Wallmakers uses discarded toys to construct Toy Storey home in Kerala
CategoriesArchitecture

Wallmakers uses discarded toys to construct Toy Storey home in Kerala

Architecture studio Wallmakers has repurposed approximately 6,200 discarded toys to construct the walls of Toy Storey, a circular home in Kerala, India.

The aptly named residence by Wallmakers uses toys discarded in the area, which are unsuitable for recycling, as structural components and decoration within the external walls.

Exterior view of home by WallmakersExterior view of home by Wallmakers
A cantilevered verandah wraps around the circular home

“The main concept of Toy Storey revolves around the idea of using discarded toys and effectively conveying a message through this,” studio founder Vinu Daniel told Dezeen.

“By repurposing around 6,200 discarded toys, the residence in Kerala becomes a living monument to nostalgia and childhood, while addressing environmental concerns,” he added.

View of exterior wall of Toy Storey homeView of exterior wall of Toy Storey home
Approximately 6,200 discarded toys are used in the home’s walls

Toy Storey is wrapped by perforated, curved walls composed of compressed stabilised earth blocks, Mangalore tiles and toys, designed to draw in light and enable cross ventilation through the home. A ferrocement roof sits on top.

Four evenly-spaced entrances puncture the facade, which is wrapped by a cantilevered verandah offering outdoor space overlooking the surrounding greenery.

Living space within Kerala home Living space within Kerala home
Perforated walls draw light and ventilation through the interior

Inside, the home’s first floor is divided into public and private segments. The public half is defined by a large living room while the private half contains an open-plan kitchen and dining area flanked by bedrooms.

“One of the things that the client mentioned was they often host their neighbours and members of the community, which means there are often many people in the house,” Daniel said.

“Hence we decided to make the area the people frequented separate from that of the client’s family’s personal spaces,” he continued.

Japanese-style shoji screens are used as partitions throughout the interior to enable light into each space and connectivity between the private and public areas.

Kitchen interior within Toy Storey home in IndiaKitchen interior within Toy Storey home in India
An open-plan kitchen and dining area are flanked by bedrooms

The site’s topography enabled the addition of a secluded basement level containing a library and bedroom, accessed from the upper floor by a central staircase.

An internal courtyard topped with a glass ceiling slices through the building providing additional daylight for the interior.

Bedroom interior within Toy Storey in IndiaBedroom interior within Toy Storey in India
Japanese-style shoji screens are used as internal partitions

Wallmakers is an architecture studio established by Daniel in 2007. Elsewhere in India, Wallmakers has also recently completed an arts centre with rooftop seating and a house that resembles “snake curling up under a rock”.

Last year, Daniel faced criticism on social media for his studio’s use of unpaid internships, which he claims have an important educational benefit.

The photography is by Syam Sreesylam and Althaf Rasheed.

Reference

Nālukettu, Ettukettu and Pathinarukettu: The Architectural Heritage of Kerala, India
CategoriesArchitecture

Nālukettu, Ettukettu and Pathinarukettu: The Architectural Heritage of Kerala, India

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Uniquely positioned on the Malabar Coast in the southwest of India sits the diverse state of Kerala. Bordered by the lush Sahyadri mountain range and dappled with extensive backwaters, this tropical region has been shaped by the land’s immense fertility that has supported a rich agricultural tradition for centuries. Thanks to its strategic location along ancient trade routes, with spices like pepper and cardamom being significant exports, Kerala has always been a melting pot of cultures.

The thriving coastal area is somewhat unique in India, topping various human development indices for its commitment to social welfare, healthcare accessibility and education. By prioritizing people over profits, Kerala often serves as a model for other areas of India and various developing countries.

House of Generations by City Futures Design Collaborative, Edappally, Kochi, India.

Like much of India, the traditional joint family system, known as Tarawad, played a central role in Kerala’s social fabric. This arrangement of extended families living together under one roof, often with several generations cohabiting, is not unique to India but was historically the custom of the matrilineal communities that were common to the area.

As a result of the various influences shaping Kerala’s identity, architecture tailored to the region’s climatic conditions, familial dynamics, and societal traditions emerged, swiftly establishing itself as the standard. Three distinct types of built structures, known as Nālukettu, Ettukettu, and Pathinarukettu, became the norm throughout the area. While many architects outside of this region may be unfamiliar with these terms, the ideas of social cohesion that the buildings put forth merit consideration in their own right.

1. Nālukettu

Niraamaya Retreats Backwaters & Beyond by Edifice Consultants Pvt. Ltd, KL, India

Nālukettu, the simplest of the three styles, was the traditional homestead of upper-class families. Featured sloping tiled roofs, thick walls and verandas, which were designed to protect against heavy rains and hot summers, these homes were constructed under the principles of Vastu Shastra.

Rooted in Vedic knowledge, Vastu Shastra aims to balance the five fundamental elements — earth, water, air, fire and space — within the built environment as a way to promote the well-being, happiness, and prosperity of its inhabitants. The philosophy is based in science but goes beyond typical construction methods to create spaces with specific qualities and energies. These beliefs influence the design and positioning of rooms, doors and windows to optimize the flow of positive energy. It is a design philosophy still practiced in India today, although more loosely, that respects natural resources and ecological balance. It guides everything from site selection to building orientation to ensure sunlight is harnessed in the best possible way.

The term “Nālukettu” means “four blocks” and refers to the four halls or buildings that surround the central open courtyard, which is the feature characteristic of this type of residential dwelling. A symmetrical layout with a nadumuttam (central courtyard) — the focal point of the household is typical of a Nālukettu home. The nadumuttam is an essential addition as it ensures ample light and ventilation, creating a microclimate perfect for the humid tropical weather of Kerala. As the name suggests, ‘four blocks’ — the Northern, Southern, Eastern and Western wings, known respectively as Vadakkini, Thekkini, Kizhakkini, and Padinjattini — are designed according to their functions, such as sleeping quarters, kitchen, storage and ceremonial spaces. Of the three residential styles, Nālukettu were the most common and were typically the least ornate.

2. Ettukettu

Niraamaya Retreats Backwaters & Beyond by Edifice Consultants Pvt. Ltd, KL, India

Ettukettu takes the concept of Nālukettu further with an additional four halls, making it an eight-hall structure with two central courtyards. The term “Ettukettu” literally means “eight blocks.” The larger form was developed to accommodate larger joint families or to signify wealth and social status, and the addition of the second courtyard was believed to enhance the socio-cultural and environmental aspects of the traditional Kerala homes. They provided more light, better ventilation, and increased space for communal activities.

Ettukettu houses are less common due to the complexity of their construction and the higher costs involved in building them. These detailed structures required precise planning and skilled craftsmanship to ensure balance and symmetry, as well as to maintain the environmental integrity of the design that was essential in the practice of Vastu Shastra.

3. Pathinarukettu

Estate Plavu by Earthitects, Wayanad, KL, India

Estate Plavu by Earthitects, Wayanad, KL, India

The largest of the three styles, Pathinarukettu, is the most elaborate form of traditional Kerala architecture, consisting of a mammoth sixteen blocks arranged around two central courtyards. The term “Pathinarukettu” unsurprisingly translates to “sixteen blocks.” These buildings were rare in Kerala and were usually reserved for the wealthiest families and local rulers. It is the pinnacle of traditional architectural sophistication, accommodating large families and facilitating grandiose social gatherings and ceremonies.

Pathinarukettu houses are architectural marvels, and today, some have been retained as museums and heritage sites or public buildings. More so than Ettukettu and Nālukettu, Pathinarukettu homes are full of intricate woodwork and detailed carvings, expansive outdoor spaces, and elaborate gabled roofs. They are the pinnacle of Indian craftsmanship and the architectural ingenuity of the time.

Estate Plavu by Earthitects, Wayanad, KL, India

The traditional architectural forms of Nālukettu, Ettukettu, and Pathinarukettu hold deep cultural and social significance in Kerala. These structures, with their unique design, have been pivotal in hosting a variety of cultural festivities, family life events and social gatherings, and they reflect the communal ethos of Keralite society. The open courtyards, spacious verandas and interconnected rooms allowed for not only the flow of natural elements like air and light but also nurtured the flow of social interactions and intergenerational communal living.

Festivals such as Onam and Vishu, as well as family ceremonies, were celebrated with grandeur in these homes. These traditional buildings underscored the importance of social cohesion, with spaces that encouraged gatherings and collective living, reinforcing the bonds within families and the wider community, something deeply sought after in today’s architecture.

Driven by a blend of nostalgia for heritage, an understanding of the ecological benefits of traditional architectural wisdom, and the unmistakable allure of these beautiful structures, there has been a resurgence of interest in Nālukettu, Ettukettu, and Pathinarukettu recently. The people of Kerala are expressing a desire to reconnect with their cultural roots, sustainable living practices, and the aesthetic richness that was inherent in these traditional designs.

The latest edition of “Architizer: The World’s Best Architecture” — a stunning, hardbound book celebrating the most inspiring contemporary architecture from around the globe — is now available. Order your copy today.  

Reference

Earthscape Studio adds sweeping vaulted farmhouse to Kerala forest
CategoriesArchitecture

Earthscape Studio adds sweeping vaulted farmhouse to Kerala forest

Locally produced bricks and recycled materials feature in this vaulted residence in Kerala, India, named The Wendy House.

Designed by Bangalore practice Earthscape Studio, the home is located within eight acres of dense forest and was designed to stand among the trees without disrupting the existing nature.

Exterior photo of The Wendy House
The Wendy House was designed by Earthscape Studio

“Our main aim was to not harm nature by cutting down the trees and other existing natural features on the site,” lead architect Petchimuthu Kennedy told Dezeen.

“When we visited the site, there were lots of trees such as mango, coconut, nutmeg, and teak. Since we didn’t want to disturb them, we made a grid on site and determined the shape of the house according to the placement of existing trees.”

Photo of The Wendy House
It was constructed using recycled materials

Aiming to draw from the surrounding nature, Earthscape Studio used locally sourced materials throughout the building, including recycled rods, broken tiles and earth from the site.

The studio also used traditional sithu kal bricks – small bricks constructed of three layers – sourced from within 50 kilometres of the site and joined by local workers to create the building’s vaulted form.

Photo of The Wendy House
It has a sweeping roof

“The bricks that we used are small sithu kal bricks, which were previously used along the south side of Tamil Nadu for the famous technique called Madras terrace roof,” said Kennedy, referring to an Indian roofing system that involves creating a series of sloping roofs to encourage rainwater drainage.

“Nowadays, the technique is no longer used and the community members who produce these bricks have become unemployed,” he continued. “We wanted to bring them back by engaging the local community with work.”

The Wendy House is split across two separate vaulted volumes each comprising three layers of bricks along with a fourth recycled waterproofing layer made from broken tiles from factories.

“We wanted no steel or concrete to be on our building structure and we don’t want to cut down any trees,” said Kennedy. “This timbrel vault technique is a catenary-based vault that requires no steel or concrete.”

“The catenary form is self-stabilising since the forces of the vault are transferred directly to the footing.”

Interior photo of The Wendy House
There is a courtyard at the centre

The vaulted forms were topped with a sweeping roof made from locally sourced, recycled mudga tiles.

Inside, the home has an open plan with a bedroom, bathroom and storage space in one wing, along with a living room, dining space, and pantry in the other.

Photo of the interior of the home
The home has an open-plan design

A courtyard with a small pond in its centre runs between the two blocks, punctuated on either end by curved rammed earth walls.

Framed with recycled rods, glass walls on the inner facing walls of the vaulted buildings offer views from the interior into the central courtyard.

Photo of a living space
It has built-in furniture

The recycled rods were also used alongside waste wood to create the frames for built-in furniture, including a bed, sofa, and kitchen counter.

Other Indian homes recently featured on Dezeen include a cylindrical house designed to collect rainwater and a home with large terraces sheltered by a jagged metal canopy.

The photography is by Syam Sreesylam.

Reference