interiors Archives

The Rebello Hotel occupies former factory along Porto’s riverside

This hotel by architecture studio Metro Urbe occupies a series of former industrial buildings on the banks of the River Douro in Porto, Portugal, and features interiors by Quiet Studios.

The Rebello Hotel is spread across several 19th-century buildings, which have been overhauled and adapted with new additions by Metro Urbe, in Vila Nova de Gaia – across the river from the city proper.

Reception desk with metal lattice front and hoop-shaped lights above — At The Rebello Hotel, nods to the site’s industrial past and Porto’s nautical history can be found in artworks and decor choices

Operated by Bomporto Hotels, which has two properties in Lisbon, the new addition to its portfolio was designed with a local approach and to take full advantage of its prime riverside location.

The Rebello is named after Porto’s famous rabelos – wooden boats that used to transport barrels of port wine down the river – and located beside the city’s only remaining boatyard.

Bar and cafe area with polished concrete floors and exposed ceiling ductwork — The lobby bar and cafe was designed for digital nomads to work and relax

The collection of buildings was once a kitchen utensil factory and had been unoccupied for some time before work began to reconfigure the site.

The team restored two long buildings that face onto the river, preserving their historic stone facades, and constructed two new volumes in the centre of the site that incorporate smaller original structures and resolve the sloping topography.

A variety of soft seating options in an industrial-style space — A variety of soft seating options enliven the industrial-style interiors of the hotel’s communal spaces

Presented with a blank canvas, Spanish interior designer Daniela Franceschini – founder of Lisbon-based Quiet Studios – worked with local artists and creatives to transform the industrial spaces into warm and comfortable guest facilities.

Using vintage and contemporary objects, she based the interiors around four key elements: water, wine, wood and industry.

Bright bedroom with neutral decor and wavy walnut headboard — Bedrooms are bright and neutral, with splashes of colour introduced through contemporary furniture

“There’s a nautical feel to the colours, materials and textures,” said Franceschini. “That also comes through in the lighting, which is suggestive of floating and sailboats, and in the lamps with chains, the wooden shelves by Tomaz Viana, the ceramic nets by Fig Studio and the undulating mirrors that evoke the movement of the sea.”

Above the retro-style reception counter, fronted by a metal lattice, is an artwork crafted using reclaimed materials from the rabelos, which was designed by Studio Ther in collaboration with a local artisan.

Double-height living and dining room with a long pendant lamp suspended over the table — Guest room types vary from studios to three-bedroom penthouse apartments

The lobby lounge and bar was designed for digital nomads to work or relax on a variety of comfortable soft seats, within a bright space that features polished concrete floors and exposed ceiling ductwork.

As a nod to the site’s history, the ground-floor Pot&Pan restaurant serves family-style dishes in large pots and pans within a space decorated with dark-toned walls and plants to create a casual atmosphere.

There’s also a cafe and store selling local produce and crafts, and meeting rooms that can be hired separately or combined for private events.

The Rebello Hotel’s 103 guest rooms and apartments are split into 11 different types, ranging from studios to three-bedroom penthouses that span 37 to 195 square metres.

Spa with textured plaster walls, and globe-shaped lights over a large pool — The hotel’s spa is modelled on ancient Roman baths

The interiors of its light-filled suites have been decorated with walnut, steel, concrete and tiles, along with contemporary furniture that introduces splashes of bright colour to the otherwise neutral palette.

The bedrooms also include “tailor-made pieces influenced by nautical and industrial design, such as the sinks inspired by old water tanks and the organically styled bed headboards that resemble the rippling waters of the Douro”, according to the design team.

Lounge chairs under umbrellas overlooking the Douro River — The fourth-floor rooftop bar offers views across the Douro River to the Porto skyline

The Rebello Hotel guests can enjoy a spa, modelled on ancient Roman baths and encompassing a heated pool, sauna, fitness centre and treatment rooms.

Finally, the Rooftop Bello bar on the fourth floor offers a spot for al fresco cocktails overlooking the river, with a view of the city’s terracotta-tiled skyline beyond.

Aerial view of The Rebello Hotel showing the layout of its terracotta-roofed buildings — The riverside site, a former kitchen utensil factory, was converted and extended by architects Metro Urbe

Other interior design projects in Porto include a rustic restaurant interior designed by Space Copenhagen, which features a ceramic mural by Álvaro Siza, and a sushi bar by Paulo Merlini where 8,000 wooden chopsticks hang above diners.

The photography is by Francisco Nogueira.

Reference

Interior Design

Modernist architecture informs Bottega Veneta store in historic galleria

By Zarkon Group,07/02/2024

Fashion house Bottega Veneta has opened a boutique designed by its creative director Matthieu Blazy inside the Galleria Vittorio Emanuele II shopping arcade in Milan.

Bottega Veneta‘s two-storey store is distinguished by three primary materials: glass, Italian walnut and green Verde Saint Denis marble.

Walnut spiral staircase rising from green marble floor — A spiral staircase greets shoppers at the Bottega Veneta store in Milan

This trifecta is applied in strict grids to evoke Italian modernism and provide an organising principle in the various rooms.

“There are different experiences of space in the store,” said Blazy. “I wanted to express the idea of a domestic interior referring to Italian modernist architecture that contrasts with the aesthetic of a spaceship and to capture the intimacy and the imagination of getting dressed.”

Fashion store with glass-block walls and ceiling, and green marble flooring — Grids are used throughout the store to organise materials

From the galleria, shoppers are greeted by a dramatic spiral staircase made entirely from Italian walnut – a material used throughout the interior as panelling, modular shelving and furniture.

Green marble is laid in squares across the floors, separated by strips of walnut and occasionally swapped for larger patches of dark green wool carpet.

Room with squares of glass blocks across the walls and ceiling — Glass blocks are integrated into the walls and ceilings

Square glass blocks are similarly arranged into grids across walls and ceilings, illuminated from behind to produce a soft warm glow throughout the store.

Green leather chairs and benches are accompanied by custom rounded wood tables and stools to form lounge areas.

“Throughout the space, soft textures are found in leather seating and wool carpets, while modular shelving units build a sense of discovery and play,” Bottega Veneta said.

Fitting room lined in walnut with a green leather niche and wool carpet — The fitting rooms feature leather niches that provide a place to sit

Fitting rooms are fully lined in walnut, except for leather-wrapped niches that provide a small seat, giant mirrors with built-in lighting and more green carpet.

Sculptural polished metal elements form the door pulls and clothes hooks, their smooth surfaces contrasting with the more textured golden planters and entrance handles.

On the upper level, recesses formed by the Galleria’s arched windows provide nooks for seating and plants, as places to look out onto the highly decorative arcade.

Designed in 1861 by architect Giuseppe Mengoni, the neo-classical Galleria Vittorio Emanuele II is one of Milan’s most desirable shopping destinations.

Close-up of a polished metal sculptures that forms a door pull — Polished metal sculptures form door pulls and clothing hooks in the fitting rooms

The four-storey, glass-vaulted double arcade is located in the city centre, close to other landmarks like the Duomo and the Teatro alla Scala.

The new Bottega store is the latest to open under Blazy since he took the reigns of the luxury brand in 2021, following locations on London’s Sloane Street and the Avenue Montaigne in Paris.

Exterior of the Bottega Veneta store in Milan's Galleria Vittorio Emanuele II — The new store is located in the historic Galleria Vittorio Emanuele II shopping arcade

For the brand’s Spring Summer 2023 runway show, Bottega Veneta collaborated with Italian designer Gaetano Pesce, who envisioned a colourful resin-covered floor and 400 bespoke cotton-and-resin chairs for the set.

Pesce later went on to create a pair of handbags for the brand, which were designed to suggest different bucolic landscapes.

The photography is courtesy of Bottega Veneta.

Reference

Interior Design

Karimoku Case lines minimalist Tokyo apartment with local wood

By Zarkon Group,06/02/2024

Japanese brand Karimoku Case has redesigned an apartment on a hilltop in Tokyo, using wood and a neutral colour palette to create a “calm and serene atmosphere”.

Named Azabu Hills Residence, the project was designed by Karimoku Case – a studio developed by Karimoku Furniture in collaboration with design studios Keiji Ashizawa and Norm Architects.

The studio used the project as an opportunity to optimise the use of local zelkova wood which is increasingly underutilised.

Living space interior of Azabu Hills Residence in Japan — The apartment features furniture made from zelkova wood

“We sympathized with the story of how zelkova used to be a common material in Japan, but is now being chipped and discarded, and wished to explore the possibilities of zelkova through this project,” lead designer Keiji Ashizawa told Dezeen.

“When I first saw the sample of it, I felt that its gentle reddish hue, along with its story, was a good match for the project,” he continued.

“We decided to create the interior using zelkova that would come in harmony with the gentle light from the north side.”

View into living space of Tokyo residence by Karimoku Case — A neutral material palette creates a “calm and serene atmosphere”

The 226-metre-square apartment was centred around a spacious, open-plan living area and dining room illuminated by floor-to-ceiling windows.

A small workspace nestled behind a wall in the living space makes use of the spacious interior, and is furnished with a desk, chair and shelving made from zelkova wood.

Desk space within Azabu Hills Residence in Tokyo — White plaster walls and wooden floors define the living spaces

The minimalist interior is defined by textured white walls and wood used for flooring, window frames and fittings, which are tied together by cream furnishings, paper lighting fixtures and decorative artwork.

In the living space, lattice wooden screens were used to separate programmes as well as provide cross ventilation through the space to create airy interiors.

“With the residence being located in the middle of a large city like Tokyo, it was important to have a home-like atmosphere that makes you feel at ease,” Ashizawa said.

“We were conscious of the calmness and tranquility needed to achieve this, and designed the interior with well-curated furniture, lighting, and art to create an environment for this purpose.”

Minimalist dining space in Azabu Hills Residence in Tokyo — Wooden, lattice screens allow ventilation through the home

A counter made from zelkova wood divides the living space and adjacent kitchen, while also serving as an additional seating and dining space.

Within the kitchen, cabinets built from gridded wooden frames were finished with concrete countertops, complemented by tiled terrazzo flooring that also features in the home’s entryway.

Bedroom interior of Tokyo apartment by Karimoku Case — Furnishings, paper lighting fixtures and pieces of artwork tie the interior together

Gridded wooden frames are repeated for both storage in the living area and a wall in the main bedroom where the home transitions into a cosy-feel with carpet flooring.

A circular chair and marbled table sit in front of the bedroom’s floor-to-ceiling windows, with a study desk nestled into the corner.

Bedroom interior of minimalist apartment Tokyo by Karimoku Case — Gridded wooden frames feature in the kitchen, living space and bedroom

Other recently completed projects with minimalist interiors include a dental clinic in Montreal designed to feel like “someone’s home” and a London pub converted into a pared-back jewellery showroom.

The photography is by Tomooki Kengaku.

Project credits:

Architect: Keiji Ashizawa Design
Project architect: Keiji Ashizawa / Ryota Maruyama
Client: reBITA / NTT Urban Development Coperation Tokyo
Construction: Tamarix
Furniture collaboration: Norm Architects
Furniture: Karimoku Case
Lighting: Kojima Shoten / Saito Shomei
Lighting plan: AURORA / Yoshiki Ichikawa
Interior styling: Yumi Nakata

Reference

Interior Design

ALA draws on West Village history for Talea taproom interiors

By Zarkon Group,04/02/2024

New York studio Alda Ly Architecture has designed a taproom for female- and veteran-owned brewery Talea in the city’s West Village neighbourhood, which includes a place for groups to “scheme”.

Talea West Village is the beer company’s third outpost and its first Manhattan location, following two established in Brooklyn.

Bar area with stools surrounding a purple-fronted counter — The main dining and drinking area at the Talea West Village taproom is anchored by a colourful bar

The space is located in a 1920s building on Christopher Street, an iconic thoroughfare that’s home to several landmarks, businesses and historic spaces associated with the LGBTQ+ rights movement.

“This new taproom on Christopher Street reclaims the masculine identity of a West Village saloon to celebrate voices of women and LGBTQ+ communities in the Village, all while serving Talea’s popular sour brews in an elevated, vibrant space,” said Alda Ly Architecture (ALA).

Bar with built-in seating on the left and counter on the right — Bright hues chosen by ALA for the space include yellow for tiles, green seat backs and red dining chairs

Flooded with natural light thanks to large windows along the street facade, the main space is anchored by a purple-fronted bar with a curved white quartz countertop in one corner.

Behind, numerous beer taps are mounted onto a yellow-tiled partition, while glassware and cans are displayed on shelves above.

View towards an exposed brick wall with seating in front — Exposed brick and stone floors allude to a saloon-style aesthetic

The bar is lit by Junit oak pendants from Schneid Studio and brass Dottie sconces by Visual Comfort are mounted around the perimeter.

“We opened up the space to provide as much open area for the front dining room, and brought the bar front and centre to highlight the taps with their extensive selection of beers,” said ALA founder Alda Ly.

Dining area and bar counter with street windows behind — The taproom was designed to celebrate its location in the West Village, which has played an important role in LGBTQ+ history

“We wanted the bar to be a welcoming beacon for all people in the neighborhood,” she added.

The other side features built-in, stained-oak seating and small circular tables against an exposed brick wall.

Brick-wrapped room with a skylight over a large table — Behind the bar is The Revolution Room, intended for larger groups to gather

Pale green backrests and muted red Scroll dining chairs from Industry West continue the interior’s bright colour palette, which is also echoed in the works by local artists displayed on the walls.

“It was important to us to capture the spirit of Talea in a space that felt elevated but also very warm and welcoming,” said ALA project director Marissa Feddema.

Past the bar is a more intimate space called The Revolution Room, designed for groups of eight to 10 people to “scheme, hang and gather” according to the team.

A large table sits below a Nuura Miira 8 Oval chandelier that’s suspended from a skylight, and more brickwork is exposed to add to the saloon-like vibe.

Dimly lit room with dark walls and colourful furniture — At the back is the Snug, a cosy space furnished with jewel-tone pieces

Further back still, patrons will find the Snug – a much darker and cosier room decorated with jewel-toned furniture, navy limewash painted walls and a vintage fireplace mantle.

The moody bathrooms are adorned with images of prominent local residents and gender activists through the years, further emphasising the neighbourhood’s importance to the LGBTQ+ community.

Bathroom with dark blue tiles, paintings on the walls and an oval mirror above a sink — Images of prominent local residents and gender activists are displayed in the moody bathrooms

The West Village is packed with bars and restaurants, from upscale dining spots like Cecchi’s to casual cocktail places like Donna.

Close by, in the Union Square area, ALA has previously designed the interior for a doctor’s office and clinic with earthy and homey details.

The photography is by Brooke Holm.

Project credits:

Architect and interior designer: ALA (Alda Ly, Marissa Feddema, Sheridan Treadwell, Marlee Anderson)
MEP engineer: Tan Engineering
General contractor: Aerial Design & Build

Reference

Interior Design

Standard Architecture refreshes interior of pink Paul Smith store in LA

By Zarkon Group,03/02/2024

British fashion label Paul Smith’s iconic pink store in Los Angeles has received an interior makeover from Standard Architecture.

Standard Architecture collaborated with the Paul Smith design team to reimagine the 4,740-square-foot (440 square metres) store on Melrose Avenue, West Hollywood.

Paul Smith LA store interior is stone-clad partitions and exposed rafters — Standard Architecture and the Paul Smith team reorganised the LA store to better define the brand’s different collections

The studios also created a new VIP entrance patio for the building, which is notorious for its bright pink exterior that has become a pilgrimage spot for amateur photoshoots.

“The primary goal was to enhance the overall customer experience within the store, which was achieved by creating a more cohesive and immersive shopping environment across the different brand departments,” said Standard Architecture.

Seating area with clothing displays on either side — Stone-clad partitions help to define areas, but don’t reach the exposed timber ceiling

The entrance to the store – the only opening in the giant pink wall that faces the parking lot – leads shoppers through a glossy red metal vestibule into the main retail space.

Clearly defined yet interconnected areas for the menswear, womenswear and homeware collections help with navigation around the store.

Suits displayed in colour order on long brass rails — Long brass rails are used to present tailoring

Partitions clad in dappled beige stone frame these zones, but don’t reach the exposed timber ceiling, to retain the sense of openness.

In places, the stone walls are inlaid with mosaic-style artworks depicting abstract flora, which add splashes of colour to the warm-toned surfaces.

Paul Smith homeware collaborations displayed in a corner of the store — Paul Smith’s collaborations with Gufram and Anglepoise are among the pieces on show

Black track lighting is suspended from the rafters, spotlighting the various clothing displays and lounge areas furnished with midcentury-style sofas and armchairs that are dotted around the store.

Long brass rails that appear to be suspended in midair are used to display suit jackets, which are carefully arranged by colour.

Shoes presented on stepped white ledges that resemble bleacher seating — Shoes are presented on stepped white ledges that resemble bleacher seating

In an area dedicated to accessories, the shoes and bags are lined up on stepped white ledges that resemble bleacher seating.

Walnut is used for accents including shelving, door frames, and podiums, as well as for a large open storage system with compartments for presenting individual products and a row of sculptures by Alexander Calder.

Founded by fashion designer Paul Smith in 1970, his eponymous brand is synonymous with the brightly coloured stripes applied to many of its apparel products and other collaborations.

Many of these appear throughout the store, including a colour-tinted Anglepoise desk lamp and a striped version of Gufram’s cactus-shaped coat stand.

Glossy red metal vestibule with store interior beyond — Entry to the store is via a vestibule wrapped in glossy red metal

“Overall, the design reflects a deep understanding of the brand’s identity, which places a strong emphasis on the use of colour and attention to detail,” Standard Architecture said.

Paul Smith retail spaces around the world are equally playful. On London’s Albemarle Street, its boutique has a patterned cast-iron facade by 6a Architects, while the shop in Seoul is encased in a curving concrete shell by System Lab.

Bright pink exterior of Paul Smith store on Melrose Avenue — The store on Melrose Avenue is an icon in Los Angeles thanks to its bright pink facades

Standard Architecture was founded by Silvia Kuhle and Jeffrey Allsbrook, who discussed their work with Dezeen during our Virtual Design Festival in 2020.

Past projects by the firm include a Hollywood Hills residence with a cantilevered swimming pool and a minimal showroom for fashion brand Helmut Lang – which was located just a few blocks from the Paul Smith store before it shuttered.

The photography is by Genevieve Garruppo.

Reference

Interior Design

Oskar Kohnen fills London office with mid-century modern furniture

By Zarkon Group,01/02/2024

London studio Oskar Kohnen has outfitted a Mayfair office with mid-century modern furniture and contemporary pieces, which “are so well curated that no one would ever dare to throw them away”.

Spread across three floors, the office is housed within a rectilinear building in London’s Mayfair neighbourhood with a gridded facade.

Mayfair office by Oskar Kohnen — Oskar Kohnen designed the office in London’s Mayfair area

“It has a townhouse feeling,” studio founder Oskar Kohnen told Dezeen of the office, which he designed for developer Crosstree Real Estate.

At its ground level, Kohnen clad the entrance hall with dark-stained wooden panels and added sconce lights to subtly illuminate the space.

Djinn sofa by Oliver Mourge — A cream Djinn sofa was placed in the entrance hall

An amorphous Djinn sofa, created by industrial designer Olivier Mourge in 1965, was placed in one corner.

“We worked a lot with vintage furniture, and as for the new pieces we sourced, we hope they are so well curated that no one would ever dare to throw them away,” said Kohnen.

Living room-style space with an L-shaped sofa — The first floor features a living room-style space

“Warm and inviting” interiors characterise a living room-style space on the first floor, which was created in direct contrast to the industrial appearance of the exterior.

An L-shaped velvet and stainless-steel sofa finished in a burnt orange hue was positioned next to white-stained brise soleil screens and a bright resin coffee table.

Kitchen with terrazzo worktops — Terrazzo accents were chosen for the kitchen

“The social spaces have an earthy and calm colour palette – yet they are lush and dramatic,” explained Kohnen.

A pair of low-slung 1955 Lina armchairs by architect Gianfranco Frattini also features in this space, while floor-to-ceiling glazing opens onto a residential-style terrace punctuated by potted plants.

Bright gridded ceiling in a meeting room — Oskar Kohnen added a bright gridded ceiling to one of the meeting rooms

Similar tones and textures were used to dress the rest of the rooms on this level.

These spaces include a kitchen with contemporary terrazzo worktops and a meeting room with a red gridded ceiling that was set against cream-coloured panels and modernist black chairs.

The second floor holds the main office, complete with rows of timber desks and an additional meeting room-library space characterised by the same reddish hues as the low-lit entrance hall.

“The idea was to create an office space that had soul to it and would offer a more personal take on a work environment, rather than the usual corporate spaces we are so familiar with in London,” Kohen concluded.

Desks within the main office area — The second floor holds the main office

Founded in 2011, Kohnen’s eponymous studio has completed a range of interior projects, including a mint-green eyewear store in Berlin and a pink-tinged paint shop in southwest London.

The photography is by Salva Lopez.

Reference

Interior Design

Oka Fogo restaurants in Paris feature murals by Florence Bamberger

By Zarkon Group,30/01/2024

Architect Arnaud Behzadi and artist Florence Bamberger have combined French and Brazilian influences to create interiors for a pair of adjoining restaurants.

Located in Paris’ 17th arrondissement, Oka Fogo is the latest eatery from Raphael Rego, a Michelin-starred chef who is originally from Rio de Janeiro.

Behzadi designed interiors that aim to capture the spirit of Rego’s cuisine, while Bamberger painted wall and ceiling murals that bring an extra spark of energy.

Mural by Florence Bamberger on the wall of Fogo — Bamberger reinterpreted Manet’s Le Déjeuner sur l’Herbe on the wall of Fogo

The two restaurants each have a distinct character.

Oka, which means “house” in the language of Brazil’s indigenous Tupi people, is an intimate 16-seat dinner-service restaurant with the feel of a grand yet cosy lounge.

The neighbouring Fogo, which translates as “fire”, is a less formal space that offers a sense of dining al fresco. With an adjoining bar and grill, this 40-seat space is open for lunch and dinner.

Oka restaurant with travertine wall — Oka is a 16-seat restaurant with the feel of a grand but cosy lounge

“I approached the project as a journey through a house,” Behzadi told Dezeen.

“I see Oka as a prestigious living room and Fogo as an interior garden.”

Mural by Florence Bamberger on the ceiling of Oka — A ceiling mural incorporates references to Brazil’s flora and fauna

Bamberger’s expressive murals reinforce this approach.

In Fogo, she has painted a reinterpretation of the Édouard Manet artwork, Le Déjeuner sur l’Herbe. The work takes cues from the free-flowing lines of Brazilian artist José Francisco Borgès, resulting in a vibrant style.

The Oka mural features on the ceiling rather than a wall. This more abstract work is based on Brazil’s flora and fauna, along with objects that represent the nation’s culture.

Oka Fogo restaurant facade — The facade combines Jatoba wood with striated marble

Behzadi chose richly toned woods and highly textural marbles for the interior design palette, in a nod to materials favoured by Brazil’s prolific mid-century designers.

This partnering of stone and wood begins with the facade, where panels of Jatoba wood from the Amazon sit above a plinth of striated Iranian marble.

“I decided to interpret a classical style for the storefront,” said Behzadi.

“It’s a very Parisian approach, using an exotic material to start evoking the interior that you will discover inside.”

Tables and chairs in window of Fogo — Fogo’s floor is a grid of green marble and travertine tiles

Inside, decorative wooden furniture and joinery are accompanied by a mix of different stones, including white travertine and various green-toned marbles.

Other eye-catching details include sculptural wall lights by Behzadi’s former business partner, designer Cathy Crinon, and chairs by the late Brazilian designer Sergio Rodrigues.

“There is a clear Brazilian inspiration,” added Behzadi.

Oka Fogo alcove dining space — Additional spaces include a private alcove

The venue also includes an alcove dining space with room for six, featuring a mirrored ceiling and curved banquette in red velvet, and a wine and champagne tasting room with a vaulted ceiling.

Oka Fogo opened earlier this month. Other recent openings in Paris include Moët Hennessy’s Cravan cocktail bar and oyster bar Citrons et Huîtres.

The photography is by Claire Israel.

Reference

Interior Design

Historic sanatorium in Greek mountain forest transformed into Manna hotel

By Zarkon Group,29/01/2024

Greek architecture offices K-Studio and Monogon have converted the abandoned Manna Sanatorium in Arcadia, southern Greece, into a luxury forest hotel.

Originally built in the 1920s to give tuberculosis patients access to the healing power of nature, the historic structure is now a five-star wellness retreat.

Manna offers 32 rooms fitted out with natural materials and neutral tones, plus gym and spa facilities and a restaurant focused on local produce.

Stone facade of Manna hotel by K-Studio and Mongon — Manna hotel is housed in a former sanatorium for tuberculosis patients

The building sits within a fir forest on Mount Mainalo, the tallest peak in the mountainous region.

The design vision set out by Athens-based K-Studio was to amplify the sense of sanctuary offered by the remote location and enhance the feeling of connection to nature.

Manna owner Stratis Batayas, a Greek entrepreneur who had spent his childhood summers in the area, wanted to create a year-round destination that stayed true to the building’s history.

Manna hotel in Arcadia by K-Studio and Mongon — The building is set in a fir forest in Arcadia, a mountainous region of Greece

“The client’s ambition was to reinterpret the concept of a sanctuary in the mountains with contemporary terms,” reads K-Studio’s design statement.

“The hotel would have to be a place for isolation, as well as community-making and participation in the primary activities of everyday living.”

Lounge at Manna hotel — Design details include columns with curved corner reveals and ornate gridded ceilings

The renovation was overseen in collaboration with Athens-based Monogon and involved significant building work, including the reconstruction of a derelict rear wing and the installation of a new roof.

When the sanatorium closed – made obsolete following the introduction of penicillin in 1938 – the building had been emptied to prevent looting. Stone window sills were stripped out and relocated, while the original roof was removed and repurposed on a hospital in nearby Tripoli.

Concrete was used to replace the old sills, while the new timber roof was installed over rendered brickwork.

Bar at Manna hotel — The bar features neatly crafted joinery

A reconfigured layout provides a new entrance on the side of the building.

This leads through into a series of elegant reception and lounge spaces where details include columns with curved corner reveals, ornate gridded ceilings and a herringbone-patterned fireplace.

Manna’s bar can also be found here, featuring neatly crafted joinery. Elsewhere, the restaurant run by chef Athinagoras Kostakos has a more casual feel thanks to an open kitchen.

Art is present throughout, with works by Greek artist Nikos Kanoglou, painter Joanna Burtenshaw and ceramicist Diane Alexandre.

Attic bedroom at Manna — Attic bedrooms feature dormer balconies

Bedrooms are located on the upper floors of the main building, including a new attic level, and on all levels of the rebuilt northern wing.

Attic rooms offer the most modern feel, extending out to balconies set within large gable-ended dormers.

Bedroom furniture — Interiors feature natural materials and neutral tones

The materials palette combines brushed timber with earth-toned textiles. Standout features include the elaborate privacy screens that form a backdrop to the beds.

Terrazzo flooring is inlaid with marble to define different zones, matching the stone used for wash basins. Room numbers are carved into the floor surfaces in front of each room entrance.

“Local craftsmen were involved in all construction phases, as they bear the knowhow of stoneworks, joinery and even the characteristic engraved grouting of the exterior stonewalls,” said K-Studio.

Bath in bedroom at Manna — Terrazzo flooring is inlaid with marble to define zones

Manna opened its doors in the summer of 2023 and is represented by Design Hotels, a booking company that specialises in design-led retreats.

K-Studio co-founder Dimitris Karampataki presented the project at the 2023 edition of The Lobby, an annual hospitality conference in Copenhagen.

Manna restaurant — Manna’s restaurant features an open kitchen

He said the design for Manna “embraces the wear and tear, embraces the natural patina”.

“When we first arrived we saw something, which took about a century to make,” he said. “We didn’t want to clean it too much, to be selective of its heritage. It was more important for us to embrace the whole story.”

Balcony view — The design aims to reconnect people with nature

Other destination hotels to open recently include the Six Senses Rome, designed by Patricia Urquiola, and the Sanya Wellness Retreat in Hainan, China, designed by Neri&Hu.

The photography is by Ana Santl.

Project credits

Architectural concept: K-Studio
Technical design: Monogon, CS Architecture
On-site supervison: Monogon, K-Studio
FF&E: K-Studio, Monogon
Art curation: Joanna Burtenshaw
Branding design: MNP
Surveyor: Ioannis Charbilas
Structural engineer: Niki Psilla
Mechanical engineer: Gerasimos Vasilatos/Alexandra Zachopoulou & Partners
Lighting design: Eleftheria Deko and Associates Lighting Design
Sound consultant: Alpha Acoustiki
Kitchen consultant: Xenex
Landscape architects: H Pangalou & Associates
Main contractor: CT Construction

Reference

Interior Design

Lovers Unite revives interiors of mid-century Silver Lake home

By Zarkon Group,28/01/2024

California design studio Lovers Unite has reinvigorated a 1950s home with sweeping views of the Los Angeles hills, turning an unused balcony into an extension of the indoor social space.

The wooden dwelling in LA’s Silver Lake neighbourhood belongs to production designer James Chinlund and artist Clare Crespo.

Wood-lined room with dining table and six chairs — Lovers Unite renovated the home for a creative couple in Los Angeles

A “previously a boring, nondescript mid-century house”, according to Lovers Unite, the property required some imagination to bring its interiors up to par with its setting.

Therefore, the studio “introduced a few carefully plotted architectural interventions and material shifts to completely reimagine the interior of the home and take full advantage of its prime site”.

Dining room with large windows that have a view of hills in the distance — The house has expansive views over the city’s hills

The most impactful of these interventions was to bring an underutilised balcony at the back of the house into the envelope, extending the open-plan living and dining area by several feet.

Beneath the large windows that were installed to fill the gap, Lovers Unite placed built-in seating with teal-upholstered cushions for relaxing and enjoying the panoramic vista.

View of wood-lined kitchen with a peninsula in the foreground — Plenty of wood was used throughout the home, particularly in the kitchen

“With a large window wall and generous built-in banquette, the room finally celebrates the expansive views that had always been there,” the studio said.

In the kitchen, dark green soapstone used for counters and the backsplash contrasts with the honey-toned cabinetry, and a shiny copper range hood matches a panel installed at the back of a bar area on the opposite side of the room.

Honey-toned wood kitchen with soapstone surfaces and a copper range hood — The honey-toned wood contrasts with soapstone surfaces and a copper range hood

Elsewhere, colourful furnishings, collectible design pieces and bold artworks stand out against the predominantly wood interiors.

A timber-lined lounge area features the classic modular Togo sofa system by Michael Ducaroy, which is wrapped in yellow corduroy fabric.

Meanwhile, in the den, a purple armchair is positioned beside a giant chair that Chinlund used as a prop for a shoot by Italian fashion outfit Roberto Cavalli.

Wood slats were employed to partially screen the staircase opening on the upper level, next to a central fireplace with a raised hearth.

Teal-upholstered window seat with a reading nook at the end — As part of the renovation, an unused balcony was incorporated into the social space and a long window seat was installed in its place

Other decor items like vintage rugs, embroidered cushions and plenty of art and design books add even more character to the spaces.

“Ultimately, the mood of the home reflects the spirit and talents of the estimable homeowner,” said Lovers Unite, noting that Chinlund has worked as a production designer for the Avengers movie franchise.

Den with a purple armchair and an oversized chair with a disco ball on its seat — Colourful furniture and set props are scattered through the different rooms

Silver Lake is home to a variety of architectural gems, many built on dramatically sloping sites, including residences designed by notable mid-century architects like Richard Neutra and Rudolph Schindler.

Led by Karen Spector and Alan Koch, Lovers Unite is based close to the neighbourhood, and has previously wrapped a bar and restaurant in Pasadena with expressive drapery.

The photography is by Chris Mottalini.

Reference

Interior Design

Cafe Kitsuné Los Angeles features Parisian interiors with “Japanese twist”

By Zarkon Group,27/01/2024

Paris-based lifestyle brand Kitsuné has opened a cafe next to its boutique in Silver Lake, Los Angeles, both with minimalist interiors featuring white oak and stainless steel.

The interiors of the new Cafe Kitsuné and the renovated Maison Kitsuné store were designed by co-founder Masaya Kuroki to reflect the brand’s French-Japanese culture as well as the West Coast setting.

Cafe interior with white oak tables, burnt orange seats and a wall mural — The Cafe Kitsuné interior includes a mural by Jeffrey Sinich that imagines the space as an old-school market

Facing Sunset Boulevard on the east side of the city, this is the brand’s fourth cafe in North America – following locations in Manhattan, Brooklyn and Vancouver – and its first in LA.

“A sprawling city of diverse findings, from cutting-edge restaurants to pockets of art and architecture second to none, LA has lent design inspiration and a backdrop to several campaigns for the fashion house,” said the Kitsuné team.

White oak counter front with stainless steel panels behind — White oak tables and surfaces are set against stainless steel counters and panelling for a minimalist look

“Now, it’s the perfect setting for Café Kitsuné, a physical extension of the brand’s Franco-Japanese DNA, and reinvention of the classic Parisian cafe and wine bar experience with a Japanese twist,” they added.

The building’s red-tile exterior and poured concrete flooring were preserved, and hand-painted signage by Californian artist Jeffrey Sincich was added over the large street-facing windows.

Burnt orange dining chairs and upholstered benches highlight the colours of the mural

Inside the 700-square-foot (65-square-metre) cafe, white oak tables and brushed stainless-steel counters feature alongside burnt orange dining chairs and upholstered benches.

Another Sincich mural covers the full length of a wall, offering “a whimsical take on Café Kitsuné’s standard appearance” and presenting the space as an “old-school market”.

A speaker system by Japanese audio company Rotel was installed in the cafe “to provide a top-notch sound experience for customers”, according to Kitsuné.

Next door in the boutique, a similar material palette is used for elements including a built-in storage and display unit across the back wall.

Maison Kitsuné boutique with oak panelling and bright blue central table — The existing Maison Kitsuné boutique next door has also received a refresh

White oak forms the framing, shelves and doors that lead to the stock and fitting rooms, while ribbed stainless-steel sheets provide a backdrop for the items on show.

More oak was used for the minimalist service counter and panelling behind, and a bright blue table sits in the centre to add a pop of colour.

White oak built-in shelving display for clothing, with bent metal chair in front — White oak and stainless steel are repeated in this space to create a visual connection with the cafe

Kitsuné was founded by 2002 by Kuroki and Gildas Loaëc and encompasses the fashion brand, Maison Kitsuné; a music label, Kitsuné Musique; and its line of cafes, bars and restaurants.

Back in 2017, French designer Mathieu Lehanneur designed the Kitsuné store interior in New York’s Soho, adding snaking metal rails for displaying garments.

The photography is by David Kitz.

Reference

interiors

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ALA draws on West Village history for Talea taproom interiors

Standard Architecture refreshes interior of pink Paul Smith store in LA

Oskar Kohnen fills London office with mid-century modern furniture

Oka Fogo restaurants in Paris feature murals by Florence Bamberger

Historic sanatorium in Greek mountain forest transformed into Manna hotel

Lovers Unite revives interiors of mid-century Silver Lake home

Cafe Kitsuné Los Angeles features Parisian interiors with “Japanese twist”

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