Remembrance day paper poppies by Matter
CategoriesSustainable News

Matter designs recyclable plastic-free remembrance poppy

Remembrance day paper poppies by Matter

Design consultancy Matter has redesigned the Royal British Legion remembrance poppy to be created entirely of paper made from coffee cup waste and recycled wood fibres, the first change in the flower’s design for 28 years.

According to Matter, the paper poppy will reduce carbon emissions by 40 per cent compared to the previous design, which had a paper leaf and petals held in place by a plastic stem and black circular centre.

Remembrance day paper poppies by Matter
The remembrance poppy has been redesigned to be made entirely from paper

Matter’s redesign aims to remain true to the original recognisable poppy but replaces all plastic elements with paper. The entire poppy can be recycled at home via household recycling collections.

It has been designed to be produced on a high-speed assembly line without the need for adhesives, with crease details on the paper’s surface that help to give the poppy a 3D shape.

The plastic-free poppy can be fastened by a pin or inserted into button holes and aims to encourage more people to support this year’s Poppy Appeal, an annual charity campaign organised by the Royal British Legion that raises money for veterans and their families experiencing injury, hardship or bereavement.

Red and green bespoke paper for the remembrance poppy
The paper was made from recycled materials

It will be available alongside remaining stocks of the previous poppy in the lead-up to Remembrance Day on 11 November.

“We didn’t want to simply reduce single-use plastic but to eliminate it completely, and we didn’t want to replace plastic parts with expensive and complicated bio-based plastics,” said Matter director John Macdonald.

“Paper offered a single-material solution that could be easily recycled, as well as offering a bold, elegant approach for the next generation of poppies.”

Matter created the poppy in collaboration with paper manufacturer James Cropper, which has made the paper for remembrance poppies since 1978.

James Cropper developed two bespoke papers for the new design, Poppy Green and Poppy Red, made from a combination of 50 per cent recycled fibres from the production of coffee cups and 50 per cent from recycled wood fibre.

Dismantled paper poppies on a desk
The plastic-free poppy will be available for this year’s Poppy Appeal

“We’re proud to have designed a plastic-free poppy that will enable people to show their support for our Armed Forces community in a more sustainable way,” said Gary Ryan, executive director at The Royal British Legion.

“Matter has played a fundamental role in reducing the environmental impact of the new poppy whilst maintaining the iconic poppy design that the public can wear with pride.”

Earlier this year, former Apple designer Jony Ive revealed his redesign of the Red Nose Day nose for UK charity Comic Relief, which saw the iconic clown-style nose reimagined as a foldable paper sphere. In Australia, start-up Hoopsy has created a pregnancy test made from 99 per cent paper.

The photography is courtesy of Matter.

Reference

Charred timber facade of Dark Matter garden studio by Hyper
CategoriesArchitecture

Dark Matter garden studio by Hyperspace features pivoting door

Charred timber facade of Dark Matter garden studio by Hyper

London-based architecture studio Hyperspace has created a garden studio in Hertfordshire, England, featuring a pivoting door and a charred-timber facade that doubles as an insect hotel.

Hyperspace converted a suburban garage to create the work-from-home studio called Dark Matter.

The building’s name refers to its facade, formed of 850 pieces of charred wood. The process, called Shou Sugi Ban, prolongs the life of the wood by making it more resistant to moisture.

Charred timber facade of Dark Matter garden studio by Hyper
The garden studio was created by converting a former garage

Gaps were left in between these wooden shingles to provide natural habitats for insects, with the aim of promoting biodiversity in the garden.

They act “as a giant bug hotel for insects to hibernate in”, according to Hyperspace founder Olli Andrew.

Andrew designed the studio to provide the client, design recruitment consultant Wayne Euston-Moore, with a spacious and tranquil workspace.

Entrance to Dark Matter garden studio by Hyper
An extra-wide pivoting door forms the entrance

The ambition from the outset was to go beyond the simple, glass-fronted box that forms most garden studios.

The pivoting door follows this approach. Located on an angular cutaway at the building’s corner, this double-width element create a sense of drama from arrival.

Pivoting door
Two perforated “light chimneys” help to animate the interior

The building also features two “light chimneys” dotted with perforations.

Extending down from skylights in the roof, they create dynamic light reflections intended to mimic dappled sunlight through a tree canopy.

“Outdoor garden studios don’t need to be generic boxes,” said Andrew.

“This project’s beauty is in the craft, space and light. And with its connection to nature, it’s an inspired place to work.”

Light chimney and desk in Dark Matter garden studio by Hyper
Plywood panels line the interior walls

The design reuses almost all of the materials from the original garage structure, including the timber beams from the dismantled hip roof. Anything leftover was diverted to another Hyperspace project, to keep waste to a minimum.

A corrugated metal roof was supported on white oiled timber rafters, while the interior walls are now lined with poplar plywood panels.

Charred timber shingles
Charred timber shingles clad the exterior walls

To improve the building’s energy performance, Andrew chose triple-glazed windows and skylights while he added insulation formed of wood fibre, wool and recyclable foil-based blankets.

“To reduce embodied carbon, the majority of materials were procured from within a 10-mile radius,” said Andrew.

“Steel and concrete use was kept to a minimum, with only one steel flitch plate and less than one square metre of concrete.”

Dark Matter garden studio by Hyper
Windows have deep sills, so can double as informal seats

The studio is minimally furnished, helping to enhance the sense of space. A simple table in the corner offers a view out through windows facing both north and east.

These windows both feature deep sills and minimal overhanging canopies, giving the studio’s occupant an alternative to place to sit and work.

Night view of Dark Matter garden studio by Hyper
The facade provides nesting space for insects

“It provides an amazing headspace which is inspiring yet calm,” Euston-Moore said. “It feels like you’re in a perfectly insulated space yet connected to the outside with ample natural light.”

Other recent garden studio designs include Michael Dillon’s low-cost architecture studio in Kent and a writer’s hut in Dublin designed by Clancy Moore Architects.

The photography and film are by Simon Kennedy.

Reference