Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature
CategoriesArchitecture

Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature

A new series of reports on macro design trends reveals fascinating insights into the direction in which architects and designers are traveling — and harmony lies at the heart of the first publication. In collaboration with The Prospectivists and Broadside Studios, material research and resource platform Material ConneXion has released its first major trend report, entitled Eunomia, which can be interpreted as “Fair Measure or the Good Norm.” Originally coined for a period of societal reform in Ancient Greece, Eunomia aimed to impose harmonic rules to counterbalance the consequences of human excess.

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This macro trend has clearly been catalyzed by the global pandemic. “As a reaction to months of lockdown, the fascination for the great outdoors, wellbeing and extreme sports have become deeply rooted in urbanized populations that increasingly aspire to experience a very specific and direct relationship to Nature,” states the report.

This phenomenon is linked with a rise in subcultures that recognize and embrace society’s interdependence with the natural world, developing new systems and products that are deeply informed by biological systems. Eunomia presents a diverse range of case studies to illustrate how this trend can be seen in action, from tree-bark-inspired wearables and moss-covered furnishings to bacteria-grown paint and 3D-printed waste wood tiles — complete with in-built planters.

Eunomia’s themes evoke images of numerous projects from last season’s A+Awards, including The Living’s “Alive” installation, which won a Finalist accolade in the Experimental Design category. “Alive” is an experiment in multi-species architecture: a room made of porous, organic material with both macro-spaces for humans and micro-spaces for microbes, with interfaces for exchanges among different species. Photos courtesy of The Living

For architects, the report is a veritable goldmine of inspiration. Biophilic design, resilient architecture, eco-conscious materials and sustainable construction processes are all touted within the ‘Innovation Concepts’ section, with stunning case studies of these concepts being put into practice. Standout examples include Casa Merida, a house designed by Ludwig Godefroy to “withstand the local climate, using locally sourced materials and traditional Mayan features: tall air paths and punctual green areas freshen the circulating air, providing a natural cooling sensation.” 

Meanwhile, Tanya Rey’s Verdant Project presents 3D-printed ceramic columns that are designed to allow moss to grow across every surface, forming a new type of architectural ‘coating’ that blends manmade materials with nature. Additionally, Brigitte Kock and Irene Roca Moracia’s “bio concrete” material is made from invasive species such as Japanese knotweed and American crayfish, providing an “example of how polluting building materials can be transformed into new ‘economic and ecological’ value enhancing natural aesthetics, while helping to restore local biodiversity.”

The report brings to mind projects such as Querkraft Architekten’s A+Award-winning Austrian Pavilion for the 2020 Dubai Expo. Combining local building traditions and intelligent Austrian climate engineering, a series of 38 clay plaster cones enables conventional air conditioning technology to be largely avoided, saving three quarters of the energy needed for a comparable building. Photo by Dany Eid/Expo 2020 Dubai

The report wraps up with ‘Design Ideations’, a series of vibrant, complex mood boards tied together along both aesthetic and thematic lines. These diverse yet cohesive palettes should provide architects and designers with fertile ground for continued exploration of the concepts found throughout the report. The biggest takeaway? The power of Nature is only building, and creatives must surely work with it — rather than against it — in order to thrive in the upcoming decade.

To see the full trend report and receive new material insights each month, become a member of Material ConneXion. Learn more >

Top image: Austrian Pavilion for the 2020 Dubai Expo by Querkraft Architekten

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How Gen Z Designers Are Smashing Conventions With “Creative Self-Exploration”
CategoriesArchitecture

How Gen Z Designers Are Smashing Conventions With “Creative Self-Exploration”

The next report in Material ConneXion’s insightful series on material trends focuses on the ultra-contemporary phenomena of expressionism among new generations of creators. Following on from their Eunomia report — which revealed insights into designers’ renewed passion for nature as a primary source of inspiration —  their next release is entitled “Creative Self-Exploration”, and covers the rising trend for fluidity and dynamism with regards to everything from identity and aesthetics to occupation and innovation.

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Illustrated with vibrant examples of creative individualism, the new trends “reflect  a  growing  aspiration,  especially  among GEN Z and Alpha, to explore all the components that make up ‘the self’, from physical appearance to existential depth and emotions, overlooking established norms.” They also point towards a new wave of entrepreneurship, with young people breaking free from conventional occupations. Instead, they are harnessing the maturing landscape of social media to create their own opportunities, as well as emerging realms such as the metaverse.

Tiktok Headquarters by Gensler, 9th Annual A+Awards Finalist in the Large Office Interiors category.

In terms of architecture and design, these trends are manifested in avant-garde projects that challenge traditional ideas pertaining to the function, program and typology of buildings. One example is the “Tiktok Beauty Hub”. As described in the report, “Tiktokers now have a creative hub in the heart of LA, hosted by Fenty Beauty, Rhianna’s brand. The concept behind this collaborative space is to help influencers on the platform by offering a fully stocked ‘Make-up Pantry’ in a camera-ready,  creative space as well as community building amongst participants.”

One of a number of innovation concepts in the report is named “Phygital Experiences”, highlighting new investments in “marvelous, magical worlds and bewitching inspirations that boost the imagination” and “immersive and multisensorial experiences that create the sensation of lucid dreaming.” This form of design, with its emphasis on interactivity, engagement and dynamic mediums is undoubtedly permeating architecture and design — one such example is the work of Turkish digital artist, Refik Anadol, whose installation “Quantum Memories” was a recent A+Awards Finalist in the Architecture +New Technology category.

Quantum Memories by Refik Anadol, 9th Annual A+Awards Finalist in the Architecture +New Technology category.

In the report’s ‘Design Ideations’ section, a series of multichromatic mood boards visualizes how the rise of creative self-exploration can be translated into real-world spaces, textures, materials, products and beyond. The bold range of colors, forms and finishes on display encapsulates the overriding takeaway from this report — that emerging creatives are not concerned in the slightest with the social or aesthetic “rules” of prior generations. In fact, they embrace the unconventional, and revel in its unlimited creative potential.

To see the full trend report and receive new material insights each month, become a member of Material ConneXion. Learn more >

Top image: 100 colors no.35 by emmanuelle moureaux architecture + design, 9th Annual A+Awards Finalist in the Architecture +Color category.

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