creates a pleasing contrast with the pops of green as a backdrop. The interior, which is also designed by OOIIO Architecture (more here), showcases a similar character following earthy tones expressed throughout the spaces.  A series of fired clay mosaics combined with wood in natural and mint green tones are strategically positioned in the central staircase, the living room, or the kitchen furnishing, thus achieving aesthetic continuity between in and out.  'the house of a thousand faces' by OOIIO architecture frames scenic views of mountainous spain the functions are distributed among the various masses'the house of a thousand faces' by OOIIO architecture frames scenic views of mountainous spain

the house appears different depending on the angles of view

Reference

Sloping roof shelters House of Noufal in India by 3dor Concepts
CategoriesArchitecture

Sloping roof shelters House of Noufal in India by 3dor Concepts

Architecture studio 3dor Concepts used a giant sloping roof to cover all three levels of this house in Kerala, India, which features an internal courtyard garden that can be opened up to the outdoors.

Named House of Noufal, the dwelling was designed by Kanpur-based studio 3dor Concepts for a client who is an avid traveller and wanted his family home to reflect his open mindset and curiosity.

Sloped roof of House of Noufal in India
A giant sloping roof covers the House of Noufal

The project is located in the Kannur district in the north of India, which has a wet maritime climate with heavy rain during the monsoon season and hot summer days.

While striving to be unique, the House of Noufal’s design also incorporates features evoking the region’s vernacular buildings to ensure it is suited to the climate.

Indian home by 3dor Concepts with sloped roof
It was designed by 3dor Concepts for a site in Kannur district

“One notable requirement was that the house should be unique and weird at the same time, and full of surprises,” said the studio.

“We started with an idea to design the house by stirring modern architecture with traditional Kerala architecture, a proper climatically responsive tropical house.”

Interior of Indian residence by 3dor Concepts
The floors of House of Noufal follow the slope of its roof

The roof of the House of Noufal slopes down to touch the ground on the front elevation, sheltering it from heavy rain and strong sunlight while giving it a distinctive appearance.

Its tiled surface is interrupted by a full-width opening that allows daylight to pour into a double-height courtyard inside containing large boulders, pebbles and plants.

The courtyard separates the main living spaces at the front of the house from more private areas including the bedrooms and a kitchen towards the rear.

Large openings on the ground floor, including full-height operable glass walls at either end of the courtyard, connect the interior with the garden and allow breezes to naturally ventilate it.

Interior courtyard of House of Noufal
An internal courtyard garden forms a focal point of the home

Across the pebble garden, a path links the kitchen with a dining area and lounge featuring a bench suspended between two columns. Seating areas face the courtyard, making it the focal point of the home.

A set of minimal metal stairs with open treads connects the house’s three levels, which follow the slope of the roof. Open balustrades and screens maintain a visual connection between the spaces on each floor.

Interior courtyard of House of Noufal
The lounge has a bench suspended between two columns

House of Noufal has a steel framework that supports the roof made of locally sourced tiles. Openings with wooden louvres on the external and internal walls are in the traditional Kerala style.

3dor Concepts was founded in 2013 by architects Muhammed Jiyad CP, Ahmed Thaneem Abdul Majeed and Muhammed Naseem M. Its previous projects include a house in the town of Taliparamba that features walls, windows and furniture with curved edges.

The photography is by SyamSreesylam

Reference

mobius architekci carves ‘dune house’ into lush slope in poland
CategoriesArchitecture

mobius architekci carves ‘dune house’ into lush slope in poland

Dune House by Mobius Architekci

 

Architecture firm Mobius Architekci has completed its latest residential project called ‘Dune House’ near Warsaw, Poland. Nestled in green meadows and surrounded by lush forests, the house features a distinctive curved silhouette reminiscent of a sea dune, rightly giving the project its name. The curved shape, which the Polish architects characterize as a harp, stretches across the hillside and follows the line of the winding Narew River.

mobius architekci carves dune-shaped residence into lush hillside site in poland
nestled in green meadows, the house features a distinctive curved silhouette | all images courtesy of Mobius Architekci

 

 

Cubist forms and sharp lines emerging from an organic residence

 

Lead architect Przemek Olczyk of Mobius Architekci carved the building into the hillside of the site, creating a modern and spacious residence of over 1,500 square meters. The expansive structure that rises gently from the slope undergoes defragmentation inside the organically shaped body. Cubist forms, and sharp lines, cut out the semi-open atrium, providing intimacy and allowing light into permeate the interior.

 

Dune evokes futuristic imagery, though it harkens back to the minimalism that the Polish studio has used for years. From the perspective of the river, the building appears to be a monolith. The balance and completeness of the space are also achieved through the materials used: white plasters and stone quartz sinter.

mobius architekci carves dune-shaped residence into lush hillside site in poland
cubist forms and sharp lines cut out the semi-open atrium

 

 

glass box ‘periscope’ and automated technological features

 

The house captures light while providing shelter from the burning sun, allowing residents to be indoors and outdoors without barriers or separations. The design ensures the intimacy of the house’s inhabitants while being open and free from functional architecture – a common approach and a feature of Przemek Olczyk’s projects.

 

Looking at the house from the river side, the architect placed the bedrooms in the right part; in the middle there is a living room with kitchen and on the left a recreation room. Also noteworthy is a glazed rectangular box placed on the roof of a one-story sprawling body. Like a periscope, it allows to look over the crowns of the surrounding trees. The house has two swimming pools, including an indoor pool and two helipads, a 300-meter running track and a mobile platform that allows free communication with the base of the hill. Many elements of the house are automated, which, combined with innovative technological solutions, directly affects the comfort of the home.

mobius architekci carves dune-shaped residence into lush hillside site in poland
the house captures light while providing shelter from the burning sun

mobius architekci carves dune-shaped residence into lush hillside site in poland
the curved shape stretches across the hillside and follows the line of the winding Narew River

Reference

Net-Zero vs Passive House: What are the Similarities and Differences?
CategoriesSustainable News Zero Energy Homes

Net-Zero vs Passive House: What are the Similarities and Differences?

Have you ever wondered what the difference is between a net-zero house and a passive house? They’re both buzzwords in the green industry. But also appear in the mainstream news and the speeches of politicians. Gaining in popularity, it’s good to be aware of the differences. In some cases, it’s the smallest of details. But these different approaches to building can have a big effect on cost, comfort, true sustainability, environmental savings, and much more. We’ll explain the differences so that you can make an informed decision on which type of green building to pursue when designing or renovating your own home. We’ll also share how our family approached our first net-zero solar home renovation project, and how we kept costs to a minimum.

What is a Net-Zero Energy Home?

A net-zero home produces as much energy on an annual basis as it consumes. Design and engineering usually involve off-the-shelf energy-efficient technology and renewable energy sources, such as solar panels, to reach zero net energy use throughout the year. It may not necessarily be completely engineered to use the lowest energy possible, but if it produces enough to make up for those shortcomings, it could be considered net-zero.

 

An overhead drone shot of our first net-zero home in Cape Coral, Florida. It shows a newly renovation white 1,836 sq ft home with a big solar system on the roof.Our own affordable net-zero home renovation project in Cape Coral, FL.

(See more at Our First Net-Zero Solar Home Renovation (And How We Did It) – Attainable Home)

What Is a Passive House?

You’ll find many definitions on the web. But most agree that a passive house has highly engineered energy efficiency and stringent design standards while using environmental factors, such as passive solar, to keep energy use as low as possible. It’s a voluntary standard to achieve comfort, affordability and the lowest ongoing environmental impact possible. Here’s how the Passive House Institute defines a passive house: “Passive building comprises a set of design principles used to attain a quantifiable and rigorous level of energy efficiency within a specific quantifiable comfort level.”  Another way to describe it is that it “optimizes gains and losses” based on climate. You can learn more at Passive House U.S.

What Similarities Do These Homes Share?

The good news is both are extremely more energy-efficient and sustainable than an average house. And it doesn’t even have to cost that much more either.

Passive houses and net-zero homes share much in common. Both types of homes aim to make sure that their energy consumption is as close to zero as possible. 

There are many differences in how they accomplish this, but for the most part, both passive and net-zero houses follow similar principles. 

Common Characteristics of Both Net-Zero and Passive Homes:

None of these are requirements, but all energy-efficient homes, regardless of the label, usually aim to have most or all of these characteristics:

  • The building envelope is as air-tight as possible within budget. If you can control the air inside and prevent air leakage, the mechanical systems run less.
  • Elimination of thermal bridging when possible. A thermal bridge is a component in the house that acts as a thermal conductor between the inside and outside of the house, such as window and door frames.
  • High-performance energy-efficient windows.
  • Thick and continuous insulation through the entire building envelope. Insulation acts like a blanket around your house (similar to your to-go coffee mug that keeps your coffee warm for longer).
  • Mechanical ventilation that keeps air healthy and fresh. Because your building envelope is so tight, the air inside your home has nowhere to go. You must move that stale indoor out and bring fresh air in from the outside while retaining the heat using an energy recovery ventilation system.
  • Efficient mechanical systems and appliances. Things like HVAC, your hot water heater, washer, dryer, refrigerator, stove, dishwasher, and others must be energy efficient. But perhaps more importantly – they must be designed correctly for the home. If systems are too big or small for their actual workload, they can work overtime and burn out.
  • Some use of shading. Ideally, you have shading on the roof that is optimized to let the warm sun in through the winter (when the sun is lower in the sky) and shade for the windows in the summertime.
  • Renewable energy. Even with energy-efficiency measures and stringent passive house standards, you may still need to generate some power to get to net-zero. This is where solar energy, small wind turbines, geothermal, or perhaps small micro hydropower might come in. We did a whole article on solar alternatives if you’re interested in learning more about that.

The major difference between passive and net-zero homes is that Passive House’s stringent standards for insulation, air sealing, and use of passive solar reduce the energy needs of the building to the point that very little solar may be needed to get to net zero. On the other hand, net-zero homes have less stringent standards and may require more solar to get to zero.

How Much Do These Energy Efficient Homes Cost?

Many factors contribute to the total cost, so it’s hard to say exactly. The best graph we’ve found appears in  Rocky Mountain Institute’s 2019 report, “The Economics of Zero-Energy Homes,” which shows that net-zero homes only cost about 6-8% more than traditional homes.*

Courtesy of the Rocky Mountain Institute study entitled The Economics of Zero-Energy Homes

Similarly, according to the Passive House Institute US, a passive house typically costs 5-10% more than a typical home. For the net-zero home renovation we did (see below), the efficiency measures and solar energy costs equate to 6.8% of the final appraised home value, so nearly dead-on with RMI’s findings.

A Case Study – Our Attempt at a Net-Zero Home Renovation

I wanted to create the most affordable net-zero home renovation I could muster. The goals were clear and deliberate:

  1. Keep the total cost under the median average home price of the area.
  2. Ensure that it could rent for 10-15% above all ownership costs, including long-term maintenance. This is because things change in life and I wouldn’t  be forced to sell in a down-market.

I was aware of the Passive House concept before starting, but my goal was to get to net-zero as affordably as possible. The reality is, unless you’re building from the ground up, a Passive House design is difficult to implement because most existing homes would require extensive renovation to meet Passive House standards.

My approach was to use energy and financial models to go after the lowest hanging fruit. This created the freedom to let the spreadsheets tell me what to do on the project. This is house-specific, so each project is different.

Going After The Lowest Hanging Fruit – A Surprising Example

The house had a 2007 13 SEER HVAC system. Naturally, I thought that I must replace it to achieve net-zero. As it turned out, while doing the energy and financial modeling, that wasn’t the case. In my location, at least on this house, with my electric rates, and a Florida climate, adding more solar panels on the house cost less than upgrading to a new higher SEER HVAC system. By going after the cheapest and most effective energy-saving measures possible, the overall project was a success and not as big a hit on the wallet. With this approach – even with this being my first renovation ever – the total efficiency and solar energy costs equated to 6.8% of the final appraised home value, in line with the studies mentioned above.

Power for the Electric Car, Too

As a bonus, the 9.38KW solar system could, in addition to powering my home, produce enough power to drive a Tesla Model 3 for 10,000 miles per year. At the rate that my current system is producing, it is turning out to be more like 12-14,000 miles per year.

Here’s a picture from our Enphase Enlighten app, showing solar production in blue and home usage in orange throughout

the day.

Conclusion

Although there are differences between Passive House and net-zero home standards,  the end goal is nearly the same – to use as little energy as possible on a net basis.

The exciting thing is that these approaches are growing so much in popularity and have world governments behind the concept to boot. The technology is getting cheaper, the building science is getting better, and the overall economic picture makes it much more affordable to build or renovate homes more efficiently on a grand scale.

While there are so many variables with all of this, just know that there are plenty of ways to meet the goals of using less energy, reducing carbon, and building more efficiently, whether it be a passive house, net-zero, or any other way you are able to get there.

 

Erin Shine

Founder | Attainable Home

Original Article Posted on AttainableHome.com  

 

 

 

Reference

JKMM and ILO architects create Dance House in Helsinki factory
CategoriesArchitecture

JKMM and ILO architects create Dance House in Helsinki factory

A large steel-clad cube encloses the Dance House in Helsinki, which local architecture studios JKMM and ILO architects have created by converting and extending part of a former cable factory.

Providing over 7,000 square metres of space, the Dance House forms part of a wider redevelopment of the old industrial building that was acquired by the city in 1991 to create the Kaapelitehdas, or Cable Factory, which is Helsinki’s largest cultural centre.

Metal-clad centre for dance in Helsinki
JKMM and ILO architects have created the Dance House. Photo is by Hannu Rytky

JKMM and ILO architects were tasked with reconfiguring part of the existing structure while adding new spaces to its eastern end, housed inside a steel-clad cuboid informed by the “gravity, lightness and weight” of dance.

“The Dance House adds a striking contemporary layer to the history of the former factory and its surroundings,” said JKMM.

Corner of Dance House by JKMM and ILO architects
The centre occupies part of a former cable factory

“The new and old are placed in contrast, but also in dialogue with each other. Together, the Dance House and the Cable Factory create a meaningful destination and a revived neighbourhood,” JKMM continued.

Inside are two black-box dance studios. One of them is housed in the Cable Factory’s redesigned Pannu Hall, which now seats up to 400 people, and the second is the new 1,000-seat Erkko Hall – the largest dance performance space in the Nordic countries.

Detail image of the circular metal cladding panels
Metal clads the exterior of the building

These two performance spaces sit on either side of an entrance lobby, which connects to an enclosed street-like space between two existing facades, described by JKMM as a “glass courtyard”.

An underground club, cloakroom facilities, restaurant, rehearsal and back-of-house spaces are organised across the building’s five levels, with all of the circulation spaces designed to have the potential to be used for performance.

“All the public spaces in the Dance House have been designed with performance in mind,” explained JKMM’s project architect Harri Lindberg.

“It is possible for dance to take over, for example, the entire Cable Factory for the duration of a performance,” he continued.

Exterior image of an entrance to Dance House in Helsinki
An entrance links to an enclosed street-like space. Photo is by Hannu Rytky

Large steel panels, one of them highly reflective and one weathered, form the facade of the extension, hung slightly above the ground and at different levels to give the effect of them shifting away from one another.

On the building’s north elevation facing a nearby park, the stacked levels have been covered in hundreds of small aluminium discs, designed to create an “abstract rhythm” against the sky.

Interior view of Dance House in Helsinki by JKMM and ILO architects
There are two black-box dance studios. Photo is by Tuomas Uusheimo

“Dance deals with gravity, lightness, and the weight of the human body,” explained JKMM.

“The ‘floating’ metal facades were custom designed by using laser welding technology, to create bespoke sandwich panels with the biggest possible surface,” it continued.

“Dance performers also create illusions. The light, satin-like steel surface can be transformed with light, becoming part of the scenery of dance events.”

Auditorium by JKMM and ILO architects in Helsinki
It has the largest dance performance space in the Nordic countries

Inside, robust materials such as raw steel and concrete have been chosen to complement the existing structure of the former factory.

JKKM recently incorporated heritage structures into another of its designs in the Finnish capital, creating a new home for the University of Arts Helsinki that partially occupies an old soap factory and silo building.

The photography is by Peter Vuorenrinne unless stated otherwise.

Reference

At The Rose House presents design at home of famed landscape architect
CategoriesInterior Design

At The Rose House presents design at home of famed landscape architect

An exhibition of hand-crafted art and design pieces, including a seminal sculpture by Charles and Ray Eames, is on display at the former New Jersey home of 20th-century landscape architect James Rose.

At the Rose House is on show at the Ridgewood home that the late American modernist landscape architect designed and hand-built for himself and his family in 1953 and lived in for almost 40 years.

At The Rose House exhibition
Pieces in the exhibition are displayed throughout the home as if they belong there

Organised by curatorial platform Object & Thing and furniture and interior design studio Green River Project LLC, the exhibition stemmed from Rose’s appreciation for craft and materials.

The show “emphasises the hand-made, beauty in nature and a sense of timelessness” according to the curators.

Living room of James Rose's Ridgewood home
Rose self-designed and hand-built the house, which features several Japanese design elements

Green River Project LLC founders Aaron Aujla and Benjamin Bloomstein, who have admired the landscape architect for some time, have produced a series of new designs based on his work.

Created in collaboration with a group of designers, these pieces include a side chair by both Bloomstein Industrial and Luck Carpentry, rice paper lamps from Preziosi Lighting and carved grooming items on shelves in the bathroom by Teague’s Path.

Ceramic pots displayed on wooden shelves
Artworks and designs were selected to reflect Rose’s appreciation for craft and materials

“The ease in which Rose expanded the home using ready-made materials was an early point of reference for our practice,” said Aujla.

“In particular, there is a kitchen with mahogany shelves and pegboard that we must have spent over 100 hours dissecting and referring back to over the last five years.”

Green River Project’s products are presented alongside the work of mid-century and contemporary designers, including Alvaro Barrington, Bode, Charles and Ray Eames, Louis Eisner, Hugh Hayden, Nancy Holt, Kiva Motnyk, Michele Oka Doner, Johnny Ortiz-Concha and Anne Truitt among others.

Clothing by Bose hung around the house
Clothing based on Rose’s personal style is hung in closets

The works are installed as if they belong in the rooms and garden, which – like many of Rose’s later projects – feature elements of Japanese design, including the exposed timber structure and shoji screens.

“[Rose] spent considerable amounts of time in Japan and became a Zen Buddhist,” said the curators. “This influence is evident in the Ridgewood house, especially on the upper floor, which contains a room for his daily mediation practice that The James Rose Center is currently restoring.”

Eames Plywood Sculpture
An edition of the 1943 Plywood Sculpture by Charles and Ray Eames is being presented in the US for the first time. Photo by Michael Biondo

Pieces on display include the Eames’ seminal 1943 Plywood Sculpture – the first time that this edition, which was made and released by Eames Office, is being presented in the US.

Among the designs created for the showcase are leather Adirondack chairs by Hugh Hayden, wood-fired micaceous pots by Johnny Ortiz-Concha and naturally-dyed framed textile works by Kiva Motnyk.

A selection of clothing by New York brand Bode, based on Rose’s “eccentric” personal style, is hung in the closets throughout the house.

Landscape paintings, rice paper drawings, flower vases, terracotta sculptures, and a screening of Nancy Holt’s 1975 film Pine Barrens that “portrays the New Jersey wilderness” also feature.

Exterior of James Rose house
The house in Ridgewood, New Jersey, is preserved by The James Rose Center. Photo by Michael Biondo

Green River Project LLC is also producing new editions of one of Rose’s lanterns to coincide with this exhibition.

These will be sold to benefit The James Rose Center – a non-profit landscape research and study foundation, which is based at the house and has preserved Rose’s legacy since his death in 1991.

Exterior of James Rose house
The exhibition, curated by Object & Thing and Green River Project LLC, runs until 2 October 2022. Photo by Michael Biondo

“Rose was an impossible maverick, called by one author, ‘The James Dean of Landscape Architecture,’ but I think he would be very happy with the vision Green River Project LLC and Object & Thing have brought to his house,” said foundation director Dean Cardasis.

At the Rose House runs until 2 October 2022. This is the latest in a series of exhibitions organised by Object & Thing within the homes of notable 20th-century artists and architects, following presentations at the houses of Gerald Luss, Robert Dash and Eliot Noyes.

Other exhibitions that showcase the work of modernist designers include an exhibition of Le Corbusier’s tapestries in Manhattan.

 See our Dezeen Events Guide for information about other exhibitions, installations and talks.

Reference

Construction Is Underway on the First Multi-Story 3D-Printed House in the United States
CategoriesArchitecture

Construction Is Underway on the First Multi-Story 3D-Printed House in the United States

 How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

Construction has began on the first two-story 3D-printed structure in the United States. Located in Houston, the 4000-square-foot home will soon become one of the world’s largest and tallest printed buildings, showcasing the rapidly expanding possibilities of 3D printing technology and mass customization in the field of architecture.

The project caps off a two-year collaborative effort between HANNAH, an experimental design firm and research studio based in Ithaca, PERI 3D, an international 3D construction printing provider, and CIVE, the leading engineering service and general contractor in Houston. The design uses a hybridized construction method that will combine printed concrete modules with wood framing, making it one of the first 3D printed to use wood and concrete in an integrative manner.

Spearheaded by Leslie Lok and Sasa Zivkovic, assistant professors at the College of Architecture, Art, and Planning at Cornell University and principals at HANNAH, the project began with the objective of developing a 3D printed construction system that could be scalable and applicable for multi-family housing the future — not an easy feat given the additional structural challenges when printing beyond a single story. As such, Lok explains that it was necessary to develop the design in relationship to the material and construction process.

“Every aspect of the project, from the overall spatial configuration to the scale architectural detailing — such as how we create shelving and openings — was informed by the unique fabrication logic of 3D printed concrete,” Lok said. “With the structural engineering expertise from CIVE and the extensive printing knowledge of PERI 3D, we were able to develop an approach to 3D print the second story.”

Once completed, the project will alternate between concrete modules and glazed wooden frames; rendering by HANNAH

Though a handful of 3D printed multi-story projects have been built abroad, mostly in Europe, HANNAH’s design stands out for its adaptation to the American construction culture of wood framing. Whereas the use of precast concrete components for floors and ceilings has long been a European norm, wood framing as a construction technique is much more prevalent in North America, though their integration in 3D printed construction has so far been limited. In response to this, HANNAH sought to create a design that would be more easily applicable to the U.S. market. The final result is a house that alternates between wood and printed concrete volumes, a strategy that combines the best of both materials, the pair explain.

“What is unique about our modular design is that the printed concrete and the wood framing work hand in hand and we use them where they’re best performing,” Zivkovic said. “It’s not about printing concrete everywhere because you could, but where it makes sense.”

Photos by Anthony Vu via HANNAH

In part, the project is showcasing the usefulness of 3D printing for the future construction industry. The modular 3D printer — a COBOD BOD2 gantry printer — takes only one day to set up, and the printing can run 24/7. Although a handful of people are still needed on the worksite to supervise the machine, the printer does virtually all the heavy lifting.

Achieving the right printing mixture for the concrete was one challenge that necessitated the help of other industry partners. The PERI 3D printing team worked with engineers at Quikrete, a manufacturer of packed concrete, to achieve improved printability for their new generation of printing mixture at the specific site in Houston. The team conducted test prints on site earlier this summer to dial in the various printing parameters.

Designing the 3D printed house was another demanding part of the project, since unlike (human) contractors, 3D printing machines don’t read architectural plans but lines of code. The architects at HANNAH used special software to manually design the path that the printing machine uses to pour one continuous line of concrete for the new house; a meticulous process known as the ‘toolpath’ that equally comprises structural and aesthetic considerations, leaving no room for error.

Far from letting this complex process limit their design, HANNAH used the printing toolpath as an opportunity to push the design possibilities of 3D-printed structures. The repeated use of incremental cantilevers within the concrete modules serves as an architectural motif that is both ornamental and functional. Paired with the distinct horizontal layers of printed concrete, HANNAH creates a bold stylistic statement about 3D printed architecture; hinting at the opportunities of new design language for printed projects.

More broadly, the project is offering a glimpse of a future where 3D printing could become a major force in the construction industry; where automated construction could address a variety of pressing issues, from alleviating workforce shortages to constructing affordable housing. Still, much work lies ahead. For this project, the team hope to use the project as a learning opportunity to streamline the construction process, as well as to optimize material usage and cost for 3D printing buildings — all necessary steps that need to be undertaken if 3D printed architecture is to attain newer heights.

 How can architecture be a force for good in our ever-changing world? During Future Fest, we’re pose this question to some of the world’s best architects. We’re hosting daily virtual talks from September 12th to 30th, which are 100% free to attend.  Check out the full schedule!

 

Reference

Tsumugu by Archipatch is a wooden house designed to connect with nature
CategoriesArchitecture

Tsumugu by Archipatch is a wooden house designed to connect with nature

Japanese architecture studio Archipatch has completed a house in the seaside city of Kagoshima that is built from timber and features a material palette chosen to complement its natural surroundings.

Tokyo-based Archipatch designed the Tsumugu house as a case study for local house builder Shichiro Construction, which wanted to utilise timber sourced from the Kyushu island where the company is based.

Japanese timber house by Archipatch
Archipatch made the Tsumugu house from locally sourced timber

The single-storey property was built to accommodate a family of four and aims to demonstrate how timber construction can be used to create comfortable and versatile living spaces.

“The house is designed to connect with nature,” said Archipatch, “and to realise a comfortable lifestyle in harmony with the ever-changing natural environment.”

Double-height living area through floor-to-ceiling glass window in Japanese house
The rooms of the house are spread across a single storey

In response to shifting domestic habits in Japan following the coronavirus pandemic, the building provides a variety of flexible spaces that allow the occupants to work and socialise at home.

The house comprises three interconnected volumes that are distinguished externally and internally by their different roof heights.

Timber exterior of Japanese home by Archipatch with overhangs and glass walls
Large overhanging eaves provide shading in the garden

The building was constructed with a wooden framework that is left exposed internally. Wood is also used extensively for cladding the walls and ceilings, with other natural materials chosen to complement the timber.

“The exterior and interior design is warm and inviting, using cedar, cypress, and natural stone grown in the region to give a sense of the texture that only natural materials can provide,” Archipatch added.

Visible timber structure in living area of Japanese house with curved desk
Shoji screens can be used to separate the Japanese room from the rest of the house

The main entrance is located in the central block and provides access to a lower volume to the left that houses a small boot room and three bedrooms.

A corridor leads past two single bedrooms to a suite at the far end with its own walk-in closet and study.

Directly in front of the entrance at the centre of the house is a Japanese-style room with a tatami-mat floor that can be used as a sitting room, a simple guest room or as a space for doing housework.

Traditional shoji screens made from wood and paper can be closed to separate the Japanese room from the rest of the house, or opened to provide different connections with the entrance and living spaces.

The main open-plan living areas are positioned to the right of the entrance in the tallest section of the house. At one end of the space sits a sunken lounge, which is lined on two sides with large windows looking onto the garden.

Sunken living room in open-plan living area by Archipatch with exposed beams and grey wall
The open-plan living space features a sunken lounge

Sections of the glazing can be opened to connect the living space with a terrace. This also allows the cool air passing over an adjacent pond to ventilate the interior.

Large overhanging eaves protect the elevations from direct sunlight, while operable clerestory windows allow hot air to escape.

Bathroom with glass door behind cabinet and back-lit mirror
A glass door in the bathroom can be opened for extra ventilation

Next to the lounge is a dining space and kitchen with a curved island. A bathroom behind the kitchen has a door in its rear wall that can be opened to enable cross ventilation through the house.

The house is designed to minimise energy consumption, with high levels of thermal insulation, a geothermal heating system and natural ventilation contributing to its sustainable performance.

Other homes in Japan include a mud-covered house and restaurant hidden below ground level and a compact family home with a large stairwell.

The photography is by Yousuke Harigane.

Reference

Fresh Air Systems – Balanced Whole House Ventilation
CategoriesSustainable News Zero Energy Homes

Fresh Air Systems – Balanced Whole House Ventilation

Jack Hébert, the founder of the Cold Climate Housing Research Center, is credited with a phrase that’s becoming increasingly familiar to high-performance builders: “Build tight, ventilate right.” It means that as houses get tighter and better insulated, the need for well-designed mechanical ventilation gets more compelling.

At its simplest, this means using kitchen and bathroom fans to remove moist or particulate-laden air. In this exhaust-only approach, outside air finds its way into the building via gaps in the building enclosure. Supply-only ventilation works the other way: fans bring fresh air into the house, but there’s no dedicated path for stale indoor air to leave. Both of these approaches are economical but have drawbacks.

A more effective option is a balanced ventilation system in which incoming air is offset by an equal volume of outgoing air, which keeps air pressure in the building close to neutral. Builders and designers who specialize in superinsulated houses with very low air leakage rates are now likely to include either a heat- or energy-recovery ventilator in the plans. These mechanical systems are similar in that they have a core through which both incoming and outgoing air travel to transfer energy and, in the case of ERVs, moisture.

In a heat-recovery ventilator or HRV, there’s an exchange of thermal energy across the core. This is what engineers call “sensible heat.” In winter, exhaust air transfers some of its thermal energy to incoming fresh air, reducing much of the energy loss that would otherwise take place. In an energy-recovery ventilator or ERV, there is an exchange of sensible heat but also an exchange of moisture, or “latent heat.” (These systems also are called enthalpy-recovery ventilators.) ERVs are designed to keep indoor humidity levels more comfortable in both winter and summer.

A newer generation of ventilator substitutes a conventional ERV core with a heat pump. The units provide heating and cooling as well as ventilation, so they are fundamentally different from devices aimed mostly at providing fresh air with a minimum of energy losses. Two such products are the Build Equinox CERV and the Minotair Pentacare.

“Ventilation is good, but it represents a really, really large energy stream to continuously heat, cool, humidify or dehumidify that stream of air that just comes in from outside,” says Brian Ault, a senior design engineer with Positive Energy, a mechanical systems consulting firm. “HRVs and ERVs help reduce the amount of energy that takes plus, they can filter it, so you can catch most of the big stuff before it comes into the house.”

There are more than a dozen manufacturers that offer ERVs or HRVs (or both) to buyers in the U.S., including familiar ventilation brands such as Broan, Fantech, Panasonic, and RenewAire, along with companies that may be a little less familiar to U.S. homeowners, such as Zehnder, a Swiss company that makes the high-end ComfoAir systems. (The Home Ventilating Institute, an industry trade group, maintains a list of manufacturers on its website, which is available here.)

Air distribution systems for HRVs and ERVs vary widely. At one end of the scale are systems that include dedicated supply and exhaust ducts to key rooms in the house. That ensures a constant and well-distributed source of clean outdoor air but at a relatively high cost. Other systems are less complex and may even use existing HVAC ducting to distribute outdoor air. Through-the-wall appliances provide fresh air for a single room.

Costs for installing a system in a typical 2000-sq.-ft. house range from about $3000 or less to nearly $10,000 for a high-end system with more complex ducting. (The units themselves are much less expensive, ranging from less than $1000 to nearly $4000 for a top-end model.)

The Basics of System Operation

The heart of an ERV or HRV is a metal box with four ports. Inside, the core of a heat exchanger looks something like corrugated cardboard and allows incoming and outgoing air to cross paths without actually mixing. HRV cores, Ault said in a telephone call, are fairly simple, consisting of aluminum or another light metal with good heat-transfer properties.

“They’re not awesomely efficient,” he said, “but they have effectiveness ratings somewhere between 50%-60% up to 95% depending on the size, the brand, and how much air flow goes through them.”

ERVs get more complicated. Instead of a basic aluminum heat exchanger, an ERV typically has a core made out of a polymer embedded with a desiccant, a material that absorbs moisture. The core material permits the passage of some moisture, although it’s still air-impregnable, so the airstreams don’t mix. According to Ault, this type of cross-flow core is common in a residential unit, where airflow rates are lower than 250-300 cubic feet per minute (CFM). Above that, in commercial buildings, office buildings, and schools, it becomes more practical to use a rotating wheel with a desiccant.

In the summer, outgoing air that has been cooled pulls some of the heat and humidity from the incoming airstream. Illustrations courtesy RenewAire.

In winter, an ERV helps indoor air retain moisture. The heat exchanger also warms incoming fresh air.

A three-bedroom, 2000-sq.-ft. house would typically need a system rated at 90-100 CFM To meet ASHRAE ventilation requirements, Ault said. Sensible heat recovery in an HRV averages about 70%. In an ERV, a certain amount of sensible heat recovery is taking place. The latent recovery is usually between 40% and 60%, so about half the moisture difference in the two airstreams will be transferred through the core.

“It is an appreciable amount of latent energy when you have a legitimate difference between your indoor and outdoor moisture levels,” Ault said. “Up north, it’s dry as a bone outside for four or five months out of the year in the winter. In the summer, sometimes it’s about the same as inside the house. Farther south, that’s flipped.”

In humid parts of the country—the southeast U.S.—running an ERV during the summer does not lower indoor humidity. An ERV will actually increase indoor relative humidity because the outdoor air doesn’t shed all of its moisture on its way indoors. But the problem would be worse if an HRV were installed because there is zero moisture transfer in an HRV. Even though moisture levels will go up when running the ERV, stale indoor air is being exhausted and fresh outdoor air is being introduced. A dehumidifier or an air conditioner can deal with excess humidity.

According to Ault, ERV cores eventually get plugged with oil, skin cells, hair, and dust and should be replaced every four to 12 years. A less complicated HRV core should go for a couple of decades without any major maintenance. When it gets dusty, a homeowner can just clean it off with compressed air.

The key, however, may be in changing filters regularly, not in any inherent flaws in core design that limit their life span. In this BS* + Beer Show episode, which aired last fall, Enrico Bonilauri of EMU, a Passive House consulting firm, noted that the only moving parts in an HRV or ERV are the fans, so there’s not much to wear out, and cores can last for decades providing that filters are changed on schedule.

Bonilauri also noted that heat recovery rates for many models might be overstated because the heat generated by fans inside the unit may incorrectly be attributed to heat recovery. In units that are not certified by the Passive House Institute, he said, the stated heat recovery rates should be reduced by 12%.

Choosing between an HRV and an ERV

A great deal of ink has been spilled by researchers and journalists on the question of whether an HRV or ERV is the best choice.

According to Jacki Donner, the Ventilating Institute’s CEO, the decision has been boiled down to where you live. Historically, HRVs were more common in houses in colder climates because the chief concern was the amount of thermal energy that could be saved. Humidity was seen as a secondary problem. The most efficient units on the market capture more than 80% of the heat in the outgoing airstream and transfer it to incoming air—in really cold environments, that’s a big plus. ERVs were typically specified in places with hot, humid summers because they transfer some of the moisture in indoor air to the outgoing air, thereby making indoor relative humidity more tolerable than it would be with an HRV.

But there is nothing simple about this debate. For example, there’s a good case to be made for ERVs in cold, northern climates. Cold air holds less moisture than warm air, so during the winter outdoor air is very dry. When it’s brought into the house without any attempt to salvage the moisture from the outgoing airstream, indoor air can get uncomfortably dry.

This Zehnder HRV includes a number of supply and exhaust ducts. Ducted distribution systems run the gamut from complex, like this one, to simple designs with only a few supply and exhaust ports. Photo courtesy Alex Wilson.

How this plays out depends on the size of the house, the number and behavior of the occupants, and how tight the house is. In small houses with very little air leakage and lots of people, high indoor humidity can be a problem in the winter. An HRV can make it more comfortable. But a large, leaky house in a cold climate may already be very dry during the winter, so an ERV will help prevent it from becoming too dry. In other words, there is no simple formula that fits every house and every climate. (For a detailed discussion of the variables that go into making this decision, read this article by Martin Holladay. Although it is more than a decade old, the basics have not changed.)

Donner says that while HRVs have historically dominated the market, especially in Canada, that’s changing. “Today and moving forward, ERVs are used more and more throughout the USA,” Donner said in an email. “A similar situation is occurring in Canada.”

ERVs have been more expensive than HRVs in the past, but that gap is narrowing, and designers are recognizing the importance of capturing humidity in the winter, Donner said, giving ERVs a lift even in areas where HRVs once ruled.

Nick Agopian, vice president for sales and marketing at RenewAire, raised two other points. In a telephone call, he said that HRVs are more difficult to install. They have to be oriented in only one way so condensate drains work properly (ERVs can be installed at any orientation). In cold weather, HRVs are more likely to freeze up, he added, requiring a defrost cycle.

RenewAire, which began life as a solar energy company in the 1970s before branching into ventilation, decided in the early 1980s to focus on total energy rather than sensible energy alone. The company doesn’t make an HRV. “Where ERVs used to be 25% [of the market], and HRVs were usually 75%, it’s now shifted,” Agopian said, “because at the end of the day, they cost about the same price and they perform on the whole aspect rather than on the sensible aspect of energy transfer.”

“An HRV is used to save energy,” he said, “but an ERV is also used to downsize the capital costs of [air conditioning or dehumidification] equipment. If we’re going to lower the temperature, we can downsize the equipment. But if the humidity stays the same and you still have to dehumidify, you can’t downsize. All you’re doing is saving a portion of that energy, but your capital equipment still needs to be the same size, and it has to work hard to dehumidify that air.”

Heat transfer in an ERV typically isn’t quite as good as with an HRV, he said. And as the latent energy performance of an ERV is increased by making the desiccant-laden membrane thicker, the thermal performance goes down. But nationally, the tide seems to be turning toward ERVs.

“Deciding between an ERV and an HRV should land on ERV most of the time,” says Allison Bailes III, a Georgia-based consultant. “In a warm, humid climate, an ERV brings in less outdoor humidity than an HRV. (An ERV isn’t a dehumidifier. It does still add to the latent load in the house.) In a hot, dry climate, an HRV will make your already dry air even drier. In a cold climate, bringing in outdoor air without moisture exchange can result in extremely low humidity in winter. Only in mild climates like the West Coast of North America do HRVs make sense – sometimes.”

In an email, Bailes added that occupancy is another factor to consider. “The higher the density of people in a space, the more you might need to dry out the air with an HRV,” he said. “A small, airtight apartment or condo with two or three people in it, for example, may be too humid indoors with an ERV.”

Bailes continued: “Another reason people choose HRVs is that they’re more efficient at transferring heat than are ERVs. What good is it to have high-efficiency ventilation, though, if you end up growing mold? The primary way to choose between an ERV and an HRV is to understand the moisture control needs of the space being ventilated.”

Ductless HRVs and ERVs

Several manufacturers offer through-the-wall HRVs and ERVs designed for smaller spaces. They include the Zehnder ComfoAir 70 ERV, the Panasonic WhisperComfort ERV, the Lunos e2 and eGO, and the TwinFresh Comfo RB-1-50. These ductless ventilators move relatively small volumes of air so they are best suited for small spaces. Zehnder’s model has a maximum capacity of 35 CFM, for example, while the Lunos e2 is rated only up to 22 CFM.

A pair of Lunos through-wall ERVs, working in tandem, are designed for small spaces. They alternate between exhaust and supply modes with a reversing fan. Image courtesy 475 High Performance Building Products

At least two of them have a ceramic core that serves as the heat and moisture exchange and a fan that reverses direction. Exhaust air warms up the core, and when the fan runs in the opposite direction, incoming air recaptures that heat (and in some cases, moisture). The Lunos e2s are installed in pairs and operate on opposing cycles of exhaust and supply, which the manufacturer says results in balanced ventilation.

These devices are much less expensive than the whole-house models that require some ducting. But because they have lower capacities for air flow, it might be necessary to install a number of them in order to reach recommended ventilation rates for the whole house. That can get expensive.

COVID-19 and other health concerns

The growing impact of wildfires in the West and the unrelenting spread of COVID-19 raises other questions about indoor air quality and public health. Filters for incoming air can help reduce the levels of dangerous particulates—especially those measuring 2.5 microns in diameter called PM2.5—along with the other junk that’s often found in outdoor air. MERV-13 filters are typical, but more effective HEPA filters can be substituted when outdoor air conditions are especially challenging. Bringing fresh air into the house dilutes pollutants that remain, but filters should be checked regularly.

When it comes to COVID, transmission rates are lower when indoor relative humidity is in the 40% and 60% range, according to this article posted last fall by researchers at the Harvard T.H. Chan School of Public Health. That suggests ERVs may be more beneficial during the winter in cold-climate areas because they help keep humidity higher than it would be otherwise. Although an HRV has higher thermal efficiency, in some situations, an HRV can make indoor air too dry during the winter.

ASHRAE offers detailed guidance on the operation of ERVs during the pandemic in this document published last year.

Deciphering Flow Rate Requirements

Determining how much fresh air a ventilation system should provide can give even experts a headache. “It’s hard,” admitted Cramer Silkworth of Baukraft Engineering in the aforementioned BS*+ Beer episode. The IRC requires buildings with air leakage rates of less than 5 ACH50 to have whole-house mechanical ventilation, but standards on exactly how much are evolving.

The benchmark is ASHRAE Standard 62.2. In pre-2013 versions, it required supply air of 0.01 CFM of ventilation air per sq. ft. plus 7.5 CFM per occupant; on the exhaust side, it called for 25 CFM of continuous ventilation in kitchens (100 CFM supplied intermittently), and 20 CFM in the bathroom for fans run continuously (50 CFM for intermittent operation). In versions of 62.2 published after 2013, supply air requirements went up sharply, while exhaust air minimums followed a new schedule in the kitchen, depending on whether a range hood was used. Passive House requirements are more demanding.

Building scientists were divided on whether the changes were a good idea. Some experts argued that even the old requirements were too high because they tended to result in high indoor moisture in humid climates.

The bottom line can be no absolutes, even for engineers like Silkworth who work with system specifications all the time. His approach is to use the code-required ventilation rates in whatever jurisdiction he’s working in as a minimum. To that, he likes to add another 25% to 50% in capacity at least in boost mode.

“It depends a lot on what’s going on in that building and what the occupants are doing,” he said in a telephone call. “It’s hard to nail down any one specific formula for maintaining good air quality. More fresh air is better, especially now with all of the COVID concerns, but there’s the energy expense and especially humidity control you have to add to those systems. So, until we have free dehumidification and heating and cooling and filtration on all these systems, it’s a battle between those two factors—you need enough but not too much, and it’s really hard to say what those levels are.”

The system should be commissioned after it has been installed to make sure it’s performing as designed, he said, and filters should be changed on a regular basis.

Another question is whether the systems should run continuously or intermittently. Older systems use one-speed fans and simple controls. With intermittent operation, the system effectively runs at variable speeds without the cost and complexity of variable-speed motors and controls, Silkworth said. Variable-speed motors, however, are becoming more common. They can be sized for peak demand (boost mode) but run at 75% of capacity most of the time. Those systems are quieter and more efficient, but they still have the peak capacity they might need a few hours of the day.

Asked whether ventilation systems that run continuously are best for indoor air quality, Silkworth said: “Yes, but if you have a cycling system that goes on and off every 15 minutes, I don’t think that 15 minutes of off time is going to kill your air quality to any noticeable extent—unless we’re talking about a densely occupied conference room or something like that. If it were hours between cycles, that would be a problem.”

A compromise between lower-cost systems with one-speed motors and more expensive systems with variable-speed motors are two-speed fans that are becoming more common, he said, adding, “If that could be a standard option, that would be great.”

Distribution Takes Many Forms

Fresh air can be distributed around the house in one of many ways. As described in this paper published by the Building Science Corp., the simplest is a “single-point” system with one supply duct and one exhaust duct. Pulling indoor air from the master bedroom pulls fresh air in from other sources. When there is no central air handler available, this type of system is inexpensive, but it doesn’t ensure ventilation air will be distributed evenly around the house. Spot ventilation would be required in bathrooms and kitchens.

This simple system has one supply duct and one exhaust duct, along with spot ventilation in the kitchen and bathroom. Drawing courtesy Building Science Corp

This simple system has one supply duct and one exhaust duct, along with spot ventilation in the kitchen and bathroom. Drawing courtesy Building Science Corp.

In a multi-point system, fresh air is distributed to bedrooms and main living areas while stale air is drawn from common areas, such as a hallway, the kitchen and bathrooms (exhausting a cooking area with an HRV/ERV is not recommended). Building Science Corp. says these fully ducted systems represent best practice and are the most efficient but also the most expensive. They also are effective where there is no central air handler available.

An air handler also can become part of the distribution system. Fresh air is routed through the HRV/ERV and into the supply side of the air handler, as shown in the diagram below. Returns to the air handler go through a filter, and other ducts pull stale air from indoors and direct it to the HRV/ERV. These systems also mean whole-house distribution and come with moderate cost. A variation is to draw the exhaust air for the HRV/ERV directly from the air handler’s return trunk while supplying all fresh air through the air handler’s ducts.

This distribution system uses the air handler in the HVAC system to distribute fresh air from an HRV or ERV. It also includes kitchen and bathroom fans for spot ventilation. Drawing courtesy Building Science Corporation.

Zehnder’s devices, which have become well known to those building and designing high-performance houses, are examples of a multi-point system. They are among the most expensive on the market, with installed prices in a single-family home approaching $10,000. But they are highly rated and have very high thermal transfer rates.

Less sophisticated systems will be much less expensive, but to advocates like Agopian, it’s all about the importance of fresh air and good health. He may be in sales, but the RenewAire executive was part of an ASHRAE working group studying ventilation requirements for multifamily dwellings and is well versed in the technical side of the business.

One of his biggest frustrations is the relative lack of attention to indoor air quality in U.S. buildings and the reluctance of homeowners and builders to invest a few thousand dollars in a mechanical system that can dramatically improve health. He calls ventilation “preventive medicine” that can be more effective than medication people have to take after they’ve developed health problems because of exposure to air pollutants in their own homes.

Buyers choose a model of HRV/ERV because of cost differences, he said. Cost-conscious buyers object to requirements for higher ventilation rates that mean only marginal increases in energy costs.

“Really?” he said, “so you’re going to put a $10,000 granite countertop or a $20,000 Wolf range in your house because you want it to look good, but you’re worried about putting in even a $4000 ERV when I can show you that it will improve your life?”

By Scott Gibson 

Scott Gibson is a contributing writer at Green Building Advisor and Fine Homebuilding magazine. This article originally appeared in Green Building Advisor.

Reference