Traditional Korean pavilions inform open-sided Aesop store in Seoul
CategoriesInterior Design

Traditional Korean pavilions inform open-sided Aesop store in Seoul

Skincare brand Aesop has collaborated with designer Samuso Hyojadong to create a store in Seochon, Seoul, that features an open facade and an oversized stone plinth.

Positioned in one of the oldest neighbourhoods of Seoul’s Jongno-gu district, the Seochon outlet was created to “fit harmoniously within its local context”, according to Aesop’s design team.

Interior of Aesop Seochon
Aesop designed the Seochon store with Samuso Hyojadong

When designing the store, Aesop and Hyojadong took cues from the architecture of jeongjas – traditional Korean pavilions with no walls, which serve as spaces for resting and taking in the surrounding views.

The street-facing facade was created with mesh metal screens that can open out entirely to create a storefront with no walls. Once closed, the woven metal backing creates translucent windows through which passersby observe the softly lit silhouettes of uniform rows of bottles.

Timber accents within South Korean Aesop store
Reclaimed timber features on the interior

“Samuso extended the floorplate outwards to create a threshold that conveys a generous sense of hospitality,” the Aesop design team told Dezeen.

“One [jeongja] in particular that inspired us was the Soswaewon in the Damyang region, which was built in the sixteenth century and is surrounded by a verdant garden.”

Oversized stone plinths topped with bottles
An oversized stone plinth displays Aesop products

For the store’s material palette, the designers referenced the timber and stone that are typically used to build traditional Korean houses known as hanoks.

A large, rough-edged stone plinth displaying clusters of products was positioned at the entrance while various wooden accents were created with timber reclaimed from salvage yards and an abandoned house.

Geometric copper cabinetry
Copper was used to create geometric cabinets

The store was also built on a raised stone platform, which nods to the traditional architecture.

Hanji paper created from mulberry tree bark sourced from South Korea’s Gyeongnam province features on the store’s walls, which frame central geometric cabinetry and sleek taps made of locally produced aged copper.

The designers were restrained in their use of sanding, sealants and coatings when treating the materials, opting to embrace their “natural imperfections”.

“Sensitivity to texture in this store is superlative,” reflected the design team. “Samuso wanted each material to express itself directly, without too much human intervention,” it continued, referencing the roughness of the stone and the reclaimed timber’s undulating texture.

Sleek copper taps within Aesop store
The metal was also used to design sleek taps

Rosewood was used to create the store’s signature fragrance armoire, which is hidden from view until opened out and was conceived as a traditional Korean jewellery box, according to the design team.

“Throughout the store, we were compelled by a desire to dissolve the boundaries between inside and outside, between the naturally occurring and the human-made,” concluded the designers.

Jewellery box-style fragrance armoire
The store’s signature fragrance armoire was informed by Korean jewellery boxes

Known for stores that pay homage to their varied locations, Aesop has an outlet in Cambridge defined by handwoven bulrush shelves that nod to the nearby River Cam and a Sydney store furnished with domestic items to evoke 1960s Australian homes.

The photography is courtesy of Aesop.

Reference

BC designs Francis Gallery LA to celebrate Korean art and culture
CategoriesInterior Design

BC designs Francis Gallery LA to celebrate Korean art and culture

Gallerist Rosa Park has opened a space in Los Angeles to showcase the work of Korean artists and designers, with interiors by local studio BC intended to reflect the country’s visual culture.

Francis Gallery LA is Park’s second location and is an expansion of her original gallery in Bath, UK – both presenting the work of emerging Korean artists.

Dark walls at Francis Gallery LA
Places of worship informed the interiors of the gallery on Melrose Avenue

Situated on Melrose Avenue in West Hollywood, the new space was designed with Lindsey Chan and Jerome Byron, founders of LA-based BC.

The duo preserved the building while transforming the inside with references to traditional Korean architecture and art.

Paintings hung on walls
The inaugural exhibition displays the work of six artists, including photography by Koo Bohnchang

These include a curved partition wall influenced by a moon jar and a contemporary re-interpretation of a hanok courtyard.

“The space was conceived to pay homage to Korean art and design in subtle ways – whether it was in the curve of a partition wall, the colour palette of the interior paints, or the profile of a low bench in the courtyard,” said Park.

Corner view with window
BC designed the gallery to be pared-back yet warm

Places of worship like chapels and monasteries were also referenced in the design. These were accentuated by the use of “humble materials” and pared-back forms.

Although minimal, the intention was to ensure the gallery still felt warm and inviting, as well as provide an appropriate setting for the pieces on show.

Resin stools
Rahee Yoon’s translucent acrylic blocks are among the works on show

“I think this emotional connection to a space, to a work, is central to what I’m doing with Francis,” Park said.

“It was of great importance to me that the space acted as the ideal framework to house works that I hope will move people.”

The inaugural exhibition at Francis Gallery LA is titled Morning Calm, on view until 7 January 2023, and features the work of six artists of Korean descent.

Bo Kim, John Zabawa, Koo Bohn Chang, Nancy Kwon, Rahee Yoon and Song Jaeho are all at different stages in their careers.

Stones VI by John Zabawa
An abstract painting by John Zabawa hangs on a dark wall

Their painting, photography, sculpture and ceramics all explore Korean identity in an international context and offer insights into the artists’ cultural heritage.

“With Los Angeles being home to the largest Korean community in the United States and Park having roots in both Seoul and LA, the debut show seeks to explore the nuanced connections between the two places,” said a statement from the gallery.

Courtyard with low bench
References to Korean architecture at the gallery include a contemporary interpretation of a traditional hanok courtyard

LA’s art scene has grown exponentially over the past decade, and the city is now home to many new galleries and exhibition spaces.

Well-known names that have opened their own locations there include Hauser & Wirth and The Future Perfect, while others like Marta are using modernist buildings like Neutra’s VDL II House to exhibit.

The photography is by Rich Stapleton.

Reference