Double-height lounge space with large windows and a red striped sofa
CategoriesInterior Design

Home Studios uses local materials to renovate Northern California hotel

Double-height lounge space with large windows and a red striped sofa

Brooklyn-based Home Studios has turned a conference centre in Northern California back into a luxury hotel, as originally intended by the property’s founder: the inventor of the radio.

The Lodge at Marconi sits on a 62-acre site next to Tomales Bay, within the picturesque Marconi State Historic Park – a 1.5-hour drive up Highway Route 1 from San Francisco.

Double-height lounge space with large windows and a red striped sofaDouble-height lounge space with large windows and a red striped sofa
Home Studios created a variety of lounge areas across Lodge at Marconi to provide an informal atmosphere

Designed for Nashville-based company Oliver Hospitality, the hotel occupies a historic property that was first built by Guglielmo Marconi, an Italian physicist who invented the radio in 1896.

“Home Studios found inspiration in the property’s storied history – particularly in the pioneering spirit of Guglielmo Marconi, who worked with a New York-based engineering company to build the property’s initial building, a luxury hotel, in 1914,” said the design team, led by Oliver Haslegrave.

Hotel reception counter clad in oxblood-coloured tilesHotel reception counter clad in oxblood-coloured tiles
The reception counter is clad in oxblood-coloured tiles from Heath Ceramics

It took 17 months to overhaul the complex of blackened-wood buildings, which are topped with mono-pitched roofs of different heights and opposing directions.

The architecture is similar to that of The Sea Ranch Lodge further up the coast, which reopened in 2022 after its own extensive renovation.

Dining room featuring brick flooring, blue-green tilework and eclectic contemporary furnitureDining room featuring brick flooring, blue-green tilework and eclectic contemporary furniture
The Redwood Dining Hall features brick flooring, blue-green tilework and eclectic contemporary furniture

Home Studios looked to the iconic site – famed for its modernist style and sensitive land planning – for cues when developing the Lodge at Marconi’s 45 guest rooms and suites, which occupy freestanding buildings across the wooded site.

“Borrowing design language from Sea Ranch’s ‘living lightly on the land’ credo, the rooms blend into the environment and boast a tranquil and peaceful atmosphere,” the team said.

A series of coloured wooden cubes mounted on a wall above banquette seating and dining tablesA series of coloured wooden cubes mounted on a wall above banquette seating and dining tables
Artworks in the restaurant, including a series of coloured wooden cubes, were created in collaboration with Lukas Geronimas Giniotis

The hotel complex is made up of eight indoor and outdoor spaces, laid out “like a summer camp” to accommodate different activities in each area.

In the reception block, guests arrive to a series of lounges and other communal spaces that create a more informal setting than a traditional hotel lobby.

Bright guest suite with a double bed, day bed and blue lounge chairBright guest suite with a double bed, day bed and blue lounge chair
The bedrooms are bright and airy, with materials and colours that subtly reflect the hotel’s natural surroundings

A check-in counter is fronted with oxblood-coloured tiles by Heath Ceramics, which was founded in nearby Sausalito.

More of the company’s tiles, this time in blue-green hues, line the lower walls of the restaurant known as the Redwood Dining Hall.

Shower with colourful patchwork of tiles from the 1960sShower with colourful patchwork of tiles from the 1960s
Three of the guest room bathrooms feature original tiles that date back to the 1960s

Red bricks are laid in a basketweave pattern across the floor, contrasting with the bright blue bases of the custom dining tables, while warm cedar panels and beams cover the ceiling.

A mural comprising four-panel linen screens and a series of wood cubes mounted on a wall was made in collaboration with California-based artist Lukas Geronimas Giniotis.

The guest rooms are bright and airy, with the colours of the natural surroundings subtly reflected in the furnishings.

Some have cosy loft spaces, while larger suites feature a dedicated workspace and sitting area.

Buildings clad in blackened wood and topped with monopitched roofsBuildings clad in blackened wood and topped with monopitched roofs
The accommodations are split across several buildings clad in blackened wood and topped with monopitched roofs

“Northern California’s rugged environment served as a design influence, and is reflected in the natural woods and earth-tone textiles that adorn each room and weave together a cohesive connection throughout the property,” Home Studios said.

“Three guest room bathrooms feature original tile dated to the 1960s when the hotel served as a rehabilitation facility known as Synanon.”

Wooden chairs surrounding a fire pit with blackened wood buildings in the backgroundWooden chairs surrounding a fire pit with blackened wood buildings in the background
The property includes multiple outdoor areas for gatherings and events

Across the property, the indoor spaces are afforded scenic views of the forest and the water through large windows.

A variety of gathering and event spaces are available to guests both inside and out, including wooden chairs positioned around fire pits among the landscape designed by Bay Area firm Dune Hai.

View through the trees to Tomales Bay at sunsetView through the trees to Tomales Bay at sunset
Lodge at Marconi sits atop a hill overlooking Tomales Bay in Northern California

This is Home Studios’ third hotel project, following the Mediterranean-influenced Alsace hotel in Los Angeles and the boutique Daunt’s Albatross motel in Montauk.

The firm’s other recent projects include a revamped bar and restaurant on Nantucket, an Italian eatery close to Harvard University and a townhouse renovation in Fort Greene, Brooklyn.

The photography is by Brian W Ferry.

Reference

Local sanctuaries for wildlife and biodiversity
CategoriesSustainable News

Local sanctuaries for wildlife and biodiversity

Local sanctuaries for wildlife and biodiversity

Spotted: Many efforts at nature restoration are focused on regions like the Amazon rainforest. But according to German organisation Artenglück, for those living in Europe, there is much conservation work to be done closer to home.

Wildflower meadows, for example, are important habitats that provide food and refuge for pollinators and other insects, while supporting birds, bats, and mammals. However, they face challenges. For example, in 2021, Germany was referred to the Court of Justice of the European Union by the EU Commission for failing to sufficiently protect flower-rich grasslands in protected sites.

To provide a boost for nature, Artenglück creates meadows and other habitats that can be adopted by individuals and companies. The organisation provides bespoke conservation habitats within 30 kilometres of a desired location, working with farmers and foresters to plant and maintain perennial flowering meadows, mixed forests, and habitats specifically tailored to field bird species.  

Companies and individuals can choose from wildflower habitats of 30, 60, or 100 square metres. Forest habitat spaces are also available in various sizes, and for birds that nest in agricultural fields, Artenglück provides small corridors of plantings that enable the adult birds to take off and land to access their nests. Importantly, the wildflower meadows are placed on marginal land so as not to compete with food production. 

Artenglück’s service is available across Germany, Austria, and Switzerland, and the company works with organisations interested in creating ecologically healthy plantings on corporate private land. 

Other innovations in Springwise’s library working to conserve and regenerate the world’s biodiversity include regenerative grazing techniques and funding indigenous forest stewardship.

Written By: Keely Khoury and Matthew Hempstead

Reference

Living space interior of Azabu Hills Residence in Japan
CategoriesInterior Design

Karimoku Case lines minimalist Tokyo apartment with local wood

Living space interior of Azabu Hills Residence in Japan

Japanese brand Karimoku Case has redesigned an apartment on a hilltop in Tokyo, using wood and a neutral colour palette to create a “calm and serene atmosphere”.

Named Azabu Hills Residence, the project was designed by Karimoku Case – a studio developed by Karimoku Furniture in collaboration with design studios Keiji Ashizawa and Norm Architects.

The studio used the project as an opportunity to optimise the use of local zelkova wood which is increasingly underutilised.

Living space interior of Azabu Hills Residence in JapanLiving space interior of Azabu Hills Residence in Japan
The apartment features furniture made from zelkova wood

“We sympathized with the story of how zelkova used to be a common material in Japan, but is now being chipped and discarded, and wished to explore the possibilities of zelkova through this project,” lead designer Keiji Ashizawa told Dezeen.

“When I first saw the sample of it, I felt that its gentle reddish hue, along with its story, was a good match for the project,” he continued.

“We decided to create the interior using zelkova that would come in harmony with the gentle light from the north side.”

View into living space of Tokyo residence by Karimoku CaseView into living space of Tokyo residence by Karimoku Case
A neutral material palette creates a “calm and serene atmosphere”

The 226-metre-square apartment was centred around a spacious, open-plan living area and dining room illuminated by floor-to-ceiling windows.

A small workspace nestled behind a wall in the living space makes use of the spacious interior, and is furnished with a desk, chair and shelving made from zelkova wood.

Desk space within Azabu Hills Residence in TokyoDesk space within Azabu Hills Residence in Tokyo
White plaster walls and wooden floors define the living spaces

The minimalist interior is defined by textured white walls and wood used for flooring, window frames and fittings, which are tied together by cream furnishings, paper lighting fixtures and decorative artwork.

In the living space, lattice wooden screens were used to separate programmes as well as provide cross ventilation through the space to create airy interiors.

“With the residence being located in the middle of a large city like Tokyo, it was important to have a home-like atmosphere that makes you feel at ease,” Ashizawa said.

“We were conscious of the calmness and tranquility needed to achieve this, and designed the interior with well-curated furniture, lighting, and art to create an environment for this purpose.”

Minimalist dining space in Azabu Hills Residence in TokyoMinimalist dining space in Azabu Hills Residence in Tokyo
Wooden, lattice screens allow ventilation through the home

A counter made from zelkova wood divides the living space and adjacent kitchen, while also serving as an additional seating and dining space.

Within the kitchen, cabinets built from gridded wooden frames were finished with concrete countertops, complemented by tiled terrazzo flooring that also features in the home’s entryway.

Bedroom interior of Tokyo apartment by Karimoku CaseBedroom interior of Tokyo apartment by Karimoku Case
Furnishings, paper lighting fixtures and pieces of artwork tie the interior together

Gridded wooden frames are repeated for both storage in the living area and a wall in the main bedroom where the home transitions into a cosy-feel with carpet flooring.

A circular chair and marbled table sit in front of the bedroom’s floor-to-ceiling windows, with a study desk nestled into the corner.

Bedroom interior of minimalist apartment Tokyo by Karimoku CaseBedroom interior of minimalist apartment Tokyo by Karimoku Case
Gridded wooden frames feature in the kitchen, living space and bedroom

Other recently completed projects with minimalist interiors include a dental clinic in Montreal designed to feel like “someone’s home” and a London pub converted into a pared-back jewellery showroom.

The photography is by Tomooki Kengaku


Project credits:

Architect: Keiji Ashizawa Design
Project architect: Keiji Ashizawa / Ryota Maruyama
Client: reBITA / NTT Urban Development Coperation Tokyo
Construction: Tamarix
Furniture collaboration: Norm Architects
Furniture:
Karimoku Case
Lighting: Kojima Shoten / Saito Shomei
Lighting plan: AURORA / Yoshiki Ichikawa
Interior styling: Yumi Nakata

Reference

Helping local, green products reach shop shelves
CategoriesSustainable News

Helping local, green products reach shop shelves

Helping local, green products reach shop shelves

Spotted: This year will see several changes designed to bring the EU closer to its climate-neutral goal for 2050. The first report of the European Union’s Carbon Border Adjustment Mechanism (CBAM) is due at the end of January 2024, and the region’s Deforestation Regulation comes into effect in December 2024. Back in December 2023, the European Council and Parliament also reached an agreement on ecodesign requirements for sustainable products. 

For companies with sustainable products to sell, these changes are creating opportunities to expand into new markets or make new designs commercially available. However, inflation in the prices smaller businesses pay their increasingly globalised suppliers is making it difficult for them to build their inventory – even if they have developed a great product and built an effective production process.

Belgian company Shiperise helps with this challenge by buying companies’ inventory in large volumes at factory prices. By receiving a price for its goods from Shiperise, a business can optimise production runs and negotiate better procurement prices with its suppliers. And by investing in the company’s inventory, Shiperise is taking on some of the risk associated with new products that conventional banks are unwilling to bear.

The funds from Shiperise are transferred to a company as soon as its goods arrive from its suppliers. The company then has 18 months to resell the products at wholesale prices before ‘repurchasing’ the inventory Shiperise has acquired at its own pace. Businesses sell the Shiperise-funded portion of its inventory first and it only pays for the goods that are sold in each period. Shiperise is compensated for its service through a minimum margin on its inventory purchases and an admin fee.

At the start of the process, Shiperise offers a free product score, working with most types of items except food. The maximum score on a product review is 50, with questions covering topics such as item sustainability and the sales history of the company. For those scoring below the maximum, Shiperise offers advice on score improvement. The product scores determine how much funding Shiperise is likely to offer for the product.

On the other side of the equation, shops and resellers can register on the platform as ‘professional buyers’ to acquire sustainable goods from the Shiperise ecosystem and benefit from discounts.

Reducing e-waste with upgradeable parts and using artificial intelligence (AI) to assess products’ sustainability credentials are two examples from Springwise’s library of innovations that are helping consumers cut through the greenwashing and find products that really make a difference.

Written By: Keely Khoury and Matthew Hempstead

Reference

Entrance of Yukinohako snow-powered cool store
CategoriesArchitecture

Kei Kaihoh Architects forms snow-cooled rice warehouse from local cedar

Entrance of Yukinohako snow-powered cool store

Japanese studio Kei Kaihoh Architects has completed a timber-framed storage facility in Joetsu City that offers rice farmers a way to refrigerate their harvest without relying on gas or electricity.

Instead, the Yukinohako facility is naturally cooled using snow – an abundant local material in this mountainous part of Niigata Prefecture, surrounded by ski resorts and terraced rice paddies.

With the aim of creating a model that could be cheaply and easily replicated across the prefecture, Kei Kaihoh Architects constructed the two-storey structure using local cedar instead of reinforced concrete or mass timber, which would have to be shipped in.

Entrance of Yukinohako snow-powered cool store
Yukinohako is a natural refrigerator powered by snow

The studio hopes that Yukinohako, which is Japanese for “treasure chest of snow”, can encourage locals to find a new appreciation for snow and its natural cooling abilities, rather than just seeing it as a burden.

“If inexpensive snow rooms can be realised, farmers will be able to easily build snow rooms in both new construction and renovations, increasing momentum for snow utilisation rather than snow removal,” Kei Kaihoh Architects said.

“By doing so, we can love snow, which has been an obstacle to people’s lives, costing them money and effort to dump it into the ocean, and was not well-liked by the local population.”

Window in cedar building by Kei Kaihoh Architects in Joetsu City, Niigata Prefecture
The gabled building is constructed from local cedar

Yukinohako replaces a reinforced concrete warehouse cooled by an emissions-intensive air conditioning system, which was damaged by a fire during renovation works in 2017.

The gabled building stretches over two storeys and is held up by a system of braced timber columns that are supported by auxiliary beams.

This allowed Kei Kaihoh Architects to use local small-diametre cedar wood rather than having to ship in mass-timber members.

Double-height warehouse inside Yukinohako snow-powered cool store
A double-height storage space is at the heart of the facility

At the centre of the building is a double-height, 159-square-metre warehouse, which takes over the majority of the ground floor. It sits alongside a small temperature-control room and a reception.

The storage space itself is split in two, with one side holding up to 90 tonnes of snow that is piped into the building using an automatic snow blower and an inlet on the east side of the building.

The other side can accommodate around 30 pallets or one tonne of rice and 200 kilograms of vegetables.

Break room inside warehouse by Kei Kaihoh Architects in Joetsu City, Niigata Prefecture
The break room is located on the second floor

In order to maintain airflow, the two halves of the space aren’t separated by a wall but by steel containers filled with snow, while an auxiliary fan on the ceiling circulates cold air from the snow into the food store.

A maintenance bridge runs across the double-height space to provide an overview of the warehouse and connects to a break room on the second floor.

To ensure the interior stays as cool as possible, Kei Kaihoh Architects installed insulation panels across the walls and ceilings of the warehouse, creating an air-tight envelope.

Even the forklift trucks used to transport palettes of rice are powered by batteries instead of engines to avoid emissions and reduce the need for mechanical ventilation.

The studio also constructed an external corridor that runs along three sides of the building, creating a double facade to prevent solar radiation from reaching the inner insulated wall.

Taken together, Kei Kaihoh Architects says these measures help to keep the warehouse at a consistently low temperature while generating a fraction of the emissions as a traditional air conditioning system.

Timber walkway inside Yukinohako snow-powered cool store
A covered walkway runs along the building on three sides

“In low-temperature warehouses, the storage method involves the constant use of electric air conditioners to keep the temperature at 10 to 20 degrees Celsius,” Kei Kaihoh Architects told Dezeen.

“On the other hand, at Yukinohako, the temperature is kept at zero to five degrees with only the cold air of snow and the humidity is kept high.”

Aside from providing a covered walkway around the building in winter, the external corridor also provides a space to enjoy views of the surrounding nature.

Timber-framed walkway in warehouse by Kei Kaihoh Architects in Joetsu City, Niigata Prefecture
Openings frame views of the snowy scenery

Strategic openings in the facade frame views of the snowy landscape while slatted sections allow light to filter in alongside the sounds of the Oguro River, which rushes along the back of the warehouse.

“We aimed to create a place where people could take pride in farming in the snow country,” the studio said.

The building’s timber structure was pre-cut and assembled at a nearby factory before being sent to the site, catering for quick and easy construction despite the region’s heavy snowfall.

Nighttime exterior shot of light spilling out of Yukinohako snow-powered cool store by Kei Kaihoh Architects in Joetsu City, Niigata Prefecture
Slatted sections allow light and sound to filter through

“The processing and storage of prefectural cedar timber is done in Joetsu City, minimising transportation costs and fuel consumption,” the studio said.

To protect the wood from water and inclement weather, the building’s exterior walls are finished in a glass coating, which Kei Kaihoh Architects says was also used in Kengo Kuma’s Japan National Stadium.

Yukinohako has been shortlisted in the sustainable building category of this year’s Dezeen Awards alongside a girls’ school in India made from local sandstone and Waugh Thistleton Architects’ mass-timber Black & White office building in London.

The photography is by Soichiro Suizu.

Reference

Two buildings clad in recycled bricks and thatched roofs
CategoriesInterior Design

RooMoo integrates local materials into Som Land Hostel near Shanghai

Two buildings clad in recycled bricks and thatched roofs

Thatched roofs, recycled bricks and bundles of sticks were used to construct this hostel on Shanghai’s Chongming Island, which Chinese studio RooMoo has organised around two existing buildings.

The site is surrounded by water and forests, creating a secluded rural environment on the island that’s located across the Yangtze River estuary from the vast metropolitan area.

Two buildings clad in recycled bricks and thatched roofs
RooMoo completely transformed two existing buildings using materials found on-site

The Som Land hostel was designed to integrate with this natural landscape and respect the local customs and traditions.

“The resort’s name Som Land comes from the traditional Chinese colour, the warm green between the mottled gaps in the tree shadows, representing a state of relaxation and slow-paced life,” said Shanghai-based RooMoo.

“In terms of overall space arrangement and planning, Som Land focuses on nature and humanistic traditions.”

Walls covered in recycled bricks in an unusual pattern
The buildings are clad using recycled bricks in a pattern based on a local cloth

The architects revived two old houses on the site, manipulating their existing forms and layouts to meet the new requirements while adhering to planning restrictions.

The larger two-storey structure that acts as the accommodation block was overhauled and extended to include an additional floor – now totalling 552 square metres.

Staircase with glass top
In the larger of the two buildings, the staircase was moved to the north side

“Because the original building has problems, it is necessary to adjust the old and inappropriate space layout and add new design strategies to provide reconstruction to match the new requirements,” said RooMoo.

While its perimeter footprint remained the same, the building was transformed both internally and externally.

Guest room with neutral tones and sticks on the ceiling
The rooms are decorated with neutral tones and natural materials

Planning codes limited the height of the eaves. So to provide extra space, RooMoo steepened the pitch of the roof so that the extra storey could tuck inside.

Large dormer windows create even more space on this upper floor, while balconies were added to the lower levels to extend these, too.

View from guest room into a tiled bathroom
Wood furniture and woven textiles connect the interiors to the rural setting

The staircase was also relocated to the north of the building, allowing three guest rooms per floor to fan around the glass-topped circulation core.

Each room has its own bathroom facilities, and some suites include a bathtub that overlooks the balcony and the forest beyond.

Neutral tones and natural materials decorate the interiors, which feature wooden bed frames, tables and chairs, plus woven textiles and lighting.

Tree branches gathered from the site are framed into panels that cover parts of the ceilings in both the rooms and corridors, while bamboo poles partition the staircase flights.

Thatched building with a glass extension
The second building was extended on the west side with a glazed addition

“The guests staying can feel the space environment of non-machine standardised production, so most of our material selection is from nature and the local site,” said RooMoo.

The second single-storey building that was originally a tool shed was also completely rethought, becoming a reception and communal space where crumbling walls and a tiled roof once stood.

Dining area inside wood-framed glass structure
This building is used as the reception and a communal space for guests

As with the larger structure, the roof pitch was increased to its maximum allowed height and its boundary was also pushed outward.

The top of its gabled form was cut off and the flat plane turned into a window to allow plenty of natural light into the interior.

Strips of wood curve from the ceiling, while a central brick fireplace divides the open space
A central brick fireplace divides the open space

On the west side, a wood-framed glass addition is extruded from the building’s profile to face the water.

Inside, thin strips of wood swoop down and curve outward from the skylight, helping to distribute the light.

A variety of local products displayed on wooden shelves
A variety of local products are displayed in the reception building

A curvaceous brick fireplace and chimney stack are positioned in the centre of the open room to separate the reception area from a lounge and dining space.

Both buildings were re-clad in bricks recycled from the original structures, in a pattern based on local cloth that casts shadows across the facades.

Dining room of a hostel in China
Strips of wood curve from the ceiling to funnel in sun from the skylight

Thatched roofs were also added as a nod to the region’s historic building traditions. “In our practice, we tried to recall the traditional way of manual binding to build a roof of reed poles,” said RooMoo.

“Therefore, we hope to bring out the first impression of the sustainable concept and practice of earth materials returning to nature,” the studio added.

“The design treatment is to provide hotel guests with a warm and relaxing vacation with a deeper understanding of the local style of the environment.”

Gabled structure with glass walls glowing at night
The top of the gabled roof is cut off and covered in glass

Som Land is longlisted in the hotel and short-stay interior category for the 2023 Dezeen Awards, becoming the latest hostel in China to receive recognition from the program.

Previously, the Capsule hostel and bookstore by Atelier Tao+C in a small rural village was named interiors project of the year at the 2020 Dezeen Awards.

The photography is by Wen Studio.


Project credits:

Design team: RooMoo
Construction: Shanghai Guixiang Decoration Engineering
Lighting consultant: Shanghai Yiqu Laite Lighting Industry

Reference

Lounge designed by Lab La Bla
CategoriesSustainable News

Lab La Bla uses local stone and recycled materials for energy operator HQ

Lounge designed by Lab La Bla

Local studio Lab La Bla sourced diabase rock from a nearby mine and created seating from MDF and recycled cork for the interior of energy company E.ON’s headquarters in Malmö, Sweden.

Lab La Bla designed the headquarters’ reception area, coat room and lounge area, while also creating furniture, sculptures and other accessories across nine floors of the 22,000-square-metre building.

The studio aimed to create a sequence of space that had variety, while taking inspiration from sources including airport terminals.

Lounge designed by Lab La Bla
The studio used recycled materials for the interiors

“Creating work for an office that houses 1,500 employees is both challenging and inspiring,” co-founders Axel Landström and Victor Isaksson Pirtti told Dezeen.

“It’s about creating spaces and functions that cater to the many while offering a mix of focus, creative and social environments, so it’s really about designing for the masses without making it boring or generic,” they added.

“There’s a current fascination about airport interiors in the studio, so for the reception area we drew from that source of inspiration.”

Reception area at E.ON
Seating was made from MDF

In the reception area, the studio created a set of sunny yellow furniture made from medium-density fibreboard (MDF) covered in nylon fiber.

“The overall project for us is sort of a reaction to dysfunctional and non-sustainable processes inherent within our industry,” the studio explained.

“For the reception area MDF and screws have been coated with repurposed nylon fiber using a technology commonly seen in the automotive industry, resulting in furniture that celebrates leftover material but without compromising on durability.”

Atrium of E.ON headquarters
A bench features a “melting” diabase stone detail

For the building’s central atrium, Lab La Bla designed an unusual bench that features a gloopy stone decoration resembling an oil spill.

This was created using diabase stone, which is famous for its blackness and was mined nearby in southern Sweden. The process of creating it was informed by its setting at an energy company headquarters.

Gloopy bench designed by Lab La Bla
Lab La Bla sourced local materials for the project

“Since electricity and magnetism are essentially two aspects of the same thing – and E.ON being an electric utility company – we thought it suitable to introduce magnetism as a modelling tool,” Landström and Isaksson Pirtti explained.

“The shape of the piece comes from dropping a lump of magnetic slime on top of a conductive material,” they added. “The slime seemingly randomly slump and drapes over a metal bar before settling in its final shape.”

Lab La Bla then scaled this shape up and hand-sculpted the shape from a single block of diabase, which was finally sandblasted and polished.

“We see this process as an adventurous exploration in making a physical representation of the invisible force that shapes our world,” Landström and Isaksson Pirtti added.

Decorative glass panel at E.ON headquarters
Mouth-blown glass panels form a three-metre-high sculpture

The studio also turned brick beams, left over from the construction of a school in Malmö in the early 1900s, into umbrella stands, and sourced mouth-blown glass panels from one of the few remaining producers of the material.

This was used, together with dichroic glass, to create a three-metre-high glass sculpture with a graphic pattern that depicts a CT-scan of a wood-fibre material.

Vase shaped in tree trunk
Glass sculptures were formed inside hollowed-out tree trunks

Lab La Bla also created decorative vases and glass sculptures using molten glass blown into tree trunks that had been hallowed by fungal decay. The trunks were sourced from E.ON’s own local heating centre.

These trunks “serve no industrial purpose, but are burnt for energy by E.ON and used for teleheating for Malmö,” the studio said.

“We borrow these tree trunks to blow glass in them, before returning them to their final purpose.”

Sofas made from cork
Lounge sofas were made from ground-down wine corks

In the headquarters’ lounge areas, the designers created modular sofas made from ground-down wine corks sourced from restaurants.

“The modular cork sofa uses a unique process where 100 per cent recycled cork is sprayed onto a foam structure, proudly incorporating signs of imperfection into the design while bringing superior durability and sustainability to your furniture,” Landström and Isaksson Pirtti said.

Glass table detail by Lab La Bla
A table has an office-style glass relief with a keyboard

To the designers, the aim of the interior design was to use disused or forgotten materials, as well as ones that were recycled and recyclable.

“We took a conscious decision of picking hyper-ordinary materials such as MDF and aluminium to pinpoint and educate people about cyclic and sustainable qualities inherent in the processes of creating these materials,” the studio said.

“We often try to celebrate the beauty and intrinsic qualities of everyday, industrial materials otherwise consigned to temporary or low-cost construction solutions,” it added.

“We wanted to design objects which require significant time and skills from craftspeople, usually reserved for expensive, rare and high-quality materials – to some of the very inexpensive and found materials that we used throughout the project.”

Lab La Bla’s designs have previously been shown at the Moving Forward exhibition at Stockholm Design Week and as part of the Metabolic Processes for Leftovers exhibition in Malmö.

The photography is by Lars Brønseth.

Reference

Mini data centres heat local swimming pools for free
CategoriesSustainable News

Mini data centres heat local swimming pools for free

Mini data centres heat local swimming pools for free

Spotted: It is now well-understood that data centres consume vast amounts of energy. This is because the banks of servers in the data centres require a lot of cooling, which, in turn, uses a lot of energy. But one data centre has found a use for all the heat that it generates, a use that could also help public facilities such as swimming pools save money on their energy costs.

Deep Green, which runs data centres, has developed small edge data centres that can be installed locally and divert some of their excess heat to warm leisure centres and public swimming pools. The system, dubbed a “digital boiler”, involves immersing central processing unit (CPU) servers in special cooling tubs, which use oil to remove heat from the servers. This oil is then passed through a heat exchanger, which removes the heat and uses it to warm buildings or swimming pools.

Photo source Deep Green

The company says the heat donation from one of its digital boilers will cut a public swimming pool’s gas requirements by around 70 per cent, saving leisure centres thousands of pounds every year while also drastically reducing carbon emissions. Deep Green pays for the electricity it uses and donates the heat for free. This is a huge benefit, as Britain’s public swimming pools are facing massive increases in heating bills, which is causing many to close or restrict their hours.

The company hopes to install boilers in 20 swimming pools in 2023.

The issue of data centre energy use is moving to the fore, and is encouraging a host of new innovations. Recent ideas for more sustainable data centres that Springwise has spotted include a new server design that is much more energy-efficient, and the powering of data centres with hydrogen.

Written By: Lisa Magloff

Reference