Medprostor encloses 12th-century church with folding roof in Slovenia
CategoriesArchitecture

Medprostor encloses 12th-century church with folding roof in Slovenia

Local studio Medprostor has covered and partially repaired a 900-year-old Romanesque church in Slovenia, placing an operable roof on top of the open structure to create a space “between a ruin and a reconstruction”.

Medprostor crafted a series of modest interventions alongside the folding roof that aim to protect the significant monastic building, located inside the fortified grounds of the historic Žiče Charterhouse.

The repairs and alterations were also intended to improve its functionality for tourism and events.

Roof and lookout at Žiče Charterhouse church by Medprostor in SloveniaRoof and lookout at Žiče Charterhouse church by Medprostor in Slovenia
Medprostor has topped a 12th-century church with a folding roof in Slovenia

According to the studio, the project was conceived to protect the church’s immaterial qualities as an ancient and sacred place, in addition to preserving its physical remains.

“The construction and restoration interventions were carried out in such a way that they enable a chronological reading of the 900-year-old sacral space,” Medprostor cofounder Jerneja Fischer Knap told Dezeen.

“[The design] fully conforms to the requirements of heritage protection for reversibility, with less invasive and less intense interventions,” he continued.

Blackened wood and steel roof over church in Žiče Charterhouse by Medprostor in SloveniaBlackened wood and steel roof over church in Žiče Charterhouse by Medprostor in Slovenia
The half-gable roof structure spans the length of the church and can be opened to the sky

“The largest intervention was the covering of the existing building with a semi-movable, folding roof,” Knap said.

“When lowered, it enables the smooth running of events in the church regardless of the season and weather, while when raised, it preserves one of the most important intangible moments of the ruin: contact with the open sky.”

Lightweight black steel, blackened wood and dark slate tiles make up the half-gable roof system, distinguishing the gesture from the church’s original masonry architecture.

Medprostor also chose restrained and rectilinear geometries for its interventions, seeking to establish a low-tech aesthetic language that could sit harmoniously against the heritage structures.

“The roof, together with its details and proportions is related to the key architectural elements of the whole church,” Knap explained. “And yet, it can also act as an illusion – a spectre in harmony with the open, ephemeral character of the ruin… [a] space between a ruin and a reconstruction.”

Open roof and ruins of the church at Žiče Charterhouse by Medprostor in SloveniaOpen roof and ruins of the church at Žiče Charterhouse by Medprostor in Slovenia
A dark, uniform material palette defines the interventions across the church

The studio reconstructed a demolished portion of the church’s walls and flooring, while spiral staircases were placed into existing vertical shafts to reconnect visitors to an upper-level viewing platform.

“Two staircases are connected to a new lookout point with a narrow, slightly sloping corridor leading up to it, framed by the outer faces of the [reconstructed] north wall,” Knap explained.

“The lookout point offers an essential view from above of the northern part of the monastery complex and its ruined character.”

Repaired wall and raised flooring in church at the Žiče Charterhouse by Medprostor in SloveniaRepaired wall and raised flooring in church at the Žiče Charterhouse by Medprostor in Slovenia
The studio made limited repairs to the ruins, including reconstructing its partially collapsed northern wall

Slovenian architecture studio Medprostor was established by Knap, Rok Žnidaršič and Samo Mlakar in 2011, with projects spanning across the public and private sectors.

Medprostor’s interventions at Žiče Charterhouse were shortlisted for the 2024 European Mies van der Rohe Award, which has previously been won by Grafton Architects for its colonnaded teaching building for Kingston University in London.

The seven finalists for the 2024 Mies van der Rohe Award were recently revealed to include The Reggio School by Andrés Jaque, a copper-clad convent in France and a library by SUMA Arquitectura in Spain.

The photography is by Miran Kambič.

Reference

Medprostor stacks firewood for Ljubljana design biennial exhibition
CategoriesInterior Design

Medprostor stacks firewood for Ljubljana design biennial exhibition

Firewood logs were used as modular stackable elements for the scenography of the BIO27 Super Vernaculars design biennial in Ljubljana, Slovenia, which has been shortlisted for a 2023 Dezeen Award.

Curated by Jane Withers, the 27th edition of the city’s design biennial took place at the Museum of Architecture and Design (MAO) in the summer of 2022.

Table made from a stack of vertical logs and a cardboard top
Firewood was stacked in various ways to stage the BIO27 Super Vernaculars

The four-month presentation explored how designers and architects are adapting vernacular traditions and value systems to respond to contemporary challenges like water scarcity, waste and declining biodiversity.

Similarly, the brief for the exhibition design was to rethink classic parameters and consider sustainability in the context of a temporary show.

Bundles of firewood used as exhibition display podiums
The firewood bundles were used to display various design projects throughout MAO

Slovenian architecture studio Medprostor chose to create the scenography from a readily available, locally sourced material that could be entirely reused at the end of the show.

“Walls, planes, piles and lines of firewood are a part of the Slovenian visual landscape, as almost 59 per cent of the country is forested,” said Medprostor.

“By only using the standard logs and non-invasive stacking and binding methods, all the material was returned to the supplier for further resale and use.”

Images held up by vertical logs
The logs were pre-cut to standard lengths so they could be reused

Pre-cut to standard lengths, the logs were oriented vertically and bound together to create tables and platforms of varying heights and sizes throughout the exhibit areas.

Some of the logs were notched in their tops to hold photographs and texts mounted on honeycomb cardboard sheets, which also formed flat horizontal surfaces for displaying items by participating designers.

Photos and texts mounted onto honeycomb cardboard placed on top of logs
Photos mounted onto honeycomb cardboard were placed in notches on top of the logs

Bundles were also laid on their sides to act as low-lying display podiums for larger pieces.

“The aim was to explore ways of stacking wood that are based in traditional techniques but can at the same time support new shapes and methods that evoke a sense of contemporaneity,” Medprostor said.

Orange and grey straps supporting hanging cardboard panels
Orange and grey straps recycled from the shipping industry were used to bind the logs

The grey and orange straps used to bind the wood and to hang cardboard panels from the ceiling were reused from the shipping industry.

A few panels also incorporated video screens or served as a backdrop for projections, adding another medium through which the curated projects could be articulated.

Medprostor collaborated with graphic designers Studio Kruh and AA to continue the low-impact approach to the exhibition graphics and signage, which were primarily printed on-site at the museum.

Additionally, the firewood was able to extend its drying process for the duration of the biennial, making it more energy-efficient when finally used as fuel, according to the studio.

Hanging panel used as a projector backdrop
Hanging panels incorporated video screens and were used as projector backdrops

“The drier the wood, the higher heating value and better environmental footprint it has,” Medprostor said. “While in the museum, logs can dry additionally and be returned to the supplier for further resale with a better ecological footprint.”

“The museum becomes a part of the process of curing the wood.”

Exhibition display stands built from firewood
All of the firewood was returned to the supplier when the exhibition ended

The BIO27 Super Vernaculars scenography has been shortlisted in the exhibition design category of the 2023 Dezeen Awards, along with a shrink-wrapped exhibition design by Didier Faustino and a showcase of recycled steel chairs by Daisuke Yamamoto.

The awards will be presented during a ceremony and party in London on Tuesday 28 November 2023, with creative direction by The Unlimited Dream Company.

The photography is by Ana Skobe and Klemen Ilovar.

BIO27 Super Vernaculars took place at the Museum of Architecture and Design (MAO), Ljubljana, Slovenia from 26 May to 29 September 2022. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.


Project credits:

Location: Museum of Architecture and Design (MAO), Ljubljana, Slovenia
Exhibition design: Medprostor: Rok Žnidaršič, Jerneja Fischer Knap, Katarina Čakš, Teja Gorjup
Graphic design: Studio Kruh + AA
Curator: Jane Withers
Assistant curator: Ria Hawthorn
BIO27 director: Anja Radović

Reference