Natural Connections by AHEC
CategoriesInterior Design

Natural Connections exhibition aims to “help people rediscover nature”

Natural Connections by AHEC

Designers Inma Bermúdez, Moritz Krefter, Jorge Penadés and Alvaro Catalán de Ocón have created three playful wooden furniture pieces on show at Madrid Design Festival.

Devised by the American Hardwood Export Council (AHEC), Natural Connections was on show in the entrance hall of the cultural building Matadero Madrid.

Natural Connections by AHEC
Top: Natural Connections features playful furniture pieces. Above: the exhibition took place in the Matadero Madrid

Each of the three furniture pieces was designed to encourage interaction with wood – with one acting as a bench, the other a climbing frame and the third a hanging light installation.

The designs were created in response to a brief provided by AHEC, which sought pieces made by Spanish designers out of maple, cherry, and red oak hardwoods sourced from American forests in an effort to encourage the use of the material.

The inside of a light installation at Natural Connections
Catalán de Ocón designed Nube, a hanging light installation

“We challenged the design studios to present these chambers in a public space – in a public context – so that visitors get to experience a connection,” AHEC European director David Venables told Dezeen.

“The design teams worked with maple, cherry, and red oak to create playful, original, and highly innovative installations that we hope will provide engagement, excitement and a connection for visitors to these wonderful natural materials,” said Venables.

The Lost Herd furniture pieces
Inma Bermúdez and Moritz Krefter created several “bovine-shaped” seats

Designer Catalán de Ocón created a six-metre-long hanging light called Nube  – which translates to cloud in English – made of 4,000 interconnected spherical and cylindrical individual pieces of wood.

Nube is lit by several LED lights that were placed in the middle of the hollow structure. A brass cable runs from the bass into the mesh structure, branching into positive and negative electric currents.

Positive poles run through the cherry wood while negative poles run through the maple pieces, which form a complete circuit when they touch and illuminate the bulbs.

The Lost Herd by Inma Bermúdez and Moritz Krefter
Visitors can perch on the benches and touch the woods

Its design was informed by Catalán de Ocón’s fascination with the manufacturing process for small utilitarian wooden objects such as pegs, matches and blinds.

“I was inspired by the little match or the pencil, or the wooden pin for hanging the clothes – those kinds of manufacturing techniques, where you get an object which is repeated over and over and over again,” Catalán de Ocón told Dezeen.

Wrap installation at Madrid Design Festival
Jorge Penadés produced a bleacher-style structure

Meanwhile, La Manada Perdida, or The Lost Herd, by Inma Bermúdez and Moritz Krefter was influenced by the Matadero’s former function as a slaughterhouse and cattle market.

The Spanish design duo produced a series of red oak, maple and cherry benches for Natural Connections that reference equine and bovine animals such as horses and cows. The pieces were given minimal finishing to mimic the texture of the tree they came from.

“They appear as benches or seats, but their design goes beyond furniture to incorporate aspects of imagination and play to help people encounter and rediscover nature,” said AHEC.

Madrid-based designer Penadés responded to the natural connections theme by producing a tiered seating piece called Wrap that is connected by ball joints.

The designer, who is known for his interior projects with Spanish footwear brand Camper, glued and rolled 0.7-millimetres-thick pieces of cherry veneer into tubes to create tubular hollow components, which form a bleacher-style seat when joined together.

Natural Connections furniture by Jorge Penadés
Wrap is made from thin rolls of cherry veneer

Natural Connections is one of several exhibitions at Madrid Design Festival, a month-long event that sees a design programme take over the Spanish city. After the exhibition ends, the furniture will remain in the cultural centre for a year.

Also at this year’s edition is Slow Spain, an exhibition by university students that aims to explore American hardwoods and mindful furniture consumption.

Last year saw lighting designer Antoni Arola and Spanish light manufacturer Simon use a smoke machine, lasers and a small tree to create Fiat Lux 3 Architectures of Light.

Natural Connections is on show at Matadero Madrid as part of Madrid Design Festival 2023, which takes place from 14 February to 12 March. See Dezeen Events Guide for information about the many other exhibitions, installations and talks taking place throughout the month.

The photography is courtesy of AHEC.


Project credits:

Designers: Inma Bermúdez and Moritz Krefter, Alvaro Catalán de Ocón, Jorge Penadés
Partners: American Hardwood Export Council, Matadero Madrid, Madrid Design Festival, Tamalsa

Reference

Living space of Enough House by Brian MacKay-Lyons
CategoriesInterior Design

Ten cosy cabins with living spaces that frame views of nature

Living space of Enough House by Brian MacKay-Lyons

From Norway to New Zealand, this lookbook explores rural cabins with cosy living areas that are animated by natural materials and views out over wild landscapes.

Cabins are a popular building typology with architects all around the world. Typically built from wood, the little shelters are ideally suited as peaceful retreats in remote locations.

Their small size and the use of organic materials such as wood helps these structures to blend in with natural surroundings, while also creating warm and calming living spaces for inhabitants.

As demonstrated by this roundup, little else is needed to make a cabin cosy, and keeping their interiors pared-back retains focus on the main event – the views out to nature.

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors with statement carpets, earthy bedrooms with natural colours and hotel interiors enriched by jewel tones.


Living space of Enough House by Brian MacKay-Lyons
Photo is by James Brittain

Enough House, Canada, by Brian MacKay-Lyons

Dark-stained floorboards complement the light and exposed timber beams and columns of this cabin on a farmstead in Nova Scotia.

Its living room has large windows for looking out over the rustic landscape but retains a sheltered feel with low ceilings, a soft rug and comfy leather furniture such as the 2 Fauteuil Grand Confort armchair by Le Corbusier.

Find out more about Enough House ›


L-shaped sofa and armchair inside cabin living space
Photo is by Tom Bird

Looking Glass Lodge, UK, by Michael Kendrick Architects

A black fireplace is suspended from the ceiling of this sitting area, located in the Looking Glass Lodge in East Sussex.

The room has a pared-back design filled with woven furnishings and wooden surfaces, helping to ensure the focus stays on the floor-to-ceiling glazing.

According to its designer Michael Kendrick Architects, the studio’s aim was to give the cabin “a sense of transparency and belonging within its setting”.

Find out more about Looking Glass Lodge ›


Sitting and dining area of The Hat House in Sweden
Photo is by Jim Stephenson

The Hat House, Sweden, by Tina Bergman

Despite its tall ceilings, The Hat House’s living-dining space has been made to feel snug with its warm material palette dominated by different woods.

These include spruce panels on the walls and end-grain spruce blocks for the floor. A cushioned window seat allows the owner to immerse themself in the view.

Find out more about The Hat House ›


Living room of Bruny Island Cabin by Maguire + Devin
Photo is by Rob Maver

Bruny Island Cabin, Australia, by Maguire + Devin

Baltic pine lines almost every surface of this off-grid cabin in Tasmania, designed by Maguire + Devin with references to traditional Japanese houses.

Nearly every piece of furniture forms a part of the building’s frame, creating a minimalist and uncluttered interior. This includes a raised seating area, positioned beside a pane of glass and finished with a low-lying table and rugs for sitting.

Find out more about Bruny Island Cabin ›


Living space of Biv Punakaiki cabin
Photo is by Stephen Goodenough

Biv Punakaiki, New Zealand, by Fabric Architecture

Hidden within the rainforest in the coastal village of Punakaiki, this holiday cabin has large spans of glazing that aim to immerse occupants in the landscape.

Furnishings are few and far between to prevent distracting from the view, but a homely feel is created through the warm and exposed timber structure and mid-20th-century furnishings including a leather butterfly chair.

Find out more about Biv Punakaiki ›


Mobile forest cabin at Het bos roept campsite by The Way We Build
Photo is by Jordi Huisman

Forest Cabin, Netherlands, by The Way We Build

Arches made of poplar give a chapel-like character to this tiny mobile cabin, located on a campsite in the Robbenoordbos forest in the Netherlands.

Its compact living area is deliberately simple, furnished with just a writing desk and a wood burner for warmth and offering visitors a meditative space to “rejuvenate close to nature”.

Find out more about Forest Cabin ›


Living room of Iragüen Viñuela Arquitectos ski cabin
Photo is by Marcos Zegers

House by the Cautín River, Chile, by Iragüen Viñuela Arquitecto

Iragüen Viñuela Arquitectos opted for dark-stained wood for the interior lining of this ski cabin in Chile, creating a moody yet cosy living area where the outside views take centre stage.

“The interior of the house, completely covered in black wood, allows a great contrast with the white winter and green summer landscape, and offers an atmosphere of introspection and calm according to the vocation of shelter,” said the studio.

Find out more about House by the Cautín River ›


Living space in Cabin Nordmarka by Rever & Drage Architects
Photo is by Tom Auger

Cabin Nordmarka, Norway, Rever & Drage

An angular corner window animates the unadorned living room of Cabin Nordmarka that Rever & Drage recently completed in Norway.

The green and blue tones of the forested surroundings form a colourful backdrop to the elevated space, which is characterised by light timber planks and matching furniture.

Find out more about Cabin Nordmarka ›


Interior of The Author's House in Denmark by Sleth
Photo is by Rasmus Hjortshøj, Coast

The Author’s House, Denmark, by Sleth

Landscape studio Sleth designed this writer’s cabin to blend in with its natural setting on the outskirts of Aarhus.

Douglas fir planks line the living room, creating a cosy retreat for the owner while echoing the surrounding trees. Bookshelves at the base of its gabled profile help reduce the height of the room, making it feel even more snug.

Find out more about The Author’s House ›


Treetop cabin at Bergaliv Landscape Hotel, Sweden, by Hanna Michelson

Bergaliv Landscape Hotel, Sweden, by Hanna Michelson

This compact wooden cabin nestled in the treetops of a Swedish mountain is one of four designed for the Bergaliv Landscape Hotel.

Like many other cabins on the list, the interior is simply finished. This draws attention to a wooden L-shaped bench and window seat, designed for visitors to get lost in the views out over the landscape.

Find out more about Bergaliv Landscape Hotel ›

This is the latest in our lookbooks series, which provides visual inspiration from Dezeen’s archive. For more inspiration see previous lookbooks featuring interiors with statement carpets, earthy bedrooms with natural colours and hotel interiors enriched by jewel tones.

Reference

Biomorphic Overhead: 7 Glass Ceilings That Imitate Nature
CategoriesArchitecture

Biomorphic Overhead: 7 Glass Ceilings That Imitate Nature

Biomorphic Overhead: 7 Glass Ceilings That Imitate Nature

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

By design, glass ceilings tend to attract attention to themselves. Their functional purposes are fairly limited, and their shortcomings can be sizable (depending on how good the glass is at insulating), but we keep building them because they’re just so appealing. Glass ceilings enliven everything under them, imbuing the indoors with natural lighting that we seem to be instinctively drawn to.

These 7 glass ceiling projects are all of the above, yet, they are even more eye-catching, thanks to designs that boldly imitate nature. The structures below twist and curve in impressive, unorthodox and biomorphic ways, stretching the limits of what’s possible with glass ceilings.


44 Union Square/Tammany Hall

By BKSK Architects, New York, NY

Jury & Popular Choice Winner, 9th Annual A+Awards, Architecture +Collaboration

Photos by Christopher Payne/Esto and Francis Dzikowski

BKSK Architects’s recent redevelopment brings a historical landmark back to its former glory with a meticulous façade restoration that revamps the original building’s bronze and limestone storefronts. However, the new, eye-catching 3-story glass ceiling addition draws attention to an even earlier history. The free form grid dome made with a hipped roof of steel, glass and terracotta sunshades mimics the shell of a turtle – a homage to the Indigenous Lenape people native to New York. For BKSK Architects, juxtaposing these two sources of the city’s history “creates a meaningful visual dialogue between contemporary and historic architecture”.


Bálna Budapest

By ONL [Oosterhuis_Lénárd], Budapest, Hungary

This redevelopment in Budapest seeks to reconnect the urban landscape with the adjacent Danube River with an aquatic-inspired glass addition to an old commercial center. Most noticeably, the curving glass dome imitates a streamlined body of a whale. But the design is subtle enough that the glass addition takes a life of its own, beyond its biomorphic origins.


Joe and Rika Mansueto Library at the University of Chicago

By JAHN, Chicago, IL

Given the eclectic mix of architecturally distinct campus buildings in its vicinity, it was fitting that this new library at the University of Chicago should stand out as well. The elliptical glass dome design elegantly rejects the common utilitarian box-shaped university libraries; in doing so creates a more natural and people-friendly place to do studies. Like a biodome, the library’s reading room offers a sunny, outdoor-like atmosphere without the inconveniences of being outside.


Middelfart Savings Bank

By 3XN, Middelfart, Denmark

This new multi-purpose commercial space in the seaside town of Middelfart, Denmark brings a brisk change to the architectural cityscape, without excessively sticking out. The white slanted roofs offer a sharp contrast to the old town’s color palette, but the structure’s scale and proportions are not out of line with the neighborhood. Similarly, the triangular-shaped cornices that adorn the roof — which cleverly double as skylights — are a bold architectural choice, yet they simultaneously offer an imitation of ocean waves. It’s not a coincidence that those very windows provide a direct view of the Lillebælt seaside.


China Pavilion for Expo Milano 2015

By Studio Link-Arc, LLC, Milan, Italy

Photo by Hufton+Crow Photography

Photo by Hengzhong Lv

The unique curving roof of the China Pavilion at Expo Milano merges the profile of Milan’s skyline with the rolling natural landscapes nearby. It’s a statement of hope that city and nature can exist harmoniously, though the pavilion reminds us of this elsewhere as well. Outside, layered collections of shingled bamboo float above the roof, muddling the sun rays as they enter the skylight’s translucent membrane. The result is an ethereal atmosphere for visitors inside.


Salvador Bahia Metro Station

By JBMC Architects, Salvador, Brazil

The central motif of this new transport hub in Salvador, Brazil consists in large overlapping semi-cylinders stacked like fallen dominoes. Conveniently enough, this slanted pattern allows for slivers of sun to pass through concealed, arching skylights, brightening the main station considerably.


MyZeil

By knippershelbig, Frankfurt, Germany

While the design concept for the roofing on this project was supposedly based on the shape of a canyon, this retail center in Frankfurt turns curving glass on its head very literally. The resulting concoction, a light and airy shell, appears like a water funnel, a vortex or a portal into another dimension.

Browse the Architizer Jobs Board and apply for architecture and design positions at some of the world’s best firms. Click here to sign up for our Jobs Newsletter. 

Reference

Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature
CategoriesArchitecture

Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature

Material Trends: “Eunomia” Depicts a Bold Future of Design in Balance With Nature

A new series of reports on macro design trends reveals fascinating insights into the direction in which architects and designers are traveling — and harmony lies at the heart of the first publication. In collaboration with The Prospectivists and Broadside Studios, material research and resource platform Material ConneXion has released its first major trend report, entitled Eunomia, which can be interpreted as “Fair Measure or the Good Norm.” Originally coined for a period of societal reform in Ancient Greece, Eunomia aimed to impose harmonic rules to counterbalance the consequences of human excess.

Learn More and Access the Full Report

This macro trend has clearly been catalyzed by the global pandemic. “As a reaction to months of lockdown, the fascination for the great outdoors, wellbeing and extreme sports have become deeply rooted in urbanized populations that increasingly aspire to experience a very specific and direct relationship to Nature,” states the report.

This phenomenon is linked with a rise in subcultures that recognize and embrace society’s interdependence with the natural world, developing new systems and products that are deeply informed by biological systems. Eunomia presents a diverse range of case studies to illustrate how this trend can be seen in action, from tree-bark-inspired wearables and moss-covered furnishings to bacteria-grown paint and 3D-printed waste wood tiles — complete with in-built planters.

Eunomia’s themes evoke images of numerous projects from last season’s A+Awards, including The Living’s “Alive” installation, which won a Finalist accolade in the Experimental Design category. “Alive” is an experiment in multi-species architecture: a room made of porous, organic material with both macro-spaces for humans and micro-spaces for microbes, with interfaces for exchanges among different species. Photos courtesy of The Living

For architects, the report is a veritable goldmine of inspiration. Biophilic design, resilient architecture, eco-conscious materials and sustainable construction processes are all touted within the ‘Innovation Concepts’ section, with stunning case studies of these concepts being put into practice. Standout examples include Casa Merida, a house designed by Ludwig Godefroy to “withstand the local climate, using locally sourced materials and traditional Mayan features: tall air paths and punctual green areas freshen the circulating air, providing a natural cooling sensation.” 

Meanwhile, Tanya Rey’s Verdant Project presents 3D-printed ceramic columns that are designed to allow moss to grow across every surface, forming a new type of architectural ‘coating’ that blends manmade materials with nature. Additionally, Brigitte Kock and Irene Roca Moracia’s “bio concrete” material is made from invasive species such as Japanese knotweed and American crayfish, providing an “example of how polluting building materials can be transformed into new ‘economic and ecological’ value enhancing natural aesthetics, while helping to restore local biodiversity.”

The report brings to mind projects such as Querkraft Architekten’s A+Award-winning Austrian Pavilion for the 2020 Dubai Expo. Combining local building traditions and intelligent Austrian climate engineering, a series of 38 clay plaster cones enables conventional air conditioning technology to be largely avoided, saving three quarters of the energy needed for a comparable building. Photo by Dany Eid/Expo 2020 Dubai

The report wraps up with ‘Design Ideations’, a series of vibrant, complex mood boards tied together along both aesthetic and thematic lines. These diverse yet cohesive palettes should provide architects and designers with fertile ground for continued exploration of the concepts found throughout the report. The biggest takeaway? The power of Nature is only building, and creatives must surely work with it — rather than against it — in order to thrive in the upcoming decade.

To see the full trend report and receive new material insights each month, become a member of Material ConneXion. Learn more >

Top image: Austrian Pavilion for the 2020 Dubai Expo by Querkraft Architekten

Reference

Exterior image of Groote Museum
CategoriesArchitecture

Merk X references nature for renovation and extension of Groote Museum

Exterior image of Groote Museum

Dutch studio Merk X has renovated the 19th-century Groote Museum at Amsterdam Zoo, combining the reinstatement of its original features with the addition of a new basement and contemporary accents informed by natural forms.

Designed in 1854 by Johannes van Maurik, the building historically acted as a member’s hall and museum for the zoological society Natura Artis Magistra or Artis, which closed in 1946 prior to the entire structure being closed in 2011.

The renovation by Merk X, which has been shortlisted in the civic and cultural interiors category of Dezeen Awards 2022, stripped away previous alterations before restoring and upgrading the building to house a new natural history museum.

Exterior image of Groote Museum
Merk X renovated Amsterdam’s Groote Museum

“The design process is characterised by two complementary approaches: to restore and to update,” said the practice.

“After a long period of neglect, this national monument has regained the transparency that formed architect Van Maurik’s two guiding principles: air and happiness,” it continued.

Across the original building’s two storeys, structural elements have been strengthened and original features, such as a striking double staircase in the rotunda, were altered to meet modern safety requirements with the addition of a higher balustrade.

Interior image of a ballroom with a green chandelier at the Groote Museum
It restored the building’s original features

Beneath, a basement was dug out by placing the original building on a steel table during construction, providing a new entrance route as well as much-needed additional space for back-of-house facilities, cloakrooms, lockers and bathrooms.

On the first floor, an elongated gallery space has been fitted with an additional staircase to improve circulation, designed to double as seating for public events, and a connecting bridge to link the east and west sides of the building.

The climate control and security of display areas have also been improved, with the glass vitrines that surround both levels of the gallery strengthened.

“Necessary interventions accommodating the expected influx of visitors have been fitted almost imperceptibly, including the structural strengthening of the exhibition halls and their galleries,” said the practice.

Interior image of a double staircase at Groote Museum
The studio inserted a new basement beneath the building

Alongside the restoration of historical details, Merk X drew on the nearby zoo’s nature to introduce a terrazzo floor, wall paintings, metal screens and lighting that reference trees and plants.

“A richly decorated terrazzo floor and a sculptural lamp inspired by organic forms such as chestnuts and acorns visually connect the entrance with the ground floor,” said the practice.

“Whether old or completely new, every facet of the Groote Museum has been given its place in this spectacular new composition,” it continued.

Image of a new staircase in a gallery space at the Groote Museum
It is a 19th-century building

Other projects featured on the civic and cultural interior shortlist of Dezeen Awards 2022 include the transformation of a former cow shed into a library space by Crawshaw Architects and the world’s first multi-storey skate park in Folkestone by Holloway Studio.

Photography is by Filip Dujardin.

Reference

Japanese timber house by Archipatch
CategoriesArchitecture

Tsumugu by Archipatch is a wooden house designed to connect with nature

Japanese timber house by Archipatch

Japanese architecture studio Archipatch has completed a house in the seaside city of Kagoshima that is built from timber and features a material palette chosen to complement its natural surroundings.

Tokyo-based Archipatch designed the Tsumugu house as a case study for local house builder Shichiro Construction, which wanted to utilise timber sourced from the Kyushu island where the company is based.

Japanese timber house by Archipatch
Archipatch made the Tsumugu house from locally sourced timber

The single-storey property was built to accommodate a family of four and aims to demonstrate how timber construction can be used to create comfortable and versatile living spaces.

“The house is designed to connect with nature,” said Archipatch, “and to realise a comfortable lifestyle in harmony with the ever-changing natural environment.”

Double-height living area through floor-to-ceiling glass window in Japanese house
The rooms of the house are spread across a single storey

In response to shifting domestic habits in Japan following the coronavirus pandemic, the building provides a variety of flexible spaces that allow the occupants to work and socialise at home.

The house comprises three interconnected volumes that are distinguished externally and internally by their different roof heights.

Timber exterior of Japanese home by Archipatch with overhangs and glass walls
Large overhanging eaves provide shading in the garden

The building was constructed with a wooden framework that is left exposed internally. Wood is also used extensively for cladding the walls and ceilings, with other natural materials chosen to complement the timber.

“The exterior and interior design is warm and inviting, using cedar, cypress, and natural stone grown in the region to give a sense of the texture that only natural materials can provide,” Archipatch added.

Visible timber structure in living area of Japanese house with curved desk
Shoji screens can be used to separate the Japanese room from the rest of the house

The main entrance is located in the central block and provides access to a lower volume to the left that houses a small boot room and three bedrooms.

A corridor leads past two single bedrooms to a suite at the far end with its own walk-in closet and study.

Directly in front of the entrance at the centre of the house is a Japanese-style room with a tatami-mat floor that can be used as a sitting room, a simple guest room or as a space for doing housework.

Traditional shoji screens made from wood and paper can be closed to separate the Japanese room from the rest of the house, or opened to provide different connections with the entrance and living spaces.

The main open-plan living areas are positioned to the right of the entrance in the tallest section of the house. At one end of the space sits a sunken lounge, which is lined on two sides with large windows looking onto the garden.

Sunken living room in open-plan living area by Archipatch with exposed beams and grey wall
The open-plan living space features a sunken lounge

Sections of the glazing can be opened to connect the living space with a terrace. This also allows the cool air passing over an adjacent pond to ventilate the interior.

Large overhanging eaves protect the elevations from direct sunlight, while operable clerestory windows allow hot air to escape.

Bathroom with glass door behind cabinet and back-lit mirror
A glass door in the bathroom can be opened for extra ventilation

Next to the lounge is a dining space and kitchen with a curved island. A bathroom behind the kitchen has a door in its rear wall that can be opened to enable cross ventilation through the house.

The house is designed to minimise energy consumption, with high levels of thermal insulation, a geothermal heating system and natural ventilation contributing to its sustainable performance.

Other homes in Japan include a mud-covered house and restaurant hidden below ground level and a compact family home with a large stairwell.

The photography is by Yousuke Harigane.

Reference

The Jones Beach Energy and Nature Center
CategoriesArchitecture

The Jones Beach Energy and Nature Center

The Jones Beach Energy and Nature Center

Have your say in which architects will take home Architizer’s prestigious A+Awards: Public Voting opens this spring. Interested in next year’s program? Subscribe to our newsletter for updates.  

As architecture firms across the United States join the AIA’s 2030 Commitment and integrate more sustainable practices into their work, effectively communicating the energy benefits of any given project during and after the design process is an ever-present challenge. Following a project’s completion, a plaque denoting an energy certification such as LEED may be installed on the building if it has achieved this accreditation, however, this doesn’t do much to educate the average person about what design elements actually contribute to this building’s energy efficiency. The way in which buildings, their systems and the environment interact is a complex equation that culminates in a calculated Energy Use Index (EUI) for any given project, which can vary over the course of its lifespan.

According to the International Energy Agency, architecture and its associated construction industry are responsible for approximately one third of total global energy consumption and nearly 15% of direct CO2 emissions, with energy demand from buildings continuing to rise. It is therefore imperative for new projects to not only aim for carbon neutrality and net zero status, but to also educate their inhabitants more globally about the impact of sustainability on the built environment.

With this in mind, in 2020 nARCHITECTS completed a pioneering facility that effectively visualizes how energy consumption shapes both architectural form and the natural environment. The project originally materialized when the New York State Parks Department asked nARCHITECTS to turn their attention towards a minor, ongoing renovation of a nature center at Jones Beach, that was in the planning stages at the time. The project’s ambition continued to grow as it developed, and the Jones Beach Energy and Nature Center eventually came to encompass an energy education center, a series of support offices, classrooms and a continuous sequence of exhibition spaces.

Jones Beach Energy and Nature Center © nARCHITECTS

The final budget, including the landscape and exhibitions, was roughly $30 million. Slightly under half of that total sum was contributed by the Long Island Power Authority (LIPA), which makes annual contributions and has partial curatorial oversight of the gallery spaces. This investment arrived on the heels of the 2019 Climate Leadership and Community Protection Act, as New York State began to pursue an aggressive clean energy plan through capital investments, systemic changes and collaborations between policymakers, energy producers and the public. 

A shaded porch creates a constant interplay of shifting shadows. © nARCHITECTS

As a net-zero targeted building that permanently monitors and displays its own energy performance, the Jones Beach Energy and Nature Center is a true model for all projects that seek to enlighten visitors about their own carbon footprint and the ways that we can all become more conscientious environmental agents. The building has a thin, linear footprint that is born from the location of existing foundations and a concrete sub-surface belonging to a boathouse that formerly occupied the site.

At 320 feet in length, this single-story structure treads lightly on the site and functions as a gateway to the beautiful natural environment of Jones Beach. The building has a simple form, with a series of Northeastern-oriented sloped roofs and clerestory windows punctuating the long elevation to create the sensation of a set of rolling waves moving toward the shore. A cedar-clad canopy wraps the building on all sides, creating a continuous shaded porch that results in a continuously shifting pattern of shadows.

Clerestory windows bring light down into the gallery spaces. © nARCHITECTS

Inside, the gallery spaces feature plentiful glazing, creating a bright environment that consistently makes visual connections to the surrounding environment; a far cry from the typical white box gallery environment, completely divorced from its context. The Lobby and South Gallery explore the history of Long Island’s energy network, while the East Gallery investigates “The Power of Nature” through exhibits on the surrounding ecosystem, landscape conservation and habitat restoration. The West Gallery focuses on “The Nature of Energy,” through exhibits on natural energy sources, energy-efficient buildings, renewable energy technologies, embodied energy, and the impact of extreme weather on our power grid.

Jones Beach Energy and Nature Center Diagram © nARCHITECTS

Geothermal wells provide heating and cooling throughout the interior, while 260 photovoltaic panels provide enough energy to allow the building to operate off-grid for 6 hours. The Nature Center is educational for visitors in both its overall form and exhibition content, as it successfully outlines the role of energy in New Yorker’s lives and how thoughtful, site responsive architecture can minimize our impact on the environment. 

Jones Beach Energy and Nature Center © nARCHITECTS

What better place than Jones Beach to juxtapose the relationship between our built and natural environments. Structures like this one are a critical part of addressing the climate crisis, meeting sustainability goals, enhancing resilience, and supporting more equitable communities, as we move towards a less destructive future.

Have your say in which architects will take home Architizer’s prestigious A+Awards: Public Voting opens this spring. Interested in next year’s program? Subscribe to our newsletter for updates.  

Reference

A living room with a narrow-leafed fig
CategoriesInterior Design

Domestic interiors with statement plants that bring nature indoors

A living room with a narrow-leafed fig

If your home doesn’t have a garden or a balcony, a well-chosen houseplant can bring the natural world inside. The second of a trio of spring lookbooks this Easter weekend showcases 10 domestic interiors with carefully chosen plants.


The projects feature plants ranging from full-sized trees to smaller houseplants such as aloe, peace lilies and ferns.

This is the latest roundup in our Dezeen Lookbooks series providing visual inspiration for the home. Previous articles in the series feature stylish home offices, children’s bedrooms, inspiring outdoor living spaces, and living rooms with beautiful statement shelving.


A living room with a narrow-leafed fig

The Gymnasium by Robbert de Goede

This ground-floor apartment in Amsterdam was once a gymnasium. Converted by architect Robbert de Goede, the airy dwelling features a couple of statement potted plants.

A narrow-leafed fig (Ficus maclellandii Alii) is located next to the glass doors that lead to the terrace while a large fiddle-leaf fig (Ficus lyrata) is placed beside the staircase.

Find out more about The Gymnasium ›


Orange apartment interior with a large peace lily

Trevi House by Studio Venturoni

A peace lily (Spathiphyllum) in a raised silver planter complements a Nemo chair by Fabio Novembre in this one-bedroom apartment in Rome designed by Studio Venturoni. The room also features a corn plant (Dracaena Fragrans).

Find out more about Trevi House ›


A white-walled bathroom with a snake plant

Yurikago House by Mas-aqui

Architecture studio Mas-aqui transformed this Barcelona apartment into a multi-level home featuring a variety of materials including ceramic, plywood, terrazzo and steel.

A single plant, a snake plant or mother-in-law’s tongue (Dracaena trifasciata), guards the entrance to the bathroom.

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A bedroom overlooking a plant-filled courtyard

A Forest House by Aquiles Jarrín

This spectacular apartment in Quito by architect Aquiles Jarrín features several large, architectural plants. Swiss cheese plants (Monstera Deliciosa) are clustered around the indoor pool while an internal courtyard is filled with umbrella trees (Schefflera), ferns and more Swiss cheese plants.

The apartment also features hanging baskets planted with a chain of hearts (Ceropegia woodii).

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A white-walled apartment with a large Kentia palm

Apartment in Lavapies by Leticia Saá

Architect Leticia Saá’s conversion of a Madrid apartment features a plant in every room. A large Kentia palm (Howea forsteriana) occupies a bright corner in the dining area while a giant white bird of paradise plant (Strelitizia nicola) is a key feature in the living area.

Smaller plants are dotted around the rest of the apartment (although it looks as if the photographer has used the same specimen in several of the photos).

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A white kitchen with plants and wooden cabinetry

Newry House by Austin Maynard Architects

Austin Maynard Architects transformed a narrow Melbourne house by adding a raised indoor bed beneath a glass roof over the dining area.

Planted with a range of species including a philodendron and ferns, the border creates a leafy, living backdrop to the built-in banquette.

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A minimalist apartment with a giant cactus

Apartment A by Atelier Dialect

Atelier Dialect chose a spectacular cereus peruvianus as the finishing touch to its elegantly minimal conversion of an Antwerp apartment.

The giant cactus is the only plant in the home, which is otherwise finished with materials including cement, exposed-aggregate concrete and mirrored steel.

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A white-walled living room with indoor plants

Casa SD by Escribano Rosique Arquitectos

There are more plants than furnishings in this spartan house near Valladolid in Spain by Escribano Rosique Arquitectos.

Arranged around an open courtyard and featuring open-sided living spaces, the white-brick interior is dotted with including various species of ficus including a rubber plant (Ficus elastica) as well as a snake plant (Dracaena trifasciata).

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A concrete living room with a large screw pine tree

Brutalist Tropical Home by Dan Mitchell and Patisandhika

A large screw pine (Pandanus utilis) grows out of the living room floor in this brutalist home in Bali.

Created by designer Dan Mitchell and architectural studio Patisandhika, the concrete dwelling sits amid lush tropical vegetation and features a terrace planted with palms.

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A minimalist house interior

A White House, A Growing Home by RIGI Design

An aloe plant in a raised planter has been paired with a white Hee dining chair by Hay in the bedroom of this converted Shanghai home by RIGI Design.

The succulent is one of many plants artfully placed around the home, which also features a courtyard scattered with more plants in containers.

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