Zooco Estudio unveils Cantabrian Maritime Museum restaurant
CategoriesInterior Design

Zooco Estudio unveils Cantabrian Maritime Museum restaurant

Madrid-based Zooco Estudio has created a striking restaurant within the Cantabrian Maritime Museum in Santander, Spain, that celebrates the building’s brutalist architecture.

The restaurant is set within a dramatic vault of concrete paraboloids that were unearthed during the renovation, while a slatted timber ceiling pays homage to the area’s shipbuilding legacy.

Interior of brutalist Cantabrian Maritime Museum restaurant in Spain by Zooco EstudioInterior of brutalist Cantabrian Maritime Museum restaurant in Spain by Zooco Estudio
Zooco Estudio added a restaurant to the second floor of the Cantabrian Maritime Museum

Overlooking the tranquil waters of Santander Bay, the restaurant is located on the second floor of the landmark Cantabrian Maritime Museum, which was designed in the mid-1970s by architects Vicente Roig Forner and Ángel Hernández Morales.

The paraboloids were an original fixture of the structure and supported the roof of what was once the museum’s patio.

Interior of brutalist Cantabrian Maritime Museum restaurant in Spain by Zooco EstudioInterior of brutalist Cantabrian Maritime Museum restaurant in Spain by Zooco Estudio
Oak details were designed to contrast the restaurant’s concrete arches

The studio focused on restoring the historic fabric of the space and reviving the paraboloids, which had been concealed for around 20 years, as “a vestige of the past”.

“In 2003, the building was renovated and as part of this intervention, the paraboloids were covered with a new roof and the space between them and the perimeter of the building was closed with glass, generating a covered space where there was previously a terrace,” Zooco Estudio co-founder Javier Guzmán told Dezeen.

“We wanted the concrete paraboloids to be the absolute protagonists of the space and by removing the paint and the coating, the paraboloids are visible again and regain their full prominence.”

Interior of brutalist restaurant in Spain by Zooco EstudioInterior of brutalist restaurant in Spain by Zooco Estudio
The renovation exposed the raw concrete surface of the paraboloids

The previous renovation also altered the dimensions of the space and reconfigured the volume as a square.

To promote symmetry, four additional concrete triangles were added to balance out the original paraboloids in the brutalist restaurant.

Timber ceiling panels and concrete paraboloids inside a brutalist restaurantTimber ceiling panels and concrete paraboloids inside a brutalist restaurant
Slatted wooden ceiling panels bridge the gaps between the arches

Overhead, a false ceiling of slatted timber panels frames the concrete arches.

The studio designed theses triangular boards to reference the arrangement of timber across the hull of a boat, a nod to the museum and the area’s nautical past.

The panels also serve the purpose of concealing the restaurant’s mechanical systems.

“The wooden slats bring warmth and friendliness to the space while allowing us to solve all the technical needs for air conditioning, heating and lighting, leaving them hidden,” Guzmán said.

“In this way, we ensure that all these elements do not interfere with the dialogue of concrete and wood, which are presented as continuous and clean elements.”

Dining tables overlooking views of the Santander bayDining tables overlooking views of the Santander bay
Walls of floor-to-ceiling glazing offer views across the bay

The interior layout was largely dictated by the low arches of the elliptic paraboloids that dominate the brutalist restaurant.

“The geometry of the existing structure conditions the space, because its height in its lower part is impractical, so a large bench is arranged around the entire contour that allows us to take advantage of that space and organise the distribution of the rest of the floor plan,” added Guzmán.

Concrete paraboloid and dining tables inside brutalist restaurant in Spain by Zooco EstudioConcrete paraboloid and dining tables inside brutalist restaurant in Spain by Zooco Estudio
Grey porcelain floors mirror the concrete paraboloids

Like the ceiling panels, the interior finishes and furnishings allude to the maritime history that the building commemorates.

“The use of wood and steel for all the furniture is reminiscent of the materials used in shipbuilding – the furniture has slight curvatures that are reminiscent of the aerodynamic shapes of boats,” explained Guzmán.

“Likewise, the lamps are inspired by the masts for ship sails.”

Dining tables at Cantabrian Maritime Museum restaurantDining tables at Cantabrian Maritime Museum restaurant
Zooco Estudio also designed the restaurant’s curved timber furniture

Another key change was the replacement of the perimeter glass wall.

The inclined glazing was swapped for vertical glass, a decision that reclaimed external space for the patio, which stretches the length of the restaurant and overlooks the harbour below.

“When we are inside, the feeling is the same as when we are inside a boat, there is only water around, and that is why we used clean glass from floor to ceiling, generating a perimeter terrace as happens on boats,” said Guzmán.

Terrace at Cantabrian Maritime MuseumTerrace at Cantabrian Maritime Museum
The terrace features green curvilinear outdoor furniture

Other projects by Zooco Estudio include a renovated house in Madrid and a co-working space with a kids’ play area in California.

The photography is by David Zarzoso.


Project credits:

Architect: Zooco Estudio
Construction:
Rotedama Constructora SL
Lighting: Zooco Estudio
Furniture: Zooco Estudio

Reference

Concrete grid defines Svendborg International Maritime Academy
CategoriesArchitecture

Concrete grid defines Svendborg International Maritime Academy

Danish studios EFFEKT and CF Møller Architects have completed the Svendborg International Maritime Academy in Denmark, using an exposed concrete frame to echo its industrial surrounds.

Overlooking the harbour in the North Quay of the former port city Svendborg, the 12,500-square-metre centre unites several previously separate departments of Svendborg International Maritime Academy (SIMAC), providing combined study spaces for 1,000 students.

Front elevation view of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsFront elevation view of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
EFFEKT and CF Møller Architects have created a building for Svendborg International Maritime Academy

EFFEKT and CF Møller Architects designed a “resilient grid” for the building formed of prefabricated concrete elements, which nods to the surrounding architecture and is divided with glass partitions to create teaching spaces that can be easily modified or adapted in future.

“We set out with the desire to create an extremely raw and transparent grid structure, contextually adapted to its industrious setting while capable of staging the school’s workshop-based content,” explained CF Møller Architects partner Mads Mandrup.

Facade dusk view of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsFacade dusk view of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
It is characterised by an exposed concrete grid

“[It is] a scaffolding of spatial possibilities, centred around encouraging young people to encounter and exchange ideas through informal meetings, both within and out towards its surroundings, activating the whole harbour front of Svendborg,” Mandrup added.

SIMAC’s teaching spaces are organised across five storeys around a central 20-metre-high atrium. Lined with balconies, this atrium visually connects each level to a communal seating area on the ground floor.

Internal frame of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsInternal frame of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
Five storeys of educational facilities surround a 20-metre-high atrium

Double-height spaces house specialist workshops alongside conventional offices and classrooms, with the glass partitions intended to “stimulate communication and informal exchange” between areas, said the studios.

On the roof is a communal terrace for students and staff, providing both internal and external spaces with expansive views out across the harbour framed by the hollow concrete grid.

Taking cues from the raw concrete structure, interior finishes have been kept minimal and unfinished, with exposed ducting and steel balustrades. Social areas are visually softened by wooden details, including an area of tiered seating.

On the building’s exterior, panels of glazing and corrugated metal have been pulled back to express the concrete structure. In each corner, the grid is cut away to create sheltered external areas for the cafe and canteen, which are open to the public.

Stairs and frame of concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsStairs and frame of concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
An area of tiered communal seating is among those with wooden detailing

“You see the same raw, minimalist exposed column-girder structure both from the outside and the inside,” said EFFEKT co-founder Sinus Lynge.

“The space essentially flows through the building’s structure, and the intriguing aspect concerning the concrete elements is that SIMAC’s structure is the architecture,” he added.

Education space in concrete maritime academy in Denmark by EFFEKT and CF Moller ArchitectsEducation space in concrete maritime academy in Denmark by EFFEKT and CF Moller Architects
Exposed ducting contributes to the raw interior aesthetic

SIMAC is the first project to be completed as part of a wider masterplan for a new district in Svendborg, which is set to transform 5.5 hectares of industrial area with new education, business and residential buildings.

Elsewhere, EFFEKT also recently completed Denmark’s first treetop walkway at the Hamaren Activity Park in Fyresdal and CF Møller Architects created the headquarters for Lego in Billund with a bright yellow atrium.

The photography is by Rasmus Hjortshøj.

Reference