An arched stone music hall made of stone with cacti
CategoriesArchitecture

TO Arquitectura creates vaulted Mexico music school with reclaimed masonry

An arched stone music hall made of stone with cacti

Mexican studio TO Arquitectura has worked with the local community to create a music school that features a vault made from recycled and donated masonry in Mexico City.

Known as the Kithara Music Kiosk, the 645-square foot (60-square metre) project sits on an 860-square foot (80-square metre) corner lot in the Yuguelito neighbourhood. TO Arquitectura completed the project in March of 2022.

An arched stone music hall made of stone with cacti
TO Arquitectura has built a music pavilion in Mexico City

Yuguelito is located in Iztapalapa, an area that experiences high levels of conflict due to violence, poor soil quality and water scarcity.

Set along the base of the Xaltocan Volcano, an earthquake in 1985 reduced Yuguelito to rubble, and the community has been working to improve the soil for construction and to re-establish the residential area for the last forty years.

A woman pours out water next to a music kiosk
It is made of recycled and donated materials

In 2015, the Kithara Project – a classical guitar education program based in Boston, Massachusetts – arrived in the area to offer free music lessons to the community using one of the most popular instruments in the world.

To show their appreciation, the community members donated a small plot next to the local library for a guitar classroom, and TO Arquitectura held a workshop with the guitar students to develop the designs for a music school.

Hall with wooden ceiling and large doors
It was built for a community recovering from an earthquake that occurred more than 40 years ago

The resulting structure is a rectangular space that sits diagonally on its site, orienting toward the volcano and the intersection rather than the street grid. This allows the building to be opened up to the views when it serves as a stage for events in the neighbourhood.

The team employed recycled and donated materials and labour from three local builders.

Guitar man playing for audience
The vault was oriented towards the volcano and town

The open-air, pavilion-like vault is composed of different types of donated masonry, including red brick, cement blocks, volcanic stone, and a red stone called tezontle.

The two-storey vault serves as a shelter for a wooden stand made of reclaimed lumber. A set of concrete stairs climbs up to a set of raked, wooden bleachers that form the classroom space.

Aerial view of Kithara Music Kiosk
It sits on a small, donated plot

A small restroom is tucked underneath the staircase and the landing is used as a teaching platform.

The underside of the bleachers functions as a bandstand with double-height wooden doors swinging open to the community. The reclaimed wood was cut into small sections and assembled like tiles over the doors to create a varied pattern.

Light and airflow through the ground-floor space from doors on each end, while mismatched ceramic pendant lights serve as a small suspended detail.

The combination of wood and masonry creates “an acoustic balance between sound absorption and reverberation,” the studio said.

An arched music school in Mexico City
It employs rainwater capture techniques

Integrated metal scuppers run along the intersection of the vault and the wall and capture rainwater that is piped into a collection chamber and a small garden.

“Nowadays Kithara Music Kiosk has surpassed its intended uses, and the community has used it for making different events like theatre arts presentations, choir concerts and different types of social gatherings,” the studio said.

“It has a personal space scale but it definitely resonates as a collective space.”

Kithara Music Kiosk has been shortlisted in the small architecture project category of the Dezeen Awards 2023.

TO leaders Carlos Facio and José Amozurruita are also members of Mexico City’s Colectivo C733 with Gabriela Carrillo, Eric Valdez, and Israel Espín. Together they have created a brick music school with a coconut wood roof in Nacajuca and a market with an inverted trapezoid-shaped roof structure in Matamoros.

The photography is by Jaime Navarro and Santiago Arau.


Project credits:

Architecture: TO (Carlos Facio, José Amozurrutia)
Project team: Lizeth Ríos, Úrsula Rebollar, Lena Arsenijevic
Client: Matthew Rode, Kithara Foundation
Structural: Armando Pelcastre
Construction: TO, maestro Pablo Escobar
Landscape: Entorno, Tonatiuh Martínez



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Exterior of the brick Casa de Musica school by Colectivo C733 with cantilevered timber roofs
CategoriesArchitecture

Colectivo C733 tops brick music school with soaring timber roof in Mexico

Exterior of the brick Casa de Musica school by Colectivo C733 with cantilevered timber roofs

Mexican studio Colectivo C733 has created a brick music school in Nacajuca, Mexico that includes two structures and a lofty, cantilevered roof made of coconut wood.

The Mexico City-based collective completed the 1,325-square metre (120-square metre) Casa de Música in 2021.

Exterior of the brick Casa de Musica school by Colectivo C733 with cantilevered timber roofs
Colectivo C733 added a soaring coconut wood roof to the music school

The facility is part of the state’s urban development program and “provides a space for social gatherings with warm materials and natural ventilation, while musicians benefit from spacious, isolated classrooms with state-of-the-art equipment,” C733 told Dezeen.

Casa de Música is composed of two volumes connected by a public boulevard.

Exterior of the brick Casa de Musica school by Colectivo C733 with large windows and a cantilevered timber roof
The school is located in the Mexican city of Nacajuca

The larger volume – an open-plan community centre built on the foundations of a previous structure – boasts a large offset gable roof with one roof plane extending past the ridge line and cantilevering over a skylight and the opposite roof plane.

The north and south sides are supported by a series of double brick walls that hold the 24-metre trusses. The west end is transparent with rectangular glass panels shielded from the street by a porous brick screen, while the east end holds a service core.

Exterior of the Casa de Musica school with extended brick walls and cantilevered timber roofs
Double brick walls support the roof structure

The social space also holds a mezzanine stage for workshops and local musicians.

The smaller volume is the music school — consisting of eight classrooms, a cafeteria, restrooms and management offices — that reflects the rhythm of the community centre’s structure through compact spaces arranged in a line.

“The sloping roof of the building creates a double-height space in each of these areas, with an upper terrace offering views of the treetops,” the team said.

Both buildings feature local coconut wood, brick partitions, and clay tiles that provide warmth, natural freshness, and acoustic control. Wooden doors open between each structural bay, creating a loggia-like complex that opens the facility to the public.

An expansive interior space with a large pitched timber roof and glazed gable end
The larger of the two structures is a community centre

“The project draws inspiration from the traditional Mesoamerican pocho dance and contemporary expressions, incorporating warm materials, natural ventilation, and a focus on local resources to create a space that pays tribute to its location and enhances existing elements,” the team said.

The team looked beyond the site to prioritize the land on which the centre sits.

A covered exterior walkway with a brick floor and timber walls next to a glazed gable-ended building
Brick, wood and clay materials were chosen to add warmth

“It is essential that projects pay tribute to their location, particularly when they have the potential to highlight what already exists,” the team said.

The project faces a polluted creek; but the roof directs and collects rainwater, filtering it for use in restrooms, passing it through biodigesters and biofilters in a wetland-type treatment and discharging clean water into the local river as a water management alternative.

Two external brick walls topped with pitched timber roofs
A boulevard connects the school’s two structures

The locally sourced coconut wood captures carbon dioxide, generates a smaller carbon footprint than other materials and promotes both craftsmanship and employment for the local workforce.

C733 includes designers Gabriela Carrillo, Carlos Facio, Eric Valdez, Israel Espín and José Amozurrutia

In Matamoros just off the Texas-Mexico border, C733 created a brick shopping centre with inverted trapezoidal roof forms. Other projects with timber roofs in Mexico include a holiday home in Avándaro by Estudio MMX.

The photography is by Yoshihiro Koitani.


Project credits:
Colectivo C733: Gabriela Carrillo, Eric Valdez, Israel Espín, José Amozurrutia, Carlos Facio (TO)
Design team: Álvaro Martínez, Fernando Venado, Eduardo Palomino
Executive architect: Leticia Sánchez, Victor Arriata
Structures: LABG (Eric Valdez), GIEE, GECCO Ingeniería
Electrical and mechanical engineering: Enrique Zenón
Landscape architects: Taller de Paisaje Hugo Sánchez
Other consultants: Carlos Hano, Laurent Herbiet
Contractor: Francisco Tripp – Grupo Plarciac
Client: SEDATU, Municipio de Nacajuca



Reference

Evolution Music 12-inch vinyl
CategoriesSustainable News

Evolution Music creates “ecologically sound” bioplastic 12-inch vinyl

Evolution Music 12-inch vinyl

Music and sustainability collective Evolution Music has designed a 12-inch vinyl made of bioplastic using existing record pressing machinery, which features tracks by artists Beatie Wolfe and Michael Stipe.

Hailed as the world’s first commercially available bioplastic 12-inch vinyl by Evolution Music, the product is made from specially designed bioplastic instead of traditional, carbon-intensive PVC.

Evolution Music 12-inch vinyl
The 12-inch vinyl is made from bioplastic created by Evolution Music

The bioplastic 12-inch vinyl looks and functions like a standard vinyl, comprised of a black disc illustrated with a central graphic design.

It was manufactured using existing record pressing machinery and production processes.

Record pressing machinery
It is manufactured using existing record pressing machinery

Its A-side features the track Future, If Future by American musician Stipe, while Oh My Heart by British-American artist Wolfe can be played on its B-side.

The bioplastic 12-inch vinyl’s creators said that they were prompted to design the material and the product themselves after struggling to find “sustainable solutions for physical media”.

“It is a robust, ecologically secure compostable material created specifically to act and sound the same as PVC-derived vinyl,” Evolution Music CEO Marc Carey told Dezeen.

Vinyl sticker
Tracks by Michael Stipe and Beatie Wolfe feature on the record

To create the bioplastic, a four-year development process involved identifying a base polymer that acts in the same way as traditional PVC, without producing harmful substances, according to Carey.

After this, the team sourced bio-organic fillers and co-created a solid additive used for plastics called a bio masterbatch.

Evolution Music’s aim was “to create a biopolymer that is authentic, truly sustainable and ecologically sound,” explained Carey.

“We’ve never developed traditional plastic vinyl – I guess you should ask the PVC manufacturers why they didn’t [create bioplastic vinyl],” he said.

Bioplastic vinyl
Evolution Music aimed to create a “sustainable” product

Five hundred copies of the bioplastic 12-inch vinyl were initially sold when it was released earlier this year, with the proceeds donated to the charity EarthPercent.

Founded by musician Brian Eno, EarthPercent invites artists to pledge a portion of their income to the charity, which is then donated to organisations that tackle climate change.

The release of the bioplastic 12-inch vinyl forms part of a Bandcamp project by EarthPercent that includes over 100 tracks by artists including Hot Chip, Peter Gabriel and Nile Rogers.

“It took three passionate, independent music lovers from the UK to develop this product out of necessity,” concluded Carey.

“The fact that ‘big’ players did not do this in the first place raises interesting questions about the petrol, chemical, oil and plastics industry… just saying!”

Other recent bioplastic designs include a clingfilm alternative made from waste potato peels and a polystyrene substitute created from plastic-eating mealworms.

The images are courtesy of Evolution Music. 

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