Toothbrush pops open for recycling in Seymourpowell’s Un-Made concept
CategoriesSustainable News

Toothbrush pops open for recycling in Seymourpowell’s Un-Made concept

British design studio Seymourpowell has put cheap electronic goods under the spotlight with Un-Made, a project imagining four possible ways to design for quick disassembly and recycling.

As part of the project, Seymourpowell devised four automated disassembly mechanism concepts using an electric toothbrush as an example for their animated graphics.

Each of the mechanisms could be built into a product during manufacturing and then activated in a factory at the end of the item’s life.

Rendering of a toothbrush on a white backdrop from Seymour Powell's Un-Made conceptRendering of a toothbrush on a white backdrop from Seymour Powell's Un-Made concept
Un-Made suggests automated disassembly mechanisms for an electric toothbrush

The first Un-Made concept is a pin mechanism. Similar to the action of opening a SIM card slot on a smartphone, it involves poking a pin into a small, sealed pinhole on the rear of the product to release the internal components.

The second concept is a vacuum mechanism. It involves placing the product into a vacuum, causing closed cell foams and air-sealed features within it to expand and bust the external housing open.

Third, there is a piston mechanism that works by pushing a piston through a cap on the bottom of a device and forcing all of the internal components upwards until they emerge through the top.

3D graphic showing a conveyer belt of electric toothbrushes being disassembled in Seymour Powell's Un-Made concept3D graphic showing a conveyer belt of electric toothbrushes being disassembled in Seymour Powell's Un-Made concept
The first concept includes a pin-triggered release mechanism

The final concept involves using UV glue – a type of adhesive that deactivates under ultraviolet light. In this concept, the product is placed into a specially lit chamber to release the clamshell construction.

The Un-Made project was led by Eddie Hamilton, a senior industrial designer at Seymourpowell, who was driven to make the work after researching what electric toothbrush to buy for himself.

“Inevitably I went for the cheap one, at which point Amazon smugly pointed out they’d sold 10k+ of that model last month alone,” said Hamilton.

3D graphic of a series of electric toothbrushes on a conveyer belt. The one on the left is whole, the one in the middle is having its casing stripped from it under a clear dome, and the one on the right has its interior components exposed3D graphic of a series of electric toothbrushes on a conveyer belt. The one on the left is whole, the one in the middle is having its casing stripped from it under a clear dome, and the one on the right has its interior components exposed
Another mechanism uses a vacuum to burst open the product’s external housing

“As an industrial designer, I spend time obsessing over the product I’m working on, typically thinking of it in isolation,” he added.

“But one thing I occasionally fail to remember or adequately picture is the true scale of that product once manufactured. 10,000 units sold per month seems vast.”

Using Amazon’s bestsellers list, Hamilton ascertained that fabric shavers, steam irons, wireless doorbells, wireless computer mice, digital tyre inflators and USB-C adaptors were all items selling in their thousands each month, at a price of less than £20.

While designing products so they can be repaired is important, the associated expense may not be something that customers can justify for small items sold at this price point, Hamilton said.

“Even if we change societal attitudes, the bottom line is whether you should open that cheap toothbrush to replace a failing battery when you only paid £24.99 for it two years ago,” he said.

“I’m optimistic for some product categories to get the ball rolling, namely expensive and bulky items. But I’m also a realist that we need alternative strategies adjacent to repair. This is where we must design for disassembly.”

In Hamilton’s view, disassembly and recycling is a worthy “next best option” to repair for cheaper objects, as it keeps the materials in a circular material flow.

3D graphic showing a conveyer belt of electric toothbrushes being disassembled by a piston mechanism pushing their internal components out from the bottom to the top of the casing from Seymour Powell's Un-Made concept3D graphic showing a conveyer belt of electric toothbrushes being disassembled by a piston mechanism pushing their internal components out from the bottom to the top of the casing from Seymour Powell's Un-Made concept
The piston mechanism disassembles a product by pushing its components up and out

The Un-Made design team took inspiration from Agency of Design’s Design Out Waste project, which looked at three strategies for keeping a toaster out of landfill. But they particularly wanted to explore just how efficient the disassembly process could be made through automation.

The cheaper and easier the process, they say, the more motivation there is for companies to pursue this approach and recover the components and materials inside their devices.

“A huge part of the reason e-waste ends up in landfill is because of product complexity and the inherent challenges involved in their disassembly,” Seymourpowell lead designer Alex Pearce told Dezeen.

“To date, because e-waste has been considered too time-consuming and costly to disassemble – there has been no (commercial) incentive strong enough to make it a viable option.”

3D graphic showing a conveyer belt of electric toothbrushes going into a purple-lit tunnel and emerging on the other side in pieces3D graphic showing a conveyer belt of electric toothbrushes going into a purple-lit tunnel and emerging on the other side in pieces
The fourth Un-Made concept uses UV light to dissolve the glue holding the device together

The materials inside even cheap devices are valuable, Pearce points out, particularly when there are supply shortages or when it comes to rare-earth minerals.

“When you consider that more gold exists within a ton of e-waste than within a ton of gold ore dug from the ground, a straightforward economic imperative becomes clear for companies who are able to recover and reuse these materials,” said Pearce.

Seymourpowell imagines disassembly taking place either at the manufacturer’s facilities following a take-back procedure, or potentially at a public recycling centre if disassembly processes have been sufficiently standardised.

The London-based studio is known for its innovative product and transport designs, as well as concepts that challenge current norms. Recent projects from the studio have included the two-in-one reusable Bottlecup and a spaceship cabin for Virgin Galactic.

Reference

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life
CategoriesArchitecture

Dense Cities, Open Homes: 8 Multifamily Housing Projects Built for Modern Life

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Housing is central to architecture and cities. Across generations and socio-economic backgrounds, a mix of housing options makes cities more lively, sustainable and human. Amidst global housing scarcity, the need to build more multifamily and affordable housing is widespread. Equitable housing begins with policy and planning, but it’s also tied to design. Architects worldwide are considering this idea and how to create more beautiful, integrated housing that reflects how we live today.

Multifamily housing is key to creating more equitable cities. In this type of housing, multiple separate units are contained within one or several buildings within one complex. A key benefit of multifamily in the current market is that it’s usually more affordable than single-family housing. With real estate today, it’s increasingly difficult for people to buy a home, especially for first-time buyers. In multifamily housing, less land is needed, and it helps to meet the growing demand for households of all ages and income levels. As architects consider the impact of housing, the following projects represent multifamily housing design across the world. Made for residents to either rent or own, they represent a cultural shift and underline the importance of housing in architecture today.


Timber House

MESH Architectures, Brooklyn, NY, United States

Jury Winner, 11th Annual A+Awards, Multi-Unit Residential Building

New York is a city known for housing scarcity, and a place that’s defined by reinvention. For Timber House, MESH Architectures was inspired by natural finishes and “botanical architecture.” The idea was not only to foster well-being, but create a new model for timber construction in the city. The project is the first mass-timber condominium in New York, and the structure was built with glue-laminated timber columns, beams, and floor plates. The six-story, multifamily project is comprised of fourteen homes.

Beyond the novel material approaches to construction in Timber House, it was also a test in learning from passive-house design. Those principles informed its high-performance envelope, with “intensive insulation, smart air sealing, and triple-glazed wood windows.” Less interior finishes were required thanks to leaving the wood structure exposed, while the team also prioritized low-carbon material choices. For Timber House, MESH wanted to demonstrate that sustainable multifamily buildings can balance well-being and comfort, as well as beauty.


Valley

MVRDV, Amsterdam, Netherlands

Jury Winner, 11th Annual A+Awards, Architecture +Façades

MVRDV has earned a reputation for reinvention and creating new building forms. That same approach extends to housing, where the team designed Valley with a more “green and human” touch. Built for developer Edge, the project is located in Amsterdam Zuidas. Rising to three distinct towers, the façades shift across the complex. The outer edges are mirrored glass, while the inner façades are clad with stone and swaths of greenery.

Valley was built for a mix of residents, as well as workers and visitors. Not only for multifamily housing, the project also includes offices while much of the building is open to the public. For the materials, over 40,000 stone tiles of varying sizes were used throughout the building’s façades. “Each of the 198 apartments has a unique floorplan, made possible by the interior designs by Heyligers Architects.” Outside, the team worked with landscape architect Piet Oudolf on the placement and selection of trees, shrubs and approximately 13,500 smaller plants that are in within the natural stone planters.


One Hundred

Studio Gang, St. Louis, MO, United States

Jury Winner, 9th Annual A+Awards, Multi Unit Housing High Rise (16+ Floors)

Few locations are more prominent for multifamily housing in St. Louis than Forest Park. Designed by Studio Gang, One Hundred is a residential tower overlooking the park and the studio’s first project in the city. The tower includes a mix of housing, retail and amenities on four-story stacked tiers. The apartments were designed for views of Forest Park and east to the Gateway Arch.

From a formal approach, Studio Gang designed the tower with an angled façade that creates a series of large outdoor spaces atop each tier. This move also produces outdoor space for residents atop the green roof podium. The team notes that, “each apartment features its own corner living room with double exposures that, in addition to offering panoramic views, enhance the amount and quality of daylight within the units.” The tower includes public and retail spaces at ground level adjacent to the park, while establishing a new landmark for St. Louis.


Cirqua Apartments

BKK Architects, Melbourne, Australia

Jury & Popular Choice Winner, 2018 A+Awards, Multi Unit Housing Low Rise (1-4 Floors)

The Cirqua project by BKK gained widespread recognition for creating beautiful, inventive multifamily architecture. The project includes 38 unique unit types out of the 42 total apartments made with spacious balconies and an integrated approach to landscaping. Combining two properties into a single block, the project was formed with careful attention paid to scale and the surrounding context. Cirqua not only showcases a smart, nuanced approach to multifamily housing, but also how to design for accessibility and passive performance.

As the team noted, prospective owners are increasingly buying into the apartment market (over detached housing) as owner-occupiers. A sense of place was a key driver of the design, establishing a neighborly feel. All living areas and bedrooms have direct access to ventilation, natural light and views, while maximizing glazing created connections to the surrounding garden. From the neighborhood scale, a study in massing led to reducing the overall building volume to make the development fit seamlessly into its site.


Caterpillar

Prince Concepts, Detroit, MI, United States

Caterpillar approaches density through a novel construction and design in Core City, Detroit. It utilizes a Quonset Hut structure that holds eight units, all entirely prefabricated. The result is an 8,000 square foot (745 square meter) residential project that prioritizes indoor and outdoor space. Prince Concepts created the project with tall ceilings that rise to 23 feet (7 meters); the units were designed to capture morning light in the bedrooms and evening sunsets in the living room.

Multifamily housing and density are charged subjects, but they also hold the potential to reimagine everyday life in cities. For Caterpillar, the team wanted to rethink the standard ratios of a multifamily project. To do so, instead of “150 apartments surrounded by eight trees with just one window per room, Caterpillar provides eight apartments surrounded by 150 trees and 12-18 windows per room.” The multifamily project built on the success of True North, completed in 2017. That Prince Concepts development was made with eight Quonset huts and ten leasable units.


Casa Jardin Escandon

CPDA ARQUITECTOS, Mexico City, Mexico

CPDA Architects designed this garden house project as a multifamily development in Mexico City. Located in the Escandón neighborhood, the project includes fourteen residential units. At its heart, a central courtyard is the connective element that defines the housing project, opening up access to natural light and cross ventilation. Ten townhouse units are set up the four ground-floor units below, all of which share a similar material relationship.

As the Escandón neighborhood has seen rapid growth, new populations moved in across age and income levels. The project provides a mix of unit types, as well as changing faces along its façade. The exterior showcases the concrete slabs that stand out and the gabled façade, while the interior has simple, seamless and integrated forms that define the inside complex. The idea was to create a “secret garden” that residents can enjoy within the city.


The SIX Veterans Housing

Brooks + Scarpa Architects, Los Angeles, CA, United States

Few cities in the world are grappling with homelessness and a severe lack of housing affordability like Los Angeles. Brooks+Scarpa has built a practice addressing issues in the city and across the nation. For this multifamily residential, The SIX was designed as a 52-unit affordable housing project that “provides a home, support services and rehabilitation for previously homeless and/or disabled veterans.”

Located in the MacArthur Park area of Los Angeles, The SIX was made to break the mold of multifamily housing by creating public and private “zones” in which private space was deemphasized to create large public areas. At ground level, the program includes support spaces for veterans, as well as bike storage, parking and offices. The second level is the core of the project, with a large, public courtyard. The idea was to create a community-oriented, interactive space that opens to its surroundings.


Jinshan 9

Steffian Bradley Architects, Shenzhen, China

Over the last two decades, development in China has been defined by a dizzying pace and new architecture produce in-mass. For Jinshan 9, this force behind new buildings was directed into a multifamily living community. Located in China’s Shekou mixed-use district, the project looks out west to wild, forested mountains and east to Shenzhen Bay Bridge. With a range of both low-rise and high-rise structures, the development was made for diverse lifestyles and populations.

With 210 townhouse units, the project also has four residential towers rising 32 floors in height. Between integrated pedestrian paths and trails, the development comprises a network of gardens and interconnected terraces. From its material palette, Jinshan 9 includes natural-colored terracotta panels with aluminum trim on the exterior. This combines with marine-inspired imagery and forms, like balcony details echoing sailboat decks.

Architects: Want to have your project featured? Showcase your work through Architizer and sign up for our inspirational newsletters.

Reference

kengo kuma’s ‘kiki’s museum of literature’ soon to open in tokyo
CategoriesArchitecture

kengo kuma’s ‘kiki’s museum of literature’ soon to open in tokyo

UPDATE: Kengo Kuma has announced that its Edogawa City Eiko Kadono Museum of Children’s Literature, also known as the ‘Kiki’s Museum of Literature,’ will open to the public on November 3rd, 2023. New images have been captured of the village-like structure and its playful interiors as it nears completion.


kengo kuma unveils ‘kiki’s museum of literature’

In honor of author Eiko Kadono, Kengo Kuma and Associates designs a hilltop museum for children‘s literature. Defined by its playful geometries finished in pink and white, the museum overlooks Nagisa Park in Edogawa City, Tokyo. The design team expects the building to open by the summer of 2023, at which point visitors in Japan across all ages will be invited to experience the world of Eiko Kadono, who famously authored ‘Kiki’s Delivery Service,’ a story which, in 1989, inspired Studio Ghibli’s film adaptation directed by Hayao Miyazaki.

kengo kuma eiko kadono
images courtesy Kengo Kuma and Associates © Kiki’s Museum of Literature

inspired by the worlds of eiko kadono

Kengo Kuma and Associates draws influence from the fictional works of Eiko Kadono in the design of the children’s literature museum in Edogawa City. The architecture of the new cultural space will echo the atmosphere of the fictional town illustrated in the author’s best-selling novel. The design team explains: ‘We thought the architecture would be designed starting with small units, like the little houses that often appear in the stories of Kadono.’ These small boxes will follow the gentle slope of the hill, and will be enclosed with wide, projecting roofs that lightly reach outward ‘like blooming flowers.’ Follow the development of the project on the museum’s official Instagram.

kengo kuma eiko kadono
clustered boxes will echo the fictional town illustrated in Eiko Kadono’s Kiki’s Delivery Service kengo kuma eiko kadono
the museum is designed in honor of author Eiko Kadono kengo kuma's 'kiki's museum of literature' soon to open in tokyo
a third floor café overlooks the Old Edogawa River

Reference

A startup using open banking to create a loyalty programme for the planet
CategoriesSustainable News

A startup using open banking to create a loyalty programme for the planet

Spotted: Swedish fintech startup Gokind has set out to transform consumer awareness of brand sustainability. The company aims to encourage ethical, and environmentally conscious decisions by reaching customers through something they use every single day – their bank account.

The Stockholm-based startup has developed what they claim to be the world’s first loyalty programme for the planet. Leveraging expertise in behavioural science, software development, sustainability reporting, and business law, Gokind is making it easier for consumers to become eco-conscious. The startup encourages consumers to buy from more ethical and eco-friendly companies through rewards and loyalty incentives – using open banking to help customers understand which brands have sustainable practices.

To use the app, customers simply connect Gokind to their existing bank or credit accounts. With every purchase from an ethical or sustainable brand, customers will earn ‘impact credits’. The more ethical the brand, the more credits they get. The credits can then be exchanged for products and services, or put towards donations.

Thanks to the financial data they can access through open banking, Gokind can give consumers personalised advice and nudge them to make changes in their consumption habits – such as switching to a greener electricity provider or building credit with companies that support more diverse leadership.

Next steps in the company’s development include expanding beyond Sweden to provide sustainability insights to consumers across the world. 

Gokind is just the latest example of a fintech innovation that encourages sustainability. Others spotted by Springwise include a fintech app that powers the circular economy, and a credit card that tracks the carbon emissions associated with purchases.

Written By: Katrina Lane

Email: hi@gokind.co

Website: gokind.co

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