Ivy Studio installs colourful marbles in Montreal’s Hayat restaurant
CategoriesInterior Design

Ivy Studio installs colourful marbles in Montreal’s Hayat restaurant

Montreal-based Ivy Studio has chosen a variety of dramatic marble to outfit a Middle Eastern restaurant, which features a colour palette influenced by “the earthy tones of the Syrian deserts”.

In Montreal’s Old Port neighbourhood, the 1,500-square-foot (140-square metre) Hayat restaurant is designed to reflect the cuisine served by chef Joseph Awad.

Entrance to Hayat restaurant with marble host stand in foregroundEntrance to Hayat restaurant with marble host stand in foreground
The marble host stand at Hayat sets the tone for the restaurant’s Middle Eastern-influenced colour palette

“This Middle Eastern restaurant’s colour palette was inspired by the earthy tones of the Syrian deserts and their surrounding greenery,” said Ivy Studio.

Upon entering is a screen of black hammered-glass panels, which also conceals the kitchen in the far corner.

Dining room with marble topped tables, green chairs and cream wallsDining room with marble topped tables, green chairs and cream walls
In the main dining space, banquette seating runs along two walls below a fabric ceiling installation

In the main dining room, built-in benches form an L along two walls, while a pair of U-shaped booths sit against another that arches over them.

The seat backs are upholstered in mauve velvet and the cushions are wrapped in contrasting deep green leather.

Private booths positioned below an arched ceiling and behind a partition of black hammered glassPrivate booths positioned below an arched ceiling and behind a partition of black hammered glass
Private booths are positioned below an arched ceiling and behind a partition of black hammered glass

Closer to the kitchen is another small, semi-circular booth built into the walnut millwork.

Here the cushioned seats are covered in ruby-toned velvet, and a metallic light fixture is suspended above.

The bar counter made from teal, pistachio and cream-coloured marbleThe bar counter made from teal, pistachio and cream-coloured marble
The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream colours

Ivy Studio selected a wide variety of striking, richly veined marbles, “each contributing their own touch of colour into the space” according to the team.

The bar is made from a dramatic stone with teal, cream and pistachio striations, while the host stand and dining table tops in the main area are purple and white.

A red-hued semicircular booth tucked into walnut millworkA red-hued semicircular booth tucked into walnut millwork
A red-hued semicircular booth is tucked into the walnut millwork close to the kitchen

The building’s exposed brickwork is painted cream to match the other walls, while the original historic stone between the large windows is left exposed.

“The ancient stone walls at the front and rear facades were left intact to showcase the building’s history,” Ivy Studio said.

Curved layers across the ceiling, which hide indirect lighting, are designed to evoke the smooth landscapes of the Middle East.

A fabric installation suspended above the dining tables curves around more strips of lighting, diffusing the light to create a warm glow.

Bar made from a dramatic marble variety with streaks of teal, pistachio and cream coloursBar made from a dramatic marble variety with streaks of teal, pistachio and cream colours
The bar is made from a dramatic marble variety with streaks of teal, pistachio and cream colours

Walnut, stone and cream walls are also found in the bathrooms, which echo the colour and material scheme throughout the restaurant.

“The overall intention of the palette was to bring together the worlds of Middle Eastern nature and Old Montreal construction,” the studio said.

Hayat restaurant by Ivy StudioHayat restaurant by Ivy Studio
The same material palette continues in the moody bathrooms

Ivy Studio has completed several interiors across Montreal that include colourful marble.

These include the Italian restaurant Piatti where the dark green stone contrasts the building’s rough walls and co-working office Spatial where purple surfaces pop against mint green millwork.

The photography is by Alex Lesage.


Project credits:

Architecture and design: Ivy Studio
Construction: Groupe Manovra

Reference

Folkform installs The Museum of Masonite at Stockholm Furniture Fair
CategoriesInterior Design

Folkform installs The Museum of Masonite at Stockholm Furniture Fair

Swedish design duo Folkform has presented a series of furniture pieces made using Masonite hardboard sourced from a factory that closed down over a decade ago.

On show at Stockholm Furniture Fair, The Museum of Masonite centres around a patented type of engineered wood board that is made by steam-cooking and pressure-moulding wood fibres.

Folkform founders Anna Holmquist and Chandra Ahlsell first started experimenting with this material 15 years ago, in collaboration with Sweden’s last remaining Masonite producer in Rundvik.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
The Museum of Masonite features furniture made from a patented type of wood board

When the factory closed in 2011, the pair took all the remaining stock.

“I felt a responsibility to tell the story of what happened to this material,” explained Holmquist, who has since completed a PHD exploring the cultural significance of Masonite.

“It created the Swedish welfare state in the 1930s, 40s and 50s,” she told Dezeen.

“It was made from leftover wood from the Swedish sawmills so it became bigger here than anywhere else. Everyone was using it, for everything from boats and caravans to houses.”

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
Works on show include the Masonite Chair, a collaboration with Åke Axelsson

The Museum of Masonite follows the release of the Production Novellas, a book published by Folkform detailing the results of Holmquist’s PHD research.

Folkform is showcasing this book alongside some of their favourite Masonite designs created over the years.

Works on display include the Masonite Chair, a 2021 collaboration with Åke Axelsson based on an experimental design the Swedish interior architect produced in 1978.

Older pieces include a chest of drawers and a bedside cabinet, both created in 2012, which feature different material samples arranged in geometric collages.

“We combined materials with different ages, with this idea that the furniture becomes an archive,” said Holmquist.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
The exhibition follows the release of the book Production Novellas

The most recent designs in the show explore a more minimalist approach, suggesting how the material can create the suggestion of solid blocks.

“I feel like the compositions will be never-ending because we still have more of this board,” added Holmquist.

The works are presented alongside photographs, illustrations and artefacts that tell the story of the factory.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
The exhibition includes photos from the factory. Image by Amy Frearson

Later in the year, the exhibition will move to the Laurel Museum of Art in Mississippi, the city where Masonite was patented in 1924 by William H Mason.

Masonite is distinct from other engineered wood fibre boards, such as MDF, because it is made without glue. Holmquist believes the material could have a future in manufacturing.

The Museum of Masonite by Folkform at Stockholm Furniture FairThe Museum of Masonite by Folkform at Stockholm Furniture Fair
Masonite is made from pressure-moulded wood fibres. Image by Amy Frearson

“It’s a beautiful material and it’s very sustainable,” she concluded.

“We are already seeing a shift in food, where people increasingly care where the things they eat come from, so maybe it will also happen for furniture and objects.”

At Stockholm Furniture Fair this year, visitors could also enjoy the Wekino With exhibition by South Korean furniture designers and British designer Faye Toogood’s collaboration with Finnish company Vaarnii.

The photography is by Erik Lefvander unless otherwise stated.

The Museum of Masonite is on show at Stockholm Furniture Fair, which is open to the public from 7 to 11 February 2024. See Dezeen Events Guide for more Stockholm Dezeen Week exhibitions in our dedicated event guide.

Reference