Exterior of Victorian house in Melbourne
CategoriesArchitecture

Matt Gibson adds sculptural extension to Victorian Melbourne home

Exterior of Victorian house in Melbourne

Australian studio Matt Gibson Architecture + Design has transformed a Victorian home in Melbourne’s suburbs with a faceted extension clad in black metal.

Located in the suburb of South Yarra, the house on St Martins Lane has been expanded with a three-storey rear extension to better accommodate the needs of the family living there.

Exterior of Victorian house in Melbourne
Matt Gibson Architecture + Design has extended a Victorian home in Melbourne

The house occupies a long, thin site at the end of a row of Victorian terraces that are surrounded by low-rise warehouses and townhouses.

To preserve the heritage of the home, Matt Gibson Architecture + Design has retained several of its original elements including its street-facing Victorian facade.

Exterior of St Martins Lane extension in Melbourne by Matt Gibson Architecture + Design
It has a faceted form clad in black metal

“[The house is] a case study in vertical family living on a confined site,” explained the studio.

“[It addresses] issues of densification and growing population demand whilst adaptively reusing and retaining key heritage fabric.”

Faceted black extension to white-brick house
A new entrance has been created on the adjacent lane

As part of the project, Matt Gibson Architecture + Design shifted the home’s main entrance from the street edge to a cobbled lane that runs down the side of the plot.

This new entry point sits towards the centre of the site and is marked internally with a glazed stair that bridges the existing house to the sculptural extension.

Monochrome kitchen by Matt Gibson Architecture + Design
The old part of the house has been updated with a new kitchen

“The stair has full view of the laneway, activating it and providing a level of security and community connection,” said Matt Gibson Architecture + Design.

The placement of this staircase also divides the home into two wings – one old and one new.

Inside, the old part of the house has been updated with a new kitchen and a main bedroom suite, while the extension contains a living space, two bedrooms, a study and cascading terraces.

The two wings are distinguished externally by their contrasting material finishes, including white-painted brick and intricate wooden filigree on the old Victorian house, and the faceted black laser-cut metal facade of the extension.

Interior of St Martins Lane extension in Melbourne by Matt Gibson Architecture + Design
The extension contains the living space

Perforations in the metal make reference to the original architecture of the house and allow light and ventilation into the bedrooms while providing privacy.

A sliding gate reveals a path of mossy stones that lead from the cobbled lane to an enclosed porch of black metal and marble. The porch gives views through to the living space and garden beyond and contains a monolithic door that opens into a tiled hallway featuring the main staircase.

Enclosed garden
There are a series of outdoor spaces

The ground floor is given over to generous communal spaces. This includes a kitchen of blackened wood and dark marble in the old part of the house and a bright living room in the new wing with a sculptural concrete stair leading to a basement library.

Both the kitchen and living room are bookended by enclosed outdoor spaces with green borders.

Roof terrace in Melbourne
A rooftop deck crowns the home

On the upper floors of the home are the family’s bedrooms and the outdoor terraces overlooking the trees beyond the site. A warm wood-panelled stair from the second floor leads to a roof deck that crowns the extension.

“Through arranging the building vertically there is an increase in outdoor space coverage to now over 50 per cent of the site area,” said Gibson. “Previously [it was] 10 per cent.”

Matt Gibson Architecture + Design was founded in 2003. The studio has completed several other refurbishments and extensions across Melbourne, including a home with courtyards and glazed bridge and a redbrick extension with glazed undercroft.

The photography is by Shannon McGrath.

Reference

Exterior of Cunningham Street residence with protruding glazed volume
CategoriesInterior Design

Studio Four opens up “dark and compartmentalised” Melbourne residence

Exterior of Cunningham Street residence with protruding glazed volume

A series of portal openings improve connections between rooms and bring extra light into this 1970s residence in Melbourne renovated by Australian practice Studio Four.


Studio Four aimed to renovate the home, which was designed by Australian architect Wayne Gillespie in 1972, to improve the internal plan and bring it up to date for contemporary living.

Exterior of Cunningham Street residence with protruding glazed volume
A series of portal openings provide views of the garden beyond (top and above)

“While the existing house was of solid build, the interiors felt lightweight by comparison and did not flow or function as desired,” said Studio Four.

“Some spaces, in particular the existing kitchen, were dark and compartmentalised and did not fully harness the possible connections with the garden.”

Kitchen interior Studio Four with wooden chairs and table and view of garden
Solid wood furnishings create a sense of warmth in the otherwise monochrome kitchen

Located in the city’s South Yarra neighbourhood, the Cunningham Street Residence was designed by Gillespie as his first independent project and his first home.

The architect, who died in 2001, was known for his use of pure, clean lines, and combining classical design features with modern technology.

Wooden kitchen table setup with integrated planter in Cunningham Street residence
A planter is integrated between the dining table and kitchen island

“The client’s brief was to provide a holistic solution,” explained Studio Four.

“Their brief was to strengthen Gillespie’s original vision, as opposed to creating an alternate vision that would directly contrast it.”

Cunningham Street residence by Studio Four
The kitchen was relocated

Studio Four replanned the rooms to enable the occupants to spend time both together and separately.

For example, the existing kitchen was relocated to the centre and rear of the home so it could be used as a central space for the family to gather in.

To make the spaces appear larger and more connected with each other and the outside space, the architects inserted a series of portal openings between the spaces.

It decorated the spaces with a palette of light and neutral colours.

Reading nook with blue carpet and view of garden in interior by Studio Four
One of the portals features an integrated reading nook

“The design response reflects the integrity of the existing built fabric. The focus is on the experience rather than the form, and all emphasis is placed on the quality of the experience rather than a visual statement,” concluded the studio.

“The result is a house where the architectural form and its interiors act as one, and the transition between built form and landscape is blurred.”

Bedroom with floor to ceiling windows and green bedding in Cunningham Street residence
The bedroom features panoramic views of the trees outside

Studio Four, which is led by directors Annabelle Berryman and Sarah Henry, has a track record of creating homes that blur indoor and outdoor space.

Previous residential projects include an all-white family home with a garden at its centre, and a grey-brick home with a central olive tree-dotted courtyard.

Photography is by Shannon McGrath.

Reference