Tropical Modernism exhibition explores “the politics behind the concrete”
CategoriesInterior Design

Tropical Modernism exhibition explores “the politics behind the concrete”

London’s Victoria and Albert Museum has launched its Tropical Modernism exhibition, which highlights the architectural movement’s evolution from colonial import to a “tool of nation building”.

According to the Victoria & Albert Museum (V&A), the exhibition aims to examine the complex context, power dynamics and post-colonial legacy of tropical modernism – an architectural style that developed in South Asia and West Africa in the late 1940s – while also centralising and celebrating its hidden figures.

Archival Image in Tropical Modernism exhibition at the V&A LondonArchival Image in Tropical Modernism exhibition at the V&A London
London’s V&A museum has opened a major exhibition exploring tropical modernism

“Tropical modernism is experiencing something of a modish revival as an exotic and escapist style popular in verdant luxury hotels, bars and concrete jungle houses,” the exhibition’s lead curator Christopher Turner told Dezeen.

“But it has a problematic history and, through an examination of the context of British imperialism and the de-colonial struggle, the exhibition seeks to look at the history of tropical modernism before and after Independence, and show something of the politics behind the concrete,” he continued.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
The exhibition traces the evolution of tropical modernism within a South Asian and West African context

The exhibition follows the V&A’s Tropical Modernism exhibition at the 2023 Venice Biennale, which revealed the team’s precursory research on tropical modernism in a West African setting.

For the in-house iteration of the exhibition, additional architectural models, drawings and archival imagery have been introduced to interrogate tropical modernism in India alongside the African perspective.

Exhibition materials line a series of rooms within the V&A’s Porter Gallery, divided by brightly coloured partitions and louvred walls referencing tropical modernist motifs.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
Archival imagery, architectural drawings and physical models line the gallery rooms

The exhibition begins by tracing tropical modernism back to its early development by British architects Jane Drew and Maxwell Fry. Stationed together in Ghana from 1944, Drew and Fry adapted international modernism to the African climate, proposing functional over ornamental design.

Drew and Fry would also become part of the Department of Tropical Studies at the Architectural Association (AA), which exported British architects to the colonies from 1954 in a bid to neutralise calls for independence.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
The exhibition aims to centralise local professionals who have gone widely unrecognised for their contributions to the movement

The exhibition continues by spotlighting local Ghanaian figures who worked with Fry and Drew, noting the power shifts that were taking place behind the scenes to reappropriate the architectural style for an emerging era of colonial freedom.

Influential political leaders Jawaharlal Nehru in India and Kwame Nkrumah in Ghana are the exhibition’s key personas, framing the evolution of tropical modernism from conception to regionalisation.

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
Gallery rooms are divided by brightly coloured partitions informed by tropical modernist motifs

“The heroes of our exhibition are Nehru and Nkrumah, the first prime ministers of India and Ghana,” Turner explained. “Tropical modernism, a colonial invention, survived the transition to Independence and was appropriated and adapted by Nehru and Nkrumah as a tool of nation building.”

“Nkrumah, who sometimes sketched designs for the buildings he wanted on napkins, created the first architecture school in sub-Saharan Africa to train a new generation of African architects, and this institution has partnered with us on a five-year research project into tropical modernism.”

Archival image of University College Ibadan used in Tropical Modernism exhibition at the V&A LondonArchival image of University College Ibadan used in Tropical Modernism exhibition at the V&A London
According to the V&A’s research, tropical modernism shifted from its western Bauhaus roots towards a localised vernacular styles

Through a host of physical models and artefacts, the city of Chandigarh becomes the exhibition’s narrative focal point for tropical modernism in India.

Under prime minister Jawaharlal Nehru, Chandigarh was the first large-scale modernist project, recruiting Drew and Fry along with French architect Le Corbusier to plan the ideal utopian urban centre.

As with Nkrumah – who saw how the Africanisation of architecture could become a symbol of progress and change – the exhibition also aims to highlight Nehru’s ambitions for a localised modernism drawing from the Indian vernacular, rather than the Western Bauhaus style.

The display culminates in a video featuring 16 key tropical modernist structures, interspersed with interviews and footage explaining the social and political context behind each building’s realisation.

“We made a three-screen 28-minute film, shot in Ghana and featuring panoramic portraits of over a dozen buildings, cut with archive footage from the time and interviews with architects like John Owusu Addo and Henry Wellington, and Nkrumah’s daughter, the politician Samia Nkrumah,” said Turner.

Archival image of Maxwell Fry and John Noah used in Tropical Modernism exhibition at the V&A LondonArchival image of Maxwell Fry and John Noah used in Tropical Modernism exhibition at the V&A London
The exhibition aims to address gaps in the museum’s African and South Asian studies

According to Turner, the exhibition begins to address gaps in the V&A’s collections and archives pertaining to architecture and design in the global south.

“Archives are themselves instruments of power, and West African and Indian architects are not as prominent in established archives, which many institutions have now realised and are working to address,” Turner explained.

“Tropical modernism was very much a co-creation with local architects who we have sought to name – all of whom should be much better known, but are excluded from established canons.”

Installation shot of Tropical Modernism exhibition at the V&A LondonInstallation shot of Tropical Modernism exhibition at the V&A London
The display will inhabit the V&A’s Porter Gallery until 22 September 2024

Bringing tropical modernism back into contemporary discourse was also important to the V&A as a timely investigation of low-tech and passive design strategies.

“Tropical modernism was a climate responsive architecture – it sought to work with rather than against climate,” Turner said.

“As we face an era of climate change, it is important that tropical modernism’s scientifically informed principles of passive cooling are reexamined and reinvented for our age,” he added.

“I hope that people will be interested to learn more about these moments of post-colonial excitement and opportunity, and the struggle by which these hard-earned freedoms were won.”

Image of video used in the Tropical Modernism exhibition at the V&A LondonImage of video used in the Tropical Modernism exhibition at the V&A London
A 28-minute video captures footage of remaining tropical modernist structures at the end of the exhibition

The V&A museum in South Kensington houses permanent national collections alongside a series of temporary activations and exhibitions.

As part of London Design Festival 2023, the museum hosted a furniture display crafted from an Alfa Romeo car by Andu Masebo and earlier in the year, architect Shahed Saleem created a pavilion in the shape of a mosque at the V&A as part of 2023’s Ramadan Festival.

The photography is courtesy of the Victoria & Albert Museum.

Tropical Modernism: Architecture and Independence will run from 2 March to 22 September 2024 at the V&A Museum in London. For more events, exhibitions and talks in architecture and design visit the Dezeen Events Guide.

Reference

Coastal Modernism: California’s New Class of Single-Family Homes
CategoriesArchitecture

Coastal Modernism: California’s New Class of Single-Family Homes

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California’s residential architecture represents a long history of experimentation and testing new ideas. As the demand for sustainable, innovative and beautiful residences continues to grow, architects and designers are redefining the concept of modern living in the Golden State. Now, there’s a wave of single-family homes built around the idea of Coastal Modernism, reinterpreting the past while building for today. This class of residences goes beyond the conventional, blending form and function to create living spaces that resonate with the demands of modern life.

Drawing inspiration from California’s unique topography, climate and culture, architects are embracing design approaches that harmonize with the natural surroundings. Whether perched on the picturesque hills of Northern California or nestled in the vibrant urban centers of SoCal, these homes are made to engage with their environment in a balance of aesthetics and practicality. From diverse design principles and layouts to environmentally conscious construction methods, discover the architectural landscape of California’s latest residential projects.


Suspension House

By Fougeron Architecture, California

Jury Winner, 11th Annual A+Awards, Renovations + Additions


Perched between two Californian hills with a creek and waterfall in the backyard, this remodel aimed to seamlessly integrate the structure into the environment within strict legal guidelines. The new home maintains the exact outline of the existing house and decks, anchoring itself to the bedrock instead of disturbing the creek below. Transparent materials, floor-to-ceiling windows and open-concept outdoor spaces offer unobstructed views of natural water features.

Retaining 50% of the existing wood structure, a steel frame supports the home, exposed on all floors. The third floor rotates for better site relation, breaking up the mass and creating a dynamic, light-filled space. The Suspension House achieves a delicate balance between modern architecture and its natural surroundings.


Mar Vista

By WOODS + DANGARAN, Los Angeles, California

Jury Winner, 9th Annual A+Awards, Residential Interiors (>3000 sq ft)

Perched on a downsloped lot, this 6,000 square-foot house maximizes views with strategic placement of the entry and master suite. The L-shaped footprint incorporates an in-ground pool. The street view features a grounded elevation with a privacy wall, floating second floor, and cedar louvers for visual interest.

The entry sequence includes a courtyard with a gingko tree. The main level boasts a modern palette of metal, polished concrete, and glass, emphasizing indoor-outdoor living. The sculptural stair leads to warmer personal spaces on the second level, with custom furnishings that help to soften the architecture.


California Meadow House

By Olson Kundig, Woodside, California

Designed by Jim Olson, this family estate seamlessly integrates architecture, interior design, art and landscape into a unified whole. The central “home base” living area serves as the core, with views extending in four directions across reflecting pools, gardens, and the Santa Cruz Mountains. The estate includes auxiliary buildings and outdoor living areas, made to blend into its verdant surroundings. The 3.5-acre site is divided into two interconnected parts, with cultivated areas featuring old-growth olive trees, a vineyard, and a succulent garden.

The “wild” half includes private spaces like the master suite and children’s bedrooms, with fluidity between inside and outside. Retracting window walls and trellises maximize outdoor living and natural ventilation. The earthy exterior palette continues inside, integrating with custom furniture and an international contemporary art collection. The home, designed for energy efficiency, incorporates solar panels, geothermal and hydronic systems, achieving a practical integration with nature.


Carmel Valley Residence

By Piechota Architecture, Healdsburg, California


Nestled in Carmel Valley’s Santa Lucia Preserve, the residence aptly was named after the surrounding area. It embraces an L-shaped plan, naturally integrating into the landscape. Located in a sunny clearing, the home features concrete, weathered steel, and cedar, mirroring the hues of the hills. Custom floor-to-ceiling glass offers breathtaking views of rolling hills, wildlife, and the valley.

The program divides between two structures forming the “L,” connected by an enclosed second-story bridge. This layout separates living spaces from suites, maximizing outdoor living. The house, oriented for views, follows the forest perimeter, with expansive windows framing oak trees as natural elements of focus.


Off-Grid Guest House

By ANACAPA, Santa Barbara, California


Situated on a pristine coastal wildlife preserve in California, this modern guest house achieves a harmonious blend of residential development and ecological preservation. Tucked into a hillside with minimal visual impact, the home offers panoramic views of the Pacific Ocean and hills through expansive sliding glass and cantilevered decks. Architect Dan Weber and designer Steve Willson prioritized environmental sensitivity, employing green building practices and sustainable systems.

The off-grid residence relies on a photovoltaic energy system, LED lighting, and low-usage appliances. With a private well, septic tank, and green roof for insulation, the house integrates seamlessly with its surroundings. Elemental materials like steel, concrete and glass, complemented by walnut accents, create a warm and characteristic space.


Lattice House

By Aidlin Darling Design, Belvedere, California


This coastal home, perched on a precipice, offers breathtaking views from San Francisco to Mount Tamalpais. Nestled amid live oak trees and Monterey pines, it maintains intimacy. Inspired by terraced landscapes, its design responds to the steep terrain, protecting occupants from the elements. Earth-toned concrete and stone walls retain the hillside, shaping living spaces.

Shifting floor plates and roof planes maximize solar exposure, creating sheltered gardens. Cedar slats filter sunlight into open-air terraces, enhancing the indoor-outdoor experience. The architecture is both grounded and dynamic, providing a sense of protection and comfort amid stunning views.


RidgeView House

By Zack | de Vito Architecture + Construction, Saint Helena, California

Nestled amongst the natural rock outcroppings, and native Oak and Manzanita trees, the RidgeView House sits atop the western edge of the Vaca Range overlooking St. Helena and the Napa Valley. Perched on a ridge, it offers valley views to the west and forest views to the east. Every room utilizes doors, windows and materials to integrate inside and outside spaces, maximizing views and bathing the interior in natural light.

The structure’s exposed interior materials contrast elegance and strength, while the exterior features a natural palette of materials – concrete, corten and cedar – allowed to patina and blend into the California flora. Expressive details showcase the materials and craft, reflecting the successful creative partnership of the owner, architect and builder.


C-Glass House

By deegan day design, Marin County, California

The C-Glass House, a 2,100 square foot retreat in northern California, stands on a wind-swept site with a panoramic view of Tomales Bay and the open ocean. Designed with inspiration from Philip Johnson’s Glass House and Mies van der Rohe’s Farnsworth House, it also draws from California legacies like Elwood and Koenig. Unlike earlier ‘vitrines in a garden,’ this glass house on the west coast prioritizes its environment, using framing, cantilever, and directional enclosure to capture the beauty of the surroundings.

The residence navigates between the precision of high modern glass houses and the Case Study generation. While influenced by architectural lineage, the C-Glass House is equally indebted to artists like Larry Bell and Dan Graham, incorporating reflective and refractive elements. It bridges these influences to open up to a panoramic vista, reflecting on architecture’s evolving role in the American landscape.


Camp Baird

By Malcolm Davis Architecture, Healdsburg, California


In search of a weekend escape, the owners of this compound sought a retreat from their central urban house. The design was made in consideration of both the client’s active children and a steep slope. Rehiring architect Malcolm Davis, who designed their primary residence, they envisioned a rural counterpoint to their urban dwelling. The goal was to create a camp-like structure focused on the outdoors, inspired by images of tents on a deck and a possible prefabricated structure.

Davis, drawing on his Northern California Regionalist background, embraced the concept defined by Louis Mumford as “a native and humane form of modernism.” Camp Baird, located on 165 acres in a coastal valley, is completely off the grid. Comprising two structures — an L-shaped main pool house and a car barn — it offers multi-functional spaces for various activities amid the natural surroundings.


House Set on the Valley Floor

By ATELIER JØRGENSEN, Napa County, California


Nestled within vineyards near the town center, this house features two interconnected structures protected by ‘L’ shaped walls, one stone and one cedar, shielding them from a busy road. Courtyards and terraces emerge behind these walls, forming individual gardens that seamlessly blend with the landscape. Slender pathways connect gardens, courtyards and interior spaces, respecting the surrounding environment. The entrance garden, resembling a porch-like atrium, leads to a solid redwood door crafted from a tree on the site.

The foyer connects the main walls, with a cedar gateway to guest rooms and a stone portal to the family art collection and main house. Expansive eaves offer year-round outdoor enjoyment and shield from the summer sun, while the house’s envelope balances privacy with large openings to the landscape, reflecting its rural setting.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

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