Michael Hsu Office of Architecture utilises soft shapes for Austin high-rise
CategoriesInterior Design

Michael Hsu Office of Architecture utilises soft shapes for Austin high-rise

Texas studio Michael Hsu Office of Architecture has designed the common areas for a 50-storey residential high-rise building in Austin, as shown in this exclusive video captured by Dezeen.

Called 44 East, the building is located east of downtown Austin in the Rainey Street Historic district. The firm designed the interiors of the building’s common areas, which take cues from its natural surroundings, particularly the neighbouring Colorado River.

Michael Hsu Office of Architecture has designed the interiors of 44 East

The practice enhanced the space using colour and texture, layering vintage and custom furnishings to create a relaxed and inviting ambience.

Curved surfaces and light colours are incorporated throughout the space, with poured concrete terrazzo floors incorporated to pay homage to the gravel of the nearby riverside trail.

Michael Hsu interior design of 44 EastMichael Hsu interior design of 44 East
Curved surfaces and light colours are incorporated into the lobby area of 44 East

The interior is characterised by the use of soft shapes and natural materials throughout the various spaces, including on the eleventh floor, where pastel hues complement subtle architectural details.

The outdoor swimming pool features a series of pebble-shaped islands, with a partially-covered patio inviting guests to relax outside and enjoy the views of the river.

Swimming pool area of 44 East Swimming pool area of 44 East
The eleventh floor features a circular outdoor swimming pool

On the thirty-seventh floor, a large moon-like pendant light is suspended above a plush circular sofa.

The higher vantage point offers scenic views of downtown Austin, and features jewel tones and darker materials intended to complement the Texas skyline at dusk.

37th floor of 44 East37th floor of 44 East
The thirty-seventh floor features darker tones to complement views of the Texas skyline

44 East was developed by Intracorp, while the tower and unit interiors were designed by Page and landscapes designed by DWG.

The interior design of the common spaces is one of the latest projects by Michael Hsu Office of Architecture, which is based in Austin and Houston.

The company recently completed its self-designed Austin studio, which is adorned in wood-and-fabric lined walls and industrial details, to accommodate its growing team.

The photography is by Chase Daniel.

Partnership content

This video was produced by Dezeen for Michael Hsu Office of Architecture as part of a partnership. Find out more about Dezeen partnership content here.



Reference

Kelly Wearstler designs Ulla Johnson store interior that “speaks to LA”
CategoriesInterior Design

Kelly Wearstler designs Ulla Johnson store interior that “speaks to LA”

American interior designer Kelly Wearstler has paired a towering tree with speckled burl wood panelling and vintage furniture by Carlo Scarpa at the Ulla Johnson flagship store in West Hollywood.

Wearstler created the light-filled, two-storey shop as the flagship Los Angeles location for Johnson’s eponymous clothing brand.

Jeff Martin-designed jewellery case
Kelly Wearstler has designed the interiors for Ulla Johnson’s LA flagship

The duo worked together to envisage the sandy-hued interiors, which Wearstler described as “something that really speaks to LA”.

“A priority for me and Ulla was to ensure that the showroom encapsulated the quintessence of the West Coast, firmly grounded in both the surrounding environment and local community,” the designer told Dezeen.

Sunroom at the Ulla Johnson Los Angeles store by Kelly Wearstler
The “Californian idea of merging indoor and outdoor” permeates the interior

Visitors enter the store via a “secret” patio garden lined with desert trees and shrubs rather than on Beverly Boulevard, where the original entrance was.

“This Californian idea of merging indoor and outdoor is evident from the moment you approach the store,” said Wearstler, who explained that her designs tend to nod to the “natural world”.

Sandy-hued interior of
Wearstler designed textured interiors to reflect Johnson’s collections

Inside, three interconnected, open-plan spaces on the ground floor were dressed with textured interiors that mirror Johnson’s similarly rich collections, which hang from delicate clothing rails throughout the store.

Standalone jewellery display cases by Canadian artist Jeff Martin feature in the cavernous accessories space. Clad with peeling ribbons of grooved, caramel-coloured tiles, the cases echo floor-to-ceiling speckled burl wood panels.

Double-height Brachychiton tree at the Ulla Johnson store
The mezzanine includes a double-height tree

The other living room-style area was designed as a sunroom with a pair of boxy 1970s Cornaro armchairs by modernist Italian architect Carlo Scarpa, as well as parquet flooring with Rosa Corallo stone inlay.

“Vintage pieces are infused into all of my projects and I enjoy experimenting with the dialogues created by placing these alongside contemporary commissions,” explained Wearstler.

Lumpy resin table at the Ulla Johnson store in LA
A lumpy resin table features in an upstairs lounge

The largest of the three spaces, the mezzanine is illuminated by skylights and houses a double-height Brachychiton – a tree that also features in the designer’s own Malibu home.

A chunky timber staircase leads to the upper level, where another lounge was finished in burnt orange and cream-coloured accents including a lumpy marbelised resin coffee table by LA-based designer Ross Hansen.

“We collaborated with a variety of local artisans to imbue the spirit of southern California into every facet of the project,” said Wearstler.

Ribbed plaster walls and textured flooring line a fitting room close by, which was created to evoke a residential feeling, according to the designer.

“We wanted people to feel at home in the store so we prioritised warm and inviting elements,” she said.

Another striking display cabinet made from “wavy” burl wood evokes “a touch of 1970s California nostalgia”.

Wavy burl wood cabinet at the LA Ulla Johnson store
Wavy burl wood evokes “a touch of 1970s California nostalgia”

The Ulla Johnson store is also used as a community space, which hosts rotating art installations, talks with guest speakers and other events.

Wearstler recently designed an eclectic cocktail bar at the Downtown LA Proper hotel, which she previously created the wider interiors for. Her portfolio also features a 1950s beachfront cottage renovation in Malibu.

The photography is by Adrian Gaut

Reference

Furora Studio designs Kraków rental apartment with “very sugary interior”
CategoriesInterior Design

Furora Studio designs Kraków rental apartment with “very sugary interior”

Bespoke scalloped edges and a Verner Panton S-Chair feature at the Pops holiday apartment in Kraków, which Furora Studio designed to be more playful than a permanent home.

Named Pops after lollipops, the dwelling was conceived by Diana Żurek and Gutek Girek of Polish firm Furora Studio.

“The project is a temporary apartment for anyone who wants to spend time in an attractive and very sugary interior,” said the designers.

Pink velvety curtain within Furora Studio-designed holiday apartment
Pops is a holiday apartment in central Kraków

Spread across one level of a multi-storey building in central Kraków, the rental home includes an open-plan kitchen and living room.

This space was dressed with a velvety salmon-pink curtain, which stretches the length of one of two of the walls, and a central display cabinet finished in pistachio green and “crowned with frills”.

Decorative display cabinet with scalloped design details
Furniture including a decorative display cabinet was custom-made by Furora Studio

Much of the furniture and other design elements were custom-made by Furora Studio and follow the same toy-like geometry as the cabinet – a combination of round and wavy motifs created in pastel pinks, greens and creams.

For example, a white and turquoise pendant light with scalloped edges was suspended above a circular dining table, while a ribbed half-moon alcove was created as a backdrop for the wall-mounted television.

Circular dining table and white chairs
Pastel hues define the apartment

“First and foremost, we aimed to find suitable forms,” said Żurek, describing the studio’s starting point for the project.

“Most of the elements were custom-made because we wanted to maintain the coherence of the interior while ensuring proper functional arrangement,” she told Dezeen.

“Essentially, each element was its own small project. The selection of shapes, milling, small details, and perfecting the form – all of these were important considerations.”

Ribbed alcove designed by Furora Studio
A ribbed, half-moon alcove was created as a backdrop for the television

An olive-hued, L-shaped sofa was tucked into one corner of the living space and echoed by the kitchen splashback, finished in the same green colour.

Żurek described the apartment’s double bedroom as “a pink box with a whimsical headboard and an abundance of pillows”.

Curvy bedside table within the pink bedroom
Designer Diana Żurek described the bedroom as “a pink box”

In one corner, a light green built-in desk was positioned in front of a sculptural Verner Panton chair.

The iconic S-shaped seating was originally designed by Panton in the early 1960s and recently influenced the furniture created for the Dreamhouse at the centre of the set design in this year’s Barbie film.

“We rarely have the opportunity to be in interiors that evoke memories of earlier years, when as children, we had few responsibilities and sought joy and playfulness,” noted Żurek.

“But this is not about returning to preschool or infantilising the space,” stressed the designer.

“It’s about positive energy. We sought solutions that would more literally create a colorful space, full of rounded patterns, light colours and a sense of relief,” she added.

Verner Panton S-shaped white chair
The studio added a Verner Panton chair to the apartment

The bathroom is also awash with pattern, featuring a jumbo scalloped-edged cabinet and pink and brown terrazzo tiles.

Bulbous pendant lighting illuminates the space, which contains a walk-in shower.

Summarising the holiday apartment, Żurek called it a place to “have fun and cuddle”.

“Certainly, there are many enthusiasts of such candy-like solutions, but this interior may not be for everyone, especially for long-term use, such as in the case of a private home,” reflected the designer.

“For short-term rentals, I believe most people would be tempted to experience how it feels to be in such a vibrant interior,” she added.

“These projects allow for the use of [design] solutions that might be somewhat tiring on a daily basis, but spending a brief moment in such a place opens us up to new experiences, feelings of peace and relaxation.”

Bathroom with terrazzo tiles and a walk-in shower
A jumbo scalloped-edged cabinet features in the bathroom

Elsewhere in Kraków, London-based office Studio Mills transformed an apartment at a converted monastery into a family home. Polish practice Projekt Praga created a bar with a self-service beer fountain within the taproom of a centuries-old brewery just outside of the city.

The photography is by ONI Studio

Reference

Barde vanVoltt draws on Japanese zen gardens for Calico Club interior
CategoriesInterior Design

Barde vanVoltt draws on Japanese zen gardens for Calico Club interior

Dutch studio Barde vanVoltt has used rippled mirrored glass, boulders and pebbles to create the interior of Calico Club, a retail store located in a century-old farmhouse in the Netherlands.

The studio aimed to combine Dutch heritage with Japanese tradition to create an “unexpected” but never overwhelming interior for the store, which is located in the village of Nistelrode.

Clothes inside Dutch retailer
Pebbles decorate the floor in Calico Club

“The main objective was to pay respect to the monumental 100-year-old farmhouse that Calico Club moved into,” Barde vanVoltt co-founder Valérie Boerma told Dezeen.

“The challenge was to find ways to add materials we could remove easily to keep the original state of the construction as it was,” she added.

Interior of Dutch retailer
Barde vanVoltt added plants to the interior

Boerma and her co-founder Bart van Seggelen added several organic details to the space, which has been divided into different sections.

“The floor plan is shaped like a Japanese zen garden and its traditional elements of rock, water, and plants have been interpreted in more modern and abstract ways,” Van Seggelen explained.

Boulders inside clothing store in the Netherlands
Boulders are scattered throughout the space

On polished concrete flooring, the studio placed whitewashed boulders that are used as retail displays and created elevated pebble islands above which garments are hung.

Barde vanVoltt also designed matching islands made from walnut wood. The same warm wood is also used for the fitting rooms, cabinets and counters.

Wood counter in Calico Club store
Walnut wood is used for the counters inside the store

Materiality is an important aspect of the project, with rippled mirrored glass added in a nod to the water features that are often included in zen gardens.

“Rippled mirrored glass and silver colour was to create contrast and depth,” Boerma said.

“The rippled glass keeps changing from wherever you look at it, this added an extra layer to the space, much like water, that is always changing,” she added.

The aim was for the interior to “nourish creative flow, harmony and support it with a screen-free store policy to create calm in an unpredictable world,” the studio said.

Tree inside Dutch store
A large tree adds a touch of nature at the back of the store

At the back of the store, a tree sits inside a round glass bench behind a metal wall divider.

“Encased in a circular glass bench, the tree and the fashion collection opposite is given its moment thanks to a sheet of curved, rolled metal to separate it from the fitting rooms,” Van Seggelen said.

“And at the front of the store, customers are shown the best of the collection with floating glass display cylinders filled with hay.”

Exterior of Calico Club store
Calico Club is located in a red-brick former farmhouse

The pared-back designs and shiny materials inside the store contrast against its exterior, a rustic red-brick farmhouse.

“With every project we do, we feel the responsibility to search for high quality, natural materials that are produced in a sustainable way,” Boerma said.

“These materials and heritage come with earthy tones and it suited well with our Japanese reference,” Van Seggelen added.

Rippled glass-details in clothing store
Rippled glass references the water in zen gardens

Calico Club has been shortlisted in the retail interior (large) category of Dezeen Awards 2023.

Previous projects by Barde vanVoltt include a former garage in Amsterdam that was transformed into a family home.

Other recent projects in the Netherlands include an underground house and a wood-lined home in Zwaag.

Reference

Studio FB creates gallery-like interior for Frame store in Marylebone
CategoriesInterior Design

Studio FB creates gallery-like interior for Frame store in Marylebone

French interior design Studio FB and the co-founder of fashion brand Frame, Erik Torstensson, have designed a California-informed store for the brand in London.

The store’s concept draws from the brand’s Californian origins as well as European influences, which is reflected in the lighting, furniture and materials.

Frame store Marylebone, London, by Studio FB and Erik Tortensson
Studio FB designed a minimalist store for Frame

“The Californian universe with these modernist architectures with a free plan, skylights and the opening of spaces to the outside was our inspiration basis,” Studio FB told Dezeen.

“We imagined this new concept design layout as open as possible, which can be compared to a gallery.”

Seating area in London Frame store
The store is arranged round a large central pillar

To create a greater connection with the street, the studio redesigned the facade by adding a curved, full-height glazed wall, which was set behind the original piers.

“We designed a long-curved glass like a contemporary insert which contrasts radically with the classic London pillars preserved,” said the studio.

Frame Marylebone by FB Architects and Erik Tortensson
The studio aimed to create a gallery-like atmosphere

Within the store, the studio aimed to mimic the atmosphere of an art gallery with a polished concrete floor serving as a base for a central pillar constructed from stained birch wood veneer.

The store’s rails were custom-designed with a distinctive hand-moulded abstract-shaped end-piece serving as the highlight

With in the fitting room, the ceiling, walls and doors were upholstered in fabric by textile company Kvadrat.

Steel railing in fashion store
Custom-designed rails were created for the store

“The rounded central wooden element was designed as a sculptural object, which gives a residential feeling from the 50s,” the studio explained.

“The backspace invites the cabins and lounge area becomes more intimate all-in fabric and brings sophistication to the space. Pieces of furniture and artwork sublimate the atmosphere,” the studio continued.

“The general atmosphere is similar to an art gallery with raw materials such as concrete on the floor and white walls.”

Fabric-covered walls in store changing area
The stores changing areas have fabric walls

FB Architects and Torstensson worked together to acquire artwork and collectable design pieces to reinforce the gallery atmosphere.

“It was a thorough process to ensure the most unique response possible to Frame,” said the studio.

“Erik had a precise vision of his brand, so we exchanged a lot together on many artistic fields to build the brand’s architectural DNA.”

A sculpture by Serbian visual artist Bojan Šarčević crafted from wood and limestone sits in the display window. Also in the store are two original 1950s Gio Ponti stools, crafted from wood and textiles.

The store was decorated with wall-mounted fixtures designed by French lighting designer Jean Perzel, as well as geometric fixtures created by French architect Pierre Chareau, to create a soft and gentle lighting ambience.

FRAME Marylebone by FB Architects and Erik Tortensson
Artworks feature throughout the store

Torstensson used AI as a sketching tool to design custom objects for the space, such as large brutalist stone tables and chrome custom-made sculptures that were then realised by architecture studios including Bucktron Studio Sweden.

“I’ve been learning and expanding my skills with AI for the last year, it creates a superpower when it comes to speed, as it allowed me to generate the visual concept at a greater pace and scale,” said Torstensson.

“This creates exciting results and provides a new outlook on design. I simply use it to visualise my initial ideas in greater detail in order to bring my ideas to life.”

Frame Marylebone
The store is Frame’s second in the UK

Other retail interiors recently featured on Dezeen include a stationery store interior made from white-oiled wood by Architecture for London and a store interior for Ms MIN in Shanghai, China, by Neri&Hu.

The photography is by Ollie Tomlinson.



Reference

Architecture for London creates demountable interior for stationery store
CategoriesInterior Design

Architecture for London creates demountable interior for stationery store

Local studio Architecture for London has designed an interior for stationery store Present & Correct in London,  which features gridded joinery and draws on “wunderkammer” cabinets of curiosities.

The studio designed bespoke joinery and storage for the Present & Correct shop in Bloomsbury, central London, which sells vintage and new stationery from across the globe.

Present & Correct by Architecture for London
The store interior was made from white-oiled wood

Architecture for London constructed a fully demountable interior for the store, which could be moved in the future if needed.

“Rather than building the joinery around the existing building, we treated each unit as a freestanding cabinet,” Architecture for London director Ben Ridley told Dezeen.

Stationery store in Bloomsbury
Trays showcase old and new stationery

“Aside from the kiosk, most of the joinery was constructed offsite, so we had to consider whether the cabinets fit through a standard door width and could it easily be carried,” he continued.

“In the long term the interior needs to adapt to multiple environments; the current shop has uneven floors, to accommodate this the cabinets have adjustable feet concealed within a recessed plinth, while slender legs appear to be bearing the weight.”

Grid-shaped interior of Present & Correct
Architecture for London developed a grid design for the interior

Present & Correct’s aesthetic is often built around an organised grid that holds different-shaped pieces of stationery, and the studio aimed to replicate this in the interior of the store.

“The shop joinery provides order through a grid which becomes progressively smaller as you enter the shop, providing scale to the eclectic collection of objects,” Ridley said.

Plywood shelves in Present & Correct
The store design references the nearby British Museum

It also drew on the idea of a wunderkammer, informed by the store’s location close to the British Museum, to display the goods as “objects of desire”.

“The wunderkammer is an environment which provides order to a collection of objects through compartmentalisation which could otherwise be observed as a chaotic mess,” Ridley explained.

“So it’s about how we display hundreds of tiny objects like pens, pencils and rubbers alongside toolboxes and trays in a considered and legible way.”

The aim was for the cabinets to be durable and as long-lasting as old museum vitrines. However, budgetary constraints meant that Architecture for London couldn’t use hardwood for the joinery.

Instead, it chose to work with maple plywood and ash.

“We created the appearance and durability of solid timber by applying a rule that all edges of the maple plywood are finished with 25-millimetre British ash, which can take the knocks from a busy shop floor,” Ridley said.

Wooden shelving in London stationery store
The furnishings are fully demountable

“The maple plywood grain is free from imperfections and has a calm grain, so we didn’t feel the need to use additional veneers,” he added.

“Although the joinery is built with an off-the-shelf material, by concealing the raw plywood edges the interior avoids the DIY aesthetic that can come with working with plywood.”

Close-up of plywood shelves
A neutral colour palette was used throughout

It was important to Present & Correct that the interior would allow the products to shine, rather than compete with them.

This led Architecture for London to use a neutral colour palette and a grid layout that lets the materials speak for themselves, rather than more eye-catching designs.

“At the concept stage, we produced designs which incorporated more playful elements such as large columns shaped like pencils,” Ridley said.

“The shopkeeper understood their product well enough to know that there was enough humour in the stationery, so it didn’t need to be represented in the architecture.”

Other recent projects by Architecture for London include a light-filled extension to a Hackney home and an energy-saving home in north London designed for Ridley.

The photography is by Building Narratives.


Project credits:

Architect: Architecture for London
Interior designer: Architecture for London
Main contractor: AFL Build

Reference

Alp Bozkurt creates “calming” interior for Brooklyn tattoo parlour
CategoriesInterior Design

Alp Bozkurt creates “calming” interior for Brooklyn tattoo parlour

Arched niches provide stations for tattoo artists at Atelier Eva, located in a former Brooklyn hardware store transformed by designer Alp Bozkurt.

The Atelier Eva Grand Street parlour is the second in Brooklyn run by tattoo artist Eva Karabudak, who is renowned for her detailed, micro-realism tattoos.

Boucle seats and Apparatus lights in front of an arched niche
Polycarbonate panels punctured by arched niches line the interior of Atelier Eva’s Grand Street studio

“Created with an ambitious vision to reimagine tattoo culture following Eva’s own experiences feeling uncomfortable and unsafe as a woman in her early work environments, Atelier Eva offers a new kind of tattooing experience with the goal of providing an inclusive and welcoming environment for all people,” said the studio.

While her first location on Havemeyer Street was designed in house, Karabudak turned to Alp Bozkurt for the Grand Street space – which at 3,000 square feet (280 square metres) is almost twice the size.

Arched niche with a mirrored back and totem-like sculptures
The arches reveal details of the original building, which was formerly a hardware store

The building dates back to 1895 and was originally constructed as a hardware store, occupying a single story space that extends 115 feet back from the street facade.

Original features such as large roof trusses, skylights and brick walls were all restored and highlighted during the renovation work.

A pink-concrete table shrouded by a sheer curtain
A pink-concrete table used for tattoo consultations is shrouded by a sheer curtain

The trusses are painted black, drawing the eye up to the ceiling, while the remaining structural elements are whitewashed for a clean look.

“A distilled material palette is deployed to create a warm and calming environment from otherwise industrial materials retaining the building’s original ethos,” said Bozkurt.

Row of arched niches with tables and cabinets tucked inside
In the main space, the arched niches provide areas for the tattoo artists to store their equipment

Wrapping the perimeter of the interior are translucent polycarbonate panels that sit a few inches in front of the brickwork, unifying the sequence of spaces.

All the way around, arches puncture the panels to frame original corbeling, and reveal other historic elements.

A planter with a small tree and water feature
A planter is positioned in the centre of the otherwise sparsely populated space

In the front of the studio, beside the floor-to-ceiling glass facade, one arch provides a backdrop for a seating area with boucle-covered chairs, and pendant lights by Apparatus above.

Behind a pink-concrete reception counter is a consultation area, shrouded by a sheer curtain suspended from a curved metal track.

“Visitors are offered glimpses of activity in the studio flooded by natural light while the artists and their clients maintain privacy,” Bozkurt said.

The group of artists offering a range of tattoo styles and piercings work in the large space beyond, where each is allocated a station aligned with an arch.

Pink concrete furniture either side of a seating area
Pink concrete is also used for the reception counter and other furniture

Foldable padded tables for clients to lay on, stools for the artists and cabinets for storing equipment all tuck neatly into these niches when not in use.

The open space – which also hosts creative gatherings and events – is sparsely populated, other than a central pink-concrete planter that matches the consultation table and the counter.

Exterior view of Atelier Eva studio on Grand Street, Brooklyn
The location on Grand Street is Atelier Eva’s second in Brooklyn

Together, Bozkurt’s interventions create “a carefully choreographed sequence of experiences through varying degrees of transparency offered by various design elements”.

Other tattoo parlours with unconventional interiors include a minimalist space in Kyiv with holes slashed through its walls, a stark monochromatic space in New York and a studio in Paris featuring curtains printed with Hieronymus Bosch paintings.

The photography is by Atticus Radley.



Reference

The New Maximalist: When More is More in Interior Design
CategoriesArchitecture

The New Maximalist: When More is More in Interior Design

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

How do color, decoration and whimsy come together in modern design? Architect Ludwig Mies van der Rohe became known around the world for his seemingly simple buildings and the phrase “Less is More,” a mantra he adopted throughout his life. In turn, that phrase would come to define a generation of minimalist, modern design. As Pat Finn noted, more than 60 years after this famous statement, it seems that ornament still carries a hint of taboo. So what place does maximalism have in our everyday life?

Across architecture and interior design disciplines alike, maximalism is a reaction against minimalism, a move towards an aesthetic of excess. The philosophy is summarized as “more is more.” More color, more decoration, and the desire to celebrate the intricacies and complexity that come with them. Taking a dive into the Architizer library, the following projects represent how designers are creating maximalist interiors today. They represent multiple scales, material choices and wide-ranging geographies around the world. In turn, they show how interiors are becoming ever more playful, inclusive and inspiring.


BasilicÔ

By Studio CAYS, Casablanca, Morocco

The BasilicÔ was made to create an attractive and magnetizing place to explore. The design team wanted to imagine the impact colors can have on the occupant experience, creating an environment that stimulates the senses. As they explained, polychromy and morphology combine to create a maximalist aura. The BasilicÔ project revolves around a floral theme through which several types of apartments emerge: The CoquelicÔt, the MimÔsa, the TournesÔl, the MartagÔn and the TulipÔ.

Together, the different apartments form a “bouquet” within the building to brings vitality and freshness to raw concrete walls and subdued corridors. Each of the apartment themes has its own character which stems from a common floral personality. The differences result in different shapes, colors and materials which are reflected through wall panels and furniture.


Dream La Miro

By Wutopia Lab, Jiangsu, China

In Dream La Miro, Wutopia Lab wanted to create a place of joy for the Duoyun Bookstore. The fairytale parent-child bookstore was opened at Dream Town in Yancheng, Jiangsu. When the client showed the team the IP they had introduced, namely the three animated films created by Italian artist Cristina Làstrego: Mirò the Cat, The Circus and The Creation, they were moved by the magnificent scenes and the imagination created by the artist.

The result is a fairy tale bookstore that uses the origin of life as a base inspiration combined with elements from the other animations. Wutopia Lab chose the ark as the theme, with the yellow outside and red inside sailing ship docked in the harbor of the book sea. All the fairy tales about the Miro store of Duoyun Bookstore start from here. The team didn’t want the interior design to be boring or simple. The tent, ark, mountain and forest all became means by which they tried to break out a typical style façade.


LIÒN

By COLLIDANIELARCHITETTO, Rome, Italy

LIÒN is a restaurant and cocktail bar in the heart of Rome — halfway between the Pantheon and Piazza Navon. The project features bold lines and saturated colors in a maximalist style, contrasting with the austerity of the Palazzo that encompassed it. The idea was to give back to the city fragments of the Dolce Vita. Soft lights and mirrored surfaces envelope a sophisticated restaurant, whose terrace overlooks Largo della Sapienza.

LIÒN unfolds on two levels: the ground floor, encapsulating the restaurant, is completely projected on the outside through large windows outlined by a thick travertine frame. The basement, which is accessed via a marble staircase embellished with brass details, houses the service rooms, the kitchen and the wine cellar. The circle became the matrix of the dynamic elements, with soft and sinuous lines, which characterize the interiors, from the subtle and arched friezes that envelop the space, to the deep three-dimensional lozenge screen.


The MIXc Kunshan

By X+LIVING, China

MIXc Kunshan was designed by X+LIVING to create a commercial space with an innovative strategy. The team set out to transform a public space on the third floor of a mall into a children’s section with a unity of aesthetics and theme. The result was a reimagining of public space in shopping malls. The project is located in Kunshan, Jiangsu Province, an important birthplace of Kunqu Opera. It has the nickname of “the mother of Chinese Opera”.

With the vision of creating a multifunctional experience venue that integrates parenting, leisure and education, the design team blurred the physical boundary between the public area and the retail stores through a coordinated facade design. In order to strengthen the cultural identity of the project, the team used Kunqu Opera as the origin of the design concept, and replaced the traditional aesthetic form with interesting design techniques to create a dreamlike, maximalist wonderland.


Barberia Royal

By ROW Studio, Ciudad de México, Mexico

Barberia Royal is a barbershop that offers services in an incredible location of Mexico City. ROW Studio wanted to incorporate the bits and pieces of a previous proposal that was under construction on the site for a different barbershop that was never finished, recycling mismatching moldings and other wooden elements. They put the pieces together almost randomly, fitting them in a contemporary form that still references the traditional symbols of European royalty.

The lower half of the space includes colors and materials linked to the long standing heritage of traditional barbershops, including black and white hexagonal tiles floor with a flower pattern and the Royal name greeting all the patrons at the entrance. In contrast, the ceiling is shaped with an intricate faceted surface that adapts to the changing heights of the space and the structural elements of the building finished with a laser-cut golden anodized aluminum surface.


SUNDAYS

By FLAT12x, Krung Thep Maha Nakhon, Thailand

Sundays is the one-off restaurant illustrating design that is hand-crafted and built from the mindset of believing that arts can make things better. The maximalist restaurant was designed to integrate architecture, interior, graphic design and the arts in Bangkok, Thailand. Although surrounded by generic pubs and restaurants, Sundays was made to stand out. The restaurant offers customers striking experiences of what art can do to other things.

Ten pieces of drawings classically covering the unwanted old fridges or the flower bouquets that are pinned upside down to make the old structure of the building a little bit nicer. Roaming through unexpected drawings and paintings alongside with exquisite mixture of decoration styles, the restaurant expresses strong physical connection between the building to the room. Echoing this, the graphic design of the shop epitomizes the brand identity through signage and packaging of all foods and beverages.


Metal Rainbow

By Wutopia Lab, Suzhou, China

The Zhongshu Bookstore bookstore is divided into four main zones and several subdivided zones. Aiming to create a colorful new world by using symbolism, the architect gave a unique character to each zone: The Sanctuary of Crystal for new arrivals; The Cave of Fireflies for recommendations; The Xanadu of Rainbows for reading room; The Castle of Innocence for children books. As an entrance, ‘The Sanctuary of Crystal’ is a space full of books and nothing else. Using glass bricks, mirrors and acrylic, ‘The Sanctuary of Crystal’ is a shining white space, drawing customers into the heart of the store.

After a relatively narrow space, ‘The Xanadu of Rainbows’ is a large and open space. Thanks to the large windows, natural lights can pour inside. Being the most prominent space, ‘The Xanadu of Rainbows’ provides a variety of experience. Taking advantages of different heights of shelves, steps, and tables, the architect created a hyper-maximal and abstracted landscape of cliffs, valleys, islands, rapids and oases. There are also thin perforated aluminum sheets in gradient colors simulated as rainbows installed in the bookstore.

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Five key projects by interior designer and Dezeen Awards judge Little Wing Lee
CategoriesInterior Design

Five key projects by interior designer and Dezeen Awards judge Little Wing Lee

Interior designer Little Wing Lee has joined Dezeen Awards 2023 as a judge. Here, she selects five projects that best reflect her work.

Lee’s interior design practice Studio & Projects creates spaces and products for cultural, commercial and residential clients, taking a “narrative approach to design”

“My designs are always informed by context, location and function,” Lee told Dezeen. “I always think about the project’s story and connect that to the design decisions I make.”

Lee is also the founder of Black Folks in Design, an organisation which raises awareness and promotes the culture and importance of Black designers. She was named the first winner of the Female Design Council and NicoleHollis Grant recognising women of colour-led interior design firms located in the US.

“The grant was an investment in my talent and skill and helped me sustain my momentum to build and invest in future projects,” said Lee.

Lee is currently working on a collection with Mexican rug brand Odabashian and the launch of a new lighting collection as well as several museum and restaurant projects.

Lee among Dezeen Awards 2023 judges

Dezeen Awards 2023, in partnership with Bentley Motors, is closed for entries. The longlists will be published on Dezeen in two weeks.

Other judges joining Lee this year include architects Jason Long and Zhu Pei, interior designers Diana Radomysler, Colin King and Martin Brudnizki, and designers Yves Béhar, Ineke Hans and Lani Adeoye.

Read on to find Lee’s views on the five projects that best represent her work:


National Black Theatre

National Black Theatre

“National Black Theatre is a unique project as it combines public, performance, and residential spaces.

“It is a historic major capital redevelopment project that will transform the current property into a 21st-century destination for Black culture through theatre.

“This project will anchor and recapitalise the institution with a 250-seat flexible temple space and a 99-seat studio theatre.

“As part of the same project, the developer Ray is also working on National Black Theatre Way, a building on 2033 5th Ave which will house residential, event and retail spaces.”


OKRA

OKRA for Odabashian

“OKRA was the first design by Studio & Projects from our upcoming rug collection with manufacturer Odabashian.

“The collection will be carried by Verso with additional designs exhibited this summer in their Bridgehampton gallery.”


Ace Hotel Toronto by Little Wing Lee

Ace Hotel Toronto

“Ace Hotel Toronto opened in July 2022 and is the brand’s first location in Canada.

“The 123-room hotel was designed by revered Toronto firm Shim-Sutcliffe Architects, led by Brigitte Shim and Howard Sutcliffe, in collaboration with Atelier Ace with me as the Atelier Ace/Ace Hotel Group present design director.”


Black Folks Design by Little Wing Lee

Black Folks in Design

“Black Folks in Design (BFiD) is a network that connects Black designers within and across disciplines to support each other and share professional opportunities.

“We help people understand the excellence, contributions and importance of black designers to create economic and portfolio-building opportunities for Black designers.”


National Museum of African American History and Culture exhibitions

“The National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution in Washington DC is the only national museum devoted exclusively to the documentation of African American life, history and culture.

“The museum helps all Americans see how their story, their history, and culture are shaped and informed by global influences. It explores what it means to be an American and shares how values like resiliency, optimism and spirituality are reflected in African American history and culture.”

Dezeen Awards 2023

Dezeen Awards celebrates the world’s best architecture, interiors and design. Now in its sixth year, it has become the ultimate accolade for architects and designers across the globe. The annual awards are in partnership with Bentley Motors, as part of a wider collaboration that will see the brand work with Dezeen to support and inspire the next generation of design talent.

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Pirajean Lees creates Arts and Crafts-style interior for Mayfair restaurant
CategoriesInterior Design

Pirajean Lees creates Arts and Crafts-style interior for Mayfair restaurant

London design studio Pirajean Lees referenced Mayfair’s pastoral past and created a series of spaces that nod to the idea of a Georgian manor house when designing restaurant 20 Berkeley.

Pirajean Lees aimed to build a story around the space and its sequence of many small rooms, while tapping into the restaurant’s British produce-led culinary approach.

Seating area in main dining room of 20 Berkeley
Pirajean Lees has completed the 20 Berkeley restaurant in Mayfair

“The restaurant is situated in the heart of Mayfair, a place once on the cusp of the city and countryside,” Pirajean Lees told Dezeen.

“The farming history of the area and its connection to the surrounding rural lands is prevalent throughout the project and paramount to the dining experience.”

Dining area in restaurant in London by Pirajean Lees
The restaurant features a series of cosy rooms on the first floor

Pirajean Lees wanted to put nature and craft at the heart of this design project to align it with the ethos of Creative Restaurant Group, the restaurant’s founders.

“This led us to build on the strong connection of an imagined Mayfair Georgian manor house and its rural lands, which would have been used to grow produce,” the studio said.

“A central staircase leads to rooms usually found in a traditional family home, such as the drawing room, music room, pantry, orangery and salon. Each room has its own character whilst belonging to the one property.”

Seating banquette in 20 Berkeley restaurant
Among them is the music room

On the upper-ground floor are the richly designed reception and main dining rooms.

The lower-ground level houses a 14-seat private room with its own exclusive lounge and dining area, alongside the kitchen, wine cellar and main bar, The Nipperkin.

The design of the interiors references the arts and crafts movement of the late 19th and early 20th centuries.

Seating booth in restaurant in London by Pirajean Lees
Stained glass features in the drawing room

“At 20 Berkeley, we have developed a layered story of handmade details and tactile finishes that exude elegance,” said Pirajean Lees.

“The project’s expression is rooted in the traditions of craftsmanship and how the process of making decorative objects and furniture should showcase the beauty of both its materials and construction.”

Table at restaurant in London by Pirajean Lees
Antique mirrors were used to surround the building’s columns

The resulting aesthetic is detailed, with a palette of rich, warm tones including ambers, ochres and dark reds, used across upholstery and textural wallcoverings. Floor tiles have been hand-crafted in Wales and feature clay embedded with fossils.

Bespoke joinery work was utilised throughout the space, including for the wall panelling, dowelled ceilings and an English oak staircase.

The project also features bespoke elements that were added to bring a sense of opulence to the various spaces.

These include a pantry, in painted timber, that provides a strong focal point of the upper floor. Here, chefs prepare dishes on the pantry island, “inviting guests to witness the chefs’ craft, as one would do in one’s home, whilst hosting guests for dinner,” said Pirajean Lees.

In the orangery, a bespoke pickling cupboard, made from sapele wood and marble, serves as “a pleasing curiosity”, used by the chefs to store jars of vegetables for their recipes.

Staircase in 20 Berkeley restaurant
An English oak staircase leads down to 20 Berkeley’s lower ground level

The bespoke dining tables and chairs were made of oak, while the chairs have been traditionally upholstered for maximum comfort.

“The bespoke and craft elements bring depth to the project, anchoring it in its strong narrative and creating timeless interiors,” said Pirajean Lees.

Private dining area in 20 Berkeley restaurant
A private dining room is located on the lower ground floor

Bespoke stained glass, handcrafted in a North London studio, is another of the restaurant’s features.

Used in the reception and drawing room, the stained glass has been strategically positioned, backing onto the busy central bar to give a sense of movement and energy.

In front of the windows, it warms the light coming into the rooms to create an immersive atmosphere.

Table in private dining area of restaurant in London by Pirajean Lees
Mixed clay tiles are laid across the floor

“The stained glass introduces shadows and reflections, which change throughout the day and are different in each room,” said Pirajean Lees.

“As per each of our projects, the tailored finishes, joinery and surfaces here, have been carefully created to ensure optimum use of the space by the restaurateur and their guests.”

Other hospitality projects from the studio include an ornate sushi restaurant in Dubai with interiors informed by 1920s Japan and a members club in London, housed inside the iconic music venue Koko.

The photography is by Polly Tootal.

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