Liquid City: A Radical New Masterplan in Rotterdam Embraces the River for Resilience
CategoriesArchitecture

Liquid City: A Radical New Masterplan in Rotterdam Embraces the River for Resilience

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Popular with hip foodies and craft beer lovers, Fenix Food Factory’s generous outdoor seating area overlooks Rijnhaven. An old industrial harbor, over decades, it has seen shipping disappear under the boot of urban development.

After docklands moved west towards, and now into, the North Sea, a new district has sprung up in this corner of Rotterdam, extending the city center. Shops, residential blocks, floating structures housing offices and hospitality have replaced redundant warehouses and cranes.

The stunning Hotel New York overlooks all of this new development. The iconic building dates to the late-19th century, when it housed Holland America’s headquarters. The ocean liner route to Hoboken, New Jersey, carried close to 500,000 passengers from mainland Europe in its first twenty-five years of operation, and some will be immortalized when the FENIX Museum of Migration opens in 2024.

At the closed end of the quay, early signs of Rijnhavenpark are materializing — if you know what to look for. A large section of the harbor is cordoned off with buoys, and machinery has arrived to start the mammoth task of filling in one-third of the basin to create a huge public park, partly built on dry land, part floating on water, connected by walkways. The scheme is just one of several remarkable undertakings by the municipality of Rotterdam, transforming how the city interacts with its riverfront.

City Projects Rotterdam Rijnhaven

Rijnhaven, Rotterdam by Ossip van Duivenbode/Rotterdam Partners

 

Artist’s impression of Rijnhavenpark by City Projects/Rotterdam Partners

A delta town, the surrounding region of the Netherlands is home to the huge Rhine-Meuse-Scheldt delta, and has seen vast amounts spent on flood defences as a result. Known as Delta Works, modern protective infrastructure first broke ground in 1954 and construction only finished around 1997. Rotterdam’s Maeslantkering was one of the final pieces in a jigsaw of sluices, locks and dams. An enormous floodgate that took six years to build, it remains one of the planet’s largest moving structures.

A new masterplan comprising a series of large scale City Projects for central Rotterdam, many of which actively embrace the river itself, serves as a clear reminder of how vulnerable a city is when large parts lie below sea level — however, it also serves as a source of inspiration for design ingenuity. This scheme includes planting flora at different tidal levels, meaning that green spaces change with the time of day and actively supporting aquatic life, mammals and birds in the process.

In total, eight sites have been approved, but the initial series could be the start of something far bigger — a vast ‘central park’ running down both river banks. This vision was creatively displayed on the inside of a disused shipping barge during June’s Rotterdam Architecture Month for the Liquid City exhibition. Should that ever materialize, the network of green waterfronts would line downtown and a good chunk of the former docklands that made up Europe’s largest port.

Interconnected green spaces are shown on the banks of the Meuse at Rotterdam Architecture Month by Martin Guttridge-Hewitt

“Four and a half years ago the decision was made that we need more green, and a lot more. Not just around the Meuse, but everywhere. Of course you can’t do it everywhere. So we were told there would be eight locations in the city centre, and to go away, do some homework quickly as possible, and present a study, with numbers for what it might cost,” explains Emiel Arends, urban planning specialist on City Projects who also works as part of Rotterdam’s climate adaptation programme, WeerWoord [Weatherwise]. “We only had four months to prepare, pitched it, they said OK, here’s €350 million ($387 million), go make it happen as soon as possible.”

In addition to riverside sites, City Projects also include the elevated Hofbogenpark, a narrow 1 mile (2 kilometer) micro-intervention on a former railway viaduct, and Hofplein, where urban greening will transform an already-busy square. Arends’ colleague, Pieter de Greef, senior planner and a key architect of the river-as-park masterplan, says the biggest challenge is Nelson Mendelapark. In partnership with US waterfront specialist SWA/Balsley, work has begun on an area the size of ten soccer fields at Maashaven harbour. Once complete, this will comprise hills, trees, lawns, an event space, and various tidal features, including a pathway designed to help people understand the river’s natural flow and ecosystem.

City Projects Rotterdam Nelson Mandelapark

Artists impression of Nelson Mandelapark by SWA/Balsley

“If you want square meters, Tidal Park Feyenoord is bigger. But that’s all about biodiversity, greening rivers, giving nature new places in the city… it’s not for picnics and other activities,” says de Greef of the largest approved City Projects development. “Mandelapark is much more mixed. There’s a lot of social housing around there, which is good but they do not have many balconies or public spaces. The streets are narrow, filled with asphalt and stones. This project gives 16,000 households a large green space within 10 minutes walk.”

Unsurprisingly, considering the neighborhood’s urgent needs, de Greef says the most significant achievement with Nelson Mandelapark has been keeping all available land public. Other schemes in City Projects have integrated private interests to help finance. For example, at Rijnhavenpark three large residential blocks will deliver 4,500 homes, bringing in revenue to realise the vision. Elsewhere, water companies support schemes where green-blue infrastructure can ease pressure on overloaded drainage systems.

“Each part of the City Projects has a slightly different focus,” says Arends. “So within the inner city, on the north side, a little bit further away from the river, it’s about water storage and heat reduction. Tidal Park Feyenoord is all about biodiversity, but you can walk there as well. There are actions specific to each of the parks. It’s an insane programme. I’ve never seen this before, in any city.”

Hero Image: Rotterdam’s Maeslantkering flood defences by Guido Pijper / Rotterdam Partners

Architizer is thrilled to announce the winners of the 11th Annual A+Awards! Interested in participating next season? Sign up for key information about the 12th Annual A+Awards, set to launch this fall.

Reference

A Look into the Design of 416 Memorial Park
CategoriesArchitecture

A Look into the Design of 416 Memorial Park

 

416 Memorial Park – The purpose of the project is to design an optimal plan to create a cultural park consisting of a complex of exhibition and educational facilities and a columbarium to commemorate and share the pain of the victims of the Sewol ferry disaster. When the passenger ferry MV Sewol sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.

Architizer chatted with Sang Dae Lee, Assoc. AIA, LEED AP, and principal at UNITEDLAB Associates, to learn more about this collaborative project.

Architizer: What inspired the initial concept for your design?

Sang Dae Lee: As the form and space of ‘416 memorial park’ embody the moment of the sinking of the Sewol ferry, there were challenges as follows.

Spatial sequence: How to spatially implement emotional tension and sequence from the entrance to the enshrinement space? As a gradual and vertical entry into space, it was attempted to represent the space of the Sewol at the time of the accident. This gradual movement into space begins from the park to the entrance to the memorial. Since these internal and external ramps are on the same slope, vertical movement is hidden and horizontality is emphasized instead. Visitors walk from the entrance through the education space on the middle level, then reach the exhibition and AV theater. While walking down the path through a narrow, closed ramp corridor, visitors will ultimately arrive in an enshrinement space with emotional tension.

© treceuve

© treceuve

© treceuve

© treceuve

This project won in the 10th Annual A+Awards! What do you believe are the standout components that made your project win?

Architecture and landscaping as a figure-ground play a significant role in place-making. The architecture will invite visitors to programs such as education, cultural activities, enshrinement space, amenities, and a shop, and the landscape will serve social events, promenades, gardens, and memorial park. The 250 birch trees commemorate the victims with a metaphor for eternity.

Over time, the trees grow bigger, depicting the meaning of death leading to new life. In addition to the indoor memorial space, a memorial event can be held outdoors in the garden and each tree provides an individual memorial space around. The walkway in the garden can be closed depending on the event and is used as a performance space and amphitheater. The interface along the walkway is a connection between the space and the architecture, receiving natural light, meaning that architecture and landscape are united.

© treceuve

© treceuve

© treceuve

© treceuve

What was the greatest design challenge you faced during the project, and how did you navigate it?

As the 416 memorial park embody the wave of the sea, there were structural challenges to support the wavy landform. If visitors walk along the promenade that crosses the waves of the roof garden, they would ultimately pass through the elevated and huge waves. The tension peaks when the pedestrian reaches the pyramid-shaped ship. By gradually increasing the level of the terrain around the enshrinement pyramid, we have space below maximized for the implementation of educational, cultural, and event programs. The upper terrain allows visitors to contemplate the surrounding park as an observatory deck and to gaze into the interior space below since the terrain is torn. A column-free structure was pursued to maximize the sense of space under this terrain. Therefore, the space is formed in accordance with the shape of the waves, and the shear walls are placed along the waves.

© treceuve

© treceuve

© treceuve

© treceuve

How did the context of your project — environmental, social or cultural — influence your design?

There are various urban cultural and commercial facilities concentrated around the project site, and as such, it has good accessibility by the public due to its large population residing around.
In order to apply the meaning of ‘memorial in everyday life,’ the architecture was designed as memorial, educational, and cultural facilities, and the landscape above was designed as a park—a new typology combining a plaza with a park. The plaza hosts social and cultural events, and provides a good public space for people. A memorial park was designed along the roof garden where visitors can stroll around while looking out at the surrounding area. In particular, the memorial garden on the roof and the enshrinement space on the basement is used as a place to commemorate the victims of the Sewol ferry disaster. This is a mixed type of architecture combined with a park as a figure-ground.

© treceuve

© treceuve

© treceuve

© treceuve

What is your favorite detail in the project and why?

416 memorial park seeks to overcome the pain and sorrow, and furthermore to sublimate and regenerate it ecologically and culturally rather than a mere memorial space of sadness. The 250 birch trees planted in the garden of the memorial park will grow and form a forest over time, and the enshrinement space under the pyramid is open to the outside air allowing visitors to experience a sublime sense of season, space, and time of the disaster. The educational program provides opportunities for engagement and discussion with visitors. The AV theater and exhibition space simulates the disaster scenes and provides exhibitions and education programs tailored to the theme. The park above and the building embrace sustainability by applying new technologies and systems to symbolize the metaphor of the regeneration of the memorial space.

© treceuve

© treceuve

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

In what ways did you collaborate with others, and were there any team members or skills that were essential in bringing this Award winning project to life?

UNITEDLAB Associates has collaborated with Vtrilloarquitectos, an architecture firm specializing in theater in Spain. Due to physical distance and the Pandemic of COVID-19, we mutually met via zoom to discuss the main concept of what memorial park plays in the new age of time. While brainstorming, they developed great alternatives and quickly simulate the scheme into 3D models which helps for us to develop and decide the final options. They have strong technical skills and presentation skills to support our studio in leading the projects. i.e. Computer 3D simulation technics, architecture details, exhibition concept, and its AV theater technical analysis.

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

How do you believe this project represents you or your firm as a whole?

We try to balance practical projects and experimental ones for managing studio works. 416 Memorial Park is rather a new way of architecture well united with another discipline of landscape architecture. It was a meaningful hybrid not only in the discipline but at the same time architecturally program use inside and landscape garden above but exemplary sustainability engaged to the memorial park. Of course, it was not easy for us to critically consider diminishing the budget by designing a kind of simple or rectangular building as this project pursues a parametric form of architecture. but as always, we pursue designing a new typology by experimenting with innovation.

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

© UNITEDLAB Associates / Vtrilloarquitectos

Team Members

Design Firm: UNITEDLAB Associates / Vtrilloarquitectos, Principal in Charge: Sang Dae Lee, Architect: Valentín Trillo Martínez, Designer: Kitae Kim, Siying Chen, Client: City of Ansan, 3D Rendering: treceuve

For more on 416 Memorial Park, please visit the in-depth project page on Architizer.

416 Memorial Park Gallery

Reference