Hotel San Fernando with lettering and entrance corridor
CategoriesInterior Design

Bunkhouse and Reurbano convert Mexico City building into boutique hotel

Hotel San Fernando with lettering and entrance corridor

American hotel brand Bunkhouse and interior design studio Reurbano have used motifs derived from the history of a Mexico City structure when converting it into a boutique hotel.

Hotel San Fernando is located in the Condesa neighbourhood of Mexico City, a largely residential zone that in recent years has seen an influx of national and international travellers.

Hotel San Fernando with lettering and entrance corridorHotel San Fernando with lettering and entrance corridor
Bunkhouse and Reurbano have converted a 1940s apartment building into a boutique hotel in Mexico City

Bunkhouse worked with local interior design studio Reurbano to take a 1940s apartment building and convert it into a 19-room hotel, with finishes informed by the neighbourhood.

The face of the structure was restored and painted a light green, with darker green used on the awnings that provide coverage for seating attached to the hotel’s lobby and restaurant, which open to the street through glass-paned French doors.

Chandelier on bar top Chandelier on bar top
It features renovated spaces that maintain details of the original structure

An art deco-style logo spells out the name of the hotel above the door. Saint Fernando is known as the patron saint of engineers, and the team wanted to highlight this by maintaining the name of the original building in the branding of the new structure.

“We wanted to honour this building,” said Bunkhouse senior vice president of design Tenaya Hills.

“We love the story and the history and like to imagine what it has been for people over the decades.”

Woman on spiral staircase at Hotel San FernandoWoman on spiral staircase at Hotel San Fernando
A spiral staircase leads from the lobby to the rooftop

This primary entrance features a metal door with glass panes informed by the original stained glass of the building.

The entry corridor leads past a lobby lounge, with lighting by Oaxaca studio Oaxifornia and furnishings by local gallery Originario; and design studios Daniel Y Catalina, and La Metropolitana, which also created custom furniture for all of the guest suites.

At the far end of the lobby lounge is the restaurant’s bar, which features a large semi-circular cabinet with mirrored back to hold the spirits. A chandelier by local sculptor Rebeca Cors hangs above the clay-clad bar.

French doors with black and white tile flooringFrench doors with black and white tile flooring
French doors feature at the entrance and on some of the rooms

The entrance corridor has green encaustic concrete tiles from the original building. Other original details include the wainscotting and casement windows.

A reception area is located at the end of the corridor and behind it is a circular staircase with metal-and-wood railing that leads all the way up through the building, with landings on each of its five floors, terminating at a terrace on top of the building.

The guest rooms range from single-room setups to multi-room suites, the largest of which are accessed through French doors with opaque windows.

Here the studio departed from the greens used on the exterior and the lobby and utilised soft orange, pink and white paints.

Room at Hotel San FernandoRoom at Hotel San Fernando
Light colours and hand-crafted goods fill the rooms

Floors in the rooms are either tile or wood and furniture made from light-coloured wood is covered by locally derived textiles. Three rooms on the rooftop level feature furniture designed by Bunkhouse and fabricated by local design outfit B Collective Studio.

Pendant lamps and sconces by local ceramicist Anfora are found in the kitchens and bathrooms.

Sculptural breezeblocks on hotel terraceSculptural breezeblocks on hotel terrace
The rooftop features sculptural breeze blocks

The rooftop features a tiled dining and lounge area surrounded by sculptural breeze blocks, designed to mimic the original building’s patterned stained glass.

Mexican design studios Mexa and Comité de Proyectos contributed furniture pieces for the rooftop.

Other hotels in Mexico include a tile-clad structure in San Miguel de Allende by Productora and Esrawe Studio and a hotel in Mexico City with wooden lattices by PPAA.

The photography is by Chad Wadsworth. 



Reference

Community centre by WORKac and Ignacio Urquiza Architects
CategoriesArchitecture

Mexico City community centre has blue-tinted concrete walls

Community centre by WORKac and Ignacio Urquiza Architects

Design firms WORKac and Ignacio Urquiza Architects have created a multi-level, concrete community centre in an underserved neighbourhood that is meant to “promote the regeneration of social life”.

The building by New York’s WORKac and local studio Ignacio Urquiza Arquitectos – officially called PILARES Lomas de Becerra — is located in a hilly area and rises up from a dense intersection surrounded by active streets.

Community centre by WORKac and Ignacio Urquiza ArchitectsCommunity centre by WORKac and Ignacio Urquiza Architects
The community centre is located in Mexico City

Located in Mexico City’s Lomas de Becerra neighbourhood, the building was created as part of a government initiative called PILARES, which stands for Points of Innovation, Freedom, Art, Education and Knowledge.

For a slender, irregularly shaped site, the team devised a multi-storey facility that encompasses 5,059 square feet (470 square metres).

Blue concrete walls within the community centreBlue concrete walls within the community centre
WORKac and Ignacio Urquiza Architects designed the multi-level structure

“In appearance, the volume is simple and compact, with a strong character that confirms its presence as a public building,” the team said.

Walls are made of concrete – a material chosen for its construction and structural efficiencies, as well as its thermal and aesthetic qualities, the team said.  The concrete was dyed blue, a decision informed by the vibrant colours found in the surrounding area.

Coloured concrete building in Mexico CityColoured concrete building in Mexico City
The team devised the building for a slender, irregularly shaped site

Launched in 2018, the PILARES programme aims to create opportunities for residents in underserved areas.

“Each PILARES building is designed to support various kinds of classes and workshops in support of skill building, as well as bringing cultural programming, learning opportunities, and safe spaces for leisure and cross-generational gathering to each neighbourhood,” said New York’s WORKac.

“The sites selected for their construction create new landmarks in the urban fabric, enabling the population to identify them as community meeting centres that promote the regeneration of social life.”

Blue concrete walls and a geometric skylightBlue concrete walls and a geometric skylight
Walls are made of blue concrete

Mexico City’s government enlisted local and international design studios to create 26 facilities under the programme.

Buildings are meant to respond to the local context and follow programming guidelines developed through extensive community engagement.

Blue concrete wallsBlue concrete walls
The building is meant to respond to its local context

The team tried to reflect the community and its values in the architecture.

“The use of colour in Mexican architecture is an element that has been transformed and reinterpreted in the hands of many artists and architects across generations,” the team said.

The building is fronted by a plaza that is shaded by pre-existing trees.

Street with trees outside Mexico City community centreStreet with trees outside Mexico City community centre
The building is fronted by a plaza with trees

Part of the ground floor is sliced away to form an angled, glazed entry wall, which helps “the transition between exterior and interior spaces”, the team said.

“The diagonal opening on the ground floor provides clear and free-flowing pedestrian routes in every direction, inviting users to walk around the plaza and enter the building,” the team said.

Inside, the building contains three split levels, all of which are connected by a central staircase. Rooms are designed to be fluid and adaptable.

“This flexible approach leaves open the possibility for changes to the programme over the lifetime of the building and allows it to freely evolve and adapt,” the team said.

Central staircase from an aerial viewCentral staircase from an aerial view
Three split levels are connected by a central staircase

WORKac and Ignacio Urquiza Architects have designed a second PILARES building, in the borough of Azcapotzalco, that follows a similar design vocabulary.

Other PILARES buildings include a community centre in Iztapalapa by Rozana Montiel Estudio de Arquitectura that features a series of bridges, walkways and exterior staircases.

The photography is by Arturo Arrieta and Ramiro del Carpio.


Project credits:

Architect: WORKac and Ignacio Urquiza Architects (IUA)
Team: Amale Andraos, Dan Wood, Ignacio Urquiza Seoane, Michela Lostia di Santa Sofía, Eder Hernández, María del Mar Carballo, Ana Laura Ochoa, Anet Carmona, Noé García, León Chávez, Fernando Tueme, Sacha Bourgarel
Interior design and lighting: WORKac, IUA and APDA
Structure and engineering: BVG (César Barquera, Eduardo Barquera); Ecomadi
Landscape: Genfor Landscaping (Tanya Eguiluz)
Development: Mexico City government and ZV Studio (Carlos Zedillo)
Digital visualizations: Israel Levy
Client: Mexico City government

Reference