View of marble partition in Green Nest Apartment by AIM Studio in Milan
CategoriesInterior Design

Monolithic green marble carves apartment interior in Milan by AIM Studio

View of marble partition in Green Nest Apartment by AIM Studio in Milan

Italian studio AIM has designed a compact, multi-level apartment interior in Milan organised around a floor-to-ceiling Verde Alpi marble partition.

Created in collaboration with local marble artisans Bianco67, AIM Studio used the wall to divide the various functions of Green Nest, aiming to create an elegant backdrop for a dynamic domestic experience.

View of marble partition in Green Nest Apartment by AIM Studio in MilanView of marble partition in Green Nest Apartment by AIM Studio in Milan
Monolithic green marble carves apartment interior by AIM Studio in Milan

“The design challenge [for] Green Nest was to combine the compact size of the dwelling with the desire to create inviting, functional and representative spaces pleasant to live in at all times of the day,” AIM Studio told Dezeen.

“We were looking for a single gesture to characterise the apartment [and were] inspired by the idea of a majestic wall [running] through the heart of the house,” the studio continued. “This massive element, both because of its solid presence and its intrinsic beauty, is the focal point on which the entire design revolves.”

Full height glass divider in Green Nest Apartment by AIM Studio in MilanFull height glass divider in Green Nest Apartment by AIM Studio in Milan
The fluid living spaces can be divided by an operable ribbed glass door

The marble partition was constructed as a permeable threshold between the apartment’s lower level living spaces and a staircase leading to the habitable roof terrace above.

Designed as a single, fluid area, the main living room and bedroom can be separated by full-height ribbed glass doors. 

Green Nest Apartment by AIM Studio in MilanGreen Nest Apartment by AIM Studio in Milan
The studio used the marble wall system to host functional storage and compartment spaces

AIM Studio sought to meet the practical requirements of small-footprint living by using the Alpi marble to conceal a series of deep storage compartments.

“More than a monolith, the volume is an inhabited wall whose thickness is continuously perforated, crossed and interrupted to host the different functions of living,” AIM Studio said.

“[It] was designed as a precious shell but [leaves] nothing to chance in terms of containment and management of the space. Every compartment, every opening, has been designed [for utility].”

Behind the marble partition, the staircase to the rooftop terrace was completed with a central lightwell to draw natural light into the space below.

The studio also integrated large windows into the main living area to encourage an interplay of light on the reflective marble surface and to evoke a chiaroscuro-like effect.

Suspended kitchen system inside Green Nest Apartment by AIM Studio in MilanSuspended kitchen system inside Green Nest Apartment by AIM Studio in Milan
The compact kitchen was formed by suspended travertine joinery

Tucked into a corner of the living room, the kitchen was demarcated by suspended travertine joinery and an embossed mirror feature wall.

Neutral-toned fixtures and restrained furniture pieces were selected to balance the apartment’s modern aesthetic and emphasise the drama of the green marble.

Green Nest Apartment by AIM Studio in MilanGreen Nest Apartment by AIM Studio in Milan
An embossed mirror feature wall was connected to the kitchen nook

“We conceived this project as a search for authenticity; a minimal but at the same time welcoming and functional design created through natural, precious [and] timeless materials.”

“We hope that this search for authenticity will be perceived by those who will inhabit these spaces and that it will translate into family atmospheres and elegant, but convivial, environments.”

Green Nest Apartment by AIM Studio in MilanGreen Nest Apartment by AIM Studio in Milan
The studio selected a neutral material palette to emphasise the green marble gesture

Founded in 2012 by Claudio Tognacca in Milan, AIM Studio has projects spanning across architecture, interior design and product development both in Italy and internationally.

Other recently completed projects in Italy include Antonino Cardillo’s design for “a miniature palazzo” residence near Lake Garda and Humbert & Poyet’s interior conversion of a 16th-century Milanese chapel into a Beefbar restaurant.

The photography is by Simone Bossi

Reference

monolithic concrete volume houses sports hall in vernayaz of switzerland
CategoriesArchitecture

monolithic concrete volume houses sports hall in switzerland

monolithic concrete volume houses sports hall in vernayaz of switzerland

COMAMALA ISMAIL takes over the design of Sports hall in Vernayaz

 

Vernayaz commune in Switzerland initiated the construction of a new sports hall dedicated to school sports activities through an open architectural competition. Awarded in spring 2015, the planning by Comamala Ismail commenced, incorporating additional spaces for FC Vernayaz. By August 2017, construction began, concluding in spring 2020. The architectural approach focused on placing the sports hall on the east side of the Swiss Federal Railway line within the sports area. The building’s design prioritized practicality and simplicity, developing non-standard solutions to address community needs while maintaining elementary yet diverse spatial qualities.

monolithic concrete volume houses sports hall in vernayaz of switzerland
all images courtesy of Comamala Ismail

 

 

stone and concrete interact with the neighboring mountains

 

The project by Comamala Ismail centered on two vital aspects: reinforcing the connection between public spaces on either side of the rail tracks and establishing a dialogue with the neighboring mountainous character. The sports hall, strategically positioned at the main entrance to Valais, serves as both the head of the sports complex and a connecting element to the village center, creating a new public space for sports activities.

 

Materials employed in the project engage with the distinctive mountain environment, establishing a dialogue with the stone and nature of the mountains. The monolithic concrete volume, featuring a single opening per facade, is complemented by warm wooden cladding on the interior, contributing to a balanced and comprehensive architectural perception that prioritizes light and acoustic comfort. Synthetic building materials were minimized in favor of emphasizing the inherent characteristics of raw materials.

monolithic concrete volume houses sports hall in vernayaz of switzerland
Comamala Ismail’s project emphasizes practicality while maintaining diverse spatial qualities

monolithic concrete volume houses sports hall in vernayaz of switzerland
initiated by Vernayaz commune, the sports hall project was designed through an architectural competition

monolithic concrete volume houses sports hall in vernayaz of switzerland
two key aspects include reinforcing connections across rail tracks and engaging with the mountainous environment

monolithic concrete volume houses sports hall in vernayaz of switzerland
the sports hall acts as a head of the sports complex and connects to the village center

monolithic concrete volume houses sports hall in vernayaz of switzerland
the monolithic concrete volume features a single opening per facade

monolithic concrete volume houses sports hall in vernayaz of switzerland
the design establishes a new public space for sports activities while engaging with the mountain environment

Reference

Concrete building with vertical protrusion and square windows
CategoriesArchitecture

Monolithic New York museum pavilion features “perfect cube” gallery

Concrete building with vertical protrusion and square windows

Spanish architects Alberto Campo Baeza and Miguel Quismondo have collaborated to create the Robert Olnick Pavilion for the Magazzino Italian Art museum in Cold Spring, New York.

The concrete-clad pavilion is the second structure on the campus of the museum, which is dedicated to promoting Italian art and design in the United States.

Quismondo, who designed the first building on the site, worked with Baeza to expand the gallery capabilities of the institution.

Concrete building with vertical protrusion and square windows
Alberto Campo Baeza and Miguel Quismondo designed the Robert Olnick Pavilion in New York

The pavilion is partially submerged into a sloping green hill, with entrances on either side of the building at the top and bottom of the grade.

It has a monolithic concrete facade with little detail, punctuated at points by simple square windows. At the top of the hill, the structure has a vertical element that gives the whole building an L shape.

Within this space a double-height gallery was conceived of as an isotropic room that is a “perfect cube”, according to the architects. Windows were placed at each corner to create a sundial effect when light from outside enters.

White interior room with light streaming through square windows
The architects included a perfectly cubic room that functions like a sundial with strategically placed windows

“We built the Robert Olnick Pavilion like a poem: a white cube traversed by light,” said Baeza.

“The main space will embody the beauty of the artwork it exhibits, and with an isotropic design that carves an opening into every corner, each detail will be touched by magnificent sunlight.”

“Not unlike the excitement of birth, it is with great anticipation that we deliver this second building to the museum.”

Polished concrete floors and white ceilings
The interior features polished concrete floors and white ceilings

The building has two floors and a mezzanine, with a long first floor that stretches the length of the structure and holds a variety of programming spaces, terminating at a glass end wall that overlooks a sunken courtyard.

The primary floor holds the two main galleries, one in the long end of the building and another housed in the double-space element created by the vertical element at the top of the grade.

“The pavilion has a humble layout that highlights industrial materials such as concrete to facilitate a conceptually strong and aesthetically neutral environment to compliment the postwar and contemporary Italian art and design it will exhibit,” said the museum.

White room with beams of sunlight
The galleries will hold art by Italian creatives

Between the two gallery spaces is a mezzanine level that is accessed from the door at the top of the slope. This space holds a cafe with a seating area that extends outdoors.

All the interiors are stark white, in line with the minimalism of the facade. Polished concrete flooring and seamless overhead lights were designed to add to the smoothness of the interior.

White light in white gallery space
The structure has two floors and a mezzanine

The museum plans to launch its first exhibitions in the fall, featuring the work of Italian designers and artists such as painter Mario Schifano and architect Carlo Scarpa.

Baeza and Quasimondo has been working with museum founders Nancy Olnick and Giorgio Spanu for more than twenty years, and designed the pair’s home, which was Baeza’s first US project, in 2003.

Other projects by Baeza include a sports complex in Madrid designed to be a “box of light” and a white-walled minimalist house in Monterrey, Mexico.

The photography is by Marco Anelli

Reference