Beauty in the Grain: How a Colorado Mountain Home Was Brought to Life With Redwood Cladding
CategoriesArchitecture

Beauty in the Grain: How a Colorado Mountain Home Was Brought to Life With Redwood Cladding

Beauty in the Grain: How a Colorado Mountain Home Was Brought to Life With Redwood Cladding

A home’s materials tell a story of how we live. Nestled in the picturesque mountains of Colorado stands a remarkable testament to sustainable material sourcing. Brought to fruition by Colorado Springs-based architect-engineer Scott Harvey, this mountain home was made to connect with the natural surroundings as an expansive and open retreat. In turn, the project’s redwood cladding reflects a family’s values as they built a home of their own.

A Family Home in the Mountains

Located in the mountains north of Colorado Springs in the town of Monument, this home was made for an active family with five children. The family was hoping for a home that embraced natural light and views out onto the landscape. Working together with builder Palmer Ridge Construction, the team brought the new, 10,538 square-foot home to life with seven bedrooms and expansive glazing. Outside, the home features an unadorned stucco finish and a continuous, seamless band of wood cladding. This warm, redwood band runs non-stop from the exterior through the interior.

The Colorado Mountain Home features an extensive use of redwood from Humboldt Sawmill. Humboldt Sawmill manufactures a full line of redwood and Douglas-fir wood products. Logs are sourced from nearly 450,000 acres of company-owned timberlands, where harvest levels are consistently below the forests’ annual growth rate and harvested trees are replanted. Logs are then processed into lumber.

For this home, the builder had Humboldt Sawmill transport the raw lumber to a dealer in Colorado where it was milled locally to the desired shiplap pattern. Local availability kept the cost within budget. In addition, it was easier to install than tropical hardwoods and no stain was required; only two coats of clear sealer. Redwood, known for its durability, beauty and sustainability, adds warmth to the design and creates a seamless transition from the interior to the exterior of the home.


Sustainable Sourcing

Photo by Kelly Edmondson

What sets this mountain home apart is not just its design but also its commitment to sustainability. The redwood from Humboldt Sawmill was sourced from company-owned Forest Stewardship Council® (FSC® C013133) certified timberlands in Northern California, where it is grown and harvested to the highest environmental standards in the world. FSC certification ensures that products come from forests that provide environmental, social and economic benefits. The FSC Principles and Criteria provide a foundation for all forest management standards globally, including the FSC® US National Standard (v1.0) that guides forest management certification in the U.S.

This commitment to sustainability not only reduces the home’s carbon footprint but also supports the conservation of forests for future generations.


Key Properties of Redwood

Photo by Kelly Edmondson

Redwood is renowned for its natural beauty and resilience, making it an ideal choice for this mountain home. Redwood is also native to the U.S., not imported. There are several key properties of redwood that make it a preferred building material:

Durability: Redwood heartwood from the center of the tree is naturally resistant to decay and insects, making it an excellent choice for outdoor applications such as siding, decking and fencing. As the team for the Colorado Mountain Home explain, “natural durability through tannins in the redwood heartwood render the wood resistant to termites and decay, an important factor in the home’s mountain environment.”

Aesthetic Appeal: Redwood’s rich color and grain patterns add a touch of elegance and warmth to homes and commercial projects alike. Its natural beauty only enhances over time, developing a patina that adds to the charm of a building.

Sustainability: Redwood is a renewable resource, with the ability to regrow from the stump after harvesting. When sourced from responsibly managed forests, redwood is a sustainable building material that helps reduce the environmental impact of construction.

Workability: Redwood is easy to work with, making it a favorite among architects and builders. It can be easily cut, shaped and installed, allowing for intricate designs and detailing that enhance the overall aesthetics of the home.


Built to Last: A Home for Future Generations

Photo by Kelly Edmondson

At the heart of this Colorado home is the contrast between materials: the natural white Brauer veneer stone and stark white stucco stand out against the warmth of the redwood. Expansive windows open up to views of ponderosa pines and scrub oaks, while inside, the home features white oak flooring and custom cabinets. From these rooms, multiple patios and decks flow together to bring the family outside and create connections to their surroundings.

Photo by Kelly Edmondson

The Colorado mountain home stands as a testament to the harmonious relationship between nature and design. Through the use of Humboldt Sawmill’s redwood sourced from responsibly managed forests, this home not only showcases the beauty and durability of this remarkable material but also highlights the importance of working with the right manufacturers and builders. Today, the home tells a story of family, warmth and connectedness through its details and construction.

To learn more about how you can harness the unique qualities of redwood for your next project, reach out to the experts at Humboldt Sawmill.

Reference

Fishing responsibly: a new system that protects marine life
CategoriesSustainable News

Fishing responsibly: a new system that protects marine life

Fishing responsibly: a new system that protects marine life

Spotted: The health of the animals in the world’s oceans is already severely compromised, with many more species than previously thought at risk of extinction. An additional threat to marine life is abandoned fishing equipment, or ‘ghost gear’, which is considered “the deadliest form of marine plastic”.

Ashored Innovations, based on Canada’s Atlantic coast, works with fishers to develop tools of the trade that protect marine life without compromising the quality of the catch. Ashored’s rope-on-demand technology allows fishers to eliminate the use of tethered buoys and, hopefully, better protect right whales – one of the animals most at risk of injury from entanglement with commercial fishing gear.

Called MOBI (Modular Ocean Based Instrument), the rope-on-demand system keeps the buoy and tethering rope coiled on the ocean floor until the fishing team arrives to check the traps or lines. Fishers can choose to use an acoustic call or a timer to release the buoys, and the MOBI system changes nothing about the harvesting of a catch. Fishers use their existing gear to check and reset traps, and then the buoy is lowered back down until the boat returns.

MOBI works with a range of fishing equipment, including lobster and crab traps and trawl lines. A connected software tool called ATLAS tracks the location and inventory of a fisher’s gear, and smart tags and sensors provide automatic digital updates, allowing teams to more efficiently plan their workload and time. Ashored’s tools and technologies are Blue Glove Certified, meaning that they work effectively even when operated by someone wearing the ubiquitous thick blue rubber gloves used by people in the fishing industry.

As well as protecting marine life, the MOBI system also helps fishers reduce the amount of equipment they lose from ship strikes and extreme weather carrying away or breaking their gear. That, in turn, helps reduce the amount of ghost gear polluting ocean waters.

A number of innovations in Springwise’s library are providing new life for collected ghost gear by upcycling the lost fishing equipment into stylish new products such as dog accessories and eyeglasses.

Written By: Keely Khoury

Reference

Workstation Sinks By Delta Faucet Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - Kitchen
CategoriesArchitecture

Smart and Stylish: 6 Innovative Home Products Deftly Designed for Modern Life

Workstation Sinks By Delta Faucet Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - Kitchen

Architizer’s A+Product Awards is open for submissions, with the Extended Entry Deadline fast approaching on Friday, February 23rd. Get your products in front of the AEC industry’s most renowned designers by submitting today.

The time we spend at home has been on a steep incline over the past few years. Much of this time is accounted for by the considerable rise in people working from home. However, it’s not all work. Spending time on other activities at home has also seen a dramatic surge. For many people, their home has become their sanctuary, opting for intimate dinner parties over visiting lavish restaurants and cozy movie nights on the sofa above dancing in crowded nightclubs. Our homes are our offices, our gyms, our libraries, our playgrounds, and, in some cases, even our supermarkets. It is thanks to this shift in societal behavior that we are changing our view of what our homes are and what we need them to do for us, and with that, how we choose to furnish them is changing, too.

Homeowners are investing more in their homes, aiming to make their places of refuge as functional, comfortable, and efficient as they can — adopting new technologies to create spaces that are adaptable and places that can cater to an evolving lifestyle.

As of 2024, there are over 400 million smart homes worldwide, expected to reach 478.2 million by 2025. In the United States alone, over 60.4 million households are using smart home devices as of 2023, and this figure has grown to approximately 69.91 million households actively using smart home devices in 2024. Ease of use and functionality have become key factors in how we use our homes. The following products were designed to be as practical as they are stylish — as A+Product Awards winners, they also all received accolades from Architizer’s stellar jury of industry experts, comprising 200+ renowned architects and designers that truly understand what it takes to create great buildings and spaces:

Enter the A+Product Awards


Workstation Sinks

By Delta Faucet

Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings – Kitchen

Workstation Sinks By Delta Faucet Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - KitchenIf you’ve been on social media any time in the last year, you’re bound to have seen a workstation sink. The multifunctional units are the envy of every avid home chef, and this version by Delta Faucet is terrific. Designed to meet the evolving needs of modern kitchens, the workstation sinks are a blend of Delta Faucet water-delivery expertise and functional design. Each Workstation sink is sleek in design and offers a multifunctional workspace through its built-in WorkFlow™ ledge. The adaptable sink space is equipped with integrated accessories like cutting boards, dish racks, utensil holders and even a ledge to hold your phone or tablet. Constructed from durable TRU16 gauge stainless steel and featuring noise-reducing soundproofing, these sinks are designed for both durability and quiet operation.


Statement Showering Collection

By Kohler Co.

Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings – Bath 

Statement Showering Collection By Kohler Co. Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Fixtures & Fittings - Bath Often, the goal of technology is to increase functionality and make things easier, but sometimes, it’s about pure luxury, and that was Kohler’s goal when creating the Statement Shower Collection—exquisite design paired with innovative performance to create the ultimate well-being experience.

The Kohler Statement™ showering collection transforms the shower experience, offering a unique blend of form, function, and flair. Drawing inspiration from furnishings and lighting, the collection’s designs integrate seamlessly into any space, encouraging personal expression through a variety of shapes, sizes, finishes and innovative spray experiences. This global line is designed for universal appeal, ensuring easy installation and specification across different regions. Kohler’s approach reimagines modern minimalism, blurring the boundaries between rooms and promoting a cohesive and warm aesthetic. The Statement collection marries powerful functionality with design sophistication to create an immersive environment.


36 Induction Cooktop with Integrated Ventilation

By Fisher & Paykel

Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Appliances 

36 Induction Cooktop with Integrated Ventilation By Fisher & Paykel Jury Winner, 2022 A+Product Awards, Kitchen & Bath, Appliances The average kitchen extractor or cooker hood has never been the most attractive of appliances. While they have a valid purpose in most homes, bulky, shiny and painfully noisy are but a few choice descriptives for the standard extraction system, and because of these unfortunate characteristics, these silver suckers have been rapidly falling out of favor with designers and homeowners alike. But what do you do when you have poor ventilation and a fondness for aromatic foods? The answer— downdraft extractors. A relatively new innovation in kitchen design, downdraft extractors offer a sleek and discreet alternative to traditional overhead cooker hoods. They’re designed to be flush with the kitchen countertop and extract air directly from the hob when in use, making them especially suitable for kitchen islands or where a clear line of sight is preferred.

Fisher & Paykel have taken this innovation to the next level and integrated a downdraft extractor into their 36 Induction Cooktop. A true two-in-one appliance, the induction cooktop, with accurate temperature control, combines the precision of induction cooking with powerful extraction, meaning no more ugly overhead extractor.


30-Inch Column Refrigerator

By Dacor

Popular Choice Winner, 2022 A+Product Awards, Building Systems, Smart Design & Technology 

30-Inch Column Refrigerator By Dacor Popular Choice Winner, 2022 A+Product Awards, Building Systems, Smart Design & Technology A fridge is a fridge, right? Wrong! The 30-inch Column Refrigerator by Dacor is the epitome of refrigerator technology. Placing technology at the forefront, the innovative fridge boasts intuitive features such as the iQ Remove View, which allows users to control temperature and lighting remotely and even view the contents of their refrigerator to simplify grocery shopping and a hidden touch-control display panel regulates temperature, helping to preserve food freshness and extending the lifespan of your groceries.

The refrigerator doesn’t just stop at technological prowess, though; its sleek design comes in three high-end finishes and can be fully integrated to sit flush with other kitchen cabinets, while the water dispenser is ingeniously fitted inside the unit to maintain the uninterrupted exterior finish.


Wilderness Front Facing 31H

By Ortal

Popular Choice and Jury Winner, 2022 A+Product Awards, Building Systems > Building Equipment & Systems 

Wilderness Front Facing 31H By Ortal Popular Choice and Jury Winner, 2022 A+Product Awards, Building Systems > Building Equipment & Systems There’s nothing quite like sitting in front of the fire on a cold winter’s evening, but the thought of cleaning it out and lighting it, alongside environmental concerns, can quickly take the romance out of the idea of having a fireplace in your home.

The Wilderness Front Facing 31H by Ortal removes those problems altogether. Drawing inspiration from the natural world to redefine the fireside experience, the beautiful feature fire uses advanced ceramic log technology with a soothing, nature-inspired aesthetic. The collection aims to provide a tranquil and memorable ambiance while the Wilderness Burner technology, available in variations like Wilderness Burner Dark Brown and Wilderness Burner Chopped Wood, pays homage to the timeless tradition of humans gathering around the hearth to tell tales and watch the world go by.

Ortal’s Front Collection takes the whole concept a step further by achieving the seamless integration of high-end contemporary frameless fireplaces into a building architecture with passive cool wall technology and powerful vent systems, and over 100 models with various media options to create unique and extraordinary focal points in any space.

Architizer’s A+Product Awards is open for submissions, with the Extended Entry Deadline fast approaching on Friday, February 23rd. Get your products in front of the AEC industry’s most renowned designers by submitting today.

Reference

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass
CategoriesSustainable News

CornWall gives discarded corn cobs new life as interior tiles

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass

Materials companies Circular Matters and StoneCycling have used corn cobs – one of the world’s most plentiful agricultural waste materials – to make interior cladding that is biodegradable and almost entirely bio-based.

Available in the form of tiles and sheets, CornWall is intended as a more sustainable alternative to ceramic interior wall tiles or plastic laminate.

The material is derived from more than 99 per cent renewable, biological sources, is created at low temperatures using mainly solar power and emits less carbon dioxide in its production than was captured by the corn as it grew, the manufacturers claim.

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomassPhoto of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass
CornWall is an interior cladding material that is 99 per cent bio-based

To give the products a long lifespan, Circular Matters and StoneCycling have produced the tiles with a mechanical fixing system, so they can be demounted and reused or given back to the company for cleaning and recycling.

The technology behind CornWall was invented by Circular Matters – a start-up spun out of a lab at Belgium’s KU Leuven University, where founder Pieter Dondeyne and his team found a way to process plants to enhance their natural biopolymers and create durable materials.

The team then partnered with Dutch company StoneCycling to channel their technology into a product.

Photo of a person, close-up on their hands, holding a small pile of bare corn cobs, their kernels removedPhoto of a person, close-up on their hands, holding a small pile of bare corn cobs, their kernels removed
Corn cobs make up most of the composition of the tiles

StoneCycling co-founder Ward Massa told Dezeen that the focus on corn came because it is one of the most grown crops on the planet and its waste is abundant.

“What happens when you grow corn for human consumption is when it’s ready to harvest, you take off the corn and the corn cob is a leftover material because it doesn’t hold any nutritious value,” he said.

“Usually, that means that these corn cobs remain on the field and rot away, or they are burned as biomass to generate energy,” he continued. “In both cases, you release the carbon that was stored in those fibres – it rots away and it gets released, or you burn it and it gets released.”

With CornWall, the carbon is locked away until the tiles reach the end of their life and are left to decompose.

The production process begins with the discarded cobs being collected, dried and shredded into biomass.

This material is then mixed with other agricultural waste, binders and pigments and pressed into a plate material at a relatively low heat of 120 to 150 degrees. As a final step, the tiles are given a thin coating for water resistance.

All of the ingredients are derived from biomass apart from the pigment, which accounts for the 0.5 per cent of the product that is not bio-based – a very low percentage in a field where even products containing small amounts of materials of organic origin are sometimes labelled as bio-based.

Photo of a person at a distance standing in a huge warehouse of bare corn cobs piled high into hillsPhoto of a person at a distance standing in a huge warehouse of bare corn cobs piled high into hills
The agricultural waste material was chosen because of its abundance

According to Massa, the companies were able to keep the product pure by focusing on interior wall applications only.

“If you want to create a product that can also be used on the exterior or as a flooring or in the shower, then you have to start adding chemicals to bind it, to make it more water resistant and stuff like that,” he said.

“We chose to start with this application because it’s relatively easy and the binder and the product is nothing else than the natural polymers that are already part of this biomass. Because of adding heat and pressure, these polymers are activated and bind together.”

Photo of four objects in flatlay — a full corn cob on the left, followed by a bare corn cob, then a small tray of shredded biomass, then a CornWall tilePhoto of four objects in flatlay — a full corn cob on the left, followed by a bare corn cob, then a small tray of shredded biomass, then a CornWall tile
The corn cobs are dried and shredded before being pressed into tiles

CornWall is also biodegradable according to official standards, with Massa saying it could be buried in a field and disintegrate in a couple of months.

The only thing that would remain is the water-resistant coating, which is not biodegradable but makes up less than 0,001 per cent of the total product meaning it does not affect its biodegradability overall, according to Massa.

“Unfortunately there are no 100 per cent biodegradable coatings on the market yet,” he said. “We’re working with our suppliers on this but it’ll take more time.”

Instead, the intent is to keep the product in use for as long as possible.

The companies wants to target retail and hospitality chains that frequently open and close locations – Starbucks is an example Massa gives – and work with them to make sure the tiles stay in a closed loop of material reuse.

He also believes CornWall offers good options for these kinds of businesses in the design stage, as it can be ordered in custom colours and embossed patterns to complement their branding.

Photo of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomassPhoto of seven colours of CornWall tile in flatlay, ranging from a warm beige to a a muted reddish brown and a dark greenish grey. The tiles are arranged beside a bare corn cob, a full corn cob and a small bowl of shredded biomass
The tiles are available in a base range of six colours

“As far as we are concerned, this will become the new retail material,” said Massa. “Especially in those places in retail where they now use materials that are either glued or take a lot more energy to make or create a lot of waste when the shops are being renovated or demolished.”

“Production can also be done regionally because you don’t need a very complicated factory for it.”

CornWall is currently available in a base range of six colours and two sizes, developed in collaboration with Dutch design practice Studio Nina van Bart. Massa says additional textures will soon be added to the line.

CornWall is the fourth product from StoneCycling. The first was the WasteBasedBrick, which is made from 60 per cent waste and was used by Dutch architects Nina Aalbers and Ferry in ‘t Veld of Architectuur Maken to build their own house in Rotterdam.

Reference

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life
CategoriesArchitecture

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Housing is central to architecture and cities. Across generations and socio-economic backgrounds, a mix of housing options makes cities more lively, sustainable and human. Amidst global housing scarcity, the need to build more multifamily and affordable housing is widespread. Equitable housing begins with policy and planning, but it’s also tied to design. Architects worldwide are considering this idea and how to create more beautiful, integrated housing that reflects how we live today.

Multifamily housing is key to creating more equitable cities. In this type of housing, multiple separate units are contained within one or several buildings within one complex. A key benefit of multifamily in the current market is that it’s usually more affordable than single-family housing. With real estate today, it’s increasingly difficult for people to buy a home, especially for first-time buyers. In multifamily housing, less land is needed, and it helps to meet the growing demand for households of all ages and income levels. As architects consider the impact of housing, the following projects represent multifamily housing design across the world. Made for residents to either rent or own, they represent a cultural shift and underline the importance of housing in architecture today.


Timber House

MESH Architectures, Brooklyn, NY, United States

Jury Winner, 11th Annual A+Awards, Multi-Unit Residential Building

New York is a city known for housing scarcity, and a place that’s defined by reinvention. For Timber House, MESH Architectures was inspired by natural finishes and “botanical architecture.” The idea was not only to foster well-being, but create a new model for timber construction in the city. The project is the first mass-timber condominium in New York, and the structure was built with glue-laminated timber columns, beams, and floor plates. The six-story, multifamily project is comprised of fourteen homes.

Beyond the novel material approaches to construction in Timber House, it was also a test in learning from passive-house design. Those principles informed its high-performance envelope, with “intensive insulation, smart air sealing, and triple-glazed wood windows.” Less interior finishes were required thanks to leaving the wood structure exposed, while the team also prioritized low-carbon material choices. For Timber House, MESH wanted to demonstrate that sustainable multifamily buildings can balance well-being and comfort, as well as beauty.


Valley

MVRDV, Amsterdam, Netherlands

Jury Winner, 11th Annual A+Awards, Architecture +Façades

MVRDV has earned a reputation for reinvention and creating new building forms. That same approach extends to housing, where the team designed Valley with a more “green and human” touch. Built for developer Edge, the project is located in Amsterdam Zuidas. Rising to three distinct towers, the façades shift across the complex. The outer edges are mirrored glass, while the inner façades are clad with stone and swaths of greenery.

Valley was built for a mix of residents, as well as workers and visitors. Not only for multifamily housing, the project also includes offices while much of the building is open to the public. For the materials, over 40,000 stone tiles of varying sizes were used throughout the building’s façades. “Each of the 198 apartments has a unique floorplan, made possible by the interior designs by Heyligers Architects.” Outside, the team worked with landscape architect Piet Oudolf on the placement and selection of trees, shrubs and approximately 13,500 smaller plants that are in within the natural stone planters.


One Hundred

Studio Gang, St. Louis, MO, United States

Jury Winner, 9th Annual A+Awards, Multi Unit Housing High Rise (16+ Floors)

Few locations are more prominent for multifamily housing in St. Louis than Forest Park. Designed by Studio Gang, One Hundred is a residential tower overlooking the park and the studio’s first project in the city. The tower includes a mix of housing, retail and amenities on four-story stacked tiers. The apartments were designed for views of Forest Park and east to the Gateway Arch.

From a formal approach, Studio Gang designed the tower with an angled façade that creates a series of large outdoor spaces atop each tier. This move also produces outdoor space for residents atop the green roof podium. The team notes that, “each apartment features its own corner living room with double exposures that, in addition to offering panoramic views, enhance the amount and quality of daylight within the units.” The tower includes public and retail spaces at ground level adjacent to the park, while establishing a new landmark for St. Louis.


Cirqua Apartments

BKK Architects, Melbourne, Australia

Jury & Popular Choice Winner, 2018 A+Awards, Multi Unit Housing Low Rise (1-4 Floors)

The Cirqua project by BKK gained widespread recognition for creating beautiful, inventive multifamily architecture. The project includes 38 unique unit types out of the 42 total apartments made with spacious balconies and an integrated approach to landscaping. Combining two properties into a single block, the project was formed with careful attention paid to scale and the surrounding context. Cirqua not only showcases a smart, nuanced approach to multifamily housing, but also how to design for accessibility and passive performance.

As the team noted, prospective owners are increasingly buying into the apartment market (over detached housing) as owner-occupiers. A sense of place was a key driver of the design, establishing a neighborly feel. All living areas and bedrooms have direct access to ventilation, natural light and views, while maximizing glazing created connections to the surrounding garden. From the neighborhood scale, a study in massing led to reducing the overall building volume to make the development fit seamlessly into its site.


Caterpillar

Prince Concepts, Detroit, MI, United States

Caterpillar approaches density through a novel construction and design in Core City, Detroit. It utilizes a Quonset Hut structure that holds eight units, all entirely prefabricated. The result is an 8,000 square foot (745 square meter) residential project that prioritizes indoor and outdoor space. Prince Concepts created the project with tall ceilings that rise to 23 feet (7 meters); the units were designed to capture morning light in the bedrooms and evening sunsets in the living room.

Multifamily housing and density are charged subjects, but they also hold the potential to reimagine everyday life in cities. For Caterpillar, the team wanted to rethink the standard ratios of a multifamily project. To do so, instead of “150 apartments surrounded by eight trees with just one window per room, Caterpillar provides eight apartments surrounded by 150 trees and 12-18 windows per room.” The multifamily project built on the success of True North, completed in 2017. That Prince Concepts development was made with eight Quonset huts and ten leasable units.


Casa Jardin Escandon

CPDA ARQUITECTOS, Mexico City, Mexico

CPDA Architects designed this garden house project as a multifamily development in Mexico City. Located in the Escandón neighborhood, the project includes fourteen residential units. At its heart, a central courtyard is the connective element that defines the housing project, opening up access to natural light and cross ventilation. Ten townhouse units are set up the four ground-floor units below, all of which share a similar material relationship.

As the Escandón neighborhood has seen rapid growth, new populations moved in across age and income levels. The project provides a mix of unit types, as well as changing faces along its façade. The exterior showcases the concrete slabs that stand out and the gabled façade, while the interior has simple, seamless and integrated forms that define the inside complex. The idea was to create a “secret garden” that residents can enjoy within the city.


The SIX Veterans Housing

Brooks + Scarpa Architects, Los Angeles, CA, United States

Few cities in the world are grappling with homelessness and a severe lack of housing affordability like Los Angeles. Brooks+Scarpa has built a practice addressing issues in the city and across the nation. For this multifamily residential, The SIX was designed as a 52-unit affordable housing project that “provides a home, support services and rehabilitation for previously homeless and/or disabled veterans.”

Located in the MacArthur Park area of Los Angeles, The SIX was made to break the mold of multifamily housing by creating public and private “zones” in which private space was deemphasized to create large public areas. At ground level, the program includes support spaces for veterans, as well as bike storage, parking and offices. The second level is the core of the project, with a large, public courtyard. The idea was to create a community-oriented, interactive space that opens to its surroundings.


Jinshan 9

Steffian Bradley Architects, Shenzhen, China

Over the last two decades, development in China has been defined by a dizzying pace and new architecture produce in-mass. For Jinshan 9, this force behind new buildings was directed into a multifamily living community. Located in China’s Shekou mixed-use district, the project looks out west to wild, forested mountains and east to Shenzhen Bay Bridge. With a range of both low-rise and high-rise structures, the development was made for diverse lifestyles and populations.

With 210 townhouse units, the project also has four residential towers rising 32 floors in height. Between integrated pedestrian paths and trails, the development comprises a network of gardens and interconnected terraces. From its material palette, Jinshan 9 includes natural-colored terracotta panels with aluminum trim on the exterior. This combines with marine-inspired imagery and forms, like balcony details echoing sailboat decks.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

A mixer for life: the kitchen appliance you can repair and upgrade
CategoriesSustainable News

A mixer for life: the kitchen appliance you can repair and upgrade

A mixer for life: the kitchen appliance you can repair and upgrade

Spotted: The electronic devices and appliances industry is in the bottom ten of Kantar’s 2023 Sustainability Sector Index (SSI) rankings, which means it has inherent issues and needs radical innovation. German startup Open Funk is providing that innovation for one type of electronic appliance: the kitchen mixer or blender.  

The company has created a blender, called Re:Mix, which has a customisable casing and is made from 100 per cent recycled plastic. The device is made up of modular components to enable the easy repair and upgrading of parts – either at the company’s Berlin workshop or at home. At-home repairs like this are possible thanks to the device’s open-source design.  

The blender works with any of a customer’s standard twist-off glass jars, provided they have the right-sized opening. And if a customer no longer wants their Re:Mix, Open Funk will buy it back for refurbishment and resale. 

The idea for Open Funk came when co-founder Paul Anca attempted to fix a blender that had broken within months of purchase. Unable to carry out the repairs himself, and determined not to add to the millions of tonnes of e-waste that is generated each year, he took it to a repair shop and was quoted €50 “just to have a look at it.”  

Spurred on by this unsatisfactory experience, Anca and his co-founder Ken Rostand devoted themselves to understanding how blenders are put together and why they break. Crowdsourcing broken blenders from Facebook, the pair discovered that the root of the problem lay in cheap materials and the gluing together of components for rapid assembly. The result of their inquiries was Re:Mix, which is made to be repaired and upgraded, with parts replaced over time.  

Selected earlier this year as a participant in Amazon’s Sustainability Accelerator, Open Funk has since sent out its first batch of orders.

Springwise has spotted other innovators taking kitchen appliances to the next level, including a novel, low-energy cooking device and a countertop compost machine.

Written By: Matthew Hempstead

Reference

Enlightened Leaders - Alessandro Armillotta
CategoriesSustainable News

Can you live a more sustainable life? 

Enlightened Leaders - Alessandro Armillotta

Too much talking, not enough action – Alessandro Armillotta, CEO of the sustainability app AWorld, is heading to COP28 with a clear message. He believes that an ‘intention-behaviour gap’ in society is stalling progress on net-zero goals, but with a bit of tech-enabled encouragement on a personal or professional level, we can all make a difference through everyday actions.

Choose public transport when you can, air dry your laundry, eat a vegetarian meal once a week… There is a host of small actions we could take that would contribute to a lower carbon footprint if we did them consistently, but not enough people are doing them. A recent study by the American Psychological Association, for example, showed that 7 in 10 Americans wish they could do more about climate change, but over half do not know where to start, citing time, money, and skills as blockers.  

“We live as though our resources are infinite because we fail to see the impact of our daily actions and sustainability feels complicated,” says Alessandro. “My focus is to try and close the ‘intention-behaviour gap’ – the discrepancy between what consumers say and what they actually do.”

He doesn’t blame people. “Today’s culture doesn’t incentivise living sustainably,” he says. “At COP28, I will have meetings with an ecosystem of people and partners. It will be a privilege to be there, but it’s just talking. As soon as we get back home and go out onto the street no one has a clue. Governments can make pledges, but wider cultural change will take too long and we don’t have time. I am going back to the idea of working on ourselves first if we want to see change. I think it comes down to individual action.”

Enlightened Leaders - Alessandro Armillotta

The AWorld app, a partner to the United Nation’s ActNow campaign and the European Commision’s Climate Pact Initiative, is a guide for people who want to reduce their carbon footprint. A user can build their own set of easy-to-achieve tasks and goals (such as turning off lights or choosing clothes made from recycled fabrics), log when they’ve done them, and then see the positive impact of their choices through the amount of carbon, litres of water, and kilowatts of electricity saved. From December 2023, the app will include mobility data and automatically calculate the carbon footprint of journeys depending on the mode of transport, without the user having to input anything manually. Future features will include calculations around how actions can positively or negatively impact energy bills.  

“I feel it is our responsibility at AWorld to build a path with technology that gently nudges users and rewards them.” Key to this strategy is working with large businesses and corporates, who can leverage the AWorld app to encourage behaviour change in employees and consumers, which, in turn, can help them reach their own net-zero goals. Capgemini, Cognizant, and Blackrock are some of the companies currently using AWorld to empower their stakeholders to make positive changes.

“We have built out our experience based on what we understand about motivations. There are people who will make changes because it makes them feel good, they want to fit into a community of like-minded people, they want to compete, or they want to be rewarded.” The app caters to these motivations through gamification and a regular stream of content sharing big-picture context. “It needs to feel ‘normal’,” Alessandro says, “not like you are doing something sustainable that requires loads of inputs.”

Once COP28 is over, Alessandro will be back in his native Italy to launch a citizen engagement campaign in Umbria, with campaigns in other regions such as Marche, Lombardy, and Lazio, on the horizon.  It’s an exhausting schedule but Alessandro is all about action. “We all need to be active,” he says. “There are no passengers on Planet Earth, we are all crew.”

Disccover the AWorld app in the App Store or Google Play. Find out more about employee engagement via AWorld at aworld.org

Written By: Angela Everitt

Reference

Campaign photo of a female model wearing the Exploring jacket in a forest. The jacket has been dyed by bacteria to have a patchy pink and purple pattern on white silk
CategoriesSustainable News

Normal Phenomena of Life brand launches to sell biodesigned products

Campaign photo of a female model wearing the Exploring jacket in a forest. The jacket has been dyed by bacteria to have a patchy pink and purple pattern on white silk

After years of exploring the merging of biotechnology with design, Natsai Audrey Chieza and Christina Agapakis have started what they describe as the “first biodesign lifestyle brand”, which launched at London Design Festival.

Titled Normal Phenomena of Life (NPOL), the brand will take the form of an online platform selling objects fabricated with the help of bacteria, algae, fungi, yeast, animal cells and other biological agents.

Biodesigned objects do not just use plant or animal matter as a material but are made by harnessing the natural processes of living organisms.

Campaign photo of a female model wearing the Exploring jacket in a forest. The jacket has been dyed by bacteria to have a patchy pink and purple pattern on white silk
New brand Normal Phenomena of Life will focus on selling products made through biodesign

A silk jacket dyed with bacteria-produced pigment and a letterpress print created with ink grown by algae will be among the first products available on the platform, which will also focus on telling the stories behind the designs and developing consumers’ “material literacy”, according to Chieza.

“My vision for it is that not only does it story-tell and make visible the work of so many others under one umbrella, it also catalyses innovation and creates a less traditional framework for pushing products through a pipeline,” Chieza told Dezeen.

Chieza is the founder of multidisciplinary agency Faber Futures, while Agapakis is the creative director of biotechnology company Gingko Bioworks.

Like many others in their field they hope that biodesigned inks, yarns and building materials, which are non-toxic and resource-efficient, could come to replace high-polluting and petroleum-based materials.

Photo of a male-presenting model wearing the pink-hued NPOL Exploring jacket and musette within an industrial environment
Among the brand’s first products is the Exploring Jacket and Musette

The duo decided to start NPOL following years of collaboration in this field that have seen them set up a residency programme and start the Ferment TV YouTube channel during the pandemic.

With NPOL, they aim to give themselves the ability to develop more prototypes, more quickly, while also setting up the infrastructure so that other biotechnology companies can channel their innovations into products.

The platform’s own brand, NPOL Originals, which Chieza describes as “basically our R&D pipeline”, will designate goods made together with partner companies “who don’t have the bandwidth or don’t have a clear pipeline for how they might bring a consumer-facing product to market”.

Campaign photo of a person wearing the bacteria-dyed NPOL Exploring jacket lit up while walking through a forest at night
The unisex jacket is dyed by a bacteria that naturally produces pigment

Among the first NPOL Original products will be the Exploring Jacket and Musette, created together with biotech company Mbeu, designer Louise Bennetts and garment manufacturer Fabrika.

The unisex garment and accessory are made from silk that has been batch-dyed with the wild-type bacteria, streptomyces coelicolor, a microbe that naturally produces pigment.

There will also be the print series Lessons from the Living World: Breathe In, made by algal ink manufacturers Living Ink and designer and printmaker Kelvyn Smith.

Image of print one in the series Lessons from the Living World: Breathe In Editions, with letterpress letters reading OO OOOOOOOOOOALGAE O OOOOOOO
Another NPOL product is a triptych of prints titled Lessons from the Living World: Breathe In Editions

The non-toxic, carbon-negative black ink is grown from algae, and the triptych’s designs represent the role the plant plays in converting carbon dioxide into oxygen.

Alongside the NPOL Originals, the platform will stock products by other companies. Not all of these will be biotech-enabled, including books and cosmetics, but Chieza and Agapakis hope they will contribute to communicating the brand story in a world where true biodesign is still rare.

The platform will include mycelium goods, which are “still not mainstream enough”, according to Chieza, despite their growing presence in design.

“We need ubiquity,” said Chieza. “We need it to be everywhere. And it takes a lot of hard work and many years of dedication for that to be the case.”

Image of print two in the series Lessons from the Living World: Breathe In Editions with big letterpress letters reading OOOABSORB O OCARBON OO OOO DIOXIDE
The prints are created with algae ink

The NPOL founders’ mission is to contribute to this ubiquity by creating informed conversations around biotech innovations that consumers may eye with suspicion.

“One of the reasons why we thought it was important to create a place like NPOL is because the boundaries between synthetic and natural are so grey now, with the emergence of these technologies,” said Chieza.

“How do we create consumer insights into products that might be engineered with biology? How do we talk about the benefits of that? How do we problematise that in a way that is constructive and opens up critique from all of the right places?” she continued.

Fashion campaign photo for the Normal Phenomena of Life brand featuring a veiled figure standing on a bridge
NPOL’s founders hope the brand starts a conversation

“It’s very important that we have material literacy around the kinds of technologies that are mediating the living world and that are going to permeate our lives,” Chieza added.

Chieza started in biodesign while undertaking her masters in Material Futures at London design school Central Saint Martins, from where she graduated in 2011. She went on to found her biotech-leaning multidisciplinary agency Faber Futures in 2018 and has become a leader in the field.

In 2021, she laid out a manifesto of five principles to advance the field of biodesign for Dezeen.

NPOL will launch during the London Design Festival with the exhibition This Is Living, on at the Design District, Building D4 in Greenwich from 16 to 24 September. For more information about events, exhibitions and talks, visit Dezeen Events Guide.

Reference

climate-resilient great barrier reef house by JDA takes cues from surrounding marine life
CategoriesArchitecture

climate-resilient great barrier reef house by JDA takes cues from surrounding marine life

climate-resilient great barrier reef house by JDA takes cues from surrounding marine life

the house at lizard island by JDA Co.

 

Australian architecture practice JDA Co. constructs a climate-resilient residence on the rugged fringes of Queensland’s Great Barrier Reef. Located on Lizard Island, the project emerged from the client’s aspiration to build ‘the greatest reef house in the world’. Employing a design that harmonizes with the surroundings, the house showcases a resilient exterior crafted from board-formed concrete. This robust material protects against extreme weather conditions while maintaining a gentle impact on the environment. Perforated copper blades lining the exterior act as debris shields that can withstand powerful cyclonic winds synonymous with the reef location.

climate-resilient great barrier reef house by JDA takes cues from surrounding marine life
the house is located on the Lizard Island on the Great Barrier Reef | all images by Peter Bennetts

 

 

JDA introduces SITE-RESPONSIVE AND CLIMATE-RESILIENT design

 

In the challenging environmental context of its location, the construction of the house demanded ingenuity. Collaborating closely with the builder, JDA Co. (find more here) achieved a delicate balance between minimizing disturbance to the environment and creating a durable structure that stands the test of time.

 

The house is inspired by the rich geology and marine life on Lizard Island. The architectural plan is reminiscent of the stingrays. Narrow slit windows to the south and west act as ‘gills’ and are placed to direct prevailing breezes and allow the house to breathe on hot days. Every detail of the residence is meticulously crafted to create a shelter and a protective haven when needed. The exterior design seamlessly combines functionality and visual appeal with its robust concrete construction. This carefully chosen material ensures resilience in the face of the region’s winds, offering strength and stability. Enhancing the concrete exterior, perforated copper blades serve as dependable shields, capable of withstanding the strong winds that may arise.

climate-resilient great barrier reef house by JDA takes cues from surrounding marine life
the house is inspired by the rich geology and marine life on Lizard Island

 

 

360-degree views of the great barrier reef

 

A central, curved stairwell serves as the heart of the house, seamlessly connecting its levels. As users ascend the stairs, they can gaze upward to find an oculus, allowing them to track the sun and moon’s patterns. The house is completed by a roof terrace and spa, offering panoramic 360-degree views of the surrounding landscape. Each of the three bedrooms is individually designed to capture vistas of nearby and distant scenic locations.

 

To bring warmth to the residence and showcase the vibrant natural environment, Rosewood timber, and copper materials are utilized. A large curving Emerald Quartzite kitchen bench, reminiscent of a conch, adds a touch of subtle green tones that harmonize with the hues of the landscape and reef beyond. The material selection is deliberately restrained, allowing the surroundings to take center stage.

climate-resilient great barrier reef house by JDA takes cues from surrounding marine life
narrow slit windows to the south and west act as ‘gills’ directing breezes and allowing the house to breathe

 

 

JDA’s 3D LASER technology

 

To ensure the project harmoniously integrates with the landscape, it was crucial for JDA Co. to understand the challenging rock bed formation on-site. Before detailed design and construction, the design team utilized their in-house 3D laser technology, Spatial Ops, to explore, walk through, and seamlessly incorporate the landscape, even from off-site. This technology also documented the construction progress, accurately capturing building elements like the spiral stair formwork for contractors.

 

Fabricating most building elements off-site and shipping them to the island required a precise digital model, achieved through laser scanning. JDA’s experience on Lizard Island showcases the benefits of Spatial Ops technology, enabling the scanning of objects and places worldwide. It minimizes on-site time and facilitates data analysis within days of the site visit. The scanning technology and processes eliminate the need for travel to and from inaccessible locations, streamlining the entire project.

Reference

Split image of seaweed from the sea and tiles
CategoriesSustainable News

Seoul Design Award seeks projects that facilitate “sustainable daily life”

Split image of seaweed from the sea and tiles

Promotion: Seoul Design Award is seeking entrants who have designed projects that solve everyday problems in sustainable ways for its annual design prize.

Submissions to this year’s Seoul Design Award, which is free to enter and has a top prize of KRW 50 million (£31,500), are set to open in March 2023.

The awards will be given to designers “whose projects have contributed to a sustainable daily life that aims for a harmonious relationship between people, society and the environment”.

Split image of seaweed from the sea and tiles
The award considers sustainable designs from across the world

Designers can submit any design from the past five years that was built to solve everyday problems – from reducing food waste to conserving energy.

The projects can be submitted by an individual or group and will be judged based on five core values, including sustainability, public and shared, creativity and innovation, participation and cooperation, and inspiration and influence.

Previously known as the Human City Design Award, this year’s Seoul Design Award will be open for entries from 14 March to 28 June 2023. Now in its fourth edition, the 2023 edition of the award will expand to include 25 accolades.

“Over the past three years, design projects that have been awarded the Human City Design Award have addressed everyday problems such as environmental pollution, regional inequality, the gap between the rich and the poor, and discrimination against the socially underprivileged,” said the organisation.

“Ahead of 2023, the Human City Design Award will change its name to the Seoul Design Award in order to pursue the sustainability of daily life beyond the city.”

Split image of the Goyohan Taxi project
One of the projects that received an award in 2021 was the Goyohan Taxi

In 2021, which was the last edition of the award, the top prize in the safety and security category was won by Goyohan Taxi – a taxi service run by hearing-impaired people that was created by South Korean designer Song Min-Pyo to make travelling easier for those with hearing loss.

The project included a mobile device that aims to improve methods of communication between passengers and taxi drivers with a voice-to-text conversation app, which enabled passengers to communicate their destination, preferred drop-off point and choice of payment method.

An honourable mention in the 2021 selection was awarded to Gardens in the Air by Spanish design studio Nomad Gardens.

The project involved recycling water from air conditioning units to irrigate planting on the exterior of a building in Seville, Spain.

Gardens in the Air was designed to reduce Seville’s heat island effect and provide drinking water to the 70 species of birds in the surrounding area.

Plant boxes on the exterior of a white building
Gardens in the Air reuses water from air conditioning units

One of the finalist projects of the 2020 award was Sururu Da Mundaú by Brazilian manufacturer Portobello, a decorative tile made from recycled mussel shells.

According to Portobello, the Sururu Da Mundaú tile makes use of the 300 tonnes of mussel shells produced every month in Mundaú, Brazil, which would otherwise be discarded as waste.

Portobello worked with local artisans on the project, which the Seoul Design Award recognised as demonstrating “the value of cooperation and innovation”.

The project also created a range of new community activities by encouraging local citizens to participate in the tile making.

For more information on the awards or to apply, visit its website.

Partnership content

This article was written by Dezeen for the Seoul Design Award as part of a partnership. Find out more about Dezeen partnership content here.

Reference